Fail/Safe

There are many ways to spin failure. They didn’t get it. They sabotaged me. They did nothing. They marshaled forces against me. The world wasn’t ready. The dumbasses couldn’t see. The dumbasses were offended.

What is not in the spin zone is – I suck. Or I failed. Certainly not – I tried my best and will do better next time. That’s not very satisfying. Except when it is.

but enough about me this week…

This came to mind watching the public memorial tribute to the lives of Debbie Reynolds and Carrie Fisher this weekend – certainly two people one doesn’t associate with failure, or even spinning. Though with Debbie you can imagine a heavenly Hollywood dance floor or simply put on one of her musicals and get there in the latter case.

The way they were

As a dear friend texted me, it’s strange to live in a time where we live stream memorials. Nevertheless we and many others were tuned into debbiereynolds.com (Note: Could I make that URL up?) where we watched highlights and tributes from the lives of the world’s Star Wars Princess and forever young ingénue Kathy Selden from Singin’ In the Rain – two iconic film characters from classic movies that will ensure the two women who played them will live on far beyond any of us.

That is, unless Cher or Barbra are reading this. Which I doubt. Though, one never knows who’s reading what these days. Hope springs eternal. For some of us, anyway.

Barbra can you hear me?? #couldntresist

Which brings us back to Carrie and Debbie. One of the highlights of the two plus hours of remembrance was a new James Blunt song that was played over a series of photographic images of Carrie and the bedroom in which she wrote and held court. You remember James Blunt, don’t you? He had that smash album some years back called Back to Bedlam which yielded several chart topping songs and then somehow suffered one of the greatest backlashes in the history of the music business.

You’re beautiful it’s true (stuck in your head yet?)

It became hip and happening to hate listen to Blunt. He somehow went from sensitive singer-songwriter to goopy cornball whiner. Not that he didn’t have some successful follow-ups or a core of loyal fans. He did. But nowhere as huge and not with anything approaching the verve of the memes of dismissal towards him.

Blunt, himself, became so aware of where he stood in the eyes of some of the public that after the death at the end of the year of his good friend Carrie Fisher (Note: He lived in her guest house and wrote some of his most famous songs there), he tweeted:

Full disclosure: I always liked Blunt and even before that tweet still occasionally played that CD, which, yes, I own. And oh, double yes, I do still own and even buy CDs.

I know this is how you see me #grampychair

Hate gossip away on that latter point if you care to. For the point here is to not prove the worthiness of Mr. Blunt. He does that himself with the new song he wrote in honor of his good friend Carrie  which debuted at her memorial service. It’s ironically as good or probably better than his best and will surely be meme’d around as the majority of listeners comment in shock about its value. While the naysers comment how it took the death of a good friend for him to come up with something listenable – if they even go so far as to at all place him in the playable category.

This is the essence of spin.

As for failure, it’s relative and goes with the territory of artistic endeavor. Or, make that human endeavor.

Or just embrace it!

The majority of us might admire or even envy Debbie and Carrie and not associate them at all with the type of “failure” we believe we are experiencing or have experienced or are inevitably going to experience, but nothing could be further from that (un)truth. Debbie had a trio of cheating husbands, lost all her money, endured national scandal and like all Hollywood women of a certain age was tossed away by the business that spawned her only be to brought back in at various points when it suited the suits. Though it was fine at that point because she had more or less figured it out.

As for Carrie, well, we all know, right? The drugs, the gay husband, the declining acting career. The sin of growing older and gaining weight! The mental illness and breakdowns. And then – the temerity to…write about it all? With humor? And do it well? One can only imagine the potential she saw in that from a hospital bed or alone in her room late at night when she couldn’t speak. I didn’t know her but it’s hard to imagine she saw it as anything close to a recipe to undo any perceived personal failures. No doubt more like a self-expression of whom she was and what she needed to do in order to survive the down times.

This, and countless other quotes too numerous to name

Of course, this is not to categorize things like mental illness, weight gains, marital breakups, career lows or O.D-ing as failures. That’s for the Internet and society at large to do for us. And they will do that. Relentlessly. And sometimes in the form of places and people much too dangerously close to you/us. (Note: As will the bathroom mirror).

It is more of a reminder to own your inner James Blunt, whatever that is, and move on. And as Carrie’s fictional Mom said in the move version of her memoir, Postcards from the Edge, “I don’t blame other people for my misfortunes.” And as the fictional version of herself shouted back, “I took the drugs, nobody made me.” Which is all fine when you’re in an analyst’s office or writing about your life – and often one in the same.

It’s getting past the admissions or the proclamations and moving on to something – anything else. Doing laundry is a start. Though I prefer cooking or something artistic. Even any type of exercise will do it.

Except spinning.

You know what I mean even if the current president of the U.S. (at the moment, that is) does not.

You didn’t think I’d leave that out, did you?

Notes from Methuselah

A student wrote about an older couple who were returning to their summer home and carrying luggage where one has a heart attack. We were hashing it out in class and I said, “How old.”

“Oh, they’re really old.”

“Ok, but do you mean like, Gloria Stuart in Titanic old?” (Note: The woman who was in her nineties when she was nominated for best supporting actress).

“No, but old…..I’d say, well, I guess they’re in their fifties.”

“THAT OLD!?” I say.

“Yeah.”

“You’re sure?”

“Uh, huh. People have heart attacks in their fifties.”

Long pause.

Crickets. Crickets. #awkward

“I might as well just kill myself now then,” I reply.

Pause. Then some nervous laughs.

“Oh. Well, it just seems like they’re a lot older than the other characters.”

“That’s fair,” I say. “But this couple. Are you sure they could even lift their luggage enough to move it across the room? I mean, they’re that mobile for that age?”

More nervous laughter. Then the rest of the class catches on and starts to laugh.

“And you imply with their body language that they still have sex. Are you sure that’s safe at their age?   Could they even make it into the bedroom, much less do anything?”

Don’t be fresh!

“You’re not going to let this go,” the student countered, finally amused.

“No, I don’t think so. I’m having too much fun,” I say. “And who knows how much time I have left? I better take advantage of it while I still can.”

And….scene.

Thank you. Thank you very much. #noshame

This is a fairly typical scene these days for me and many of my contemporaries. And for my older friends – not to mention my 88 year-old Dad who assures me it will only get worse. Then again, exactly what IS the alternative?

That’s rhetorical. We all know what the alternative is. So it doesn’t bear repeating.

Too much to ask?

Full confession – there was no reason a student in their early twenties should think that a couple in their fifties is anything BUT an older couple. And after my mini-vaudeville routine I admitted as much.   But what I was trying to convey was behavior and sense of clarity. Just labeling someone an older couple isn’t very specific. Unless, well…it is. But I refuse to go there quite yet. Especially at my age.

The movie Get Out positions baby boomers Catherine Keener and Bradley Whitford as exactly this type of older couple – as well as the symbols of phony, middle aged liberalism. Though even middle aged is relative. As Meryl Streep, playing a fictional Carrie Fisher, stingingly retorts to Shirley MacLaine, playing a fictional version of her then sixtyish mother Debbie Reynolds, after Mom tries to claim middle age for herself in Postcards from the Edge – Really. How many one hundred and twenty year old women do You know?

I thought it was hilarious in the nineties.   But now it’s deeply funny. Tinged with a touch of self-righteous irony on the ungrateful daughter’s part.

Regular On Golden Pond over here #helpme #getoutforreal

I think this was part of the issue for me not being a cheerleader for Get Out. The kind of middle-aged white liberal I am bore no relation to the phony Kumbaya relics I was seeing lambasted on the big screen. Not that I minded the roasting. What I didn’t get was the generalities about a group of people and the seemingly unmotivated behavior based on a stereotype.

Oh. Right. That was the point. Turnabout is fair play. Still, don’t you have to BELIEVE IT in the context of the world you as a filmmaker have created? And if you aren’t specific enough to make us believe it, aren’t you no better than the long generation of movies in the past that have so consistently done it to other minority groups?

Hmm. I’m not sure whether two wrongs don’t make a right or many wrongs make a right for a few new and improved wrongs to at least even out the playing field a little. I’m going to have to think about that one.

This might take a while #brb

The trouble is you get to the point, or the age, when you don’t want to have to think too hard about that one. When I heard 76-year-old Al Pacino was going on the stage locally to play one of my favorite playwrights, Tennessee Williams, during his last creative days in a workshop production of a new play, And God Looked Away, I quickly went online and bought my husband and I two tickets at $189 a piece on a Saturday night.

My first thought: I have to see Al Pacino live onstage before he dies and I don’t care if he’s the opposite of gay and southern. It’s called acting, right?

oh, hello.

Well, I thought so. Even though he’s older and far shorter, Pacino managed to thoroughly inhabit a fading, drug-addled Williams. It felt like the essence of a real character.   In much the same way very hunky and very hearththrob-by Hugh Jackman miraculously evoked the very gay and very lithe singer-songwriter Peter Allen on Broadway in The Boy From Oz. Mr. Allen, like Mr. Williams, was one of my faves and is almost as far away from the Wolverine as, well…I am. Though not quite.

Yet mostly what our L.A. Times critic couldn’t resist sneering about in Mr. Pacino’s case was that:

“The privilege of seeing Pacino portray the aging American playwright in a Demerol haze while pawing shirtless male hustlers as reviewers crucify him for his latest flop doesn’t come cheap.”

SHADE

Hell, that sounds good to me, gay liberal that I am. In fact, I’d pay even more to see that performance again if they fix the play a bit more. At least they were on to recognizable human behavior rather than an overworked or too witty social commentary that bears little resemblance to my reality. Or, well, a reality.

Which I suppose is relative, depending on who you are and what interests you. The hope is that what we’re actually living is reality, and what’s created in our individual fictional worlds based on that reality, is actually worthy of our attentions at all.

Though one supposes it beats the alternative.