Do I Have to See Endgame?

There are weeks when you simply do not know what to say.  Or write.  This is one of those weeks.

That is why I’ve been trying to listen.

I say trying because for some of us (Note:  Most especially Chairs) it IS trying.  It takes a lot of effort to listen.

If you’re truly listening you actually have to take a moment or two, or ten, to take in and think about what is being communicated to you.  It means you have to consider what the other person is saying even if your knee jerk reaction is to want to strangle them.

For instance, when I recently heard Avengers: Endgame was three hours I wanted to strangle the entire film business.  I had a lesser punishment for my students who were urging me to see it.

Me at the Arclight for the 8:00 Avengers

I wanted to strap them all to separate Chairs in the corner and make them watch a loop of Magnolia, Godfather Part II and Schindler’s List, all of which have similar running times.

Yes, that would be nine plus hours but it would take that long to teach them that at this point in their lives there are better ways to spend your movie-viewing time if you’re truly trying to learn about movies.

This is me, maybe, probably, judging you

Of course, this would have been the incorrect response for so many reasons.

First of all, I had not and didn’t plan to see Avengers: Endgame so how did I not know it wasn’t every bit as good as any of the above three?  And no, experience is not the answer.   You can’t have an experience with something you haven’t experienced.

I mean, I don’t like it when they turn their nose up at the three-hour version of one of my top 10 favorite movies, Judy Garland’s A Star Is Born.  And god knows that has happened a lot more than once,  twice 250 times.

Don’t judge me!

Second of all, don’t I teach that good and bad are relative terms and that there is no artistic hierarchy?  If this is so, then why is a mess, I mean, mass entertainment movie any less valuable to see than something we film people deem essential viewing?

::Snickers::

If one subscribes to the idea that some escapism is required from a real world that too often than not can be dark, merciless and disappointing (Note: and who doesn’t these days?) then wouldn’t watching a star-studded SUPERHERO film be just the perfect prescription for coping with the impending realities any impending college graduate is about to face?  Certainly it’s worked for much of the rest of us for generations.

Third, and lastly of all, we ignore that which has international mass appeal and popularity at our own peril.

Now you’re getting it!

No one is saying that one has to experience an In-N-Out or McDonald’s hamburger.  But if one is going to open a fast food restaurant, or any meat-serving restaurant, wouldn’t it behoove one to at least one time experience THE most successful meat product on the planet?

To NOT do so would mean a willful ignorance of the marketplace and world around one.  To close one’s ears, eyes and taste buds to what is would mean one is willfully NOT listening to what the majority of people prefer.

OK but this is a different problem all together.

To lower, or even raise one’s standards ONE TIME and try – meaning hear, see or experience – something one in no way prefers means one is purposely remaining willfully ignorant.

And we all know people who are WILLFULLY IGNORANT, right?

I DO NOT CARE HOW GOOD THIS CHICKEN IS

We know what happens when we don’t listen to and ignore the demands, tastes and preferred choices of a group large enough to be considered a MASS audience, right?

Someone can step in and serve up a modern version of the McDonald’s hamburger that is so simultaneously seductive and yet poisonous that it can bring an entire industry to its knees in submission.

It will then duplicate, replicate and otherwise dominate everything to such an extent that few other types of preferred food stuffs would be able to survive.

Thanks Chair, now I’m also thinking about dinner.

Imagine a world where one had little choice but to eat not only a fast food hamburger, but a certain type of fast food hamburger, at least periodically, for primary sustenance?

Then imagine a world where these choices extended to all of the arts and entertainment.

Then, finally, imagine what that same, seductive poisonous product could do to, say, a democracy?   What WOULD happen when so few choices were left?

That means this is a good thing right?

That and so much more is why this week and going forward I am going to do my best to try and not only listen, but HEAR.

I don’t want to live in a world where burgers, superheroes and flaccid dictatorships are my primary, and then only, options.  (Note:  That is unless I really do and this is the last reel of the original Blade Runner because I do know, that in just a few decades, I will have a chance at a sequel).

… and when I come back I will have the voice AND hair of Shawn Mendes #reincarnation

I guess what this means is that a screening of Avengers: Endgame is in my foreseeable future.   God (or whoever you deem Her to be) help me.  And us.

Judy Garland – “I Don’t Care”

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This is US

[ABSOLUTELY NO SPOILERS AHEAD… PROMISE]

The best part of Jordan Peele’s Us is how the filmmaker continues to subvert audience expectations by simply being himself and showing the world as he sees it.

In this case it is watching a family of color as our principal protagonists, nee heroes, as they fight the inevitable monster and carnage that threatens to engulf them.

Not creepy or anything #runsaway

More importantly, it is the relegation of the white couple to the traditional role of the best friends who you know will appear and reappear at will when some comic relief or convenient plot device is needed.

In this way Us is a totally original mainstream reinvention of the horror genre that is very much in the tradition of Peele’s groundbreaking Get Out.  Our view of the upscale suburban nuclear family to which very bad things will happen is no longer beige but color-corrected.

Yes, Ru!

The fact that this is about all that has changed from the usual is both the film’s strong point and its weakness.  Many contemporary horror films already have a patina of social commentary and Us is no different.

It spoils nothing about Us to say that in initially taking us back to 1986’s Hands Across America campaign, where a multicultural human chain was created in cities across the United States to raise money for charities that helped people in poverty, we are being set up for the inevitable “but has the world really changed” question by the end of the film.

The attempt to make this well-to-do Black family just as human as any white family in any horror film – that is to say a bit too two-dimensional and self-satisfied – succeeds as well as it ever has.  The characters are just as clueless, oblivious and bereft of individuality as any white family in a similar social class or big screen genre entertainment.

but still not as horrifying as this #isit2020yet

It’s sort of the way I initially felt watching gay culture become mainstreamed in the eighties and nineties and beyond with the advent of Will & Grace, Ellen, Don’t Ask Don’t Tell and Marriage Equality.

Well, I guess we really have arrived, I recalled thinking.  Now we can be just as average as everyone else.  Hallelujah!

Never mind I was also simultaneously seeing myself like Dustin Hoffman/Katharine Ross at the end of 1967’s The Graduate – two people who get EXACTLY what they wish only to be left wondering, Well, uh, okay.  You mean now this is my…reality?  

Uh oh

Of course there ARE many more benefits to being able to finally get married or serve openly in the military than there are to being front and center in a horror film (Note:  And as soon as I can think of one I’ll let you know….Oh, KIDDING!!!).  But if movies are indeed one of the most enduring and mainstream social chronicles of who we really are, it’s hard not to hope for just a little bit more.

After all, George Romero’s seminal Night of Living Dead gave us a Black hero as far back as 1968 and became the social commentary scale against which all horror films got measured.  I can recall finally seeing it as a teen some years later on television and being blown away at its message (Note: Don’t hate me, it was the seventies) and audacity.  So is it too much to ask for a little more than that of the genre some fifty plus years later?

Enough with the scary Nuns.. really #dobetter2019

In fairness, Romero has stated publicly that the reason that his lead actor in Night was Black mostly had to do with the fact that the actor, Duane Jones, was simply the person who gave the best audition.  Nevertheless, with a budget of $114,000 and an international gross upwards of $30 million it’s hard to imagine the director-writer didn’t know he was on to something.

This is what happens sometimes in moviemaking, happy accidents of instinct where the choices one makes pay off creatively and financially far better than anyone could imagine.  One could argue the same is possible and true today, but not as likely as when your budget is $20 million plus a helluva lot more than that in marketing.  Not to mention all of the release dates you have to meet (which includes both film festival and distributor/exhibitor bookings) AND the sophomore jinx trifecta of a best screenplay Oscar win, critical plaudits and box-office breaking success in an auteur driven film, your first, in the horror genre.

No Pressure for Mr. Peele

Sure there are countless worse problems in the real world than the success of Get Out but few if any of them are effectively addressed in the onscreen story of Us.  Instead what we get is a lot of talk about the Freudian concept of our shadow selves and the consequences of such when these darkest impulses are either indulged or ignored.

It’s an interesting discussion for an abnormal psychology class but not quite the stuff that drives a good or even great horror flick.

What does give Us its engine is a bravura performance by Lupita Nyong’o, one part troubled but relentless Mother Hen and the other part vacuum cleaner-voiced scissor sister with an internal moral compass known only to herself.

We don’t deserve you, Lupita

It kind of reminds you of a 2019 version of Rosemary’s Baby where Mia Farrow is given the chance to portray both herself AND the Devil.  (Note: And, um, NO, Lupita does NOT play the Devil in Us.  There are NO SPOILERS HERE for the umpteenth time!).

Much as I adored Rosemary’s Baby I was sort of hoping for more in Mr. Peele’s second time out.  But perhaps this is being unfair to him.  After all, Rosemary’s Baby was based on a best-selling book of cutting social satire by novelist Ira Levin that was expertly plotted and insanely insightful.  A story that dealt with another upwardly mobile couple/mother Hen in a foreboding time period in America that similarly used the horror genre to address dark privilege, the righteous anger of those who have been discounted by it and the chains that will forever tether the two together.

Hmmm, sounds awfully timely to me.  And perhaps this time the film and novel from which it springs could literally be political?  Though maybe that’s way too obvious.

Luniz – “I Got 5 On It” (from the soundtrack of Us)

Chair-side Grammys

Sometimes you just have to unwind, listen to some music, just BE. This week, the Chair is doing just that (and after you finish reading this, consider joining him).

Thankfully for the Chair (and us), during the whirlwind that is awards season, there is an anecdote. An over-the-top, overproduced, glitzy, rockstar affair — stuffed to the brim with so many production numbers, you almost forget awards are being given out (they still do that right?). Love it or hate it, it’s a glamorous distraction and who among us couldn’t use that right now?

The Chair has hand picked some of his favorite Grammy-nominated tunes — a truly eclectic mix of bops and classics (Spotify link here and below!). Here’s why he thinks you should tune in tonight and take a much needed break from our less glamorous reality:

Cardi B – “I Like It”

She makes me laugh.  Hysterical, uncensored, smart, hard working and great rhymer.  Check out her Carpool Karaoke with James Corden.  It’s hilarious.

Lady Gaga and Bradley Cooper – “Shallow” (from A Star is Born soundtrack)

Because, well… seriously?

Also don’t sleep on her last album’s title song, “Joanne” — heartbreaking and beautiful. Gaga just nails it.

I don’t find this annoying. Am I alone?

Janelle Monae – album: Dirty Computer

She embraces the raw, sweatiness of desire and gayness.  Also, it’s just a great album.

YES JANELLE YES  #pynk

Greta Van Fleet – “When the Curtain Falls”

Yes, I saw them on SNL.  Kind of like if Robert Plant were a bit more Emo and from the midwest.. and I mean that in a good way

Led Zeppelin realness

Bettye Lavette – “Don’t Fall Apart On Me Tonight” 

This is a wonderful rendition of an old Bob Dylan song.  And the Obamas LOVE her… and that’s good enough for me #COMEBACK44

Remember when our President appreciated music.. and art… and enjoyed any aspect of life? REMEMBER? #OKImSpiraling #refocus

Joan Baez – “Whistle down the Wind”

The song is a cover of an old Tom Waits tune – and yes, she still does it for me. It’s her nine millionth album at age 77.  I did a report on her in high school and my teacher accused me of being in love with her.  Still am 40 years later.

Timeless

Sufjan Stevens – “Visions of Gideon” (from Call Me By Your Name soundtrack)

That final credit sequence! Elio! Oliver! Elio! Yep, still crying.

#ChalametwasRobbed

And here’s the Chair’s first official Spotify playlist. Listen along and tune in/tune out (your choice!)

 

Bad Behaviour

There’s an old saying;

People get the government they deserve.

Let’s table that for a moment.

A less troubling but equally important question to ask ourselves during the 2018 holiday season is:

Do we get the movies we deserve?

I mention this because essentially the saying and the question broach the same issue. They ask us to consider whether the situations we now find ourselves in are inextricably linked to and reflective of:

 Who we really are.

Yeah, I’m not ready to look either.

The stock market has just cratered to its lowest December since the Great Depression (Note: The one in 1929).

Our Electoral College POTUS has just announced the US is leaving Syria (against the advice of all our top military brass) to be picked apart by a JUBILANT Russia and China. #YoureWelcomeVlad.

And our government has been arbitrarily shut down this holiday weekend by said EC POTUS, who tweeted the Democrats now own the shutdown! after last week publicly stating  he would be proud to own the shutdown if he didn’t get the money to build his Border Wall Slats Whatever.

I’m with you Charlie Brown

Oh my, it’s confusing.

But not as confusing as to why so many of us will be spending our holidays watching nasty big screen dramedies about such inspiring figures as Dick Cheney (Vice) and England’s Queen Anne (The Favourite).

And yes, this IS much easier to talk about.  And write about.

An Oscar for Rachel Weisz’s eyepatch please #earlypredictions

The latter was a 17th century monarch mired in self-loathing, as well as a toxic lesbian triangle entirely of her own making – and manipulation.

The former was  (in case memory fails) an oil chief who grunted his way into power and self-created a war in Iraq based on “specious” facts.   A man who survives to this day after numerous heart attacks, a pacemaker, and finally someone else’s heart entirely  – all the while reveling in the ominous nickname the majority of the country have for him – Darth Vader.

Pretty much

Well, Merry Christmas to all of you, too!

And — HAPPY NEW YEAR!!

VICE and THE FAVOURITE are certainly not the only movies to see this week but they are among the newest, most touted and certainly most noteworthy.  They’re considered to be prestige pictures and must-see films.

They are also both rotten to their cores – celebrating a kind of ruthless, sociopathic lust to get power and remain in power during which time their “heroes” all wittily revel in the massive carnage they create around them as they crush anyone who dares to question their power.

It’s good to clarify

These films don’t so much take a look at the individuals at their center but serve up their extreme behaviors as a brooding, bloody kind of entertainment spectacle for the masses.  They are in so many ways both Grand Guignol yukfests and serious historical biopics,  each masquerading as the other when it’s most convenient.

When important dramatic questions beg to be answered, better to evaporate into fringe conduct peppered with either hysterical shrieks or guttural grunts.  On the other hand, when an important issue is reduced to egocentric flippancy, what better way is there than to evoke the trappings of the Crown or the White House, amid the deaths of their respective soldiers, in order to drag us back into the urgency of the situation at hand.

Ugh, along with bonus 80s drag #yuck

Just as it might be too soon to laugh at Dick Cheney and his antics in and around Iraq and the Capitol Building it feels faux cheeky to watch three  17th century ruling class lesbians mire around in the mud and curse like sailors for our own amusement.

Yeah, yeah – they said naughty words back then but never to such syncopated snappy effect.  And sure, sure, it was a scream and a half when Cheney shot that guy in the face but what is the point of watching him and his wife get hot for each other in bed while reciting Shakespeare??  God, I’d like to unsee that.

Agh Ew No!

Not to get all Hollywood movie executive – but can’t we at least have SOMEONE to root for or feel sorry for or just plain want to be with for two plus hours?  Even Bale’s Patrick Bateman was more sympathetic than Cheney.  Certainly, he was a lot easier to look at.

Yes, it’s an amazing parlor trick to see a handsome guy like Christian Bale transformed into a bald, bloated bellicose VICE slithering his way to the top with no discernible guilt or crisis of conscience for his misdeeds even as a plethora of facts confront him to the contrary.  It sort of reminds you of….well, turn on the news.

IS IT OVER YET?!

At the same time, watching three ladies so cleverly bitch at each other is a unique screen treat these days, if not quite politically correct.  Though one supposes if you are going to have three  (count ‘em!) lesbian characters engage power in a major motion picture where men are relegated to nothing but sex objects, impotent fools or embattled warriors as mere pawns, you should be given credit for a certain progressiveness – a kind of reversal of gender destinies.

Still, one can’t help but feel like it’s all a crock and we’ve simply devolved into a sadly reflective state.  A period in our culture where we need to minimize real life bad behavior by peppering it with enough humor and absurdity to make it go down easier.  A kind of whistling at the gallows.

What more timely message can the movies give us through which to close 2018?

Jill Scott – “Hate On Me”

Addiction Du Jour

So I’m sitting here listening to Jada Pinkett Smith talk about addiction because what else would you do on a Saturday afternoon when deadlines are looming and you have a dozen and half more student scripts to read?

Killin’ it

You might want to know that it turns out Jada has a talk show on Facebook Watch (Note:  So this is a thing now?) called Red Table Talk with her Mom (Adrienne) and daughter (Willow) and the random guest where they share three generational perspectives on…issues.

Now I’m not a Jada fan, or even non-fan, though I remain rankled by her husband Will Smith refusing to kiss a guy onscreen decades ago when he played a gay character in the film adaptation of Six Degrees of Separation.

Never has there been a more appropriate usage of this gif #ByeWill

Still, that’s not her responsibility and I did enjoy her in Bamboozled.  Though I really dislike the idea of people home schooling their kids, which apparently the Smiths have done.  And I think we can all also agree her announced Oscar boycott a couple of years ago, partly due to Will not being nominated for, ahem, Concussion, was a bit grand and a bit much.

On the other hand, who’s to say?  #OscarsSoWhite became more of a thing and the next year Moonlight did win best picture.

All of this is #SoNotMyBusiness, of course.

I don’t know these people and have no right to judge them.  Except, well, I do – most of us do – especially when they expose their personal lives to us via…well, I was going to say television.  But silly me, Red Table Talk is a web series, which is not exactly TV even though it involves a small screen with talking heads and programming you can make disappear with the flick of your finger.

TV? Phone? Remote? I have no idea.

Don’t knock that power.  How much did you wish you could make disappear this week?

Somehow watching Jada’s Mom talk about her years as a heroin addict, Will’s sister admitting up until a week ago she was stoned on grass 24/7 and Jada recalling her own sex addiction back in her twenties became, in itself, addicting.  At least for the 15 plus minutes it was on.  Add to this the presence August Alsina, the seemingly tough guy young singer she and Mom recently helped out of pill addiction and I began to wonder if my continued interest wasn’t the latent addiction gene that I know I carry but had always managed to keep at bay, finally rearing its ugly head.

Suffice it to say – no.

We’re all addicted to addiction and not necessarily in a good way.

Pretty much

Although…I lament on how unable I am on most days to turn off cable news.   And when I had my students watch Boogie Nights last month I could see the look of sheer terror in some of their eyes when I casually mentioned that porn was not always free to watch over and over again on the Internet.  Speaking of which, is Twitter raging an addiction?

That’s obviously rhetorical.

Three major movies at the moment spotlight addiction.  Julia Roberts tries valiantly to keep her son from going back on drugs in Ben is Back, Steve Carrell valiantly trying to understand why his son does drugs in Beautiful Boy and Lady Gaga is torn up inside and out that the man she loves and knew was an addict before she married him is now back on drugs in A Star Is Born.

I was so moved by this scene I almost forgot the terrible orange hair moment. #ALLY

The old sick joke at the newspaper I once worked at was that it took at least three concurrent examples to even begin to consider something a trend at any moment in time.  So if we add Twitter raging to the mix, well…. draw your own conclusion.  But know another golden journalism rule I learned in grad school at Northwestern — never rule out the obvious.

(Note: You’re welcome since I just provided you with several thousands of dollars of valuable education gratis).

The price is right

In too many ways all three of these film stories are rather obvious, but, isn’t that part of the attraction?  We know these people, we’ve seen these people or perhaps we are these people.  All of us addicts.  Or enablers.  And sometimes both.

Tom Arnold just claimed in Newsweek that even self-proclaimed never tasted alcohol Electoral College POTUS Trump habitually snorted Adderall on the set of NBC’s The Apprentice.  Stand up comic Noel Casler, who says he worked on the show for six years called the EC POTUS a speed freak and said his obsession/ogling of the female contestants on the Miss Teen Universe pageant he owned was something akin to what would happen if you gave Jeffrey Dahmer a cooking show. 

It’s just beyond #MUELLERHURRY

None of this is pretty but we don’t live in pretty times.  Therefore, the more we can understand our addictions and/or the addicts we love, or love to hate, the sooner we can make the necessary informed choices.

They may not all be our cups of tea but let’s not pretend A Star is Born, Ben is Back and Beautiful Boy don’t offer us all something and that together they’re not a trend. We can even learn from Jada Pinkett Smith, god help us.

Joan Jett & The Blackhearts – “I Hate Myself For Loving You”

 

Auntie Emmy

Why is it the Emmy Awards telecast feels like something only your old auntie would watch in real time so she can root for her shows?

  1. Because it is?
  2. Because there is too much TV to have a favorite show if you’re under 90?
  3. Because there are too many award shows and none of them carry much weight?
  4. Because who wants to watch anything except the slow disintegration of the country?

Notice there is no all of the above choice.

At 70 years of age Auntie Emmy is a bit quaint.   She’s sort of the equivalent of a pop culture painting of Elvis on a velveteen blanket or arriving with a box of Fannie Mae chocolates for the beau you’re taking to the church social.

nuff said

Of course, the Chair has never been to a church social, purchased a box of Fannie Mae anything or really knows if there is such a thing as a velveteen blanket, much less one with Elvis painted on it.

Still, it sounds right, doesn’t it?  Something that used to be frivolous, fun and fiercely IMPORTANT now feels almost dull, superficial and, well…unpatriotic to spend any spare time on.

Except….

We Are Americans.

The only thing we love more than competition is…

TELEVISION!!!!!!

Lest we forget COMPETITION TELEVISION #ChoppedAllDay

So who am I/we kidding? We’ll be watching, tweeting, DVRing, reading, dishing and paying some sort of mind – even if it means going out of our way to proclaim both the show AND awards never entered our minds.

This became apparent to me about 10 years ago when I ran into a show biz guy I knew who had just been nominated for an Emmy at a trendy brunch spot that morning and, upon congratulating him, he synthetically replied:

Oh really, were those today? 

Well, yes, that’s why you are in the trendiest show business watering spot in town, you fake, I replied knowingly.

Okay, of course I didn’t.  I mean, I was there too.

Still, those were the days when Emmy was not an auntie and we were both A LOT younger so what does it matter?  He is no doubt still denying he cares as he grudgingly watches, along with the rest of us, silently cheering, or perhaps audibly jeering, for or against his shows.

Which is why every year from now until the end of our republic we will feature:

THE CHAIR’S EMMY CHEAT SHEET:

DRAMA SERIES

Nice try but I will NOT shut up about this show #BlessedBetheFruit

The Handmaid’s Tale
Game of Thrones
This Is Us
The Crown
The Americans
Stranger Things
Westworld

Sadly, there is nothing more timely than The Handmaid’s Tale.  Don’t say you know, but it’s too depressing to watch.  You owe it to your country to be forewarned.  Or at least keep up with current events by way of Gilead.

Yes, all of the aforementioned nominees have their merits, and yes The Americans is all wrapped up and sure Game of Thrones has won twice before and wasn’t up last year when The Handmaid’s Tale won the first time.  So what? Stranger Things and Westworld are audience favorites too and yes, This Is Us could sneak in because it’s the one network show critics, industryites and audiences all love.  But we’re going with the Zeitgeist.

LEAD ACTOR DRAMA

SO. MUCH. PLAID.

Jason Bateman, Ozark
Sterling K. Brown, This Is Us
Ed Harris, Westworld
Matthew Rhys, The Americans
Milo Ventimiglia, This Is Us

Jeffrey Wright, Westworld

Trusting our gut here.  The season long tease of Jack’s death on This Is Us gave Milo Ventimiglia all season to be the 70s Dad, man, hottie (NOTE:  NOT all three at once, step back) of our dreams.  Prognosticators don’t give him a chance but sometimes ya get a feelin’.

LEAD ACTRESS DRAMA

Dare I say… SLAY!

Claire Foy, The Crown
Tatiana Maslany, Orphan Black
Elisabeth Moss, The Handmaid’s Tale
Sandra Oh, Killing Eve
Keri Russell, The Americans
Evan Rachel Wood, Westworld

You’re gonna bet against OfFred?  Really?  No, really?  We didn’t think so.  And if one more person tells you Keri Russell gave the performance of the decade or that Sandra Oh’s win will make history ask them if their characters could endure sub freezing temperatures in the suburban wilderness nine months pregnant and then give birth by themselves in the middle of  drafty house with only the fireplace to light their way.  Please.

SUPPORTING ACTOR DRAMA

Wait.. I thought only Harry rocked the beard! #JusticeforHarry

Nikolaj Coster-Waldau, Game of Thrones
Peter Dinklage, Game of Thrones
Joseph Fiennes, The Handmaid’s Tale
David Harbour, Stranger Things
Mandy Patinkin, Homeland
Matt Smith, The Crown

Tough category and all of these actors deserve the honor.  But in any other year The Crown could win best series and best actress.  So it’s Matt Smith here – an actor who somehow managed to make a younger Prince Phillip sympathetic and sort of sexy while not shying away from him also being a lying, priggish philanderer and full on abusive father.  That alone is award-worthy.

SUPPORTING ACTRESS DRAMA

Let’s hope this Serena isn’t robbed. #stillnotoverUSOpen

Alexis Bledel, The Handmaid’s Tale
Millie Bobby Brown, Stranger Things
Ann Dowd, The Handmaid’s Tale
Lena Headey, Game of Thrones
Vanessa Kirby, The Crown
Thandie Newton, Westworld
Yvonne Strahovski, The Handmaid’s Tale

One of the only sure thing categories.  I myself find Serena the most heinous character on television so it’s amazing to see an actress who is actually able to make us believe she’s human.  Don’t know what that means because you haven’t watched the show?   Then WATCH IT!!!

COMEDY SERIES

Emmy’s Darling

Atlanta
Barry
Black-ish
Curb Your Enthusiasm
GLOW
The Marvelous Mrs. Maisel
Silicon Valley
Unbreakable Kimmy Schmidt

There has never been a pilot episode of a television series less likely to break through as both an audience and critics TV favorite as much as The Marvelous Mrs. Maisel.  As I said to my sister, who first turned me on to the show:  This is the most Jewish thing I’ve ever seen, I can’t believe anyone but us and our family is watching it!!

It will be a close race with the depth of storytelling in Atlanta and the sheer originality of Barry but count on Mrs. Maisel for bringing us an escape from reality by way of late 1950s Greenwich Village.

LEAD ACTOR COMEDY

Make more room on the shelf Donny! #thatsuittho

Anthony Anderson, Black-ish
Ted Danson, The Good Place
Larry David, Curb Your Enthusiasm
Donald Glover, Atlanta
Bill Hader, Barry
William H. Macy, Shameless

Donald Glover will deservedly and rightly win.  Everyone else in the category is good but he’s doing something different and real here we haven’t seen before – and doing it consistently in between his tasks as its creator and sometime writer.

LEAD ACTRESS COMEDY

Oh don’t worry Midge, we’ll be there. #Catskills #Season2

Pamela Adlon, Better Things
Rachel Brosnahan, The Marvelous Mrs. Maisel
Allison Janney, Mom
Issa Rae, Insecure
Tracee Ellis Ross, Black-ish
Lily Tomlin, Grace and Frankie

The other sure thing category.  It’s Midge in a w.a.l.k.  And when you watch Rachel Brosnahan being interviewed and see how far she is in real life from the character she portrays, well….it’s Midge in a w.a.l.k.

SUPPORTING ACTOR COMEDY

No shark this time

Louie Anderson, Baskets
Alec Baldwin, Saturday Night Live
Tituss Burgess, Unbreakable Kimmy Schmidt
Brian Tyree Henry, Atlanta
Tony Shalhoub, The Marvelous Mrs. Maisel
Kenan Thompson, Saturday Night Live
Henry Winkler, Barry

Henry Winkler was first nominated for an Emmy 42 YEARS AGO and has never won.  Five nominations and – bupkus.  This guy was THE FONZ!  Plus, his work as a deluded yet somehow effective acting teacher on Barry is heartfelt, fresh and more than deserving.  Not to mention, in real life he’s the nicest man.  Don’t mean to name drop but…..

SUPPORTING ACTRESS COMEDY

Never better #notalternativefacts

Zazie Beetz, Atlanta
Alex Borstein, The Marvelous Mrs. Maisel
Aidy Bryant, Saturday Night Live
Betty Gilpin, GLOW
Leslie Jones, Saturday Night Live
Kate McKinnon, Saturday Night Live
Laurie Metcalf, Roseanne
Megan Mullally, Will & Grace

A REALLY tough call.  Alex Borstein should win for being laugh out loud hilarious as Mrs. Maisel’s snide, baked beans eating manager and Megan Mullally has made Karen Walker one of the most popular female supporting characters in the history of TV.  Still, in the 24/7 world of politics Kate McKinnon playing the clown from It as Kellyanne Conway is so frighteningly…something that it trumps all else.

LIMITED SERIES

Welcome to Miami

The Alienist
The Assassination of Gianni Versace: American Crime Story
Genius: Picasso
Godless
Patrick Melrose

There was something so revolting and alluring about the Assassination of Gianni Versace that it’s hard to imagination it not taking the honors here.  It felt doubtful that this lurid tale warranted an American Crime Story show at all until we watched it use the tale of a twisted killer of one of fashion’s legends as a way to tell  an American tale of class and sexual repression at the turn of this past century.

LEAD ACTOR LIMITED SERIES/MOVIE

Werkin that serial killer lighting like a pro.

Antonio Banderas, Genius: Picasso
Darren Criss, The Assassination of Gianni Versace: American Crime Story
Benedict Cumberbatch, Patrick Melrose
Jeff Daniels, The Looming Tower
John Legend, Jesus Christ Superstar Live in Concert
Jesse Plemons, U.S.S. Callister (Black Mirror)

Darren Criss played Andrew Cunanan as the boyish serial killer next door and against all odds it worked.  Criss never fell into psycho cliché or gave us outsider gay sociopath 101, which made his presence all the more disturbing and riveting.  It was hard to turn away even though, honestly, there were spots where you had to turn away.  Perhaps he was too much of an awful thing for some voters, which could shift the trophy to the equally good Benedict Cumberbatch – but probably not.

LEAD ACTRESS LIMITED SERIES/MOVIE

OK fine, this is Dern in Pretty Little Lies but like… Renata forever.

Jessica Biel, The Sinner
Laura Dern, The Tale
Michelle Dockery, Godless
Edie Falco, Law & Order True Crime: The Menendez Murders
Regina King, Seven Seconds
Sarah Paulson, American Horror Story: Cult

An odd category this year with no true standout.  Still, in the #MeToo era Laura Dern deserves the credit for a smart portrayal of a difficult character – a woman who must delve back into her past in order to save herself in the present.  She made the transitions between the adult self and the other actresses who played the younger versions of her character seamless, which elevated the material far beyond where it could have landed.

SUPPORTING ACTOR LIMITED SERIES/MOVIE

I mean.. OK sure.

Jeff Daniels, Godless
Brandon Victor Dixon, Jesus Christ Superstar Live in Concert
John Leguizamo, Waco
Ricky Martin, The Assassination of Gianni Versace: American Crime Story
Edgar Ramírez, The Assassination of Gianni Versace: American Crime Story
Michael Stuhlbarg, The Looming Tower
Finn Wittrock, The Assassination of Gianni Versace: American Crime Story

Not going to lie.  This is a guess based on prognosticators.  But EVERYONE agrees it’s Jeff Daniels and the more you read his reviews the more you will also agree.

SUPPORTING ACTRESS LIMITED SERIES/MOVIE

But also kudos to hair and makeup because this is late 90s perfection.

Sara Bareilles, Jesus Christ Superstar Live in Concert
Penélope Cruz, The Assassination of Gianni Versace: American Crime Story
Judith Light, The Assassination of Gianni Versace: American Crime Story
Adina Porter, American Horror Story: Cult
Merritt Wever, Godless
Letitia Wright, Black Museum (Black Mirror)

The majority of critics believe it’s going to be Penelope Cruz but I could only understand half of the words she said through all the episodes and that’s being generous.  Besides, there is only one Donatella Versace and that’s Maya Rudolph.  Heck, they even once shared the stage in matching evening gowns at the VH1 Fashion Awards.

However, Judith Light brought a new level of denial as the successful and privileged businesswoman wife of a closeted gay man.  It was a strange yet real type of character we don’t see much on television and she could easily get the Emmy for it if it doesn’t go to Merritt Wever or Lettia Wright.  Meaning, we’re not sure but we’re going with Judy.

VARIETY TALK SERIES

We seriously cannot forget about Marlon Bundo. #thebest

The Daily Show with Trevor Noah
Full Frontal with Samantha Bee
Jimmy Kimmel Live!
Last Week Tonight with John Oliver
The Late Late Show with James Corden
The Late Show with Stephen Colbert

Every single show is worthy.  It really depends on what their producers submitted.  But Last Week with John Oliver feels like the gold standard here and the rightful successor to Jon Stewart’s Daily Show, especially after his win last year.  Though what do we know, we and everyone else we know voted for #HILLARY.

VARIETY SKETCH SERIES

This happened!

At Home with Amy Sedaris
Drunk History
I Love You, America with Sarah Silverman
Portlandia
Saturday Night Live
Tracey Ullman’s Show

Until Trump gets impeached it’s Saturday Night Live.  Never has there been a more perfect match of time, material and talent (Note: The White House being the exception).  Though it’s safe to assume SNL would gladly make a deal to give up the honor if they could get him out.  ……Wouldn’t they??

REALITY COMPETITION SERIES

DVR IS SET

The Amazing Race
American Ninja Warrior
Project Runway
RuPaul’s Drag Race
Top Chef
The Voice

The awards are on a MONDAY night this year and desperately needs some sashay. Besides, I’ve watched every season of The Voice and this last one sucked.  Gurrrrl…

Sissy That Walk – RuPaul

 

Stay tuned for the Chair’s recap of the Emmys! Follow along during the show using #NotesfromtheEmmys … hopefully it will be MARVELOUS (like I could resist).

 

Don’t Other-ize Me, Bro!

There is a moment in Spike Lee’s BlackkKlansman where a Jewish police detective, who has gone undercover as a KKK member, laments being put in this position by his Black counterpart.  It’s as if he’s forgotten (or never fully understood) the Ku Klux Klan were not only rabidly anti-Black segregationists but also virulently, and quite openly, anti-Semitic.

I’m Jewish, yes, but I wasn’t raised to be, says the character played by Adam Driver.  No Jewish rituals, no deep education about Jewish history, not even a bar mitzvah.  I was just another white kid.

Exactly.

Did someone say bar mitzvah?

Suddenly, and much to his chagrin, he’d been OTHER-IZED.

Somehow a movie set in the early 1970s has managed to become the most timely filmic statement now out there about Trumpism.  Based on the 2014 memoir of real-life Black police officer Ron Stallowrth, it tells the story of how Ron made phone contact with the KKK, pretending to be an eager acolyte, and worked with his White counterpart, Flip Zimmerman, to pose as his physical self while in their presence.

Two Ron Stallworths.

Part comedy, part drama and many parts many other things, it tells not only a racial story but speaks to the type of numbness all of us can fall into when traveling in circles where THEY are in the majority and WE are just the unwanted, or at least unfamiliar, INTERLOPERS.

To be OTHER-IZED is not a choice so much as it is a condition of where you live, where you travel and overall what you choose to do or need to do with your time.  A room full of jocks of many races can OTHER-IZE the lily Whitest of nerds just as a gaggle of snow White Hollywood BROs in power can OTHER-IZE any Brown-skinned woman of color – or any FEMALE of ANY color for that matter – who may be twice as smart and/or talented as any one of them.

Or all of them if you’re Oprah.

Gurl, you got that right. #badassbish

We are all nothing if not multi-tribal, depending on where we live, how much we make or what we do for a living.  The one tribe that trumped (Note: Ahem) all in the U.S. used to be American, but what being a REAL AMERICAN is seems to be quite up in the air these days.

In actuality, it seems to depend on which other TRIBE you belong to – or at least choose to identify with.  And with that comes a full handbook on who one needs to OTHER-IZE.

Yes.

The fact is, it is no longer feasible to be a part of ANY TRIBE where SOMEONE is not generally THE OTHER.

Right, that’s what it is Gretchen. #dontotherizeme

We here in the Southern Californian #Resistance headquarters seriously distrust Trump voters of all stripes – and that’s the best case scenario of when we’re not foaming at the mouth angry at what we see as the nasty, racist…well, so many things I can no longer count… those voters have allowed.

On the other hand, Trump voters all over the country call us snowflakes, and at best see us as weak and anti-working class – or so I’m told from the few of them that I can still bear to talk to.  At their worst, well they prove the very points we’re trying to make, probably daily, about them, though I’m sure they’d put it quite differently and probably a lot less delicately if I gave them the chance.  Which I’m not any longer.

I’m done.

The funny part is there are Black, White, Jewish, Hispanic, LGBT, straight, poor AND rich members on BOTH SIDES.  In that sense, we’re all getting OTHER-IZED daily, and perhaps hourly, by somebody, and often in ways we don’t know about as we go about our day.

Of course, there are times when we do realize we are being cast as THE OTHER, and it is at these moments we are faced with THE CHOICE.

I’m trying my best Jamie Lee!!!

Ah yes, you do have any number of CHOICES when you realize you’re the only _________ in the room – or at least woefully outnumbered, discredited or discounted in that person or group’s mind/think about those in YOUR TRIBE, depending on your looks, skin color or affect.  They are:

  1. BLEND – This is the easiest or hardest of the options depending on your denial system, how much therapy you’ve had, or both. Am I GAY????  Not a chance, I hate musicals and I have season tickets to The Lakers/Knicks/Eagles/_______.   Jewish?  Whatever gave you that idea, I don’t like those _______s any more than you do.

I was born in the 90s! I swear!

On the other hand, it’s hard to deny you’re Black if you are very dark-skinned or pretend you’re not poor if you are three months late on the rent and about to be evicted.   Though even in the latter case of ZERO money, there’s always the chance that person is just being…irresponsible.  #AreYouWokeYet?

  1. HIDE – This is not a pleasant alternative but there are advantages to just going along and being an under-the-radar, quiet part of a group. In my younger days I’ve heard straight guy locker room talk about women that offended me to the bone, not to mention bitchy talk among my gay brothers about lesbians that I should have stamped my feet more adamantly about. Yet too many times in my teen and early twenties I did neither.

Sadly, most of us are not always up for a FIGHT, especially when we have the luxury to sit behind the tallest person in class and go unnoticed.  At least metaphorically. I, for one, have also spent time with one or two Republicans I admit to have gleefully watched squirm at Southern California dinner parties rather than blow their cover to the other guests in the room.  Sure, I told myself it wasn’t my place to say or do anything to help them but these days I realize my sadistic inner self rather enjoyed OTHER-IZING them far more, in secret hopes that this would somehow wake them to their senses.

You tell ’em Cher!

  1. DENYOh, he can’t be a sexual harasser. My roommate told me he had a torrid affair with Mary Jane and she would never put up with someone like that.  And no, just because she’s from Paris and her visa expired and he’s an American citizen doesn’t mean she’s tolerating it or pretending they’re an item.  Please.  Besides which, she’s NOT marrying him for her green card to be with her lesbian lover!  Come on!!

Okay, perhaps the last example is a bit fanciful.  But it is possible to be into vintage and thrift stores and old school tech because you want to seem cool when you’re searching for work.  In the same way you can DENY you are RACIST by producing one of two Black co-workers or acquaintances of color even though there are dozens more who heard you use the N word when they were in the room.  And no, just because a videotape of that has yet to be produced doesn’t make it any less so.  Or mean that when it is it was somehow doctored. #ApprehensiveApprenticeTapePart1

Oh jesus, does this mean more Tom Arnold??? #HELP

  1. FACE THE MUSIC – The best alternative because even if you hide, blend and deny most effectively you will NEVER prevent EVERY single ONE of THEM from seeing YOU as something OTHER than THEY are. Implicit in this is that to some people you will ALWAYS be INFERIOR. And that’s in any version of the perfect world that is viable at this moment in time.

Yes, it’s easy to advise be yourself when YOU yourself don’t run the risk of being killed, permanently maimed or beaten up for doing just that.   But the way we’re going soon there will be nowhere for any of US to hide in certain circumstances. That is a condition that will be inevitable for pretty much ALL OF US at some point in our new GLOBAL REALITY.  #ThisISUs.

Meaning blending in, denying or hiding behind HATE simply won’t cut it anymore, if it ever did.  That is unless we want to live out the rest of our days as petulant junior high schoolers playing an eternal game of spin the bottle where we kiss the same people for all the wrong reasons in one unsatisfyingly long loop of endless hell.

“Too Late To Turn Back Now” – Cornelius Brothers & Sister Rose (from the soundtrack of BlackkKlansman)