Hello, Goodbye (Colbert Edition)

Towards the end of It’s A Wonderful Life, after George Bailey regains his will to live, he runs joyously through the streets of his hometown of Bedford Falls, shouting Merry Christmas to everyone and everything in sight. 

Even Mr. Potter, the villainous slumlord who tried to crush George’s business by stealing his money, and crush his soul by driving him into suicidal existential despair.

Hey, Merry Christmas, Mr. Potter!, George beams as he spots his nemesis in the window and musters a big wide grin on his way home to a house full of family and friends.

Merry Christmas to you – in jail!, Potter bellows back to him, sure that George will be arrested for embezzlement the minute he steps foot in the door due to the money Potter clandestinely pilfered and the police and bank examiners he arranged to be at his home – on Christmas Eve, no less!

How Do Bankers Feel About 'It's a Wonderful Life'?
He’s so pleasant

Though that Frank Capra ending is 80 years old I couldn’t help but think of it as Stephen Colbert gracefully exited the stage of The Ed Sullivan Theatre after 11 years as the host of The Late Show, and the bile driven rage tweeting that followed right after by our ever rageful Gloater-in-Chief, who himself turns eighty years old next month.

As Colbert was joined by his mentor Jon Stewart, and the quartet of his fellow “competing” talk show hosts – Jimmy Kimmel, Jimmy Fallon, Seth Meyers and John Oliver – all of whose shows went willfully dark in support of him that night, he talked about how his staff referred to the show as “the joy machine.”

looking for gifs of Colbert and Byrne that i saw online, but now can't find  : r/LateShow
I love this man

Contrast that to the late-night weigh-in from the White House (Note: 1:52 am, to be exact) where our own Mr. Potter bellowed:

Colbert is finally finished at CBS.  Amazing that he lasted so long!  No talent, no ratings, no life. He was like a dead person.  You could take any person off of the street and they would be better than this total jerk.  Thank goodness he’s finally gone!

That was followed by another tweet the following day – an AI video where AI GLOTUS yanks AI Colbert away during his monologue, deposits him in a dumpster and triumphantly gyrates to, YMCA.

Gay 1979 is calling and WE want our song back. 

Ymca GIFs | Tenor
I will never understand this

Not to mention, do he and his supporters even know what that song is really about????

Let me give you a clue:

It’s fun to stay at the YMCA, They have everything for young men to enjoy, You can hang out with all the boys…

It seemed only fitting that Colbert’s final guest was Paul McCartney, a guy known for his creativity and kindness, not to mention his status as a member of The Beatles, which first debuted to American and worldwide audiences at that very same Ed Sullivan Theatre in 1964.

Paul Mccartney 'Late Show' Interview Interrupted by Giant Wormhole
Both class acts

After recalling those days and sharing some memories, as well as briefly touching on America as iconic in entertainment and as a leader of “democracy,” Sir Paul was ushered out so Colbert and his gang of hosts could take charge backstage and try to conquer a symbolic wormhole portal that metaphorically threatened to swallow him and his show whole, along with any of the hosts that might dare to misbehave there or in the future.

It seemed like that extended comedy bit would be the end, especially once Colbert himself was inevitably sucked into that deep black hole of nothingness.  But luckily that was only momentary. 

Stephen Colbert says farewell to "The Late Show": "We were lucky enough to  be here for the last 11 years" - CBS News
A good kind of upside-down

He quickly reappeared in a dark afterlife-type void, singing along with Elvis Costello, his former bandleader John Batiste, and current bandleader Louis Cato, to a whimsical vintage Costello tune about political hypocrisy, Jump Up.

Again, a fitting, if this time more melancholy, way to wrap up. But luckily that wasn’t all either.

Very quickly the scene transitioned back to the fully lit Ed Sullivan Theatre where Paul McCartney stood center stage with a large in-house band performing the classic Beatles tune, Hello Goodbye.

Paul McCartney performs on "The Late Show with Stephen Colbert" with Louis Cato and The Great Big Joy Machine.
Who knew Stephen could sing?

As soon as Paul hit those memorable opening notes and sang the immortal words:

You Say Yes, I Say No, You Say Stop, And I say “Go, Go, Go,” Oh, no!….

Well, let’s say there was not a dry baby boomer eye in this house.  Or, I suspect, many others. 

Though how could you be sad when you saw the entire staff join him onstage, gleefully singing and dancing, along with the audience on their feet, led by Paul. 

Inside Colbert's Late Show Finale: 10 Things You Didn't See on TV -  LateNighter
the joy machine rocks one more time

Talk about full circle reinvention.  That song was first introduced to America by Sullivan from that stage on his show in 1967 with a filmed performance by The Beatles from England.

Yes, Colbert no longer has a show on CBS, a move that was clearly facilitated by behind-the-scenes GLOTUS pressure on the Ellison family and its desire for the government to approve its CBS-Paramount merger with Warner Bros.

Yet Colbert was sent off with a cavalcade of many of the biggest stars in the entertainment industry all year, culminating with a final week of accolades, ingenuity and emotion surrounded by countless friends and many members of his immediate, close knit real-life family.

Late Show: Jon Stewart Surprises Stephen Colbert With Recliner, Andra Day
Andra Day’s solo was a highlight!

According to the host, that will all culminate this Memorial Day weekend when even more members of the Colbert clan will gather together to attend the wedding of his beloved brother in Washington, DC.

Ironically, the same place our GLOTUS will be since he willingly chose NOT to attend the wedding of his oldest son.

Jump Up/Hello, Goodbye – Paul McCartney, Elvis Costello, Jon Batiste & Stephen Colbert

SNL Supersized

If you were ever a fan of Saturday Night Live – and let’s face it, many of us were for at least a handful of years – NBC’s more than three-hour Sunday night special SNL50: An Anniversary Celebration was both an original and nostalgic super-sized treat.

And no, I’m not just saying that because of the book I co-authored with my husband, Stephen Tropiano — The SNL Companion: An Unofficial Guide to The Seasons, Sketches and Stars of Saturday Night Live.

Oh this? ::wink::

The book that is available on Amazon in paperback or on Kindle.  

Nor is it because the two of us coincidentally spent part of the end of our first “date” watching the SNL episode hosted by Sean Penn 37 years ago, never realizing that both we (and the series) would still be a thing.  

It’s not even due to the nostalgic fact that we each happened to go to an SNL taping (Note: Me during season one; him in season three) in its first five seminal seasons. 

We didn’t!

It’s that somehow – after so many hits and misses – this particular episode got it exactly right.  Or, well, as right as it could ever be.

There are many secrets to SNL but chief among them is its ability to regenerate itself with a revolving cast of comedy performers every few X number of years, some of whom even start as writers.  Just when the series isn’t working, suddenly someone or something (Note:  Like some ripe-for-parody personality or news event) comes in that makes it work again.  Its most popular sketches endure but are seldom done too many times, always leaving room for the newest hot take to cross into the zeitgeist and create some seemingly necessary, key cultural moment. 

… and sometimes it’s just Dooneese!

Rather than rest on its laurels and rely solely on its past, it constantly tweaks its content while remaining true to the tradition and structure of its unique brand of sketch comedy and musical guests.  Weekend Update, the host monologue and the singer/band performances may endure and so do the way they are presented and who presents them.  Yet what is contained inside and who is offering what is always different. Not to mention the commercial parodies, the music videos, the short films, guest hosts and guest star cameos.

All of this and more were there in abundance on #SNL50. Yet unlike the prototypical evening of clip reels peppered with celebrity or cast member intro and outros, this was instead like watching a gigantic new episode of the series that incorporated reinvented, new versions of a lot of our favorite sketches and characters from each decade, sometimes with new ones, and in others surprise moments with an SNL performer from an entirely different season showing up in their own signature character from an entirely different bit.

Linda was ready for Sweata Weatha

Among the best was an unexpected spot by a very game Meryl Streep (Note: Her first ever in the entire 50 years) playing the mother of Kate McKinnon’s alien-abducted Colleen.  As it turns out, Colleen Sr. was also abducted by those little men with the big eyes and watching her have her comic way with fellow abductees (Note: Pedro Pascal and Woody Harrelson, each former hosts) was every bit as bizarrely funny as it sounds.

But there was also:

  • Black Jeopardy featuring with contestants Leslie Jones and Tracy Morgan joined by Eddie Murphy playing a fiction version of Tracy Morgan as the third contestant while standing right next to him.
  • Original SNL cast member Laraine Newman in a short film doing a nostalgic walk through of Studio 8H memories only to be met by Pete Davidson’s dim bulb Chad persona as an incompetent 30 Rock stagehand.
  • A Q&A of little known SNL facts and cutaways hosted by Tina Fey and Poehler, which gave us a chance to see any number of other former cast members and guest stars.  
  • A tribute to SNL digital shorts with a new one on SNL-performance anxiety led by Andy Samberg and Bowen Yang (Note: Though good as it was it couldn’t outweigh the special version of Samberg and Lady Gaga reworking his and Justin Timberlake’s Emmy-winning “Dick in the Box” two nights before in an SNL musical anniversary special).
  • And Adam Sandler center stage with his guitar (Note: Introduced by little-seen these days Jack Nicholson!) singing a new tune he wrote in the tradition of his Chanukah song, but this time in tribute to various SNL performers and crew people (Note: Many behind-the-scenes personnel were given shout outs and brought in front of the camera during the episode), some of which were quite touching without overdoing it.

Instead of allowing a heavy hitter group of live musical acts to take over, they were judiciously spread over the three hours, much like they would be over the course of a single episode.  There was Paul Simon, Sabrina Carpenter, Lil Wayne and Paul McCartney (all former guests) but by far stealing the show was a blues rock version of Nothing Compares To U by Miley Cyrus and Brittany Howard.  A cleverly reinvented but fitting version of the signature Sinead O’Connor tune, written by Prince, both of whom left us with their own classic SNL performances before their untimely deaths.

Remember when you were in the Beatles?

It’s tricky to write about 50 years of SNL without leaving so many out from the past, on the special and even in the audience attending the special.  But what’s even harder is not devoting some time to its creator, and producer of 45 of those years, Lorne Michaels.  He’s been an omnipresent part of everything, referenced frequently and every so often making brief (and very often even silent) onscreen appearances.  The latter was exactly the case over this three hours, which at first seemed strange but, by the end, felt only fitting.  Mr. Michaels clearly enjoys steering the ship but wisely picks and chooses when and where he appears on camera.

Thank you Lorne

It’s not that he doesn’t know his way around an audience and a teleprompter. Or shy away from taking credit for steering the ship for most of its journey.  It’s that on nights where it’s all going the way it should be, it’s best to simply let the work speak for itself.

“Nothing Compares 2 U” – Miley Cyrus & Brittany Howard