We’re Secular, Bitch

I watched El Camino, the Netflix film that continues the story of one of the best TV series of all time, Breaking Bad.

It’s a respectable effort to complete the arc of the series from BB’s creator Vince Gilligan even if it doesn’t soar to the same heights.  Still, we get to know what happens to our favorite dim bulb sweetheart of a crystal meth maker, Jesse Pinkman, witness a brief encounter between him and… (Note: Okay, NO SPOILERS HERE!) and realize once again that once you heavily enter into the world of drug dealing and drug taking no good will come of it.

Nothing de-glorified the illicit worlds of drugs and toxic masculinity better than Breaking Bad.  It’s certainly not the only example of that in popular culture but its ability to eschew proselytizing and instead focus on the lives of the people who choose this road made it one of the most respected, watched and memorable TV series of all time.

Quality TV, bitch

Jesse Pinkman grew up in a two parent household with a Christian mom and dad who, by his own admission, did the best they could to raise him with the moral values he needed to sustain himself in the world.  He was fictional yet somehow familiar, like the lovable doofus next door who once showed potential but somehow, and in some way, went on to break bad.

Jesse came of age in the early nineties, right around time our current U.S. attorney general, William Barr, first served in that post (1991-1993).  This was under then Pres. George Bush, Sr. and at the time, as now, it was Mr. Barr’s task to set the standard for the legal, and, in turn, moral tone for the country.  In other words, he is the custodian of what passes as the rule of law.

Preach

A devout Catholic, Mr. Barr’s tone and morality have remained constant and virtually unchanged since the time young Jesse Pinkman was looking for guidance on how to be an adult.

By way of explanation, here are some nuggets from a speech Mr. Barr, our sitting A.G.,  gave this week to an audience of law students at Notre Dame Law School, many of whom never heard it because they were too busy protesting his appearance outside of the auditorium on campus from which he spoke.

…Judeo-Christian moral standards are the ultimate utilitarian for human conduct…We are told we are living in a post-Christian era, but what has replaced the Judeo-Christian moral system?… Among the militant secularists are many so-called progressives, but where is the progress?…

We see the growing ascendancy of secularism and the doctrine of moral relativism…Basically every measure of this social pathology continues to gain ground…Along with the wreckage of the family, we are seeing record levels of depression and mental illness, dispirited young people, soaring suicide rates, increasing numbers of angry and alienated young males, an increase in senseless violence and a deadly drug epidemic.

….New Jersey recently passed a law requiring schools to adopt a LGBT curriculum that many feel is inconsistent with traditional Christian teaching,

….Over 70,000 people die a year from drug overdoses. …But I won’t dwell on the bitter results of the new secular age. 

Jesse is not a fan

Attorney General Barr is on a familiar frontline of American governmental religious fervor and his perception is that there is a decided lack of it that is causing the moral decay or our world.  Or at the very least, it’s lack is the primary reason for our social problems and the key to why so many people, both young and old, disobey the law, misbehave in general and seem so, well…unhappy.

If you lived through the thirties, the fifties, the eighties/nineties or were paying attention in the latter half of this decade, aka yesterday on Fox News or the Christian Broadcasting Network, you’ve heard this before.  If not, you can go through the speeches of Father Coughlin (1930s), Joseph McCarthy (1950s), both Bush POTUSes and Barr himself (1980s/1990s/2000s) and catch up.  Or better yet, view Mr. Barr’s Notre Dame speech here:

… and prepare to lose your lunch

What it boils down to is a society whose problems have mostly to do with straying from a strict RELIGIOUS doctrine. It is a school of thought that conveniently (and very purposefully) ignores the many secular advances in the world like, say, women having equal rights or laws against them being stoned in town square for cheating on their husbands – to – laws preventing members of the LGBTQ community from being fired from their place of employment, barred from their local marriage license offices or, say…being stoned in town square for simply…being.

Most importantly what it seeks to do is blame the Jesse Pinkmans of the world – either fictional or real – on the fact that they were raised in a country or household where government and home teachings of the Bible were not somehow enshrined in their being and viewed as the gold standard of citizenry, if not the requirement and guiding principle of its government and its leaders. (Note:  This would presumably include our current American “leader”).

pretty much sums up my thoughts

In times like these it is important to remember, repeat, and rinse and repeat again, that this line of thought was precisely the opposite type of doctrinaire thinking on which our country was first founded.

One of the essential pillars of American democracy is and always has been the separation of church and state.  Don’t take my word for it.  It’s the very FIRST AMENDMENT to the U.S. Constitution.

Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof.

What this means is feel free to NOT BELIEVE in God and religion or BELIEVE in any God or religion you want.  But bottom line – leave RELIGION and whatever you believe it to be out of our government.

It is also important to note that the very definition of secularism (Note: Barr’s dreaded word) is: the principle of the separation of the state from religious institutions.

You know.. unless you live in this universe  #seeyourselfoutRudy

This in no way means that we can’t consult many sources, include our religion, to define what is right and wrong individually for us.  But as a government, a basic tenant of American law is that we leave our religion at the door.

As Americans we are guided by a set of norms and law that evolve over time, not ones enshrined in early A.D or B.C.  We have our problems, particularly these days, but this freedom to think any way we like, as long as it doesn’t hurt anyone else, is in our DNA.  It has made us the most prosperous nation in modern history and, until recently, the one country the vast majority of immigrants in the world have chosen to migrate to.

Hmmm, perhaps what this attorney general and his cohorts from up above are trying to do by him speechifying about the enshrining of our country with an old/new religion is nothing more than their latest strategy to stem immigration?

Unlikely.

The game Barr and his ilk are playing is far simpler.  In fact, it’s all about the simplicity of thought.  Quiet the masses by evoking a past that never existed and ignore, prosecute, condemn and persecute (legally or by any means necessary) anyone who dare speak against them.  When all that fails, claim the sinners are the ones taking away THEIR freedom of choice, their religion, and stifling their ability to simply be who THEY ARE.

There is an immoral majority in American society right now but it’s not the Jesse Pinkmans of the world.  Rather, it’s the members of our top government elite, such as Barr, who think we’re all too dumb to catch on to their bait and switch game of immoral strategy to retain power and do what they please behind closed doors. (Note: I’m trying NOT to imagine anything I can’t unsee or unthank).

Well, they underestimate all the rest of us sinners at their own peril, don’t they?

Hopefully.

Nick Lutsko – “The Ballad of Jesse Pinkman” 

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Not Joking

I’ve decided to wait a bit to see Joker.

Not that you asked and not that I’m afraid to venture out to a movie theatre showing Joker on its opening weekend.

Oh, yes.  Apparently, there is reason to be afraid.

My students actually brought this to my attention, noting more than several sets of their parents called them this week to warn them of the perils of venturing out.  These were mothers and fathers who were truly afraid their college juniors and seniors could possibly be shot at in a public venue that dared to show a movie that addressed the evolution of a cartoon villain into a gun toting vigilante who wanted revenge.

America, 2019 #sad

But it never even occurred to me to be scared and I have fears about pretty much everything.

Not being a parent and never one to miss the opening weekend of a movie I was desperate to see (Note:  Yes, I did see Judy on opening night.  Please.) I thought of venturing out to Joker.  But it wasn’t the prospect of the ridiculous crowds that go hand in hand with those huge box-office projections that made me stay home.

Reserved seating ensures you don’t have to wait in line for a ticket and I was willing to take my chances in the off chance of a flesh and blood gunman given I survived the eighties.  But, well, the rat f-ck in the parking lot, the talking in the theatre during the film, the inevitable crying kid who shouldn’t be there or texting teens with neon-screened phones who have to be there– I mean, really, I can wait.

I’m fine with this

And anyway, Martin Scorsese says any film that’s part of the Marvel Universe isn’t real cinema so I doubt that he feels any differently about DC/Batman origins.

Honestly, the closest I can think of them, as well made as they are, with actors doing the best they can under the circumstances, is theme parks. It isn’t the cinema of human beings trying to convey emotional, psychological experiences to another human being.” —  Martin Scorsese to Empire magazine this week.

Scorsese throws it down

If Scorsese is venting about high and low art we moviegoers are really in trouble.

Still, I get it, don’t you?  A steady diet of anything eventually makes it less special and inevitably, less than satisfying.  So how frustrating must it be for someone who is acknowledged as one of the best filmmakers of the century to watch the market for what he produces narrow further and further.

It’s the slow execution of everything he has given his life to.  The existential extinction of a widespread and very particular art form.

On the other hand, (and quite honestly) I can’t say I’m excited to see another Scorsese gangster movie, are you? Really excited?  I mean, are you really, really excited about the release of his latest three and a half hour long epic The Irishman early next month?  As excited as you were to see Goodfellas, Casino or even, say, The Departed?  Be honest.

I feel seen #truth

A superhero movie fan could argue a new gangster film from the director is the cinematic equivalent of a Scorsese theme park ride.   Others might, too.

This in no way lets the glut of Marvel/DC comic book movies off the hook.  Looking at what’s playing at what we used to refer to as real movie theatres at any given moment is a far, far cry from the last true golden age of cinema in the late sixties through the early to mid-seventies.

You know… before this #imissyoucarrie

The entertainment business has always revolved around making money, especially easy money.  So no one can blame movie studios, producers, directors, actors, et al for focusing on the broadest possible market with an emphasis on the key 18-24 year old demographic.

It’s said studios are most interested in a four-quadrant film, meaning the movie that will appeal to the widest swath of the population (Note:  What quadrant are you in?) but this is no longer the case.  It’s not even the case that whom they want to most appeal to are 18-24 year olds.

Most people when they go to a comic book movie #ifeelold

What is true is that superhero films accounted for more than 25% of total movie ticket sales last year, the equivalent of $11.38 billion.

Truth be told, this is a lot it is still far less than what we (okay I) might have imagined.  Until we realize, large as it is, it’s still a misleading statistic.  Those films might account for a quarter plus of releases but how wide of a release do the non-superhero movies get and how long do they really stick around?

In other words, 75% of the movies we have the option of going out to see might not have anything to do with Marvel or DC but if these films only play just one or two weeks in smaller, not easy to get to (or particularly desirable) theatres in not many cities, than what are the chances any of us will get to see them?  If a comic book hero is monopolizing 5 screens at an 8-screen multiplex do you want to brave the crowds on the weekend in order to see the latest indie offering starring Catherine Keener?  You might not even show up for a Jennifer Aniston rom-com or a Spike Lee joint.

Forget about the cost of a helmet or your bulletproof vest.

… and yet this is the film Catherine Keener did in 2018 #sigh

This is especially the case if you can wait a week or two and view them in the comfort of your large screened living room, which, in some cases, will offer images almost as large as the ones you might be treated to at one of the smaller multiplex screens that the non Marvel/DC movie you chose to attend would be relegated to.

It’s not an accident that Martin Scorsese’s The Irishman is backed by Netflix, which will make it available online three weeks after it debuts nationwide at what Steven Spielberg refers to as real movie theatres.

in unison: “you talking to me?”

Okay, I’m paraphrasing.

What he actually said is that Netflix films (and those from other streaming services) should not receive equal treatment at the Academy Awards and should be nominated for Emmys.  His belief is once you commit to the TV format you are a television movie and not a film.

But does his point of view extend to movies primarily backed or financed by Netflix and other similar platforms?  Or does Scorsese’s The Irishman get a pass because clearly HE makes cinema?

What IS 2019 cinema, anyway?   What is NOT 2019 cinema?

.. and what the hell is this??? #geminiman

As famed multiple Oscar winning screenwriter William Goldman once said of those of us in and around the film business, nobody knows anything.

And that, unlike most of what’s offered at your local multiplex, includes everyone.

The Late Ones – “The Joker” (cover of Steve Miller Band)