Spiking the Oscars

Spike Lee should win the best director Oscar this year for BlacKkKlansman.  The film is THAT good, THAT timely and yeah, as its producer Jason Blum said recently, it is his time.

His time means that Lee has been in the filmmaking trenches over four decades and has given us such memorable, and sometimes seminal works, as Do the Right Thing, Jungle Fever, Malcolm X and Bamboozled, as well as such prescient and under-appreciated ones as She’s Gotta Have it, School Daze, Summer of Sam, and Get on the Bus.

Icon status

Lee has done and continues to do what every artist attempts and that is to create a body of material that reflects both himself and the times he, specifically, lived in.  You can look at any one of his movies and get a window into some aspect of national and/or personal history told through the vision of an African American kid from the New York boroughs with stories and messages whose truths reverberated throughout the world for nearly half a century.

That is no small feat for any director these days, but near impossible for one who is non-White.  Name another.

Waiting.

Still Waiting.

Right.  Well, we have nothing but time here so take another minute.

And…………

um helloooooo

Yeah.

So how is it that Spike Lee has NEVER BEEN NOMINATED for an Academy Award as best director??

Guess it must be bad luck or oversight.  Okay, maybe once…or twice.  But anyone who has ever been a reporter in a newsroom knows the old journalism adage: Three (or more) is a trend.

With the announcement of this week’s 2019 Academy Award nominations it is important to note that any number of films and/or filmmakers will be left off the list or rather purposely snubbed for a myriad of reasons.   Taste, personal animus, overcrowding and just plain ignorance are all excuses that come to mind.

One could also question why it even matters anymore given that the Oscars are clearly the most exclusive of clubs with a rarefied membership that more and more seems to speak less and less for the general public, i.e. the zeitgeist.

The majority of Oscar voters #oldwhitemen #morethan12 #oscarssowhite

Well, in a world of lists, elections, statuses and immeasurables it is THE most famous arbiter of professional excellence calibrated by a group of peers working in an artistic field that we have.  Sure there is consistent omission, bone-headed pettiness and high/low intellectual ignorance that keep the voters from truly always getting it right.  But love ‘em or hate ‘em there is a reason why each year the show gets watched by more than a billion people worldwide and the honor of receiving one of those little gold (but surprisingly heavy) statues gives the winner a strange sort of immortal status of achievement.

Spike Lee recently did an NPR interview with Elvis Mitchell where he noted his students (Note: He teaches at NYU’s grad program in filmmaking) don’t seem to care about any films made prior to the last five years.  He felt that it was generational and didn’t have an explanation for it, but also found that when he exposed them to work from directors like Kazan or Kurosawa they appreciated, even loved their films.  It was more a general sense of intellectual non-curiosity he was lamenting and he still didn’t understand the reason, even when pressed.

Would this help?

One could surmise it has to do with how much information we must all sift through these days and time management.  It also can be attributed to accessibility; meaning if you can get everything nothing is particularly urgent to experience.  It’s all at most of our disposals whenever we want it so why not do anything else that takes less time and is more pleasurable in the moment.

As one of my heroes, Carrie Fisher, so aptly wrote:

Instant gratification takes too long.

Yet that was back in the 1980s, before the web and about herself and her life as a drug addict.

We miss you lady

Building on this prescient theory, it’s not too far of a stretch then to say that we have all become a nation of addicts whose drug of choice is no longer the movies but the comments on endless streams of social media platforms, television shows and perhaps blogs such as (but unlike) this one where we get to opine on everything and nothing without doing the work it takes to truly earn our opinion.

This seems more than possible because if one is always giving one’s opinion of likes and dislikes, when would one ever have the time to read or watch anything else that would allow one to be educated enough on said subject and its creators in order to truly judge the issue or thing that is being presented???

This is why so many of us are such fans of the film BlacKkKlansman and of Spike Lee in particular.  Love him or hate him as a moviemaker you can never say he doesn’t study an issue, sift through numerous uncomfortable truths and then use his technical and creative expertise to form his take on what’s goin’ on.

When it comes to Mr. Lee, there seems to be no in between

Sure, it may be skewed but what he never does is waste your time on sheer nonsense or filmic masturbation that could at its best only be personally orgasmic.  Every film he does is called a Spike Lee joint and the reason is simple – he wants you to get stoned on the story, subject matter and characters along with him.

This was once deemed exotic and controversial but perhaps that is no longer the case with a pot store seemingly on every other block in L.A. and soon (perhaps?) the majority of the country.  But as a successful moviemaker, particularly one who is non-white, it is extremely rare.

BlacKkKlansman gives us the highly unlikely yet true story of a Black detective in the 1970s that infiltrated the Ku Klux Klan.  Said detective engineered it with the help of his White counterpart yet it is the Black man who takes the lead in the narrative.  But it is then Lee who imbues a rather unsavory and sadly quite timely story with equal parts humor, drama and irony.  Not to get too cute about it, but the result is a REAL black comedy in every sense of the word that only someone with a very particular body of work, mined over this particular half a century, could have brought justice to.

2018’s masterpiece #imeanit

That is why Spike Lee deserves the best director Oscar for BlacKkKlansman.  It is a smart, entertaining and expertly made film that speaks in particular to THIS moment in time through the lens of the past as it simultaneously teaches us all we need to know about the present.

But he also deserves it as a career award (Note: Like that doesn’t happen ever other year) and as a sentimental favorite who had been all but written off by mass contemporary audiences and too many industry decision-makers.

Finally, he deserves it for pissing us off so many times over the years as he’s done all of the above.  He deserves it for that, too.  Most especially.

End Credits – “Photo Ops” from BlacKkKlansman soundtrack

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The Chair’s Must See Movies 2018

This is NOT a 10 best list.  Frankly, this year one would be hard pressed to talk about the best, as in:

We’ve got THE BEST MOVIES.

It would sound too much like that doll-haired huckster on TV shouting, with far too much certainty, things like:

I’ve got the best people…

I’ve got the best brain….

I’ve got the best words…

(Note to self:  Whenever someone has been reduced to telling you about their WORDS, run…don’t walk…to the exit).

My final thoughts on Electoral POTUS for 2018 #2019isMuellerTime

We like to say movies are all about images but what they really are is a combination of pictures AND words, mostly said by actual human beings, These two essentials are then arranged, ordered, stretched, edited, cut and re-interpreted to the point where they:

TELL A STORY.

But not just any story.  The most memorable must sees of any year show you people engaged on a journey that in some way is so unexpected, or familiar, that it grabs you and holds you even when you have to go to the bathroom and desperately want to let go.

Yup.  Must see movies have that kind of power and I’m just the middle-aged guy to personally testify to that fact.  Because if they’re done right you have a tough time breaking their spell despite what your body is pleading with you to do.

But even more difficult is getting them out of your mind.

Of course, this doesn’t mean they’re THE BEST in any given year.  After all, what is best at this point in time is starting 2019.   (Note: Hopefully.)

PLUS THE LAST AVENGERS MOVIE IN 2019!! (It is the last right? Right? RIGHT?)

Instead it means that in a time when pretty much everything FEELS and IS more important than any one movie, these films would NOT..LET…GO.  They held us, well me, to OUR CHAIR.  #ShamelessSelfPromotion

So screw the critics who want to make you feel dumb or out of it when you think to yourself things like:

Getcha glasses, here comes the shade

– I thought The Favourite was ridiculous and mean, as great as those three actresses were. 

– I felt Mary Poppins Returns was sacrilege and a sad excuse for Disney to make money.

– Nothing about Dick Cheney is remotely amusing, especially when one of our most handsome actors has to so ugly up his person to play him in Vice.

And —

– I wish Clint Eastwood would just STOP.   Or simply make a movie with an animal again.

The 2018 MUST SEES, in no particular order:

Three Identical Strangers

Do not adjust your screens, this is not three Andy Cohens

You know how you turned on the news most days in 2018 and thought/said – you can’t make this stuff up?  Well, no screenwriter could convincingly concoct this story and have it resonate the way it does – which is why it IS absolutely true.

A documentary about three wooly-haired Jewish triplets is crazy enough but what happens when they’re separated at birth, find each other in college and then….

It’s not fair to reveal more than the trailer.  Suffice it to say the story becomes bigger than the three boys and takes you on a JOURNEY…JOURNIES.  No excuses, it’s #Streaming.

Black Panther

Take me to Wakanda

Many of us weren’t interested in superhero comics as kids and even more of us have little interest in superhero movies now.  This does NOT mean we dislike them.  Like many adults, we are simply indifferent.

What the team behind Black Panther did in the most in the most subversive way was to NOT treat the film based on a somewhat obscure Marvel comic from the 1970s as SPECIAL  It was smart enough to know that with the first Black  Superhero Film EVER all that was needed was to tell a STORY that rang true and they could create the most meaningful movie of the genre to date.  That they did, and then some.

Does it suffer a few lags in the middle, a couple of confusing plot twists and several overly long action sequences?  Maybe.  But it also brought suspense and depth to an overdone genre not by adding another star villain but simply by being the best version of itself.

The Other Side of the Wind/They’ll Love Me When I’m Dead

Redeeming Orson

This is the newly finished final cut of the unfinished film Orson Welles started shooting more than 40 years ago and a documentary on the making of said film and of Welles’ final journey of incompletion.

There are more than a few moments of brilliance in Welles’ imperfectly perfect last film.  More than anything, this seriocomic mockumentary of itself and its real life filmmaker shows us once again how far ahead of his time Welles truly was (Note: Decades before reality TV) and just how deep his love-hate relationship with Hollywood ran.

The actual documentary on the making of the movie confirms most of what any movie fan could guess about the filmmaker and his subjects.  It plays as equal parts loving tribute, cautionary tale and historical document of the Hollywood filmmaking community.

There is no other filmmaker who can bridge the gap from the 1930s, up through the 1970s, and then just time into the 21st century so seamlessly.  The fact that Welles does it in two films via Netflix feels like his final middle finger to the town that lauded and then dumped him.  And after watching both pieces of work, that seems more than justified.

Can You Ever Forgive Me?

Let the Oscar buzz begin

What was the last film you saw featuring a nasty middle aged lesbian writer and an even older gay male party boy who strike up an unlikely friendship in 1970s/80s New York City?  Based on a true story?  Where they bilk collectors out of money by selling fake literary letters while blithely insulting all of the pretentious people you yourself are not fast enough to one-up in real life?

Hmm.  Never.  Though sounds like a typical Saturday for me.  Which is one of the many reasons I LOVED this film and it’s a must see.

The other is the surprisingly multi-layered, in-depth performance of Melissa McCarthy in the lead.  What a pleasure not seeing her spitting out a piece of pie to the camera, going to the bathroom in the middle of the road or flying through the air and squashing someone on her way down.

She and her co-star Richard E. Grant should both get Oscar nominations and every writer, or anyone who thinks they truly understand the writing life, or has ever written or read a book, should see it.  And not look at box-office figures or read the reviews. #GiveMeABreak

BlackKlansman

Talk about a good poster

Speaking of the Oscars, do you know Spike Lee has never even been NOMINATED for an Academy Award as best director??  Hopefully that changes this year.  It’s hard to imagine anyone but Lee bringing the right mix of comedy, irony and politics to what amounts to a story about race in our country.

Yeah, a real Black policeman in the 1970s DID pretend to be an aspiring member of the KKK on the phone to some real KKK members and actually began to rise through the ranks of  his local racists via the white Jewish  detective he got to pose as his physical self.

It’s so strange it works and so specifically scary that it resonates in 2018 politics.  One more reason it’s one of the must-sees of a year that will not have ended a bit too soon.  #DidIAlreadySayThat?

The Cold War

From the Director of IDA

It’s 89 minutes and as special as ANY movie you will see in 2018 or any year.  Polish filmmaker Pawel Pawlikowski has gifted us the story of his parents’ turbulent romantic relationship set against the 1950s Cold War in Poland.  But don’t let the title or the poster fool you. Unlike its title, it is intensely romantic, bizarrely strange, tragically quirky and so musically eclectic as to be right on the border of camp.

It is a pleasure to report that a filmmaker can tell a story with giant gaps in time and not confuse his audience; move arcs of characters in completely odd directions that feel perfectly understandable; and get us to buy it all in Polish and French with only English subtitles to guide us.  That and an unwavering bullsh-t detector that never allows for a single false moment.

If there is a film of the year, THIS ONE would be IT.

Ella Fitzgerald – “The Best is Yet to Come”

Don’t Other-ize Me, Bro!

There is a moment in Spike Lee’s BlackkKlansman where a Jewish police detective, who has gone undercover as a KKK member, laments being put in this position by his Black counterpart.  It’s as if he’s forgotten (or never fully understood) the Ku Klux Klan were not only rabidly anti-Black segregationists but also virulently, and quite openly, anti-Semitic.

I’m Jewish, yes, but I wasn’t raised to be, says the character played by Adam Driver.  No Jewish rituals, no deep education about Jewish history, not even a bar mitzvah.  I was just another white kid.

Exactly.

Did someone say bar mitzvah?

Suddenly, and much to his chagrin, he’d been OTHER-IZED.

Somehow a movie set in the early 1970s has managed to become the most timely filmic statement now out there about Trumpism.  Based on the 2014 memoir of real-life Black police officer Ron Stallowrth, it tells the story of how Ron made phone contact with the KKK, pretending to be an eager acolyte, and worked with his White counterpart, Flip Zimmerman, to pose as his physical self while in their presence.

Two Ron Stallworths.

Part comedy, part drama and many parts many other things, it tells not only a racial story but speaks to the type of numbness all of us can fall into when traveling in circles where THEY are in the majority and WE are just the unwanted, or at least unfamiliar, INTERLOPERS.

To be OTHER-IZED is not a choice so much as it is a condition of where you live, where you travel and overall what you choose to do or need to do with your time.  A room full of jocks of many races can OTHER-IZE the lily Whitest of nerds just as a gaggle of snow White Hollywood BROs in power can OTHER-IZE any Brown-skinned woman of color – or any FEMALE of ANY color for that matter – who may be twice as smart and/or talented as any one of them.

Or all of them if you’re Oprah.

Gurl, you got that right. #badassbish

We are all nothing if not multi-tribal, depending on where we live, how much we make or what we do for a living.  The one tribe that trumped (Note: Ahem) all in the U.S. used to be American, but what being a REAL AMERICAN is seems to be quite up in the air these days.

In actuality, it seems to depend on which other TRIBE you belong to – or at least choose to identify with.  And with that comes a full handbook on who one needs to OTHER-IZE.

Yes.

The fact is, it is no longer feasible to be a part of ANY TRIBE where SOMEONE is not generally THE OTHER.

Right, that’s what it is Gretchen. #dontotherizeme

We here in the Southern Californian #Resistance headquarters seriously distrust Trump voters of all stripes – and that’s the best case scenario of when we’re not foaming at the mouth angry at what we see as the nasty, racist…well, so many things I can no longer count… those voters have allowed.

On the other hand, Trump voters all over the country call us snowflakes, and at best see us as weak and anti-working class – or so I’m told from the few of them that I can still bear to talk to.  At their worst, well they prove the very points we’re trying to make, probably daily, about them, though I’m sure they’d put it quite differently and probably a lot less delicately if I gave them the chance.  Which I’m not any longer.

I’m done.

The funny part is there are Black, White, Jewish, Hispanic, LGBT, straight, poor AND rich members on BOTH SIDES.  In that sense, we’re all getting OTHER-IZED daily, and perhaps hourly, by somebody, and often in ways we don’t know about as we go about our day.

Of course, there are times when we do realize we are being cast as THE OTHER, and it is at these moments we are faced with THE CHOICE.

I’m trying my best Jamie Lee!!!

Ah yes, you do have any number of CHOICES when you realize you’re the only _________ in the room – or at least woefully outnumbered, discredited or discounted in that person or group’s mind/think about those in YOUR TRIBE, depending on your looks, skin color or affect.  They are:

  1. BLEND – This is the easiest or hardest of the options depending on your denial system, how much therapy you’ve had, or both. Am I GAY????  Not a chance, I hate musicals and I have season tickets to The Lakers/Knicks/Eagles/_______.   Jewish?  Whatever gave you that idea, I don’t like those _______s any more than you do.

I was born in the 90s! I swear!

On the other hand, it’s hard to deny you’re Black if you are very dark-skinned or pretend you’re not poor if you are three months late on the rent and about to be evicted.   Though even in the latter case of ZERO money, there’s always the chance that person is just being…irresponsible.  #AreYouWokeYet?

  1. HIDE – This is not a pleasant alternative but there are advantages to just going along and being an under-the-radar, quiet part of a group. In my younger days I’ve heard straight guy locker room talk about women that offended me to the bone, not to mention bitchy talk among my gay brothers about lesbians that I should have stamped my feet more adamantly about. Yet too many times in my teen and early twenties I did neither.

Sadly, most of us are not always up for a FIGHT, especially when we have the luxury to sit behind the tallest person in class and go unnoticed.  At least metaphorically. I, for one, have also spent time with one or two Republicans I admit to have gleefully watched squirm at Southern California dinner parties rather than blow their cover to the other guests in the room.  Sure, I told myself it wasn’t my place to say or do anything to help them but these days I realize my sadistic inner self rather enjoyed OTHER-IZING them far more, in secret hopes that this would somehow wake them to their senses.

You tell ’em Cher!

  1. DENYOh, he can’t be a sexual harasser. My roommate told me he had a torrid affair with Mary Jane and she would never put up with someone like that.  And no, just because she’s from Paris and her visa expired and he’s an American citizen doesn’t mean she’s tolerating it or pretending they’re an item.  Please.  Besides which, she’s NOT marrying him for her green card to be with her lesbian lover!  Come on!!

Okay, perhaps the last example is a bit fanciful.  But it is possible to be into vintage and thrift stores and old school tech because you want to seem cool when you’re searching for work.  In the same way you can DENY you are RACIST by producing one of two Black co-workers or acquaintances of color even though there are dozens more who heard you use the N word when they were in the room.  And no, just because a videotape of that has yet to be produced doesn’t make it any less so.  Or mean that when it is it was somehow doctored. #ApprehensiveApprenticeTapePart1

Oh jesus, does this mean more Tom Arnold??? #HELP

  1. FACE THE MUSIC – The best alternative because even if you hide, blend and deny most effectively you will NEVER prevent EVERY single ONE of THEM from seeing YOU as something OTHER than THEY are. Implicit in this is that to some people you will ALWAYS be INFERIOR. And that’s in any version of the perfect world that is viable at this moment in time.

Yes, it’s easy to advise be yourself when YOU yourself don’t run the risk of being killed, permanently maimed or beaten up for doing just that.   But the way we’re going soon there will be nowhere for any of US to hide in certain circumstances. That is a condition that will be inevitable for pretty much ALL OF US at some point in our new GLOBAL REALITY.  #ThisISUs.

Meaning blending in, denying or hiding behind HATE simply won’t cut it anymore, if it ever did.  That is unless we want to live out the rest of our days as petulant junior high schoolers playing an eternal game of spin the bottle where we kiss the same people for all the wrong reasons in one unsatisfyingly long loop of endless hell.

“Too Late To Turn Back Now” – Cornelius Brothers & Sister Rose (from the soundtrack of BlackkKlansman)