Auntie Emmy

Why is it the Emmy Awards telecast feels like something only your old auntie would watch in real time so she can root for her shows?

  1. Because it is?
  2. Because there is too much TV to have a favorite show if you’re under 90?
  3. Because there are too many award shows and none of them carry much weight?
  4. Because who wants to watch anything except the slow disintegration of the country?

Notice there is no all of the above choice.

At 70 years of age Auntie Emmy is a bit quaint.   She’s sort of the equivalent of a pop culture painting of Elvis on a velveteen blanket or arriving with a box of Fannie Mae chocolates for the beau you’re taking to the church social.

nuff said

Of course, the Chair has never been to a church social, purchased a box of Fannie Mae anything or really knows if there is such a thing as a velveteen blanket, much less one with Elvis painted on it.

Still, it sounds right, doesn’t it?  Something that used to be frivolous, fun and fiercely IMPORTANT now feels almost dull, superficial and, well…unpatriotic to spend any spare time on.

Except….

We Are Americans.

The only thing we love more than competition is…

TELEVISION!!!!!!

Lest we forget COMPETITION TELEVISION #ChoppedAllDay

So who am I/we kidding? We’ll be watching, tweeting, DVRing, reading, dishing and paying some sort of mind – even if it means going out of our way to proclaim both the show AND awards never entered our minds.

This became apparent to me about 10 years ago when I ran into a show biz guy I knew who had just been nominated for an Emmy at a trendy brunch spot that morning and, upon congratulating him, he synthetically replied:

Oh really, were those today? 

Well, yes, that’s why you are in the trendiest show business watering spot in town, you fake, I replied knowingly.

Okay, of course I didn’t.  I mean, I was there too.

Still, those were the days when Emmy was not an auntie and we were both A LOT younger so what does it matter?  He is no doubt still denying he cares as he grudgingly watches, along with the rest of us, silently cheering, or perhaps audibly jeering, for or against his shows.

Which is why every year from now until the end of our republic we will feature:

THE CHAIR’S EMMY CHEAT SHEET:

DRAMA SERIES

Nice try but I will NOT shut up about this show #BlessedBetheFruit

The Handmaid’s Tale
Game of Thrones
This Is Us
The Crown
The Americans
Stranger Things
Westworld

Sadly, there is nothing more timely than The Handmaid’s Tale.  Don’t say you know, but it’s too depressing to watch.  You owe it to your country to be forewarned.  Or at least keep up with current events by way of Gilead.

Yes, all of the aforementioned nominees have their merits, and yes The Americans is all wrapped up and sure Game of Thrones has won twice before and wasn’t up last year when The Handmaid’s Tale won the first time.  So what? Stranger Things and Westworld are audience favorites too and yes, This Is Us could sneak in because it’s the one network show critics, industryites and audiences all love.  But we’re going with the Zeitgeist.

LEAD ACTOR DRAMA

SO. MUCH. PLAID.

Jason Bateman, Ozark
Sterling K. Brown, This Is Us
Ed Harris, Westworld
Matthew Rhys, The Americans
Milo Ventimiglia, This Is Us

Jeffrey Wright, Westworld

Trusting our gut here.  The season long tease of Jack’s death on This Is Us gave Milo Ventimiglia all season to be the 70s Dad, man, hottie (NOTE:  NOT all three at once, step back) of our dreams.  Prognosticators don’t give him a chance but sometimes ya get a feelin’.

LEAD ACTRESS DRAMA

Dare I say… SLAY!

Claire Foy, The Crown
Tatiana Maslany, Orphan Black
Elisabeth Moss, The Handmaid’s Tale
Sandra Oh, Killing Eve
Keri Russell, The Americans
Evan Rachel Wood, Westworld

You’re gonna bet against OfFred?  Really?  No, really?  We didn’t think so.  And if one more person tells you Keri Russell gave the performance of the decade or that Sandra Oh’s win will make history ask them if their characters could endure sub freezing temperatures in the suburban wilderness nine months pregnant and then give birth by themselves in the middle of  drafty house with only the fireplace to light their way.  Please.

SUPPORTING ACTOR DRAMA

Wait.. I thought only Harry rocked the beard! #JusticeforHarry

Nikolaj Coster-Waldau, Game of Thrones
Peter Dinklage, Game of Thrones
Joseph Fiennes, The Handmaid’s Tale
David Harbour, Stranger Things
Mandy Patinkin, Homeland
Matt Smith, The Crown

Tough category and all of these actors deserve the honor.  But in any other year The Crown could win best series and best actress.  So it’s Matt Smith here – an actor who somehow managed to make a younger Prince Phillip sympathetic and sort of sexy while not shying away from him also being a lying, priggish philanderer and full on abusive father.  That alone is award-worthy.

SUPPORTING ACTRESS DRAMA

Let’s hope this Serena isn’t robbed. #stillnotoverUSOpen

Alexis Bledel, The Handmaid’s Tale
Millie Bobby Brown, Stranger Things
Ann Dowd, The Handmaid’s Tale
Lena Headey, Game of Thrones
Vanessa Kirby, The Crown
Thandie Newton, Westworld
Yvonne Strahovski, The Handmaid’s Tale

One of the only sure thing categories.  I myself find Serena the most heinous character on television so it’s amazing to see an actress who is actually able to make us believe she’s human.  Don’t know what that means because you haven’t watched the show?   Then WATCH IT!!!

COMEDY SERIES

Emmy’s Darling

Atlanta
Barry
Black-ish
Curb Your Enthusiasm
GLOW
The Marvelous Mrs. Maisel
Silicon Valley
Unbreakable Kimmy Schmidt

There has never been a pilot episode of a television series less likely to break through as both an audience and critics TV favorite as much as The Marvelous Mrs. Maisel.  As I said to my sister, who first turned me on to the show:  This is the most Jewish thing I’ve ever seen, I can’t believe anyone but us and our family is watching it!!

It will be a close race with the depth of storytelling in Atlanta and the sheer originality of Barry but count on Mrs. Maisel for bringing us an escape from reality by way of late 1950s Greenwich Village.

LEAD ACTOR COMEDY

Make more room on the shelf Donny! #thatsuittho

Anthony Anderson, Black-ish
Ted Danson, The Good Place
Larry David, Curb Your Enthusiasm
Donald Glover, Atlanta
Bill Hader, Barry
William H. Macy, Shameless

Donald Glover will deservedly and rightly win.  Everyone else in the category is good but he’s doing something different and real here we haven’t seen before – and doing it consistently in between his tasks as its creator and sometime writer.

LEAD ACTRESS COMEDY

Oh don’t worry Midge, we’ll be there. #Catskills #Season2

Pamela Adlon, Better Things
Rachel Brosnahan, The Marvelous Mrs. Maisel
Allison Janney, Mom
Issa Rae, Insecure
Tracee Ellis Ross, Black-ish
Lily Tomlin, Grace and Frankie

The other sure thing category.  It’s Midge in a w.a.l.k.  And when you watch Rachel Brosnahan being interviewed and see how far she is in real life from the character she portrays, well….it’s Midge in a w.a.l.k.

SUPPORTING ACTOR COMEDY

No shark this time

Louie Anderson, Baskets
Alec Baldwin, Saturday Night Live
Tituss Burgess, Unbreakable Kimmy Schmidt
Brian Tyree Henry, Atlanta
Tony Shalhoub, The Marvelous Mrs. Maisel
Kenan Thompson, Saturday Night Live
Henry Winkler, Barry

Henry Winkler was first nominated for an Emmy 42 YEARS AGO and has never won.  Five nominations and – bupkus.  This guy was THE FONZ!  Plus, his work as a deluded yet somehow effective acting teacher on Barry is heartfelt, fresh and more than deserving.  Not to mention, in real life he’s the nicest man.  Don’t mean to name drop but…..

SUPPORTING ACTRESS COMEDY

Never better #notalternativefacts

Zazie Beetz, Atlanta
Alex Borstein, The Marvelous Mrs. Maisel
Aidy Bryant, Saturday Night Live
Betty Gilpin, GLOW
Leslie Jones, Saturday Night Live
Kate McKinnon, Saturday Night Live
Laurie Metcalf, Roseanne
Megan Mullally, Will & Grace

A REALLY tough call.  Alex Borstein should win for being laugh out loud hilarious as Mrs. Maisel’s snide, baked beans eating manager and Megan Mullally has made Karen Walker one of the most popular female supporting characters in the history of TV.  Still, in the 24/7 world of politics Kate McKinnon playing the clown from It as Kellyanne Conway is so frighteningly…something that it trumps all else.

LIMITED SERIES

Welcome to Miami

The Alienist
The Assassination of Gianni Versace: American Crime Story
Genius: Picasso
Godless
Patrick Melrose

There was something so revolting and alluring about the Assassination of Gianni Versace that it’s hard to imagination it not taking the honors here.  It felt doubtful that this lurid tale warranted an American Crime Story show at all until we watched it use the tale of a twisted killer of one of fashion’s legends as a way to tell  an American tale of class and sexual repression at the turn of this past century.

LEAD ACTOR LIMITED SERIES/MOVIE

Werkin that serial killer lighting like a pro.

Antonio Banderas, Genius: Picasso
Darren Criss, The Assassination of Gianni Versace: American Crime Story
Benedict Cumberbatch, Patrick Melrose
Jeff Daniels, The Looming Tower
John Legend, Jesus Christ Superstar Live in Concert
Jesse Plemons, U.S.S. Callister (Black Mirror)

Darren Criss played Andrew Cunanan as the boyish serial killer next door and against all odds it worked.  Criss never fell into psycho cliché or gave us outsider gay sociopath 101, which made his presence all the more disturbing and riveting.  It was hard to turn away even though, honestly, there were spots where you had to turn away.  Perhaps he was too much of an awful thing for some voters, which could shift the trophy to the equally good Benedict Cumberbatch – but probably not.

LEAD ACTRESS LIMITED SERIES/MOVIE

OK fine, this is Dern in Pretty Little Lies but like… Renata forever.

Jessica Biel, The Sinner
Laura Dern, The Tale
Michelle Dockery, Godless
Edie Falco, Law & Order True Crime: The Menendez Murders
Regina King, Seven Seconds
Sarah Paulson, American Horror Story: Cult

An odd category this year with no true standout.  Still, in the #MeToo era Laura Dern deserves the credit for a smart portrayal of a difficult character – a woman who must delve back into her past in order to save herself in the present.  She made the transitions between the adult self and the other actresses who played the younger versions of her character seamless, which elevated the material far beyond where it could have landed.

SUPPORTING ACTOR LIMITED SERIES/MOVIE

I mean.. OK sure.

Jeff Daniels, Godless
Brandon Victor Dixon, Jesus Christ Superstar Live in Concert
John Leguizamo, Waco
Ricky Martin, The Assassination of Gianni Versace: American Crime Story
Edgar Ramírez, The Assassination of Gianni Versace: American Crime Story
Michael Stuhlbarg, The Looming Tower
Finn Wittrock, The Assassination of Gianni Versace: American Crime Story

Not going to lie.  This is a guess based on prognosticators.  But EVERYONE agrees it’s Jeff Daniels and the more you read his reviews the more you will also agree.

SUPPORTING ACTRESS LIMITED SERIES/MOVIE

But also kudos to hair and makeup because this is late 90s perfection.

Sara Bareilles, Jesus Christ Superstar Live in Concert
Penélope Cruz, The Assassination of Gianni Versace: American Crime Story
Judith Light, The Assassination of Gianni Versace: American Crime Story
Adina Porter, American Horror Story: Cult
Merritt Wever, Godless
Letitia Wright, Black Museum (Black Mirror)

The majority of critics believe it’s going to be Penelope Cruz but I could only understand half of the words she said through all the episodes and that’s being generous.  Besides, there is only one Donatella Versace and that’s Maya Rudolph.  Heck, they even once shared the stage in matching evening gowns at the VH1 Fashion Awards.

However, Judith Light brought a new level of denial as the successful and privileged businesswoman wife of a closeted gay man.  It was a strange yet real type of character we don’t see much on television and she could easily get the Emmy for it if it doesn’t go to Merritt Wever or Lettia Wright.  Meaning, we’re not sure but we’re going with Judy.

VARIETY TALK SERIES

We seriously cannot forget about Marlon Bundo. #thebest

The Daily Show with Trevor Noah
Full Frontal with Samantha Bee
Jimmy Kimmel Live!
Last Week Tonight with John Oliver
The Late Late Show with James Corden
The Late Show with Stephen Colbert

Every single show is worthy.  It really depends on what their producers submitted.  But Last Week with John Oliver feels like the gold standard here and the rightful successor to Jon Stewart’s Daily Show, especially after his win last year.  Though what do we know, we and everyone else we know voted for #HILLARY.

VARIETY SKETCH SERIES

This happened!

At Home with Amy Sedaris
Drunk History
I Love You, America with Sarah Silverman
Portlandia
Saturday Night Live
Tracey Ullman’s Show

Until Trump gets impeached it’s Saturday Night Live.  Never has there been a more perfect match of time, material and talent (Note: The White House being the exception).  Though it’s safe to assume SNL would gladly make a deal to give up the honor if they could get him out.  ……Wouldn’t they??

REALITY COMPETITION SERIES

DVR IS SET

The Amazing Race
American Ninja Warrior
Project Runway
RuPaul’s Drag Race
Top Chef
The Voice

The awards are on a MONDAY night this year and desperately needs some sashay. Besides, I’ve watched every season of The Voice and this last one sucked.  Gurrrrl…

Sissy That Walk – RuPaul

 

Stay tuned for the Chair’s recap of the Emmys! Follow along during the show using #NotesfromtheEmmys … hopefully it will be MARVELOUS (like I could resist).

 

Who Ya Gonna Call?

Screen Shot 2015-02-01 at 12.50.22 PM

Women are often accused of being more emotional than men but certainly we guys can get just as hysterical – even more so – if given the right issue.   When forced to provide examples the more macho among us might cite topics as varied as the rampant terrorist attacks in the Middle East, the way the movie American Sniper portrays them or how to enforce the minimum weight requirement of a professional football without interfering with what MSNBC commentator Steve Kornacki explains away as the edge EVERY team tries to get in a game. (Note: Yes, he’s the only openly gay, New England Patriots fan that I ‘ve ever heard of).

Talk nerdy to me

Talk nerdy to me

As for me, I don’t know much about football but I do know a lot about men – having been one for all my life and, well, for a lot of other reasons. And I can testify that this week there was one more undeniable item added to the hysterical, emotional and just too damn bad list for many of them us. What is it? Well, the planned reboot of the 1984 classic film Ghostbusters with AN ALL FEMALE CAST – what else could it be?!!!

I mean – How dare they???

Oh, don’t get me wrong – I LOVE the idea. Not only because I find Melissa McCarthy, Kristin Wiig, Kate McKinnon and Leslie Jones all HILARIOUS but because I like anything that upsets the power of the patriarchy that I never felt a part of. Not to mention the other reason. I didn’t really love the original and um, well, never actually found it particularly all that funny.

Seriously Chairy??

Seriously Chairy??

Wait, wait. It isn’t that it’s NOT funny. It’s just that it wasn’t my cup of green tea. The same way I never liked mashed potatoes and find both whipped cream and Jell-O sort of revolting whether served separately or together. Don’t even get me started on ambrosia.

Call me a freak, and many have, but this is my truth. However, it is not the truth for several generations of guys who have somehow grabbed onto the Ghostbusters franchise as some sort of weird touchstone of their youth that is not to be tampered with under any circumstances. Sort of like women would feel about similar enduring female buddy film franchises such as — ummm — is there one?

Well you ain't getting a sequel from us

Well you ain’t getting a sequel from us

I suppose this is the overall point if one is to suppose anything about something so ludicrous as the Twitter and social media outcry against a male director like Paul Feig (Bridesmaids) daring to reimagine a 30 year-old movie.

And no, I don’t think the Alien movies count. Besides – what guy would dare to play Ripley anyway aside from James Franco? As for mainstream rom-com series franchises, they always have males in the co-starring roles. So don’t even think about that.

Here's Francooooo

Here’s Francooooo

(Note: And yes, I realize someone out there will be writing in with a male Sex in the City remake and I for one would be in full support. But only if Steve Kornacki could play Samantha instead of James Franco – who undoubtedly will be granted that part, too. Unless they go with another Hemsworth brother – are there any more or can we make do with the two we already have?

Why yes of course! Meet Luke Hemsworth... the short one.

Why yes of course! Meet Luke Hemsworth… the short one.

You know you’re in trouble on the stage of public debate when the only prominent person on your side of the argument is Donald Trump. Just this week he took to video and ranted out loud:

…Now they’re remaking Ghostbusters with only women – what’s going on???

This was right after he screamed at us that:

They’re remaking Indiana Jones without Harrison Ford!! You can’t do that!!!

And thanks to the power of photoshop we know exactly what that would look like.

And thanks to the power of photoshop we know exactly what that would look like.

Well, it could have been Charlize Theron if I were either George Lucas or Steven Spielberg, Donald, so perhaps you should be grateful. (Note: Don’t tell me there is even a one of you wouldn’t like to see her with a whip). Not to mention, how long does poor Harrison have to keep wearing that leather jacket in the 120-degree desert heat? Till he’s the same age as the temperature? That couldn’t be any worse than Charlize OR Chris Pratt, the actor who is rumored to be the new studio choice to step into his boots.   Which begs the question of whether Michael Keaton should still be playing Batman, Tobey Maguire could still get away with Spiderman or if you really want to see today’s Hayley Joel Osment in even a walk-on in any proposed Sixth Sense reboot. I mean, next to those images James Franco starts to look fresh.  Sort of.

Of course, we haven’t even addressed the real jumbo jet of the elephant in the room – how we’ll all feel when we actually do see Mark Hamill, Carrie Fisher and Mr. Ford all grown up and then some in the newest and latest chapter of Star WarsThe Force Awakens – when it actually does arrive in theatres this December. No, there is no James Franco joke to insert here – unless any of you have one. Though I’d wager he’d have one.

I can literally be in anything!

I can literally be in anything!

My favorite male objection to this looming remake la femme worldwide web debacle came courtesy of a rant that was picked up by the fabulously la femme website Jezebel.com, which I often click to for information on this sort of thing or even when I need a laugh (evidence here). And the rant comes from the Twitter handle: halfcastpodcast, who if one is to believe his accompanying picture, is just some guy living in Brooklyn. It goes like this:

Screen Shot 2015-02-01 at 12.20.07 PM

Half, do you ever plan to date a woman again? Or are you merely content with the 79 views the last video you posted on your YouTube channel received?  That’s even less than the number of people reading this hipster, feminist and, to make it a trifecta, very gay post. Though who am I kidding? Even if it weren’t, I have the sense that we’d still beat you in the key demographic of 18-54 year-old men AND women with disposable incomes, the ones who really count in the real world these days anyway – and they most certainly include more than a few hipsters, not to mention feminists. #GhostbustersLaFemme4EverSucka$$$$.

I don’t mean to be too harsh. After all, I was quite upset several weeks ago when I found out that one of my favorite Hitchcock movies, Strangers On A Train, is being reimagined at Warner Bros. by Gone Girl writer Gillian Flynn as a starring vehicle for Ben Affleck. To me this would be like the American people hiring Sarah Palin to reinterpret the Declaration of Independence for Indiana Congressman Aaron Schock (Note: Look him up. Or better yet —).

Is this crossing the (party) line? #CongressmanBeefcake

Is this crossing the (party) line? #CongressmanBeefcake

Still, it does feel like all of us men could loosen our grip on humanity just a little. It’s admirable to be a fighter for the issues you believe in but as you get older you begin to realize what’s even wiser is to pick and choose the right battles. Hopefully Mr. Trump, Mr. Half and all the rest of the aggrieved masters and misters of the universe out there will begin to realize this soon so #Hillary2016 doesn’t have to spend such a large chunk of her time educating them. There’ll be a lot more pressing matters she’ll have to attend to as the decade rolls on.

Rules of the Game

Screen Shot 2014-10-05 at 11.45.37 AM

About three and a half years ago I came up with a silly exercise for my students, who each semester must attend a series of panels on different aspects of the entertainment industry.   Rather than me explain it to you, I scoured my old gmail account to find this task, which will undoubtedly affirm the belief of some that majoring in communications at a private college is a total waste of time. The fact that those people are absolutely wrong and that this exercise is absolute proof that I am indeed preparing them for the world they are about to enter into, will be discussed in a moment. For right now here is the task at hand that you are free to make fun of in your minds five ways to Sunday:

ANGRY BIRDS: THE MOVIE

March 28, 2011

As you all know, Pendleton Productions has purchased the rights to “Angry Birds” and has set up “Angry Birds: The Movie” as our first animated/live action tent pole film with Pixar Studios. It will, of course, be directed by Brad Bird (“The Incredibles”). 

We have cast Angelina Jolie, Paul Rudd, Andrew Garfield, Willow Smith and Kim Kardashian as our birds. Our pigs will be played by Zack Galifinakis, Hugh Jackman and Jack Black. 

In the time remaining, we’d like you to develop a detailed marketing plan to launch our film. Actually, it’s more than a film. It’s an event. Or will be if we decide to hire you because that will be your responsibility.

The marketing plan should reach across all media and be as creative and out-of-the-box as possible while still staying within the realm of reality. Whose reality? That’s up to you. But it should include publicity and promotion plans for the launch, advertising ideas, tie-ins, merchandising, product placement and any other means of creating public attention (but not backlash). It should also take into account platforms in film, television, music, new media and all social media. Because we want to reach, well – EVERYONE!!

You’ve got about 20 minutes to meet and then no more than 5-10 minutes to impress us with a presentation. So, no pressure.

Oh — our blue ribbon panel will vote and award prizes for the winning team.

Good luck and… don’t get shot down.

Okay, perhaps not my finest work. But it was prescient. A year after this assignment it was announced that there would indeed be a movie version of that best selling app/videogame/four quadrant mega-tent pole thingie.   And given that at last count the thingie was at 2 billion downloads across all platforms (and still counting) it was unsurprising that just several days ago Sony Pictures announced it was indeed moving forward with a planned Summer 2016 release of AB on the big screen with a cast that includes SNL veterans Jason Sudekis, Bill Hader, Maya Rudolph and Kate McKinnon, not to mention Frozen’s Josh Gad, Key and Peele and Peter Dinklage.

Sounds a little bit different than this "birds" movie

Sounds a little bit different than this “birds” movie

Logic and everyday belly-aching about the lack of imagination among film industry bigwigs tells us that no matter how bad any of us might think this film will turn out, it is also likely to turn out somewhere between a tidy and massive profit. Certainly, it is unlikely to lose money given the longevity this kind of asset assures its makers. Or is it and does it?

The fact is Rovio Entertainment – the Finnish animation company that first created the AB global franchise back in 2003 with a mere app – became rich beyond its wildest dreams from the app and is partners with Sony on the big screen version. But Rovio also had an additional announcement to make almost simultaneously with all this film casting hoopla last week. And that was that there would be a 16% cutback of its workforce, which in laymen’s terms means up to 130 Rovio employees – many of whom were there since the company’s inception – are getting the ax.

huh?

huh?

But how can this be after 2 billion plus downloads, 10 million Hasbro toys sold, an on-demand television show, and theme park attractions across the world, including even one at….NASA? (Look it up, naysayer)

Well, apparently Rovio’s 2013 net profits dropped 50% and this summer it was thus forced to replace its co-founder and chief executive of 10 years. In this way, it is actually telling us it will likely fit very well into the model of any other company in the entertainment industry. For the streets of Hollywood – both live and virtual – are littered with top of the heap successes that either no longer exist or are sputtering along in severely downsized versions.

I am old enough to remember that once upon a time there was a decade called the eighties and an independent film company named Vestron that won the lottery many times over with a worldwide film sensation asset that kept on giving: Dirty Dancing. But after a few years of spending with the big boys (literally) and never again achieving that kind of success, Vestron eventually folded. Remember New Line Cinema – the only studio in town that would roll the dice with the Lord of the Rings film trilogy, not to mention the makers of the Nightmare on Elm Street franchise? Well, eventually even those assets would still not allow them to compete with the changing landscape of media platforms and they were absorbed by Time Warner and downsized into a sleeker form until eventually winding up as a pint-sized entity of the corporate conglomerate where it is now barely an afterthought.

Flying too close to the sun?

Flying too close to the sun?

Which brings us back to my students.

Many of them are aspiring writers, directors and producers. There are others who hope to work in more specifically technical fields such as editing, cinematography and sound. In addition, I have a healthy number who are majoring in various forms of journalism, marketing, advertising and public relations. All of them are social media savvy and many are game savvy, or at least game literate. They may not be Angry Birds players – clearly not enough of us are for Rovio – but they have played or will (eventually) be playing some newer, hipper version of it on their phone, tablet or screen of choice not yet invented.

1345731563442_2544046

This being the case, there is another game I would like them to be skilled enough to play well in: the game of reality.   It didn’t take any genius on my part to predict the Angry Birds reality but it did take a bit of chutzpah to force them to think long and hard, regardless of their career aspirations, of how the commercial world of entertainment functions and what they are up against. No longer can a writer just be a storyteller or a cinematographer spend his/her time ignoring everything else but how precisely light flows into the frame of a scene.   In order to navigate the waters and be in a position to exercise your craft within the “system” most seem determined to enter, one needs to understand a world where we are all so ridiculously connected to both the ridiculousness of minutiae and the seriousness of global destruction, human rights violations and refighting the social revolution of the 1960s. Meaning that it should be a mystery to no one how a game application where nasty little furry birds slingshot themselves into innocent farm animals in the hopes that they will obliterate them into nothingness could net its creator many multi-millions/perhaps billions of dollars. Nothing about it should.

Since this is the world we have allowed them to inherit – this Angry Birds world – my thought three and a half years ago was to prepare them in a game of my own rather than to sit around and watch as the slingshot passed them by. Don’t get me wrong – I have higher aspirations for them than the virtual destruction of pigs via feathers. But wouldn’t it be great if they could accept the ridiculous Angry Bird reality of where we seemed headed, use their creativity to smartly work within that world and then leverage it into other employment with something newer, better and certainly more creative of their own once they amassed the access to do so?

After all, the next generation is being born this way

After all, the next generation is being born this way

Well, I thought so. But as it turned out, they were not the clueless, intellectual snobs I assumed many of them would be and that I certainly was at their age. They jumped into the assignment at the time, coming up with some of the best, most creative and certainly wisest marketing strategies I had ever heard. This includes any and all ideas I witnessed during the tortured eight or so years I spent working at three different studios in film marketing before become a more tortured – though in a good way – screenwriter, teacher and blogger.

... and before I became the great Chair-dini

… and before I became the great Chair-dini

This is a generation that, if nothing else, appreciates irony. I loved the AB live celebrity dunk in Times Square. The simultaneous worldwide Angry Bird game, the virtual billboards in cities across the world that would keep score via international teams, the personal appearances of movie stars in bird costumes that would litter the airwaves and magazine pages, and even the animal rights charities that – through some twisted reasoning I can’t remember but recalled liking at the time – would become involved in some huge charity event benefit culminating at the film premiere.

Taking a cue from China's Angry Bird's theme park

Taking a cue from China’s Angry Bird’s theme park

Sure, some of them balked at having to spend half an hour of their day thinking about film marketing – especially since on the whole this is a generation who doesn’t care much to sell something they don’t believe in.   But they all immediately understood the value of doing so. The truth is they’re a lot smarter and two steps ahead of the game that most of the rest of us are because they know games, have fun with games and will, no doubt, be changing the game while the rest of us are still complaining about the very existence of the game that we somehow, through ignorance, omission or sheer laziness, helped make a reality.

Here’s hoping that once they get the power they don’t turn their backs so some other younger, more vibrant member of some future animal species can knock them off their perch.   Though surely by that time there will be an app for that which works better than any new, lame exercise I could have come up with.

Until it doesn’t.

Manic Emmy Monday

Screen Shot 2014-08-24 at 8.55.58 AM

The Emmy Awards broadcast has been moved to Monday instead of Sunday night this year so as not to have to compete with football???   Great. We’re already pissed off. And admit it, so are you. With that being the case let’s get back at the people who invited you to predict the winners for their damned Emmy pool begin with. Let’s win this thing.

The pitfalls: For some reason, the Emmys are the trickiest of all the awards shows to predict. Is it the blue ribbon panels? Or just because in this much lauded new golden decade of television there are a wealth of riches? Neither. It’s just ALWAYS been a minefield. Individual episodes, scenes and clips are watched by various groups to many varied effects. And there are sooo many categories!!! (Note: To be said with a whine). Soooooo. Mannnnny. Categor-iiieeeeeeeeeesssss. Boy, are these #FirstWorldProblems.

Still, none of this prevents us from handing out our free predictions or getting on the inevitably indignant soapbox if even one of our perceived deserving recipients does not emerge victorious. Yes, it’s on. Consider yourself served, Emmy-ly. You unpredictably elusive hag, you.

Preach Tina!

Preach Tina!

Feel free to consult any of these below for the requisite awards pool you might be pressured to participate in on Monday night that we have already decided you will win with our help. But remember – just as William Goldman once said about the film industry – Nobody knows anything – the same pretty much goes here. Though, well – we do have our favorites and we have noticed a few (non-test) Patterns.

Outstanding Lead Actor, Drama

All hail Heisenberg

All hail Heisenberg

The Nominees: Bryan Cranston (Breaking Bad), Jeff Daniels (The Newsroom), Jon Hamm (Mad Men), Woody Harrelson (True Detective), Matthew McConaughey (True Detective), Kevin Spacey (House of Cards)

Winner:  Bryan Cranston (Breaking Bad)

The last awards run for Walter White’s alter ego. He IS the danger.

Loser: Matthew McConaughey (True Detective)

All right, all right, all right, he’s on awards fire. But do enough Emmy voters want to see him do another speech after he compared himself to Jesus at the Oscars? We think not. That said we here at NFAC are true MM fans and were amazed at the depth and intensity he brought to True Detective. But this is about who will be voted the winner. Both he and fellow cast mate Woody Harrelson will split what might have been one winning entry.

As for the rest in the field, they are all potential winners in another year but not this time out. Yes, we’re talking to you, Hammboat.

DId someone say Jon Hamm boat?

Did someone say Jon Hamm boat?

Outstanding Lead Actress, Drama

I solemnly sweat to take this Emmy home

I solemnly sweat to take this Emmy home

The Nominees: Lizzy Caplan (Masters of Sex), Claire Danes (Homeland), Michelle Dockery (Downton Abbey), Julianna Margulies (The Good Wife), Kerry Washington (Scandal), Robin Wright (House of Cards)

Winner:  Claire Danes (Homeland)

You try playing a bipolar CIA double trouble agent convincingly and then get back to us. This past season was perhaps not as stellar but Danes’ Carrie was in as great a form as ever.

Loser: Robin Wright (House of Cards)

Who knew years after winning America’s heart as the love of Forrest Gump’s life that RW could play such a fascinating, duplicitous….and we’re not revealing any more. She’s won the reviews but will likely not get the pointy statuette. Some think Kerry Washington will for the network water cooler show of the year – Scandal. But we’re not one of them.

Outstanding Supporting Actor, Drama

One last chance at glory

One last chance at glory

The Nominees: Aaron Paul (Breaking Bad), Jim Carter (Downton Abbey), Peter Dinklage (Game of Thrones), Josh Charles (The Good Wife), Mandy Patinkin (Homeland), Jon Voight (Ray Donovan)

Winner:  Aaron Paul (Breaking Bad)

This is our final chance to say it: He’s gotta win — BITCH!!!!!!!!!!!!!!!!!!!!!!

Loser: Jon Voight (Ray Donovan)

We admit that it is probably more likely that Mr. Voight will walk away with the Emmy this year for his in your face, annoying portrait of the crazed former/present mobster from hell father. But he made us quit Ray Donovan after the first season because we couldn’t take watching that character one moment longer. So he will not be voted onstage in our survey. Bitch. The rest of the guys will get another chance, except for Josh Charles. But he wasn’t going to win, anyway. Bitch.  #bitchbitchbitchbitchbitch.

Outstanding Supporting Actress, Drama

Bringing us to our knees

Bringing us to our knees

The Nominees: Anna Gunn (Breaking Bad), Maggie Smith (Downton Abbey), Lena Headey (Game of Thrones), Christine Baranski (The Good Wife), Christina Hendricks (Mad Men), Joanne Froggatt (Downton Abbey)

Winner: Anna Gunn (Breaking Bad)

After suffering through the trials and tribulations of Walter White for what must have felt like twelve eternities, Ms. Gunn’s Skyler deserves the Emmy for her final hurrah. And her last season was probably her best. She wins for the second year in a row – in a walk.

Loser:  No one really comes in a close second. Except – uh, no. No one.

Outstanding Lead Actor, Comedy

You can't help but love this guy

You can’t help but love this guy

The Nominees: Jim Parsons (The Big Bang Theory), Ricky Gervais (Derek), Matt LeBlanc (Episodes), Don Cheadle (House of Lies), Louis C.K. (Louie), William H. Macy (Shameless)

Winner:  Jim Parsons (Big Bang Theory)

Surprised? Don’t be. He’s won three times and last year he was denied by Jon Cryer in Two and a Half Men. They love to award commercial success in this category but only if the actor is really great in the role. The rest of the guys all shine but all do various versions of comedy/drama.

Loser: William H. Macy (Shameless) is now competing in the comedy category in this role for the first time. He might be a spoiler. But don’t bank on it.

Outstanding Lead Actress, Comedy

There's hope for Knope

There’s hope for Knope

The Nominees: Lena Dunham (Girls), Edie Falco (Nurse Jackie), Julia Louis-Dreyfus (Veep), Melissa McCarthy (Mike & Molly), Amy Poehler (Parks & Recreation), Taylor Schilling (Orange is the New Black)

Winner: Amy Poehler (Parks and Recreation)

Who doesn’t want to see her win for the first time and give a kick ass speech? Plus, does Julia Louis-Dreyfuss even want to get up there again and figure out a way to be humble for the umpteenth time?

Loser:  We at NFAC think Lena Dunham is giving the most original, gutsy, unvarnished performance in all of TV land. She deserves the Emmy but, well, life isn’t always fair – as she and Hannah Horvath would likely agree.

Outstanding Supporting Actor, Comedy

He's good... and he knows it.

He’s good… and he knows it.

The Nominees: Andre Braugher (Brooklyn Nine Nine), Adam Driver (Girls), Jesse Tyler Ferguson (Modern Family), Ty Burrell (Modern Family), Fred Armisen (Portlandia), Tony Hale (Veep)

Winner: Andre Braugher (Brooklyn Nine Nine)

He’s really funny and anchors every episode in whatever believability it has. Watch the show and try to disagree.

Loser: Everyone else. And for all the Adam Driver fans – us included – yeah, he deserves it but his career is gonna be so stratospheric you’ll look at this minor glitch in the road one day and laugh that you even cared.

Outstanding Supporting Actress, Comedy

Emmy royalty

Emmy royalty

The Nominees: Mayim Bialik (The Big Bang Theory), Julie Bowen (Modern Family), Allison Janney (Mom), Kate Mulgrew (Orange is the New Black), Kate McKinnon (SNL), Anna Chlumsky (Veep)

Winner: Allison Janney (Mom)

How many Emmy’s has she been awarded? Well, already one this year for her guest spot on Masters of Sex. And approximately 17 more for West Wing. This will be another.   It’s tough to make an alcoholic mom believable in the half hour format – very tough. She pulls stuff like this off – which is why she gives so many speeches on TV in the first place.

Loser: Everyone else in terms of this Emmy. Though we do wish that SNL’s Kate McKinnon could pull an upset. That poor Russian lady she does on Weekend Update was one of the show’s highlights this year.

In my country, you can trade Emmy for many goats

In my country, you can trade Emmy for many goats

Outstanding Writing, Drama

The Nominees: Breaking Bad “Ozymandias” (AMC), Breaking Bad “Felina” (AMC), Game of Thrones “The Children” (HBO), House of Cards “Chapter 14” (Netflix), True Detective “The Secret Fate of All Life” (HBO)

Winner: Breaking Bad “Felina”

We can’t help feel that one of the best series finale in recent memory (or ever) has to win best writing. Doesn’t it?

Farewell you crazy bastard

Farewell you crazy bastard

Loser: All of the others. But they were still excellent. Well, what else do you expect a writer who respects good writing to say?

Outstanding Writing, Comedy

The Nominees: Episodes “Episode 305” (HBO), Louie “So Did The Fat Lady” (FX), Orange is the New Black “I Wasn’t Ready (Pilot)” (Netflix), Silicon Valley “Optimal Tip-to-Tip Efficiency (HBO), Veep “Special Relationship” (HBO)

Winner:  Orange is the New Black (Pilot)

It’s got the buzzzzzzzzzzzzzz. Also, it feels as if this is the sure thing category to award what has become one of the new cultural TV touchstones of the moment – from Netflix. Or do we exaggerate?

Memories of binges past

Memories of binges past

Loser: No writers who get screen credit on series television are losers, fool. #Residuals.

 Outstanding Miniseries

Dontchaknow

Dontchaknow

The Nominees: American Horror Story: Coven (FX), Bonnie and Clyde (Lifetime), Fargo (FX), Luther (BBC America), Treme (HBO), The White Queen (Starz)

Winner:  Fargo (FX)

We have to admit we have barely watched but our spies tell us it’s a shoe-in. Plus, everyone loves a Billy Bob villain.

Loser: American Horror Story. It will have to be satisfied with the fact that it is THE most consistently entertaining show on TV.   #KathyBatesAngelaBassettJessicaLange?

Outstanding Television Movie

Emmy darling

Emmy darling

The Nominees: Killing Kennedy (National Geographic), Muhammad Ali’s Greatest Fight (HBO), The Normal Heart (HBO), Sherlock: His Last Vow (PBS), The Trip to the Bountiful (Lifetime)

Winner: The Normal Heart (HBO)

Every gay man in America will bitch out the Emmys if this does not happen. And no one in the television academy wants to have to deal with that.

Loser: They all lose because this is THE LOCK of the evening.

Outstanding Variety Series

Does he really need to take over for Dave?

Does he really need to take over for Dave?

The Nominees: The Colbert Report (Comedy Central), The Daily Show (Comedy Central), Jimmy Kimmel Live (ABC), Real Time with Bill Maher (HBO), Saturday Night Live (NBC), The Tonight Show Starring Jimmy Fallon (NBC)

Winner:  The Colbert Report (Comedy Central)

He makes what’s so tough seem soooo easy. Plus, it’s Stephen’s last time before he goes from the small to the big stage? Or is it the other way around?

Loser: Can we or thee really call any of those other guys and shows losers? Think about it a minute or two more.

Outstanding Comedy

Girlz Rule

Girlz Rule

The Nominees: The Big Bang Theory (CBS), Louie (FX), Modern Family (ABC), Orange is the New Black (Netflix), Silicon Valley (HBO), Veep (HBO)

Winner: Orange Is The New Black (Netflix)

It’s really not the best comedy on television but it’s got that thing going for it. You know that thing — the spotlight. Now it is possible voters might want to go for a true comedy, as they sometimes do here. In that case, your guess is as good as ours.

Loser: Louie (FX).

He’s an original and there are so few. As for Big Bang Theory – it has never won the best comedy series Emmy award because as some wise industry wag once told me decades ago: You don’t get to have money AND great reviews. They just won’t give you both anymore. (NOTE: I never did get out of this person just who the “they” was).

Outstanding Drama

No time to look back

No time to look back

The Nominees: Breaking Bad (AMC), Downton Abbey (PBS), Game of Thrones (HBO), House of Cards (Netflix), Mad Men (AMC), True Detective (HBO)

Winner: Breaking Bad (AMC)

Do you really want a reason? Or an argument?

Loser: True Detective (HBO).

Despite the lulls in some of the episode, it was truly something different – an existential, philosophy-driven cop show told by varying symbolic imagery in shifting time periods. Only one other show can beat that. And will.