The Golden Zooms

The bar wasn’t very high for the 78th annual Golden Globe Awards and, clearly, that’s the way the members of the Hollywood Foreign Press like it.

In fact, co- hosts Tina Fey and Amy Poehler literally joked to us in TV promos leading up to Sunday’s ceremonies:

The stakes have never been lower!

Followed by:

Come on, you need this as much as we do.

You know it!

By any definition these awards are now, have been, and always will be, the equivalent of three slices of sheet cake after an 18-hour nightmare day of zoom calls.

Certainly there’s nothing wrong with that.  We all need our stress relievers.  Be they desserts, drugs, one-night stands or a triple margarita dinner. 

But in the halcyon non-pandemic, pre-insurrection days some or all of those would have followed a bad shift at work or seeing your ex at the movie theatre with a ridiculously hot new squeeze.

Not a year’s plus worth of semi-isolation, mask wearing (note: or defiance) and near encounters with armed government or citizen militia.

Not great… not great

This automatically elevates each guilty pleasure we now choose.  I mean, if you’re gonna devour three pieces of a tacky cake it better well g-d damned be sugary, chocolately and stick to your mouth buttery.

In the same way, if you willingly decide to spend three hours plus in front of your TV screen watching celebrities accept awards voted on by a bizarre group of 87 international entertainment journalists, none of whom are Black (Note: As we were continuously reminded of all during the show), well that show better darn well be as cheesy, hilarious and train wreck dramatic as an episode of anything you could watch anywhere else on TV during the past year.

You know, the awards show equivalent of Nicole Kidman (and her coats) in The Undoing

Which is, well, quite A LOT.

Given that very high LOW BAR, this year’s Globes were a bit of a… letdown. 

Oh sure, they weren’t entirely half-bad.  Many deserving film and TV artists won and both Tina and Amy snuck in a few clever bon mots.  (Note: They even enabled the perfect Maya Rudolph to cleverly wander onto the stage in full diva drag).

Not to mention, there were some lovely speeches from two legends: 98 year-old Norman Lear (Note: Laughter and family is the key to longevity, folks) and 83 year-old Jane Fonda (Note: Art historically leads our way so it must include diverse voices).

Hollywood royalty (and Jane, girl, you have never looked better)

And the heartfelt words of Chadwick Boseman’s widow, Simone Ledward Boseman, tearfully accepting his posthumous best actor honor for Ma Rainey’s Black Bottom:

He would say something beautiful, something inspiring, something that would amplify that little voice inside of all of us that tells you, ‘You can,’ that tells you to keep going, that calls you back to what you are meant to be doing…”

Still, given all of our current circumstances their words were ultimately dwarfed by the smallness of these awards from this very dubious of organizations.  Especially when it is compared to the largeness of the disorganization we are all experiencing daily in these strange end of times we’ve all been living through.

This feels right

So as much as I was personally thrilled for Andra Day’s win as best actress for resurrecting the spirit of Billie Holiday in The United States Vs. Billie Holiday, or the great Aaron Sorkin being rewarded for yet another seemingly unadaptable story with his screenplay for The Trial of the Chicago Seven, I couldn’t help but wonder –

Why the hell am I watching three hours of celebrity zoom clips masquerading as a prime-time network TV special controlled by a group of people I and many of these recipients have little or no real respect for?

Too much?

Is this exaggeration? 

Jason’s sweatshirt sums it up pretty well

Well, maybe just a little bit.  Amy and Tina were live on different coasts.  Jane joined Amy live at the Beverly Hilton and presenters such as Chris Meloni (Note: Yes, SVU’s Stabler is back on NBC April 1st and No, that’s not April Fools) joined Tina live at NYC’s famed Rainbow Room.

In addition, a few real-life celeb couple presenters like Kyra Sedgwick and Kevin Bacon and Michael Douglas and Catherine Zeta-Jones, showed up non-socially distanced/actually touching in an effort to help us remember that human beings can still stand skin to skin in real time and in real life, live or even on a stage.

Was I expecting this? #mybrainisbroken

Still, these moments were few and far between. All other presenters went solo.  And those others who were close and unmasked could only be viewed in their homes or in a hotel room via another dreaded Zoom shot.  (Note: And by this time we all have learned to be suspect at the very sight of any person, place or thing that instantly pops up at us via a platform as fuzzy as that).

Is the Chair losing patience with all of this after more than year and taking it out on the Globes???  Or just lost it??

 Of course he is!!  And has!!

CHAIRY! Stay calm! Think about Jodi Foster’s dog!!!

But when you’re promised sheet cake and still get nothing more than a continuation of the very enlarged computer screen you’ve come there to avoid, then what else can you expect???

The following is a list of this year’s Golden Globe Winners:

“I’m So Tired” – The Beatles

Oscars So RIGHT

How is it that after 92 years the Oscars finally came up with both a telecast and a list of winners to be proud of?

Hitting the right notes, literally, for just about everything, the 2020 Oscars will probably be best remembered as the first time in history a foreign… ahem… INTERNATIONAL film won best picture.

Show tagline: PARASITE, NO HOST

Not only that, Parasite writer-director Bong Joon-ho took home THREE more Oscars for best director, best screenplay and best international (formerly foreign) film.

The hottest name in Hollywood!

And it was only a mere five decades ago when another Oscar winning writer-director, Billy Wilder, famously quipped to his cameraman:

Shoot a few scenes out of focus. I want to win the foreign film award.

That Parasite managed to touch the hearts and souls of a majority of Oscar voters is not in doubt. But what also seems clear is that the choice of a non-American film about economic inequality as the Motion Picture Academy members’ big winner was a very clear and very present way for voters to send out another message to the world. And that message is:

2020 America, and Americans, are NOT living in a bubble or behind a WALL. We are not isolationists who want to disengage with you. We, in fact, do get IT, even if it doesn’t always seem that way these days So don’t give up on us…yet.

I’m paraphrasing, of course.

In fact, I might be reaching or making this up out of whole cloth. Though truly, I don’t think so.

How I will try to think of 2019 in America

Hollywood might not literally speak for all 327 million people living in the U.S. but as an industry it is one of its chief representatives to the rest of the world. American movies reflect America to international audiences and what the Oscars choose to represent as the best of the best carries that weight.

Taken in that light the major category victories for Parasite were no small thing. No, they certainly don’t change the state of the world but, at the same time, they proclaim that things aren’t staying stagnant. If the same staid Academy that made the safe choice of Green Book as last year’s best picture is now doing a full 360 and saying a South Korean film dealing with class warfare is the gold standard, well, who knows what else is in store from any number of American industries looking to project some message to the outside of who we really are.

Don’t ever look back!

Oh yes, hope springs eternal. But then again, why not?

This message of change, or perhaps inclusion was reflected all throughout the Oscar telecast on Sunday night.

Singer-songwriter-performer extraordinaire Janelle Monae had Oscar’s best musical opening in history as she went from mock Mister Rogers garb to full blown, self-proclaimed, queer Black artist singing revamped lyrics to her 2010 tune Come Alive. Sashaying her way through a panoply of back up dancers and celebrities, she actually managed to make the Academy Awards seem hip and happening for the first time in…..well….EVER.

At one point THIS happened

But that was only one of a string of ingenious, nostalgic and just plain awe inspiring musical moments.

We had Idina Menzel belting a Disney song along with belters from more than a dozen countries in THEIR native languages.

Then there was Eminem appearing seemingly out of nowhere to rap his 2003 Oscar winning song Lose Yourself with some updated lyrics evoking the era of Trump.

OK so the song is as old as Billie Eilish, so what?

Soon Elton John was pounding on his red piano and singing the soon-to-be Oscar winning song he co-wrote with longtime lyricist partner Bernie Taupin for their autobiographical film Rocketman.

That followed twice nominated Cynthia Erivo also bringing the house down with her inspirational ballad Stand Up from her film about abolitionist Harriet Tubman, Harriet. 

And her dress was PERFECTION #QueenCynthia #EGOTiscoming

Then, as a capper, we got a haunting version of the Beatles’ Yesterday sung by this year’s multi-Grammy winner, 18-year-old Billie Eilish, in memory of the many film artists we lost this past year.

And amid all of that was this quite subversive high comic moment of the evening:

Rebel Wilson and James Corden entering in the crazy train makeup and costumes from their 2019 film disaster, Cats, to give this simple introduction to the award they were tasked to present:

As cast members of the motion picture CATS nobody more than us understands the importance of good visual effects.

Proving it’s never to soon…

Certainly one could gripe about a few misfired jokes from various presenters or any number of times when any one of us knew the wrong person, or people, were standing center stage with an Oscar in their hands that we felt belonged to someone else.

Still, it is difficult to argue with what most of those who did win were trying to say in their acceptance speeches.

They rambled, but we stuck with them

Aside from thanking their immediate families, or their teams, or their friends or cast mates, almost every major speech felt like a sincere outreach to an international audience for us all to find some way come together rather than to continue to be pulled apart by the circumstances of our times.

While the ceremony theoretically honors the art and craft of film, this year’s Oscars somehow felt more like a hand extending far beyond Hollywood and the borders of the U.S. towards the rest of the world in solidarity.

PLUS This is now Oscar-winning, so really, all is right with the world

Though on second thought, perhaps it’s more like a cry from those of us within to everyone watching on the outside for…help?

Janelle Monae – Oscars 2020 Opening