A Storm is Gathering

Here’s what we now know about Donald Trump that we never wanted to know:

1- He doesn’t use condoms, even when he has sex with porn stars.

2- He actually enjoys being ordered to drop his pants so he can be lightly (or perhaps wholly, who knows?) dominated.

3- He often tells women he flirts with and/or bones that they remind him of his daughter.

EWWWWWW

All that and more was revealed when adult film actress/director/writer and stripper (I love all those monikers together!) Stormy Daniels sat down with Anderson Cooper for her 60 Minutes interview Sunday night.

Great get, CBS!!!

And…gee thanks, Stormy!!!

Of course, we either knew or could intuit most of the above. Even the separate bedrooms with Melania, the elaborate apparatus of pay-offs, legal maneuverings and physical threats were not shocking.

Yes, granted, the Las Vegas thug who came up to Stormy in the parking lot some years ago when she was carrying her infant daughter and was told to leave Trump alone because it would be a shame if something happened to her beautiful daughter’s Mom – okay, yeah – that was a surprise.

Sort of.

My face after hearing literally ANY trump news.

Still, that’s hearsay (not heresy, not yet anyway) and has nothing to do with Russia. Or does it?   Well, the ethnicity of the big guy was held back so who really knows for sure?

Well…who knows about anything for sure anymore?!!

Do you? I certainly don’t. And I’ve spent most of my life thinking that I did – know something, that is.

Okay, so I DO know a few things.

One is that Stormy on CBS was just one teensy portion of the bad weather that is brewing in the soap opera/reality show we now like to call The Homeland.

I will probably have to use this meme in every post until the end of the Trump administration

Not only do she and her very credible and powerful attorney Michael Avenatti (Note: He’s the guy who beat the NFL at their own game for millions of settlement dollars AND in his spare time races cars and, well, has dreamy blue eyes – there, I said it!) dangle the carrots of upcoming secret recordings and DVD images, each of them looked into the camera sternly and pretty much ORDERED Trump and his legal team to quit lyin’ about them (and their intentions) or else.

Sue me…. wink

So now that we do know for a fact that DT (or is it DD?) enjoys being ordered – well, according to credible/incredible Stormy anyway – it’s anyone’s guess what could happen next. I mean, he might defy them just in order to be punished, right?

You most certainly DON’T KNOW and NEITHER DO I!!

Meanwhile back on the other end of The Homeland in Washington, DC – which is also LITERALLY Trump country even if he did spend this weekend, as he usually does, at his lavish Mar A Lago Resort in Florida golfing – a different sort of storm broke on every one of the broadcast networks.

About 800,000 people flooded the streets of the Capitol to #MarchForOurLives –meaning a mass demand for stricter gun control – led by the a small group of teenagers who survived the recent mass shooting that killed 17 people (14 of them their classmates) and wounded 14 more at Marjory Stoneman Douglas High School in Parkland, Fla.

They were joined by millions more in cities across the country and all over the world as far away as Tokyo, Berlin, London and Paris. No, this is not #FakeNews. Take a look:

A sea of humanity

Yeah, and sorry, CBS – no exclusives, here. Everyone already knows!!!

Sure, there’s a debate about the numbers. The organizers say 800,000 in D.C. but the official government estimate is 200,000 plus – the latter estimate being as reliable as the government (Note: See 60 Minutes nee #Fake/#Real #News).

Nevertheless, it was hard to watch those kids on Saturday and NOT realize that the weather is shifting, and not in a good way, for all those elected officials who chose to take this weekend off and leave town to play golf. Or to just, well, play.

a different storm that is coming…

By next year the millennial generation (ages 20-35) will number 73 million vs. the Baby Boomers’ 72 million (and decreasing, because, um..some of us are going to…well…die?) and this group overwhelmingly disfavors the current D.C. majority, not to mention its policies. That being the case, you can imagine what and whom the Parkland high school survivors and their millions of followers favor.

If not, look at some of their live statements at #MarchForOurLives. They were abundantly clear AND moving, which is really saying something since:

  1. The youngest speaker was 11.
  2. The speaker who wrote the tribute poem literally THREW UP mid-rhyme beside the podium yet, comforted by another fellow survivor of a different shooting and of a different race, kept going with even greater verve and an even greater response.
  3. The final speaker, Parkland senior Emma Gonzales, the 17 year old viral sensation with the shaved head who just a short few weeks ago after the Florida shooting was the first person to break through ALL THE NOISE and literally CALL B.S. on all the powers-that-be who offered her thoughts and prayers but NO plan for legislative change – dropped the mic on all of us with four plus minutes of dead, stone cold silence.

The real deal

Years ago an acting teacher told my class that one of the strongest stances you could take in any scene you were in was to be still, say nothing and just react. When you are really present, committed and fully in the moment your power is undeniable, she said – to your scene partner, to your audience and to the camera. It will be the best piece of acting you will ever do because it won’t be acting. You will merely be.

Ms. Gonzales was not present that day all those years ago because she is only 17. But when the political becomes personal, when the hurt is undeniable and when words are indeed inadequate, every affected generation finds a handful of their peers who can crystalize what they want, feel and believe into a series of historic political actions. Ms. Gonzales is one such person for her group and this is one such action.

Check your local forecasts. There will be many more to come. And while you’re at it, buy a new umbrella.

Rihanna – “Umbrella”

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The Porn Prez

Everything about Donald J. Trump is pornographic – his language, his actions, his lifestyle and even his appearance.

This is not so much a judgment as an observation.

Personally, I have nothing against pornography. It can be fun to observe or even to actively indulge in – but with moderation. Much like a great bottle of wine, a pitcher of margaritas, or an episode of Keeping up with the Kardashians. 

Me, but with trashy reality shows #sorrynotsorry

But to indulge in any one of them on an endless loop daily would profoundly affect one’s psyche – not to mention one’s physical self – and ultimately not in a good way.

For instance, I know I’d put a gun to my head in you strapped me in a chair for hours at a time seven days a week and forced me to stay current (kurrent?) with Kim, Khloe, Kourtney, Kylie, Kendall and mom Kris.

Still never gets old #momager

The fact that I even know all of their names makes me want to shoot myself.

This is what Trump is doing to the country. Well, half the country.

Okay, 3 million more than half.

Maybe 4 million at this point. Though I might be overestimating. A diet of pornography will do that to you. Everything feels…well, bigger. Or at least more orange.

The point is, the majority of us do want to shoot ourselves. Or someone.

Don’t deny it. The thought has crossed your mind and more than once. Where the (metaphorical?) bullet goes depends on whether you are a masochist or a sadist, a pessimist or an optimist. But the perverse urge to misbehave in some very, very VERY obscene way is there. How could it not be when every day we’re treated to a new episode of Donald Does _____XXXXX_____.

well we know the storm is coming…

Stormy?

Comey?

McCabe?

Mueller?

The FBI?

The Dreamers?

The Justice Department?

High School students?

Or just any Woman in his way or with whom he has had his way? Or not.

Who will be eliminated next? #staytuned #dowehaveto?

Though certainly not the NRA. That much we can take to the bank(s). Which are doing just fine, and probably financing a whole new group of American made steel and aluminum McMansions even as we speak.

Do I sound bitter? Certainly, not! Why would I be? I have health insurance, a job, a 401-K and better interest rates than my parents ever dreamed of. And I’m in the top percentage of earners in the country. What more could I possibly want?   And, have you listened to yourself lately???

Okay, I will admit to some rage.

Nothing to see here

I carry it with me in traffic as I curse the person with Arizona plates driving in front of me in beautiful urban Los Angeles, sure that they voted for Donald Does while living in their own aluminum and steel faux McMansion – which is nestled on the corner of a golf course that doesn’t let in Jews or Black people.

I’m not proud of this. But at least I’m aware. Though I’m not sure if that means anything. Certainly not that I’m even close to being fully #woke. Or want to be.

More than one person in the last year and a half has told me the Trump presidency feels like a dream – either in the sweet or nightmare scenario, depending on what their political stance was at any given moment.

so like.. when can I move to Mars? #hurryupElonMusk

Well, that makes sense. There have been studies that say pornography can greatly increase and/or influence our dreams – even boost our fantasy libidos – because it stimulates dopamine in our brain.  That’s the neurotransmitter responsible for giving us a high. Like a good bottle of wine or a pitcher of margaritas or….

Okay, I wont say it. But I will say this —

In some cases this is a good high and in others this high is WAY TOO GOOD and makes us an addict.

You may say: But Chair, this doesn’t make any sense. Donald Does gives me no pleasure. He doesn’t make me high. He makes me angry. It’s not the same.

Really??? So you never…hate watch???

YES RU

Now I’m not saying our/my addiction to hate watching every move on Donald Does is making us/me into what we/I have become. (Note: And oh yes, reading episode and/or weekly recaps counts too).

Nor am I saying hate watching Keeping Up with Donald Does is NOT making us into just that..

I am only observing/actively indulging in the idea that the Opioid epidemic is not the only insidious addiction currently ripping apart the fabric of our country.

And that we might consider in this newest class of Opioids, the only solution is to refuse to buy it. And then come together to take the damn thing off the market, at which time it will be destroyed (Note: Either by us or by self-immolation) and/or put under lock and key for good

Think of it as a human assault weapon, not a toxic reality show, that has somehow managed to cleverly masquerade itself as porn.

Florence + The Machine – “Kiss With a Fist”

My Second Coming Out

It wasn’t easy to come out the first time.

I was so nervous my friends would hate me, my peers would shun me and my family would either not understand or just decide not to deal with IT or me at all.

That was the late 1970s and though times have changed quite a bit for the LGBTQ+ community, nothing about coming out – then or now – is particularly easy.

Most of us say we enjoy being different and perhaps we do, but it is also human nature to want to belong and not feel like or be like…well, my favorite expression is the cheese stands alone.

Think of me as this sad cheese while you read on…

Still, we all need to live in our truths in order to be truly happy.

That is why I find that all these decades later I need to come out for yet a second time. It’s painful because I’m afraid this time you will hate me and shun me. At the very least, I am absolutely certain you will lose respect for me and behind my back call me all kinds of names.

It’s about to happen…

But I can’t pretend anymore.

The truth is ––

I didn’t like Get Out.

OH CHAIR

I know, I know, I know!!!

I’ve tried so hard to listen and to get on the bandwagon. Yes, I’m a white guy of a certain age so OF COURSE I benefit from the WHITE PIRVILEGE the film is lampooning. But that’s NOT why I don’t get it!!! Seriously!!!

I mean, you’d be hard pressed to find ANYONE who DISLIKES WHITE PEOPLE more at this point in our history than I do.   Even though my 401-K profits from what’s going on in Washington, I live in a deep, dark blue state (in so many ways) and sometimes back away from telling off one of the far right crazies the way I used to for fear of being arrested for strangulation, I still DO side with the values of JUSTICE AND TRUTH for everyone.

It’s just, well…..

It didn’t work for me.

Or maybe I should say.. sorry not sorry?! #donthateme

I loved what it was ultimately saying and I wanted to see THAT film.   Strap me in MY chair and play me that movie – that everyone’s writing about. I want to see an original seamless screenplay that constantly has me laughing and intrigued by characters and a plot that keep me on the edge of my seat – or even far back into my seat, nodding my head at how the inevitable will happen based on the people and events the filmmaker has unfolded.

What I don’t enjoy in my movies are deus ex machina explanations of characters I’ve been watching for three quarters of a film do bad things. Who thought I would ever yearn for a Michael Myers-like reason?

stay with me here!!!

The opening was sick, fun and promising. The act one set up was creepy and believable. The end of the first act worked. I mean, something was up, right?

Then there was:

– The Second Act boredom. A series of sometimes amusing events and set pieces – some clever set pieces but too many other perplexing scenes that didn’t move the story forward with any discernable dramatic purpose – for me, Okay? For me! At least throw me a slightly more than microscopic breadcrumb so I can play along– or two or three – and I would’ve been satisfied, thrilled even, to join the crowd. #DontDunkirkMe.

Having a sinking feeling here

–Catherine Keener spinning that effing silver spoon in that teacup and ice tea glass and… Arghhh, don’t me make relive it for the 1000th time. I crave to see the queen of indie movies pre and post millennium play this kind of character – if I had any sense of who that character was during most of the narrative.

— That reveal at the beginning of act 3 that I had to wait for-EVAH for to make any sense of why, or how or for what reason can I care when no one is making any sense to me for so long. Even when what was really going on was revealed it felt imposed and cheap, reminiscent of a device from some low budget 1950s horror flick I might have watched long before I came out on Million Dollar Movie but turned off before the end (Note: Million Dollar Movie — A showcase for old, often n.s.g films on NYC television in the 1960s).

Sorry but not even a Keith Haring style homage to the movie is going to do it for me.

You might reject all of the above as ill-informed but just know at least I’ve stopped making silly, ridiculous arguments for my case like the one I made just yesterday on social media — Hey, I really enjoyed Black Panther!

Um, right – So because you liked A Black movie that proves…what exactly? It’s like DJT telling a rally in Pittsburgh he’s the least racist person you know because Don King is one of his best friends and he gave Omarosa…her career?

It plays to no one in possession of their own brain, #GetOut pun not intended.

hehehe

Oh, And just know it really doesn’t help to add, I liked Mudbound, too!

Or give a laundry list of your fave POC films starting with Sounder and then going on through Cleopatra Jones, Lady Sings the Blues, Mahogany (yes, Deal with it!), Do the Right Thing, Boyz n The Hood, Bamboozled, Malcolm X or I Am Not Your Negro.

NO ONE CARES. And a case could be made for every one that I only responded to them because they didn’t challenge MY white privilege.

I suppose that may be right. Who are we but an amalgamation of our lived privileges and denials when you come right down to it?

On the other hand, it could just be that it wasn’t my cup of….tea?

Groan.

Childish Gambino – “Red Bone” (Get Out Movie Soundtrack)

Two Words

It’s not enough to say this year’s Academy Awards was all about diversity or representation or #TimesUp.

Because what it really was all about was the inclusion rider.

This is a provision in an actor’s contract that can ensure casting in films be more diverse and provide percentages by which to achieve it (e.g. gender parity, people of color, LGBTQ, disabled). It may also extend to ALL CREW MEMBERS on any given film.

In an electric speech near the end of the ceremony, Frances McDormand did many things but the most interesting among them had nothing to do with her best actress win or performance in Three Billboards Outside Ebbings, Missouri.

her moment

It was the I have two words to leave with you tonight, ladies and gentlemen – inclusion ridera line that went from getting a blank stare from tens of millions of viewers to almost instantly becoming not only the #1 trending topic on Twitter but the Merriam-Webster dictionary website’s top search for the night.

There are ribbons and there are movements but at the end of the day there are really only CONTRACTS.

This is not a Hollywood thing. This is a business thing. ALL BUSINESSES.

Ms. McDormand makes it clear with each public appearance that it’s no accident she’s gained her greatest acclaim playing no-nonsense, complicated women.   But with that last line, specifically those two words, she’s not playing. She’s instead employing an extremely savvy use of a very public platform towards a really specific CONTRACTUAL REQUIREMENT to diversify.

It’s the iteration that follows the movement, which followed the ribbons, which channeled the marches – but this time on paper and in a court of law, if it comes to that.

Or put another way – the less kind and gentler version of you are the change you’ve been waiting for.

Her second most interesting moment was that, after thanking her family, she requested EVERY FEMALE NOMINEE in EVERY CATEGORY stand up for the world, and more importantly, the Hollywood patriarchy in attendance or watching, to see. She then admonished all those in power (aka many of the straight white guys of a certain age who claimed to be shocked by actions of guys like Harvey Weinstein – my editorial comment, not hers) that each and every one of these women have stories to tell and projects we need financed and instead of talking to them at a party that night to meet with them in an OFFICE (Note: We’ll go to yours or you can come to OURS) in a few days where we’ll tell you about them.

Who run the world?

This was not just the actors and the female writers and directors and producers she was pointing to. This was the female cinematographers, songwriters, composers, designers… Well, you get the picture.

Sure, there were other MOMENTS. Jimmy Kimmel was funny, charming really. Presenter Sandra Bullock made some hilarious remarks about dimming the lights so she could look 35 again, and 89-year-old James Ivory finally got the Oscar that eluded him as director of such classic films as Howard’s End, Maurice and Remains of the Day for his brilliant screenplay adaptation of Call Me By Your Name.

Oh and that shirt! #legend

Not to mention cinematographer Roger Deakins actually winning an Oscar after FOURTEEN nominations for his work on Blade Runner 2049 and Mexican-born Guillermo Del Toro’s two heartfelt acceptance speeches about the value of youth, art and American immigration as the best director and producer of this year’s best picture, The Shape of Water.

All of them were good, if not great. In fact, so were all the musical numbers. (Note: Yes, we were surprised too!).

But nothing captured the desire and mood of what’s really going on in the industry like the inclusion rider. Nothing.

Let the buyer beware.

Frances McDormand Oscar 2018 Acceptance Speech

Call me Chair, and I’ll Call You Oscar

Decades of working inside and outside, around and through the entertainment industry has taught me one thing:

NO ONE can reliably predict the Oscar winners each year.

Oh sure, the odd person can get lucky every once in a while and ace the whole thing, even the bonus questions in your local online poll. But maintaining that accuracy every year would mean there is some secret formula to understanding Hollywood.

Trust me, there isn’t.

The only secret is that, at the end of the day, there is no secret.

That’s because Hollywood is more of an idea than a location with an overriding opinion. And that’s coming from someone like me who actually lives IN Hollywood.

Oh.. and about my Oscar party

Oh there are lots of opinions here, too many, but there is no guiding principal to any one school of thinking when it comes to awards.

Not money, not artistic merit. Not dues-paying, good looks or familial connections.

Any one or two or three of those can help but they are no guarantee of anything.

Hollywood is more a state of mind in a particular moment where someone with power makes a decision based on – well – an opinion. Put 6000 or so of those together and what comes out are the annual list of Oscar winners – about as elusive of figuring in advance as receiving the shiny gold plated 8 ½ lb. statuette itself. (Note: And a mere 13.5 inches high. Though it does FEEL taller and HEAVIER in person).

Are you saying size doesn’t matter?

So, in that spirit, let’s get started on an online cheat sheet that can maybe help you gain an edge in the categories where you have doubts. (Note: The kind word for that is a consensus of informed opinions. The cynical one: guesswork). We’ll also include the Chair Choice (what we would vote for among the list of nominees) because…well….we want to and we can.

Best Picture

Who’s it gonna be?

Call Me by Your Name
Darkest Hour
Dunkirk
Get Out
Lady Bird
Phantom Thread
The Post
The Shape of Water
Three Billboards Outside Ebbing, Missouri

Winner: The Shape of Water

Chair Choice: Lady Bird

The toughest category this year. The Shape of Water is singularly the most original and yet the one that most reflects the best of the mainstream movie industry as it now stands in that it combines dazzling visual effects with an emotional story. A case can be made for Three Billboards but its odds are a bit lowered since it received no director nomination. Sadly, we haven’t gotten to the cultural moment where a gay love story like Call Me By Your Name, beautiful as it is, could win best film. Some think we will hit a different cultural moment with Get Out but I don’t think so – The Shape of Water is probably the safer genre choice – not to mention the better film. As for Chair Choice, try making a truly great coming-of-age movie (aka Lady Bird) in the age of cynicism and see how far you get.

 

Lead Actor

Elio… Oliver… Sigh

Timothée Chalamet, Call Me by Your Name              

Daniel Day-Lewis, Phantom Thread

Daniel Kaluuya, Get Out


Gary Oldman, Darkest Hour

Denzel Washington, Roman J. Israel, Esq.

Winner: Timothée Chalamet, Call Me By Your Name

Chair Choice: Timothée Chalamet, Call Me By Your Name

Yup, you read right. We’re going far out on a limb here because Gary Oldman is the odds-on favorite. But Chalamet’s performance was so unusual, raw and riveting for even those most cynical about his film, that it just feels like he could be rewarded. Also, there are three words in his favor – the crying scene. Yes, the Oldman/Churchill turn was hard to turn away from – for SO many reasons. And he did win the SAG Award, a good predictor here since the actors are the largest voting branch. It doesn’t matter. We’re NOT going with the favorite here. EVER.

 

Lead Actress

American Badass

Sally Hawkins, The Shape of Water

Frances McDormand, Three Billboards Outside Ebbing, Missouri

Margot Robbie, I, Tonya

Saoirse Ronan, Lady Bird

Meryl Streep, The Post

Winner: Frances McDormand, Three Billboards

Chair Choice: Saioirse Ronan, Lady Bird

Seriously, FM is gonna win. Though we prefer Saioirse Ronan’s feat of so many colors in Lady Bird the idea of hearing a McDormand acceptance speech televised LIVE internationally to tens of millions of people is just too tempting not to simultaneously root for.

 

Supporting Actor

No comment.

Willem Dafoe, The Florida Project

Woody Harrelson, Three Billboards Outside Ebbing, Missouri


Richard Jenkins, The Shape of Water

Christopher Plummer, All the Money in the World

Sam Rockwell, Three Billboards Outside Ebbing, Missouri

Winner: Sam Rockwell, Three Billboards

Chair Choice: Sam Rockwell, Three Billboards

It’s Sam Rockwell’s year. He’s a character actor everyone in the industry respects and it’s the kind of emotionally showy performance that wins supporting acting awards. Many of us have issues with the film (ahem, the performances, the tone and even the writing), but there is something about Rockwell’s work here that ultimately rises above the naysaying. Perhaps…talent?

 

Supporting Actress

Lady (with a) Bird

Mary J. Blige, Mudbound

Allison Janney, I, Tonya

Lesley Manville, Phantom Thread

Laurie Metcalf, Lady Bird


Octavia Spencer, The Shape of Water

Winner: Allison Janney, I Tonya

Chair Choice: Laurie Metcalf, Lady Bird

This will be the most UNJUST award of the evening. Allison Janney, an often brilliant actress, will win for an over-the-top turn in an over-the-top film despite Laurie Metcalf being nothing short of brilliant as the hate her/love her Mom in Lady Bird. There were literal scenes with that fictional mother that I actually recall living through as a teenager in 197___. Now how can that be????

 

Director

His time

Christopher Nolan, Dunkirk

Jordan Peele, Get Out

Greta Gerwig, Lady Bird

Paul Thomas Anderson, Phantom Thread


Guillermo del Toro, The Shape of Water

Winner & Chair Choice: Guillermo del Toro, The Shape of Water

He’s going to win. Del Toro was innovative, unusual and Hollywood. It’s not Nolan’s year. Give it up.

 

Animated Feature

No brainer

The Boss Baby, Tom McGrath, Ramsey Ann Naito

The Breadwinner, Nora Twomey, Anthony Leo

Coco, Lee Unkrich, Darla K. Anderson

Ferdinand, Carlos Saldanha

Loving Vincent, Dorota Kobiela, Hugh Welchman, Sean Bobbitt, Ivan Mactaggart, Hugh Welchman

Winner & Chair Choice: Coco

It’s a sure thing. Nothing to discuss.

 

Animated Short

Kobe’s got it

Dear Basketball, Glen Keane, Kobe Bryant

Garden Party, Victor Caire, Gabriel Grapperon

Lou, Dave Mullins, Dana Murray

Negative Space, Max Porter, Ru Kuwahata

Revolting Rhymes, Jakob Schuh, Jan Lachauer

Winner: Dear Basketball

Chair Choice: Lou

I’ve actually seen all of these. Not being a sports fan, I guess I didn’t at all get Dear Basketball. But watching a drawing of a young would-be Kobe Bryant acting to the words spoken by the actual Kobe Bryant of what basketball meant to him in a film produced by the real Kobe Bryant has gotten to ALMOST everyone who wants to see the live Kobe Bryant accept an Oscar in the flesh. I myself prefer Pixar’s Lou, the story of how and why a young bully gets reformed because I guess I’m still working through my childhood issues.

 

Adapted Screenplay

Can I just say.. SIGH… again

Call Me by Your Name, James Ivory

The Disaster Artist, Scott Neustadter & Michael H. Weber

Logan, Scott Frank & James Mangold and Michael Green

Molly’s Game, Aaron Sorkin

Mudbound, Virgil Williams and Dee Rees

Winner & Chair Choice: Call Me By Your Name, James Ivory

It’s the very definition of brilliant screen adaptation of a novel that was made into one of the most unique films of the year. Plus, it was written by the guy who directed and produced such classic movies as Howard’s End, Remains of The Day, and Maurice.   James Ivory has never won an Oscar, was robbed off it too many times to count and is now 89 years old. You do the math.

 

Original Screenplay

The Academy’s cup of tea

The Big Sick, Emily V. Gordon & Kumail Nanjiani

Get Out, Jordan Peele

Lady Bird, Greta Gerwig

The Shape of Water, Guillermo del Toro, Vanessa Taylor

Three Billboards Outside Ebbing, Missouri, Martin McDonagh

Winner: Get Out, Jordan Peele

Chair Choice: Lady Bird, Greta Gerwig

The idea for Get Out is brilliant, as is the script and film that everyone is writing about. Sadly, that’s not the film I saw – at an actual movie theatre early on – and not at a screening and not on DVD. But the screenplay for the movie that’s getting talked about is the one that I WANT to see. Still, who cares what I think? Certainly, not anyone in the Academy. So we’ll just sit home and sulk, knowing Greta Gerwig’s Lady Bird was the far more accomplished and nuanced achievement in storytelling.

 

Cinematography

Is it his time?

Blade Runner 2049, Roger Deakins

Darkest Hour, Bruno Delbonnel

Dunkirk, Hoyte van Hoytema

Mudbound, Rachel Morrison

The Shape of Water, Dan Laustsen

Winner & Chair Choice: Blade Runner 2049, Roger Deakins

This is Roger Deakins’ FOURTEENTH nomination for best cinematography WITHOUT A WIN. While it is possible the brilliant work in Mudbound or The Shape of Water or Dunkirk could win, we won’t be responsible for it.

 

Best Documentary Feature

Heartbreaking

Abacus: Small Enough to Jail, Steve James, Mark Mitten, Julie Goldman

Faces Places, JR, Agnès Varda, Rosalie Varda

Icarus, Bryan Fogel, Dan Cogan

Last Men in Aleppo, Feras Fayyad, Kareem Abeed, Soren Steen Jepersen

Strong Island, Yance Ford, Joslyn Barnes

Winner & Chair Choice: Last Men In Aleppo

It was near impossible to get through. Can you imagine making it? To do that you’d have to slog through thousands of dead bodies in Syria, side by side with the ordinary citizens of Syria, searching for survivors, and then relive it all again and again and again in the editing. For bringing the unendurable and unimaginable into the light, this one should and will win.

 

Best Documentary Short Subject

Edith+Eddie, Laura Checkoway, Thomas Lee Wright

Heaven is a Traffic Jam on the 405, Frank Stiefel

Heroin(e), Elaine McMillion Sheldon, Kerrin Sheldon

Knife Skills, Thomas Lennon

Traffic Stop, Kate Davis, David Heilbroner

Winner & Chair Choice: Heaven is a Traffic Jam on the 405, Frank Stiefel


I saw all of these. A lot of wonderful stories but nothing has stayed with me like Heaven is a Traffic Jam on the 405. You MUST watch this woman’s story. Then think about art. And what it means to survive. That’s all we’ll say.

 

Best Live Action Short Film

DeKalb Elementary, Reed Van Dyk

The Eleven O’Clock, Derin Seale, Josh Lawson

My Nephew Emmett, Kevin Wilson, Jr.

The Silent Child, Chris Overton, Rachel Shenton

Watu Wote/All of Us, Katja Benrath, Tobias Rosen

Winner & Chair Choice: DeKalb Elementary, Reed Van Dyk

After watching these DeKalb Elementary left me speechless, even though I had read all about the real story it is based on right after it happened. And that was prior to the recent school shooting that killed 17 people in Parkland, FL, which happened just prior to the date Academy’s final voting ballots were due.

 

Best Foreign Language Film

Oscar sparkle

A Fantastic Woman (Chile)

The Insult (Lebanon)

Loveless (Russia)

On Body and Soul (Hungary)

The Square (Sweden)

Winner & Chair Choice: A Fantastic Woman (Chile)

This is a guess based on speaking to people and the one film in the bunch I experienced. That film, A Fantastic Woman was a slow build around a trans actress who always appeared to be living, and not acting, a trans woman not unlike herself onscreen. It’s the likely winner.

 

Film Editing

Baby Driver, Jonathan Amos, Paul Machliss

Dunkirk, Lee Smith

I, Tonya, Tatiana S. Riegel

The Shape of Water, Sidney Wolinsky

Three Billboards Outside Ebbing, Missouri, Jon Gregory

Winner: Dunkirk, Lee Smith


Chair Choice: Baby Driver, Jonathan Amos, Paul Machliss

It’s hard to understand how a movie that many of us couldn’t follow could win the Oscar for editing. Isn’t coherence part of good editing? Isn’t that common sense? Of course, in Oscar polls and award giving, sense is not always the ultimate deciding factor, common or not. And who are we to talk when we’re advocating for a movie starring Kevin Spacey?

 

Sound Editing

you guessed it

Baby Driver, Julian Slater

Blade Runner 2049, Mark Mangini, Theo Green

Dunkirk, Alex Gibson, Richard King

The Shape of Water, Nathan Robitaille, Nelson Ferreira

Star Wars: The Last Jedi, Ren Klyce, Matthew Wood

Winner & Chair Choice: Dunkirk, Alex Gibson, Richard King


It’s the only thing I liked in the film. I don’t care what you think.

 

Sound Mixing

one more time!

Baby Driver, Mary H. Ellis, Julian Slater, Tim Cavagin

Blade Runner 2049, Mac Ruth, Ron Bartlett, Doug Hephill

Dunkirk, Mark Weingarten, Gregg Landaker, Gary A. Rizzo

The Shape of Water, Glen Gauthier, Christian Cooke, Brad Zoern

Star Wars: The Last Jedi, Stuart Wilson, Ren Klyce, David Parker, Michae l Semanick

Winner & Chair Choice: Dunkirk, Mark Weingarten, Gregg Landaker, Gary A. Rizzo


See above. And I still don’t care. At all.

 

Production Design

I preferred the fish man

Beauty and the Beast, Sarah Greenwood; Katie Spencer

Blade Runner 2049, Dennis Gassner, Alessandra Querzola

Darkest Hour, Sarah Greenwood, Katie Spencer

Dunkirk, Nathan Crowley, Gary Fettis

The Shape of Water, Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau

Winner: Blade Runner 2049, Dennis Gassner, Alessandra Querzola


Chair Choice: The Shape of Water, Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau

One of my dearest friends is a big time production designer and he says it’s Blade Runner. I, myself, loved the fish man, the marquee lights and the largest bathroom a tenement building has ever seen in The Shape of Water.

 

Original Score

Dunkirk, Hans Zimmer

Phantom Thread, Jonny Greenwood

The Shape of Water, Alexandre Desplat

Star Wars: The Last Jedi, John Williams

Three Billboards Outside Ebbing, Missouri, Carter Burwell

Winner: The Shape of Water, Alexandre Desplat


Chair Choice: Phantom Thread, Jonny Greenwood
 

The score for The Shape of Water was wonderful but The Phantom Thread score was brilliant and made it the movie it was. Either could win but the edge goes to the fish man.

 

Original Song

Tears

“Mighty River” from Mudbound, Mary J. Blige

“Mystery of Love” from Call Me by Your Name, Sufjan Stevens

“Remember Me” from Coco, Kristen Anderson-Lopez, Robert Lopez

“Stand Up for Something” from Marshall, Diane Warren, Common

“This Is Me” from The Greatest Showman, Benj Pasek, Justin Paul

Winner & Chair Choice: “Remember Me” from Coco

This song provided THE central motif of the movie. That’s what the best original song is supposed to do. Plus, it’s a good song. Okay, perhaps not as memorable as such other Oscar winners as “(The Theme from) Shaft” but you can’t have everything.

 

Makeup and Hair

Darkest Hour, Kazuhiro Tsuji, David Malinowski, Lucy Sibbick

Victoria and Abdul, Daniel Phillips and Lou Sheppard

Wonder, Arjen Tuiten

Winner: The Darkest Hour

Chair Choice: Either of the other two.

The latex, the bald cap and the insistence that this was a HISTORICAL CHARACTER and we have to get CHURCHILL right!! Lawd.

 

Costume Design

I see you

Beauty and the Beast, Jacqueline Durran

Darkest Hour, Jacqueline Durran

Phantom Thread, Mark Bridges

The Shape of Water, Luis Sequeira

Victoria and Abdul, Consolata Boyle

Winner & Chair Choice: Phantom Thread, Mark Bridges

Phantom Thread is a movie about a CLOTHING DESIGNER and it received SIX nominations.   Get it? Not to take anything away from the accuracy and beauty of its costumes or some of the other nominees. But this is another sure thing.

 

Visual Effects

Blade Runner 2049, John Nelson, Paul Lambert, Richard R. Hoover, Gerd Nefzer

Guardians of the Galaxy Vol. 2, Christopher Townsend, Guy Williams, Jonathan Fawkner, Dan Sudick

Kong: Skull Island, Stephen Rosenbaum, Jeff White, Scott Benza, Mike Meinardus

Star Wars: The Last Jedi, Ben Morris, Mike Mulholland, Chris Corbould, Neal Scanlan

War for the Planet of the Apes, Joe Letteri, Dan Lemmon, Daniel Barrett, Joel Whist

Winner & Chair Choice: War for the Planet of the Apes, Joe Letteri, Dan Lemmon, Daniel Barrett, Joel Whist

Things have come a long way since the original Planet of the Apes – at least visual effects-wise. The CG apes, the real apes – who knew? Still, it’s a crime the Fish Man in Shape of Water will go unrecognized – and went un-nominated.

Best Original Songs 2000-2017