Winners and Losers

About 150 onlookers watched as a grouping of large brushed bronze letters spelling out the name of our current POTUS, and authorized and installed at his direction, was literally picked out of the white Carrara marble facade (Note: Under court order) of Washington, DC’s  Kennedy Center over the weekend.

Of course, no civilians literally saw the building without those letters. 

For whatever reason (Note: Use your imagination) it all happened behind a very large scaffolding.  

Still worth visiting

Thus denying the pleasure so many millions of Americans would have gotten at viewing the restoration of that very simple and eternally elegant phrase:

The John F. Kennedy Memorial Center for the Performing Arts

As it was designated by an official act of Congress.

Envisioned and designed by architect Edward Durrell Stone in the 1960s.

And subsequently experienced by hundreds of millions of people worldwide since its doors first opened well over half a century ago.

The stories these halls could tell

In actuality, a national arts center was first suggested by First Lady Eleanor Roosevelt back in the 1930s, pushed through Congress and signed into law by Pres. Dwight D. Eisenhower in the late 1950s, and then led into fundraising existence by Pres. Kennedy and First Lady Jackie Kennedy, who championed the arts and education all through his administration in the early 1960s.

But after Pres. Kennedy was assassinated this national cultural arts center was renamed as a “living memorial” to him by its bi-partisan board of directors.  

And through bi-partisan acts of Congress and private donations, to the tune of $70 million, it was willed into existence.

Though the $1.5 million of Carrara marble was not part of the cost. 

That was donated by the Italian government specifically to honor of our slain president.

John F. Kennedy Center for the Performing Arts - All You SHOULD Know Before  Going (2026 Reviews)
and of course, the unforgettable bust of JFK

I asked a close friend of mine who also happens to be a production designer on a lot of movies, what happens to the inevitable cracked marble and if it could be replaced or filled in.  Because among thousands of even more important things being destroyed under 47’s rule, I worry about all this physical historical destruction and its lasting impact.

Especially since it’s easier for me to deal with the literal than with the metaphysical.

Though he couldn’t provide specific details he assured me, ‘yes’ it could be restored good as new, and that I wouldn’t be able to tell the difference, even if he and a tiny group of experts (Note: The latter my words, not his), could.

Well, at least that’s one thing off the list of our now 80-year-old contemporary Typhoid Mary’s gold leafed Era of Deconstruction.

GIFs de Not This Time | Tenor
Not this time, old man

Though it feels more like an Age of Anti-Reconstruction.

I’m not much for iconography or symbols but there was something about the defacement and debasement of the Kennedy Center that really got me. 

Perhaps it’s because my earliest political memory was of my Dad lifting little mini-Me on his shoulders in the Bronx in 1960 to see Pres. Kennedy being driven through the boroughs of New York City on his presidential campaign to deafening cheering crowds.

The same type of crowds that assembled this week on the streets of the city outside Madison Square Garden to share in the joys of the NY Knicks’ playoff games against the San Antonio Spurs. 

NYPD sets security plan around MSG for Knicks Game 5, World Cup travel and  concert crowds | FOX 5 New York
The city that never sleeps

Whether you’re a basketball fan or not, the city became united and mesmerized by its hometown team regaining its past glories as it edged closer and closer to its first NBA title since right after the Kennedy Center first opened in the early 1970s.

Yet our current POTUS once again managed to earn the monicker of President Buzzkill by determining to fly back to his hometown, the same one that voted virulently against him in all three of his White House Runs, to attend the third playoff game.

This, in turn, required EVERYONE within the vicinity of the game who were literally jumping with joy  on the streets at the prospect of sharing in the visceral excitement of being within the vicinity of the game, to be literally banned OFF the streets to make way for HIM.

You had to know NY was gonna show up somehow

And for his Secret Service and law enforcement liaisons to cavalierly treat the tens of thousands of celebratory New Yorkers as no more than a nuisance – i.e. sacrificial collateral – to ensure HIS personal viewing pleasure.

Which would be bad enough if he had managed to fully stay awake through the proceedings instead of catching 30, 40 or 50 winks with his ass planted into one of the few prime, and very in-demand, seats.

Not that any ordinary Joe or Jane could have afforded to be inside. 

We're Over It: Mom Group Chats - We're Over It
The truth hurts

Only that it might’ve been nice to breathe in the second-hand fumes of victory from right outside.

That, of course, was not to be.

And, fittingly, that third playoff game, the one that the geriatric man whose name we shall not mention – okay, Sir Rip Van Wrinkle – was the ONLY one the NY Knicks managed to LOSE.

Fascinating that someone who sees himself as a perpetual winner seems to be generating so much loss, for so many, including himself. 

And that the moment he leaves the WINNING begins once again.

We did what we had to do

Not only for the living legacy of an American arts institution but for the hometown crowd on the streets of NYC and a small group of elite athletes who resurrected a sports franchise and once again brought New Yorkers together.

Not only did the Knicks go on to win the following 4th game at MSG, the one our Commander and Creep did not attend. 

But on Saturday night they emerged victorious in the 5th game in San Antonio, regaining the NBA championship crown for the first time in more than 50 years.

WE DID IT

To state it in simpler terms, the only playoff game they lost when the one where….

Well, you do the math.

And consider what that might mean for our country’s winning and losing stream going forward.

GO NY GO NY

Artistic Pride

I was watching Jodie Foster play a game in a Variety video called Does Jodie Foster Know Her Lines?  The gist was her holding some oversized black index cards (Note: With the Variety logo facing camera front in case we forgot who thought up this game),  reading a line she’s said in one of the 50 plus films she’s made in the last half-century, and then guessing which movie it was from and which character said it.

Needless to say, Jodie scored 100%, not because she’s always perfect but due to the fact that she seems to have been smart and present in her life.  And has always been a storyteller.

Click here to see the full video

The latter really got to me as I begin to plunge back into writing a new, very extended story project of my own that I honestly have some trepidation about.  It’s not that I don’t want to tell this story but more that I have some fears about telling it right; and doing it justice.

As if that isn’t the way it always is. Or that there is ever a right or a just way to tell a story.  

Because all stories have some lies in them.  The question to always ask yourself is if you are telling some basic truth.

At least as you see it. 

But more importantly, as you know it.

Time Pressure Can Squeeze the Truth - WSJ
Masks off — for real

Unvarnished.

And honestly.

Like she did in such classic movies as Taxi Driver, The Accused, Silence of the Lambs and, more recently, Nyad.

You don’t have to be a teenage prostitute to play one in Taxi Driver but you do have be confident and a bit no-nonsense, or at least able to project it.  That’s the reason Martin Scorcese cast her in the film in the first place.  When he first worked with her at the age of 11 years old (Note: In Alice Doesn’t Live Here Anymore) he said he’d seldom seen anyone be so professionally direct and confident while working on a movie set.

Not in an obnoxious, braggadocio way.  Just in a direct and honest way.

JODIE FOSTER, Alice Doesn't Live Here Anymore (1974), 35mm Transparency #256
That 70s hair! #jealousevennow

It makes me wonder whether my reservations have not so much to do with justice and rightness but in the ability to be unvarnished and real to some very personal situations, as I know them, when I write about them.

It seems to me that if you have a modicum of skill in any type of artistic endeavor,  allowing that essential truth to “come out” is the most essential element. 

How you get there, well, that’s another story.  It involves who you are and the type of storyteller you want to be.   Or, truly, ARE.

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Who am I?

Being present helps because you can draw on what you recall, what you saw and, most importantly, how you felt. Memories and visuals are all well and good but they can be deceptive and elusive and precious.  But how those make you feel, well, that’s something else.

Being smart is also valuable since it helps you perceive stuff below the surface.  Though that too can get in your way if you become too intellectual about a situation because it leads you to believe that life, and the people who inhabit it, are always logical.

It is not and we all definitely will not be all, most, or even some of the time. 

Thank you for shutting down my idea. It was far too logical and made way  too much sense.
Going for “movie logic” only

Depending on who we are, the lives we’ve had, the genes we’ve inherited and the behaviors we’ve learned.

I think that’s the artistry Jodie (Note: Sorry, can’t help calling her by her first name in print, even though I’ve only met her twice for about 30 seconds in total) brings to everything she does professionally, as well as how she’s navigated her personally, very private life.

She may not have always been the “out” celebrity everyone wanted to have but, at the same time, none of us have lived her very private life.  And before counter-arguing consider what it must have been like to be both an Oscar nominee and the very public inspiration behind a very internationally public, attempted presidential assassination at the very beginning and very end of your teenage years.

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That’s a big yikes

I barely got through mine with acne and the death of Janis Joplin.

As I venture into new artistic territory at the start of Pride Month I find it interesting to be instinctually drawn back to the expression of truthful storytelling and the films, and life, of Jodie Foster. 

And marvel at how the organizers of the annual West Hollywood Gay Pride Parade could have EVER thought naming MAGA adjacent Real Housewife Kathy Hilton its grand marshal brought any justice, rightness and collective truths to our stores…

At least if they’d asked Jodie, she would have given them an honest answer.

”My Name Is Tallulah” – Jodie Foster in Bugsy Malone