Monkey Business?

There is no escape.

Not from Trump metaphors in art generally or in movie sequels specifically.   Even if all you want is a good summer film.

Of course, this also means there is no running from the news of the day, even if you don’t care a whit about the future generally or the human species specifically.

Stay with me… I’m about to get there

You might think you can turn it off by reading a classic novel and transporting yourself into another world. But try it. Chances are there will be some authoritarian figure somewhere bellowing belligerently from the rafters about what’s good for you, your neighborhood or your country in a voice you want to stab to death at any given moment. This being might be the voice of a dictator but, trust me, it can also be your parent, a friend or even your own inner voice.

Sure, I could be talking about just me but, truly, I don’t think so. When one lives in extreme circumstances one unfortunately finds resonance everywhere – and often in the most unlikely of places.

This weekend I went to a Writer’s Guild screening of War for the Planet of The Apes.

GURLLLL

Well, why not?

Sure, it’s the NINTH film of the Apes series, I don’t like sequels and reboots generally and, more specifically, I missed the last two. But I did read some synopses to catch up and there were the stellar written and word of mouth reviews for this new one

I heard it’s fantastic!, related a good friend who spoke to a good friend who knew someone who saw it.

Jeez, did you read this? It’s a rave, yelled my husband across the room over breakfast and our printed newspaper this past Friday morning. An eschewer of movie sequels generally and franchise action films specifically, I got the sense if he wasn’t working on a deadline to finish his new book he might have even joined me and paid the price of admission at a real movie theatre to see it.

And it doesn’t even have Dr. Zaius!

For the NINTH Planet of the Apes movie???? Yes. As I said, we all need our fantasy escapes – unless of course our backs are up against the wall with work and we have discipline. Well, one of us has to.

Besides, if I didn’t go to the new Apes film I would have missed:

Where to begin…

  • Woody Harrelson ordering droves of shackled apes to BUILD A WALL to keep all the bad guys out.
  • Metaphorical strong man father figures who stick by their families at all costs and lash out when their first-born sons are threatened, mutilated and/or killed. (Note: So be careful out there on Twitter).

Well… he would if it were Ivanka

  • Whole tribes of people willing to follow a certifiably CRAZY GUY because times are tough, he talks a good game and seems to have some sort of vague plan that will save them.

Of course, this could just be me reading into the movie but, truly, I don’t think so.

By the way, know you are reading no Apes snob here. The original Planet of The Apes was one of my favorite films as a child because it confirmed all of my worst prepubescent fears about the future of the planet. Even back then I knew we were probably doomed and the best that I could hope for is that some hot guy in a loincloth who looked like a youngish Charlton Heston would take pity on me and “save” me. (Note: This was well before I was aware of his politics, not that this would have mattered to my 12 year old self).

OK well I was looking at his other “guns” #shameless

After the screening of the new Apes film the director/co-screenwriter Matt Reeves spoke to a room full of us writers and related how he wanted to marry a mythic story with the technology of the day in creating the reality of the apes. Well, fair enough, I thought, even if at 142 minutes it all felt a bit overwrought and Woody Harrelson’s nutsy bald-headed villain reminded me too much of Marlon Brando’s Col. Kurtz in Apocalypse Now without the sick wit. Or it all evoked a type of Bridge Over The River Kwai 2 with simians. Or The Ten Commandments without the presence of God or Charlton Heston – at any age.

I’ll keep the leopard clad Edward G. Robinson though #fabulous

But then Mr. Reeves made the mistake too many of us do when referring to our work – he began to explain it. He actually called his film as a “Darwinian biblical epic” and noted he screened the movies Apocalypse Now, The Ten Commandments and Bridge Over the River Kwai for inspiration. Oh, he did also mention The Outlaw Josey Wales, which I never saw, and now I guess probably won’t have to.

Sorry Clinty #stillanemptychair

All of this is to say, the difference between movie and real life auteurs these days is that the real life ones feel no need to truthfully explain themselves. We get codified messages from The Trump Of It All like build a wall and my (39 YEAR OLD) son is a good boy but not a lot of honest reflection about how he (It?) got to the decisions he made or why he made them. In fact, none.

And so far it’s working.

This should be a lesson for every movie director and writer out there. The moment you begin explaining what you do and why you do/did it is the precise time where you can begin to sew the seeds of your own downfall in the eyes of your audience. At least in the world we live in nowadays. Or, well, my world. A world from which there is no escape – even on a 2000 plus square foot movie screen.

or… RUN FOR YOUR LIVES!

Though —

You (I?) might want to hang on to these results just in from a new Washington Post/ABC News pollThe Trump Of It All’s approval rating has just dropped six points to 36% from its previous 42% in April. Its/His disapproval rating has also risen 5 points to 58%. These are levels only reached once before: by George W. Bush near the end of his second term – after the economy crashed.

Yes, this is a slim, slim lifeline but is probably better than what you’ll get anywhere else. Of course, this could be just me but, truly, I don’t think so.

Dusty Springfield – Wishin’ and Hopin’

SPECIAL NOTE: We will be taking a brief stay-cation next week and notesfromachair will return in two weeks. During that time, our beloved Holly, the editor, caption writer and image chooser of all things notes will be giving birth to her second child – better known as Sam’s sibling – and we can’t do any of this without her. Or choose not to. Though why explain any further.

Can’t wait for you to meet her!

OOOOHH BABY (DRIVER)!

Baby Driver is the sleeper box-office hit of the summer and a movie not without its charms.

It has pretty much redefined movie music for the future by creating a title character so enmeshed in what’s coming through his headphones that the song choices become not only an essential part of the narrative but, at times, the narrative itself.

It also creates a space for its lead, Ansel Elgort, to step forward and assume true movie star status – not merely in box-office dollars but in presence. It’s hard to imagine any other young actor with the charisma, dramatic heft and self-effacing charm to anchor the mind-boggling acts of passion going on around him done in the name of money, speed and most importantly, love.

Meanwhile… “What’s an Ansel Elgort?”

But chiefly, it arrives at a time where as a country – and world – we all need two hours of escape from reality through an imaginary city where, in the end, justice is served in an untraditional yet somewhat believable fashion given the context of what’s come before.

The latter is key in both a positive and negative way. For although Baby Driver delivers on so many levels it also falls short in several key departments – realism. And…realism.

Wait.. people aren’t this good looking in real life?

Of course, reality these days feels a bit unreal so perhaps that isn’t necessarily a fault. Unless, of course, one attends movies to see some reflection of life as one has experienced it, or even hopes to experience it.

It’s hard these days to be an audience member who prefers the more human musings of 2017 cinema like The Book of Henry and Dean. That statement in itself might feel oxymoronic since one of those films takes place in a pushed reality fantasy and the other follows the angsty life of a Brooklyn cartoonist whose drawings push the narrative at least one third of its 87 minute running time.

Still, neither of those films depends on relentless violence and over-the-top action sequences. Nor do their stories throw human logic out the window and halfway through turn into a Road Runner cartoon, a comic book or a horror fantasy.

Plus.. this Jon Hamm haircut #youareforgiven

I mention the last three examples because if one looks at movies in terms of box-office returns/deliverable profits it’s easy to see the issue with people like myself – those of us who wish Francois Truffaut were still alive and active on the film scene, or that at least Paul Thomas Anderson and Kimberly Pierce made more movies.

WWFTD?

Here are the top 10 top grossing 2017 films domestically:

  1. Beauty and the Beast – $503,940,432
  2. Guardians of the Galaxy Vol. 2 – $384,949,006
  3. Wonder Woman – $361,591,191
  4. Logan – $226, 275, 826
  5. Fate of the Furious – $225,587,340
  6. The Lego Batman Movie – $175,750,384
  7. Get Out – $175,484,140
  8. The Boss Baby – $173,782,946
  9. Kong Skull Island – $168,052, 812
  10. Pirates of the Caribbean: Vol. 623 – $167,980,297

Oh, and the list is almost exactly the same for worldwide grosses, except Get Out and Pirates move down to the top 20 and Transformers: The Last Knight and Fifty Shades Darker move up from #15 and #14 to #9 and #10.

More like FIFTY SHADES MORE BORING #nochemistry  #snooooze

Not to mention — the worldwide box-office grosses for the top 10 range from $1,259,744,572 (that’s Billion, with a B), down to a measly $378.8 million.

Obviously realism, or as I call it in my more bitter moviegoer moods – basic logic – doesn’t count for very much anymore.

I can’t even go there

What is logical in a capitalistic society – especially in business – is profit. Money. Though the type of movies at the tops of the chart on the whole cost a lot more than the smaller ones down towards the bottom, their international markets and ancillary revenue streams have increased so much that studios need merely one or two massive tentpoles every few years in order to justify all of the other risks.

That is, if this is merely a numbers game.

… and some numbers are not so great #sorrytommy

Having begun my career as a bit of a reluctant box-office guru when I was a reporter at Daily Variety in 1979, I can’t help but feel disheartened. I started the weekly national box-office story at the paper then out of sheer confusion over the scattershot press releases we would receive about how “outstanding” every big film opening was doing.   Decades later it’s turned into pretty much almost anything anyone in the movie business – and that includes too many movie fans – thinks about. And in the case of most every decision maker at the studios, cares about.

Not to say it was not always mostly this way for the studio suits in the old days or recent past. But at least there was a bit more of a balance.

As evidenced by Feud’s Jack Warner #ohhediditagain #moneytalks

The Hurt Locker was released in June. Forrest Gump (not my fave, but still…) came out in July. Heck, even All the President’s Men first appeared in April.

Where are their 2017 equivalents?

Don’t write in with a list of foreign films, limited releases, bomb studio 2017 movies or tell me to stream Netflix, Amazon or _____________. I get it and I do. We’re talking Movies here.

That said, the new Spiderman (Homecoming) has soared past $100,000,000 domestically in its 3-day opening this weekend.

As John Oliver would say, “Good work, Spider Twerp”

That’s the sixth Spiderman film in 15 years even though this one is considered to be NEW – meaning it’s a SECOND reboot of the franchise with a new director and star.

I haven’t seen it yet but I do know when it comes to 2017 realities one could do a lot worse.

Though seriously, that’s a pretty lame excuse. Isn’t it?

Boga – “Nowhere to Run”

Who Run the World?

Generally I’ve always liked women more than men. On the surface, this would seem ironic for a gay man. On closer inspection, it’s really not.

When I was growing up it was just easier to be closer to the gals. I didn’t like traditional “guy” things like playing sports, though I did collect baseball cards and loved the NY Yankees in particular. In fact, I actually knew (and still know) their entire starting lineup from 1966.

OK.. and their smiles didn’t hurt either

Oh, don’t be so surprised. I’m certainly not.

We’re all a bit of an imperfect puzzle and if you’re homosexual those imperfections feel that much more complicated, especially to mainstream America.   Yes, even still.

But let’s table the rainbow soapbox for the moment and stick with women. I did for decades in every which way but sexually. They shared my interests in the arts, or even if they didn’t they liked hearing about it. They really listened to me when I spoke, liked to engage in discourse and seemed to generally care even when the world didn’t.

Not to mention, they seemed receptive to my opinions, so much so that at one point towards the end of high school and all through college there were almost too many women in my life to handle.

Yep, that’s me!

I remember late one afternoon my stepfather being absolutely flabbergasted at the beautiful young woman who had come over to hang out with me for the first time (Note: In retrospect, she was pretty stunning. And smart. I looked her up on Facebook recently and she has become a respected lawyer).

But even at the time I knew he couldn’t fathom how this short, slightly less than macho, snide young man he had lived with for the last five years could EVER attract the attention of the gorgeous creature he couldn’t stop staring at in our entryway.

A John Hughes rendering of the situation

It amused me to no end that I had the secret that would always elude him, and too many straight men, especially in the late sixties and early seventies.

I was actually INTERESTED in her. Instead of being interested in HER.

I won’t go into the Mika Brzezinski/Joe Scarborough brouhaha this week (Note: This can fill you in. Or this.)…

…Other than to say when the current ELECTORAL POTUS insults you on Twitter with bon mots like crazy, low I.Q., dumb as a rock and his requisite reference to any attractive female who challenges him – their BLEEDING from one orifice or anotherwell, you know you’re doing something right.

You’ve gotten under his skin.

Shakespearean in scope

Still, what’s gotten under my skin this week is Friday’s UNANIMOUS ruling by the 9-member Texas Supreme Court reversing the city of Houston’s decision to extend health and life insurance benefits to the spouses of city employees in same sex marriages.

Instead of these benefits being an automatic right based on the U.S. Supreme Court ruling two years ago legalizing gay marriage across the country, these Texas judges want a trial in Houston where this issue can be fought out in court. Though how this can be anything but a waste of time and taxpayer money is beyond me since same-sex marriage is the law of the land.

It is interesting to note seven of those nine judges were men. Two were women. All were Republicans. I maintain if any one of the many women I grew up with – especially the now adult aforementioned woman in my entryway who stepdaddy stared at all those decades ago – were on the court the ruling would surely not be unanimous. There would be at least one dissent. Which would be a start.

Let’s not forget that Wendy Davis is a proud Texas woman. #theydoexist

Still, I grew up in NYC and not Texas so perhaps mine is as irrelevant and regional an opinion and argument as the one coming from the Texas Supreme Court ruling will (hopefully) eventually be.

Fortunately, there will be THREE women from my neck of the woods – all of them from the various, glorious boroughs of NYC – on the US Supreme Court when later this year they hear the case of the Denver baker who in 2012 refused service to a gay couple that merely wanted him to bake them a wedding cake.

Yes, that one’s actually going to trial.

Even though on a recent episode of The View the baker, Jack Phillips, said:

I don’t judge people when they come in. I try and serve everybody.

Summon some Alice realness right now #eyeroll

Still, he chose NOT to try and accommodate the two about-to-be married young men, previous customers of his establishment, when they merely asked for a cake for their wedding reception. In fact, he told them it was against his religious beliefs. Even though it is against the law for a public business like his to refuse this service.

I can only imagine what Ruth Bader Ginsburg, Elena Kagan and Sonia Sotomayor will make of this. Actually, I intuitively KNOW what they will make of it based on decades of experience with women like them – women who have spent years making their voices heard to those who choose to listen – or not – to them.

YES. YES. YES.

These are women who, in turn, have devoted their entire adult lives listening to others in an attempt to level the playing field for many who have come after them and have, for various and nefarious reasons, also not been heard and valued for what they had to do or say.

The trouble is there are once again NINE Supreme Court justices and this time a full FIVE of them are straight white males (and the other is Clarence Thomas). Not to tar them all with one brush.

I mean, it is 2017.

Cmon man, get with the times!

Who in their right mind would do that to someone based on their sex, or sexual preference, even if they have said things and done things in the past and present with which they vehemently disagree?

Well, certainly not anyone in their right mind. Certainly, no one in the highest echelons of the court.   Or the government.

Which begs the question of just when WILL we elect a woman president and how much worse IT (Okay, HE) will have to get before we finally come to our sense and do so?

“Respect” –  Aretha Franklin

The Time Being

Watching throngs of handicapped people in wheelchairs and with breathing tubes being forcibly dragged out of Congress’ hallways by police was quite a sight.

America 2017. #forreal

As they waited for a meeting with Senate Majority Leader Mitch McConnell over a new health care bill (aka Trumpcare) that would never materialize, the rest of we Americans were being treated to images straight out of….Hulu’s Handmaid’s Tale?….Mad Max Fury Road?…or fill in the latest dystopic film or television series (limited or not) of choice.

No, I’m not exaggerating. And there’s a reason this kind of programming (aka content) is popular right about now.

If our lives at the moment were a dystopic film or television series – and who is to say it isn’t given we have a reality star POTUS – one can only imagine what will follow. Certainly you don’t need to be a writer to consider the various options:

1- Police will begin to drag ALL protesters forcibly away, make protesting illegal, and then punishable by death, and then seize EVERYONE’s assets until a superhero comes to the rescue.

2- A superhero – or mere human movement – will spring up and defeat those drunk with power in a bloody, prolonged third act that will cost the studio too much money but is deemed necessary for commercial appeal.

The cheaper and more effective option #VOTE

3- Law enforcement – aka the status quo – will realize they’ve gone too far and back off in the name of decency and benevolence. (Note: Know that this is the most unpopular choice in any development meeting and always deemed woefully undramatic no matter how you try to sell it to them with clever dialogue and intricate plot twists even they didn’t see coming).

4- Self-preservation and arm-twisting will kick in and some sort of compromise will be reached. No one will be happy but society will continue and no blood will be shed. For now.

If we choose #4 – and certainly American history usually bends in this direction, it’s called the kick the can down the road compromise of choice – you will know we aren’t living a real life version of The Truman Show.

Although this is how I feel watching the news every night

Of course, that will have sidestepped the issue at hand (Note: This week it’s health care – a few months ago it was immigration – another month or two hence it could be…well, anything) – for the time being.

The time being is what intrigues me at the moment. The spaces between the monumental fights and events. It seems to me that is really where most of us live unless we’re thrill seekers like Sebastian Junger, icons like Martin Luther King Jr., or someone who believes a $6000 suit, a bad comb over dye job and all the money and power in the world hide who we really are from the vast majority of the world.

It’s hard to know how to behave for the time being. Just what do you do other than go about your daily life?

– Some of us (ahem) have taken to alternately rant and worry

Just being real

– Some of us donate money, take to the streets and yell (or worse) at anyone who disagrees with us or even gets in our way

– Some of us drink too much and party too much as if we’re the uber bourgeoisie and it’s about to be the uber French Revolution (Note: Which indeed it may be)

– Some of us pay this no mind at all and wonder why the rest of us bother

I have done all of the above except the latter. Correction, I’ve even done the latter for at least a few seconds here and there over the last six months. But no more.

… and well other times

Which means I’m left with A LOT of time being to fill even though it feels like my time – and all of our times – are running out fast.

I read a script this weekend that’s a comedy about a man dying of cancer. Apparently, it’s going to be made with a big star and by a major studio. I say apparently, because, as we know, nothing in the world is definite and this applies to the nth degree when it comes to a greenlit movie.

Anyway, in this screenplay the person with the fatal disease takes on all kinds of behavior usually deemed outrageous in an effort to get the people around him to live a little. He’s not really mean to anyone – well, except to some hypocrite he works with who, strangely enough, happens to be in a wheelchair (Note: Think real advanced affirmative action via non-stereotypical character development, an actor’s field day) – and somehow this becomes the key to….

Danny boy… you sure you want to retire??

Well, I don’t want to spoil it in case it gets made. Let’s just say it doesn’t so much solve his issues but makes everyone else around him think a little bit about their own time beings – though as far as we know it is only for the time being. The rest could or would but probably won’t be answered in a sequel.

In light of what happened this week with the many affirmed demonstrators who took to the halls of Congress in fear that they literally will die given the proposed Medicaid cuts Republicans are asking for – I initially had trouble with the new trope of handicapped hypocrite.

On the other hand, lots of other marginalized people in the story were valued and nothing too terrible happened to him that he didn’t deserve and we didn’t want to happen.

The worst of me wants the worst to happen to those manipulators who are full of themselves and only out for themselves.

Arch enemies #couldnthelpmyself

The best of me wants to protect people who are not as able-bodied or advantaged as myself even when I don’t necessarily agree with all of their actions.

But what happens if both those options are embodied in exactly the same person?

Do you go high? Or do you go low? Though really, it’s more about what I’ll do or you’ll do – that really being the collective we. Meaning it’s really ALL about the collective WE.

… or perhaps just the ROYAL WE #thecrown #alltheemmys

More likely you, I and thus “We” will reach some sort of compromise and kick the can down the road in the name of survival. For the time being at least.

As all of us, you and I rant, rave, drink, tune out and/or make jokes about it all.

I can think of no better way to usher in a new unenlightened age.

For the time… Well, you get the point. Though it’s anyone’s guess if WE do. Or ever will.

For the Time Being – Edie Brickell & the Gaddabouts

Personal Reboot

Every so often you have to make a fresh start. And not many of us like doing it.

I don’t know about you but starting over and giving up on what you had or thought you had – or even moving on to something else or some new phase because what you’ve done is completed to the best of your ability – makes me alternately anxious, nauseous, angry and frozen – and often all at the same time.

Spock gets it

Think relationships, family, friends, jobs, creative projects or even one particularly troublesome person that involves all of the above. Though never think of yourself. You’re stuck with yourself for all of eternity so you may as well make the best of him or her or you will only make things worse. How do I know? Trust me, I know.

Writers do this all the time. A project eventually comes to an end and you have to put away all the reams of files, pages and accompanying books, papers and other research items in order to clear your mind and officially – move on.

Resist the temptation #BEDONE

This week I took down hundreds of index cards from the wall in my office and put away three standing boards and two dry erase easels with notations that have been there for almost a year and a half. The project I worked on was lengthy and complicated and, given the vagaries of the creative life, who knows what will happen with it. But since it was completed months ago and I was happy with it (Note: Well, relatively. No writers are ever truly happy with anything we do. That’s why we make up the story to begin with, to make sense of it) — I had to not so suddenly and finally ask myself –

Why are these f-cking cards still all over this f-cking wall?

My version of a cleanse

Good question. And what a perfect visual metaphor for everything you don’t want to let go of or give up on.

Imagine a wall full of exes? Or toxic family members? Or sickening workplaces? Or old apartments you loved but were forced out of? Or the shirt, sweater or dress you grew out of? Or the ___________ that never really _____________ while you stubbornly believed _____________ despite everybody else telling you ______________. Well, really, the list is endless.

I don’t know that I enjoy carrying around the recent or distant past with hopes I can change it. It’s more like I want to have it handy in case I can. Or use it to remind myself of just what I was feeling when that moment for revenge or victory or perfection draws near.

My brain is Mary Poppins’ bag. #manylamps

Yeah, right. Like I’ll forget. Or that it will once again happen to begin with. Or that perfection even….   See, already we’re in trouble.

I went to a Writers Guild of America screening of a clever new film called Dean – written, directed, starring and illustrated by Demetri Martin. It’s about a young cartoonist from Brooklyn who finds himself frozen in his tracks after his Mom – his biggest fan – has died.

The tagline says it all

It’s a small gem of a debut with much of the honesty, simplicity and imperfections that accompany first time filmmaking efforts. Which is to say that it is worth seeing for what it manages to simply say about life and death and – (ugh) – moving on.

Mr. Martin is a comedian/humorist best known for his Comedy Central show Important Things with Demetri Martin and appearances on The Daily Show. He also plays music, draws, writes poetry, engages in endless wordplay and has an oddball but not unapproachable take on the world.

Not to mention he’s 44 but looks 24 – or 30 at best. This is partly due to his trademark mop of shiny thick dark hair that falls pretty much across his entire forehead down to his eyebrows.

Don’t even get me started on these four mop tops

Yeah, I hate him too. But not really.

What he manages to achieve in Dean is an 87-minute treatise about starting over. It’s not so much about letting the worst or best go but incorporating the best and worst into whom you are by forcing yourself to put away all the old index cards and start on something – anything new.

Of course, this involves failing – and failing miserably. Then having a few small successes that turn into ultimate failures but give you momentary happiness that’s taken away. And then finally feeling the pain of that and a lot more until you get to the place where the original hurt still does hurt but not as badly because you have allowed yourself to have some new experiences and realize there is some potential to not be miserable – and even joyously happy again – even if, inevitably, it won’t last forever. Well, who or what does?

Ponder that for a moment

Oh, and did I mention he does a lot of cool drawings about it throughout the film, which don’t stop the action but further it. No wonder I (don’t) hate him.

I’m not sure when one of my parents died or a project I loved ended that I’d have put it into movie form where a character based on me travels to L.A., meets some friends, has an affair and continues on. Somehow, it might not have felt like – enough.

Except I recall that the last time I felt this way was when I started writing the script that would become my first produced movie.

Point being – it’s never enough.

Until it is.

Ugh.

John & Yoko “Starting Over”

Truth! Justice! and the American Way?

As a very little boy I remember watching black and white Superman reruns on syndicated TV where each week a booming male voice announced over the credits that a muscly hunk in tights would fight for truth, justice and the American way.

Like many little boys I became obsessed with Superman, tied a towel around my neck and ran around the house imagining I could fly out the window and…

Just imagine a Judy Miller sketch #gilda4ever

Well, I’m not quite sure what I wanted to do. Certainly, it wasn’t to fight – for justice or anything else. It was more about the journey, the outfit and the power of a muscly hunk via the deep male voice.

Feel free to fill in the rest of the blanks about me from there if you haven’t already – or if indeed there are any. But don’t for a moment imagine for one millisecond the vast array of the rest of us are much different than the slightly fey mini-me.

Don’t hate me ’cause you ain’t me!

In the last year America has clearly chosen fantasy, muscular masculinity over truth. Time will tell whether in the end we will indeed choose justice or instead continue running around our homes in imagined worlds where we truly believe items like towels and TV dialogue will guide us to a better world.

And don’t forget those nosy, listening microwaves!

A pop culture shift in the last week signals a scintilla of hope. Wonder Woman has emerged as THE #1 movie blockbuster of 2017- marking not only the first breakout FEMALE MOVIE superhero but the first time a female director (Patty Jenkins) is at the helm of a major studio tentpole film achieving blockbuster status.

At more than $200 million domestically and $350 million worldwide (in less than two weeks), Ms. Jenkins and her movie have broken a long-standing glass ceiling.

SLAY GIRL SLAY!

Six months ago Hillary Clinton’s campaign rented New York’s Javits Center hoping to literally demolish its glass ceiling in victory but instead found itself unimaginably conceding the following day to an inexperienced male who sold the trappings of masculinity in order to prove he could make America great again.

The electoral college public went for the salesmanship and words rather than deep-seated personal beliefs about us all being part of one fabric of world humanity that is united by doing all the good you can, for all the people you can, for as long as you can.

That message, and Stronger Together, were the key mantras of the Clinton campaign and are offshoots of the Methodist faith she was raised in. For the record, the real quote is:

“Do all the good you can, for all the people you can, in all the ways you can, as long as ever you can.’”

One could easily read the Methodist faith and the Clinton mantra into the psyche of Diana/Wonder Woman through not only the way she was raised by the other Amazonian women but by her guiding principles in every decision she makes and each action she takes.

When she finds herself enmeshed behind WWI’s western front and sees the years long death and suffering of the innocent villagers all around her she is appalled and can only simply and boldly ask Why isn’t anyone doing anything? 

Damn right!

Her cohorts argue quite forcefully that they need to ignore the carnage and keep going for the greater good of the big victory and to leave these people as simple casualties of war.   But that doesn’t fit her core principles so instead she climbs out of her foxhole, weaponizes her superpowers and smashes through enemy lines where, eventually, even her doubters aid her in vanquishing the enemy and saving this small, but in her eyes, more than worthy swath of townspeople.

In an even more climactic third act moment later on, when the notion is raised that mass humanity might not deserve to be saved, she has an even simpler retort:

It’s not about deserve, it’s about what you believe! And I believe in love. 

Cue my best Oprah empowerment ugly cry

Now see, taken out of context this might seem….well, conclude what you will, once again. No one ever accused comic books or movie superheroes of speaking Edward Albee-esque dialogue. Yet within the context of what we’re watching, it has all the best resonance of the Hillary campaign’s aspirational message and of Methodism.

  • We have an obligation to help each other – even strangers.
  • One always first errs on the side of love and compassion rather than indifference, hate and fear.
  • There is no greater good. There is only doing good. That will result in the greater good.

If this doesn’t sound Trumpian – well, it isn’t. It’s exactly the opposite

America’s unique place in the world has always been as an experimental, imperfect democracy. There is a reason why for centuries we’ve been lauded as a nation of immigrants where everything seems possible even if – in reality – it’s not.

In the actual world, one can’t achieve everything. But what is also true is that one will achieve nothing unless they believe what they’re trying to achieve is possible.

JUST KIDDING! REACH FOR THE STARS!

To have no overriding principle other than the betterment of one’s self or one’s immediate family to the detriment of all others is a recipe for perhaps temporary success but ultimate abject failure.

This is exactly the opposite message of Wonder Woman’s more compassionate one and that is why it is currently cleaning up at the global box-office and leaving all the naysaying, mummified macho men in the dust.

IF ONLY!

It is the 360-degree counter to Make America Great Again – which is fast being recognized as nothing more than a bloated, synthetic phantom cudgel through which to reject multiculturalism, the global community and social change.

Or, to put it in more movie specific terms we might all understand —

No superpower EVER emerges victorious unless they’re fighting for the greater good.

Think about it.

Florence + The Machine – “Kiss with a Fist”

Heads of State

Let’s look at the images side by side.

No – let’s really look.

I mean, there’s free porn all over the Internet featuring people (and god knows what else) doing sexual things you never dreamed of. And your kids – or nieces and nephews – have accessed this stuff more than once or ten times.

NOPE. NOPE. NOPE. #denial

Trust me, I know – I teach college juniors and seniors who reached puberty in the Digital Revolution.

But this week we’re not talking about sex, are we? It’s about political violence via comedy – or imagery – or something in that area.

So, how far is TOO FAR? Does it depend on the person being depicted in the image? Maybe it’s about the amount of blood or how vivid the photo is? Can a drawing be as offensive and tasteless as a photograph? What about taking iconic commercial photography and transforming it with a few clicks and inserts into something vile and offensive?

Oh.. so more offensive than this?

Well, I remember Judge Potter Stewart once famously said in a Supreme Court case that he couldn’t tell you what obscenity was but he knows it when he sees it. So I guess that would include not only sexual images but also violent ones, since in a broader definition the latter could also be considered pornographic, right?

I’m getting to the images.

Yes. imageS.

Having grown up in the sixties and seventies, I still subscribe to the Fairness Doctrine, which ostensibly ensured that when reporting on current events one needs to present both sides of a story.

This also works.

So it’s not enough to look at the comedian Kathy Griffin holding up the bloody severed head of our current Electoral Potus in a bizarre photo shoot.   If you’re going to critique an offensive image from one side, you need to show one perhaps equally offensive (Note: Or not, it’s your call) from the other.

Now, let’s really study them and see what we think because, really – if they’ve been on the Internet once, they WILL be there a million times more. I know it. You know it. And THEY all know it. Whoever the collective condemning THEY are in any particular moment.

Okay – ready. Here goes. Make your kids leave the room and make sure your heart medicine is nearby – that is if you need it or have any room left in your said, perhaps damaged, heart, for those on the side you particularly despise.   And yes – we’re all taking sides on this one.

Now. Once again. Ready, get set and…….go!!!!!!!

BEHOLD

There.

That wasn’t so bad, was it? Or was it??? Is your heart still even beating???

Take a breath.

Gimme a minute, Chairy!

Now you might be more offended by one or the other. Or perhaps you’re not offended at all. Maybe you think it’s all good under freedom of expression.

Or – maybe it’s nothing like that at all.

Maybe the severed head of a sitting president particularly offends you when its held by a popular left wing comic with whom you vehemently disagree with and never found funny.

Still, maybe taking the iconic campaign image of the previous president – the first BLACK president – and depicting him with a lynching rope around his neck as if he were a runaway slave who was caught and hung in the pre Civil War south – might bridle you more. Especially since it was also circulated when he was in office. 

I’m not one to judge for you. Only you can judge for you.   I mean —

As Rod Serling once wrote, it’s all in the “eye of the beholder.” Right?

Twilight Zone or how I imagine all Twitter Trolls?

Here’s what you need to understand. The image of Barack Obama lynched was widely passed all around right wing Republican circles and beyond with nary an apology or much massive regret at the time. And oh yes, what’s that I see, there’s even some red blood dripping down from the rope around his neck. Right above his tie. Which is right above the word ROPE – which substitutes for 44’s much quoted catch-phrase – HOPE.

Here’s what you also need to understand. The California Republican Party has just this weekend started using the Kathy Griffin/Trump beheading image in a FUNDRAISING EMAIL/LETTER.

Pretty much sums it up.

That’s right, they are so offended that are actually referencing and passing around the image over and over again in order to — make a buck.

Now — if that doesn’t make America great again, I don’t know what will.

#Resist

And save the outrage for real life. That goes for both sides. God knows, there’s enough to go around.

Seven more innocent souls were killed in London on Saturday and the blood they bled was real.

Stay strong london

Think about it the next time you decide to pile onto the tar and feathering of a comedienne in our virtual town square by supporting all those on your side of the aisle who feel the need to separate themselves from the motley pack of the rest of us by grasping for what is now our non-existent high ground.

Higher Ground – Playing for Change