And the Winner Isn’t…

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Much will be made about the 2017 Academy Awards broadcast where La La Land enjoyed a full two minutes as best picture only to have its Oscars literally yanked out of its producers hands so they could be given to the real winner, Moonlight.

But for all the wrong reasons.

LALALAND.... MOONLIGHT... LALALAND... MOONLIGHT #couldntresist

LALALAND…. MOONLIGHT… LALALAND… MOONLIGHT #couldntresist

The issue is not at all about whether La La Land or Moonlight was truly deserving of the ultimate Hollywood honor (Note: Other than box-office grosses, that is) but just how interested all of us spectators are in having our feelings publicly validated in the matter. And how little it all means in the long run.

Is there a best picture of 2016? Of course there is. Isn’t. Is there?

As I posted last night:

If only every one of my actions supported that statement 100% of the time.

I certainly BELIEVE there is no real best picture winner. But that still hasn’t prevented me from rooting for one every year since 1968 – when Oliver! snatched the trophy right out of the hands of my beloved Funny Girl.   But at least the playing field was a bit more leveled back then. They were BOTH musicals.

Truth be told, I did think Moonlight and La La Land were wonderful.

And…I was on team La La Land.

Ya don't say!! #fakeshock

Ya don’t say!! #fakeshock

La La Land moved me in a way no other movie did this year. I related to it. I thought it struck an extraordinarily tone between the real and surreal that seemed, while I was watching it, and even now on reflection, pretty much impossible to achieve. It also spoke to me about artistry, and love, and the price we pay for each with our fantasies. And in our real lives.

Moonlight also spoke to me, especially as a gay man of a certain age. As did Hidden Figures – a treasure of mainstream Hollywood movie making – by showcasing true historical injustice as only great Hollywood films can.

Three VERY different films

Three VERY different films

But neither in the same way as La La Land.

This does not make me right or wrong on the subject of what is the best picture of the year. Nor does it belie character defects of anti-intellectualism, superficiality or an anti-indie, anti-IMPORTANT motion picture belief system.

It just means I liked the damn film more than perhaps you did.

And as time went on I grew SO tired of defending it to those of you on the other TEAM that I began to love it even more — as I slowly and perhaps unknowingly even began to figure out ways to out-argue the rest of the world about why YOUR CHOICE didn’t deserve the BEST trophy over MY DATE.

Did someone say date? #heygurl

Did someone say date? #heygurl

I mean, who even knew I was playing that game. Did you know you were? Okay, maybe you weren’t. But some of you were (are?). Because I know I am not the only one of us Americans weighing in here.

It’s really such an American game, the Oscars. We just love our winners and losers. And this was well before our current technical POTUS.   There’s just something about being #1 that is so totally Us. Until it’s not.

And that is what the Sunday night’s big Oscar screw-up leaves Us with. The hollowness of being thought of as #1 instead of settling for living a life where you truly exude classic #1 behavior.

I am still trying to wrap my head around having this much composure and grace in the moment. #realclass

I am still trying to wrap my head around having this much composure and grace in the moment. #realclass

The producer of La La Land had it when he graciously proclaimed Moonlight the true winner and said he was proud to be able to hand his Oscar over to his “friends” (Note: That four-month awards circuit creates lots of lasting Hollywood friendships). Team Moonlight had it in countless post-Oscar interviews where it threw the respect right back at La La Land. Meryl Streep had it when she led the applause for best actress winner Emma Stone. And Matt Damon has it every time he allowed Jimmy Kimmel to mercilessly and very personally insult him and his past work in their many years long public faux feud.

Let's be real: you would totally watch We Bought a Zoo on a plane #andyoudlikeit

Let’s be real: you would totally watch We Bought a Zoo on a plane #andyoudlikeit

Well, what does it cost them when they are the beneficiaries of such good press for being such good sports, you might say. Well, as much as it costs us when we don’t get our due, our validation, when it comes to our tastes, opinions or choice of award winners.   We, who are really all just a bunch of onlookers, sitting on a really, really, really long bench of public opinion rabidly addressing our…prey.

Sure, this is a thin and perhaps too superficial argument from which to make a grand statement on tolerance and understanding and benevolence, especially since statistically speaking there is little to none of any of that in the entertainment industry to begin with. Though no more or less than there now is through the rest of the country, or the world, or in any other industry inhabited inside any of the aforementioned for that matter.

And when in doubt... LaLaLand comes out on DVD in May

And when in doubt… LaLaLand comes out on DVD in May

What #OscarsSoScrewedUp (#OscarSoWhoops?) showed us so beautifully and so specifically is that, in the end, perhaps the BEST use of our time is to save our energies for the upcoming battles that will be required fighting – and not from the bench but in the arena.

And…..for all of you haters to watch La La Land.

Again and again till you get it right.

Oh wait, I mean…MOONLIGHT. Watch Moonlight!

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The Chair’s Oscar Crystal Ball

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Full confession: I’m an average Oscar prognosticator. This means in some years I’m above 90% and in others it’s the 70% range.   This gives me a median grade of “B” – a mere average GPA where I grew up. And you wonder why I call myself The Chair.

Still, I feel particularly lucky this year because it seems inevitable that this is the year for my favorite film of 2016 – La La Land. Oh yeah, hiss and boo your own selves as Bette Midler once retorted to her audience in her priceless eighties comedy album Mud Will Be Flung Tonight (“and into the faces of some of your favorites”). And you wonder why I love Bette Midler.

Though perhaps you didn’t.

In any event, I will not allow my love of all things La La Land to influence my predictions. After all, there are pools to be won, money to be made and schadenfreude to be enjoyed post ceremonies – hopefully by me. Though it might be better to direct one’s anger at The Darth Vader of the White House (Note: So many to choose from there) rather than at a movie that only asks you to let go and allow yourself to be transported for a couple of hours. Translation to the haters: Stop being such a tight ass, Ingrid, it’s only a movie.

Okay, here goes:

Best Picture

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Arrival

Fences

Hacksaw Ridge

Hell or High Water

Hidden Figures

La La Land

Lion

Manchester by the Sea

Moonlight

WINNER: La La Land

Best is certainly a relative word and you won’t get any argument here that La La Land is certainly the least dramatic of the bunch. Which doesn’t make it the least timely or important. In the age of – well, the age we’re in – I often have to remind myself it all starts with a dream.

Lead Actor

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Casey Affleck, Manchester by the Sea

Andrew Garfield, Hacksaw Ridge

Ryan Gosling, La La Land

Viggo Mortensen, Captain Fantastic

Denzel Washington, Fences

WINNER: Denzel Washington, Fences

It could certainly go to Casey Affleck as many are saying. But there is something about the way he breathed new life into such a difficult character, coupled with the unfortunate age we’re living in, that seems to make it Denzel Washington’s here. It also helps that he was the surprise winner of this year’s SAG trophy in that category, the single largest voting block in the Motion Picture Academy.

Lead Actress

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Isabelle Huppert, Elle

Ruth Negga, Loving

Natalie Portman, Jackie

Emma Stone, La La Land

Meryl Streep, Florence Foster Jenkins

WINNER: Emma Stone, La La Land

She’s the heart and soul of the film. She puts a face on the enthusiasm and sadness and superficiality and disillusionment and triumph of a life lived in L.A.   Yes, that’s a compliment. And she sings just fine.   Watch how she does the Academy nominated song Audition again. And then, hiss and boo your own selves.

Supporting Actor

No contest.

No contest.

Mahershala Ali, Moonlight

Jeff Bridges, Hell or High Water

Lucas Hedges, Manchester by the Sea

Dev Patel, Lion

Michael Shannon, Nocturnal Animals

WINNER: Mahershala Ali, Moonlight

I turned to my husband when Ali was onscreen and said this guy is the most real actor I have ever seen. He deserves an Oscar for this. And who the hell is he??? It’s not that the other performances weren’t great in their own ways. It’ s just if there has to be a best, he’s it and the majority of the Academy will be smart enough to know it.

Supporting Actress:

NO ONE cries as good as Viola. NO. ONE. #allthefeels

NO ONE cries as good as Viola. NO. ONE. #allthefeels

Viola Davis, Fences

Naomie Harris, Moonlight

Nicole Kidman, Lion

Octavia Spencer, Hidden Figures

Michelle Williams, Manchester by the Sea

WINNER: Viola Davis, Fences

Let’s not spend a lot of time on this. She’s won all the other honors and EVERYONE wants to hear her speech. ‘Enuf said.

Best Director:

Phenom?

Phenom?

Damien Chazelle, La La Land

Mel Gibson, Hacksaw Ridge

Barry Jenkins, Moonlight

Kenneth Lonergan, Manchester by the Sea

Denis Villeneuve, Arrival

WINNER: Damien Chazelle, La La Land

There are so many reasons Damien Chazelle deserves to win this award whether his film is your cuppa or not. Imagine making a love letter to Los Angeles that is adored around the world ($250,000,000 plus worldwide gross and counting). Consider the chances of getting exactly the right chemistry in what is essentially a two-person film and then creating enough visual imagery to not only compliment them and the story but also dazzle us without breaking the fourth wall of our dreams? Then add to it that he’s only 32 years old and was already nominated once in this category for Whiplash. And several weeks ago won in this category for La La Land. You’re still not convinced? ….Bitter, table for one….

Animated Feature:

Sly fox

Sly fox

Kubo and the Two Strings, Travis Knight and Arianne Sutner

Moana, John Musker, Ron Clements and Osnat Shurer

My Life as a Zucchini, Claude Barras and Max Karli

The Red Turtle, Michael Dudok de Wit and Toshio Suzuki

Zootopia, Byron Howard, Rich Moore and Clark Spencer

WINNER: Zootopia

This year is all about marginalization on a MASSIVE scale. So it’s Zooptopia all the way. Not to mention, using animals make it easier for us to think about such things are less outwardly political and therefore more than acceptable as the winner in the animation category.

 Adapted Screenplay

Get the engraver ready

Get the engraver ready

Eric Heisserer, Arrival

August Wilson, Fences

Allison Schroeder and Theodore Melfi, Hidden Figures

Luke Davies, Lion

Barry Jenkins; Story by Tarell Alvin McCraney, Moonlight

WINNER: Barry Jenkins; Story by Tarell Alvin McCraney, Moonlight

The most unusual and innovative script in the category and the Academy WANTS to honor a film so unlikely to emerge into the national consciousness.  There will be tumultuous applause for this win – and deservedly so. The deceptive simplicity in the storytelling is the movie’s principle strength.

Original Screenplay

The writing in this scene alone. #ohboy #willdestroyyou

The writing in this scene alone. #ohboy #willdestroyyou

Mike Mills, 20th Century Women

Taylor Sheridan, Hell or High Water

Damien Chazelle, La La Land

Yorgos Lanthimos, Efthimis Filippou, The Lobster

Kenneth Longergan, Manchester by the Sea

WINNER: Kenneth Lonergan, Manchester by the Sea

This is tricky but it’s doubtful the Academy will send something so sadly powerful and original home without something. That said, a significant group loves Hell or High Water and there could be a La La Land sweep. In the end, however, Manchester is exactly the type of movie industry voters go for in terms of writing. 

Cinematography

Meet you on the pier in 5 minutes. #Ryguy

Meet you on the pier in 5 minutes. #Ryguy

Bradford Young, Arrival

Linus Sandgren, La La Land

Greig Fraser, Lion

James Laxton, Moonlight

Rodrigo Prieto, Silence

WINNER: Linus Sandgren, La La Land

It will come down to a race between Arrival and La La Land. Both brought you into brilliantly invented and compelling visual landscapes. But how do you vote against floating into the sky in the Griffith Park Observatory?

Best Documentary Feature

This time with less Sarah Paulson.

This time with less Sarah Paulson.

13th, Ava DuVernay, Spencer Averick and Howard Barish

Fire at Sea, Gianfranco Rosi and Donatella Palermo

I Am Not Your Negro, Raoul Peck, Remi Grellety and Hebert Peck

Life, Animated, Roger Ross Williams and Julie Goldman

O.J.: Made in America, Ezra Edelman and Caroline Waterlow

WINNER: O.J.: Made in America, Ezra Edelman and Caroline Waterlow

It’s not so much about O.J. but telling the story of race in America through his life. I really resisted being in the guy’s presence for nine hours more but there is a reason this work has been so lauded and why after a few minutes you can’t take your eyes away from the Shakespearean tragedy of it all.

Best Documentary Short Subject

Powerful stuff

Powerful stuff

4.1 Miles, Daphne Matziaraki

Extremis, Dan Krauss

Joe’s Violin, Kahane Cooperman and Raphaela Neihausen

Watani: My Homeland, Marcel Mettelsiefen and Stephen Ellis

The White Helmets, Orlando von Einsiedel and Joanna Natasegara

WINNER: The White Helmets, Orlando von Einsiedel and Joanna Natasegara

Any other year the sentiments in Joe’s Violin, which manages to give us a story about Holocaust remembrance we’ve never seen before, would win out. But given the currently charged political NOW, the shocking tragedies of Syrian genocide won’t and shouldn’t be ignored.

Best Live Action Short Film

The official pool killing category

The official pool killing category

Ennemis Interieurs, Selim Azzazi

La Femme et le TGV, Timo von Gunten and Giacun Caduff

Silent Nights, Aske Bang and Kim Magnusson

Sing, Kristof Deak and Anna Udvardy

Timecode, Juanjo Gimenez

WINNER: Ennemis Interieurs, Selim Azzazi

Immigration, fascism, France and the next anticipated sweep of white nationalism. This should be the winner unless voters use this one category to opt out for the more fanciful Timecode and the bullying themes of Sing. Yes, I saw all five of these. Don’t act so surprised.

Best Animated Short

Pixar does it again

Pixar does it again

Blind Vaysha, Theodore Ushev

Borrowed Time, Andrew Coats and Lou Hamou-Lhadj

Pear Cider and Cigarettes, Robert Valley and Cara Speller

Pearl, Patrick Osborne

Piper, Alan Barillaro and Marc Sondheimer

WINNER: Piper, Alan Barillaro and Marc Sondheimer

After numerous recent losses in this category it’s Pixar’s year. And I seldom bet against some of the best storytellers in the biz. Yeah, you read that right.

Best Foreign Language Film

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A Man Called Ove, Sweden

Land of Mine, Denmark

Tanna, Australia

The Salesman, Iran

Toni Erdmann, Germany

WINNER: The Salesman, Iran

An excellent group that makes you wish there were more American movies that tackled this many diverse and difficult subjects. But the real life attempt of the current White House to question the freedom of people like the Iranian director of The Salesman – Asghar Farhadi – to visit the US will push him over the top. That said, I LOVED A Man Called Ove. So go see that one too.

Film Editing

le sigh

le sigh

Joe Walker, Arrival

John Gilbert, Hacksaw Ridge

Jake Roberts, Hell or High Water

Tom Cross, La La Land

Nat Sanders and Joi McMillon, Moonlight

WINNER: Tom Cross, La La Land

How the guy managed to put together the disparate tones of La La Land together and have it make any sense at all, much less be so continuously charming in its telling of the ultimate seamless dream, is just one of many reasons. Don’t vote against it despite the upset others may be predicting.

Production Design

They call me mellow yellow

They call me mellow yellow

Patrice Vermette, Paul Hotte, Arrival

Stuart Craig, Anna Pinnock, Fantastic Beasts and Where to Find Them

Jess Gonchor, Nancy Haigh, Hail, Caesar!

David Wasco, Sandy Reynolds-Wasco, La La Land

Guy Hendrix Dyas, Gene Serdena, Passengers

WINNER: David Wasco, Sandy Reynolds-Wasco, La La Land

If it were just the designers voting it might be Passengers or Arrival. But it takes equal if not more talent to make L.A. dreamy, superficial AND yet seductively believable – at least to us masses.

Original Score:

Mica Levi, Jackie

Justin Hurwitz, La La Land

Dustin O’Halloran and Hauschka, Lion

Nicholas Britell, Moonlight

Thomas Newman, Passengers

WINNER: Justin Hurwitz, La La Land

Score means music and it’s a MUSICAL that is going to be the best picture of 2016. So don’t argue on this one.

Original Song

“Audition (The Fools Who Dream),” La La Land — Music by Justin Hurwitz; Lyric by Benj Pasek and Justin Paul

“Can’t Stop the Feeling,” Trolls— Music and Lyric by Justin Timberlake, Max Martin and Karl Johan Schuster

“City of Stars,” La La Land — Music by Justin Hurwitz; Lyric by Benj Pasek and Justin Paul

“The Empty Chair,” Jim: The James Foley Story — Music and Lyric by J. Ralph and Sting

“How Far I’ll Go,” Moana — Music and Lyric by Lin-Manuel Miranda

WINNER: “City of Stars,” La La Land, Justin Hurwitz, Benj Pasek and Justin Paul.

Everyone wants Lin-Manuel to win his EGOT and he will – but not this year. The soundtrack to La La Land has been playing continuously in my car for the last two months and I listen to it at the gym. So maybe I’m not the one to ask in this category. Or perhaps I am. And yes, they can sing. It’s called ACT(s)ING.

Makeup and Hair

I'll bet on the Jennifer Lawrence alien one

I’ll bet on the Jennifer Lawrence alien one

A Man Called Ove, Eva von Bahr and Love Larson

Star Trek Beyond, Joel Harlow and Richard Alonzo

Suicide Squad, Alessandro Bertolazzi, Giorgio Gregorini and Christopher Nelson

WINNER: Star Trek Beyond, Joel Harlow and Richard Alonzo,

I have NO idea but everyone says Star Trek so let’s go with that.

Costume Design

Get it girls!

Get it girls!

Allied, Joanna Johnston

Fantastic Beasts and Where to Find Them, Colleen Atwood

Florence Foster Jenkins, Consolata Boyle

Jackie, Madeline Fontaine

La La Land, Mary Zophre

WINNER: La La Land, Mary Zophre

I want Ryan Gosling’s wardrobe. Or perhaps it’s just Ryan Gosling. And Emma Stone managed to look luminous without emanating fake glamour. It was dreamy and real all at once. Can these guys design something for me and my best girlfriend HUSBAND when we film our romantic fantasy?

Visual Effects

A pretty safe bet

A pretty safe bet

Deepwater Horizon, Craig Hammack, Jason Snell, Jason Billington and Burt Dalton

Doctor Strange, Stephane Ceretti, Richard Bluff, Vincent Cirelli and Paul Corbould

The Jungle Book, Robert Legato, Adam Valdez, Andrew R. Jones and Dan Lemmon

Kubo and the Two Strings, Steve Emerson, Oliver Jones, Brian McLean and Brad Schiff

Rogue One: A Star Wars Story, John Knoll, Mohen Leo, Hal Hickel and Neil Corbould

WINNER: The Jungle Book, Stephane Ceretti, Richard Bluff, Vincent Cirelli and Paul Corbould,

Not a clue because I didn’t see any of them but EVERYONE says The Jungle Book.

Sound Editing

In lieu of anything Mel Gibson related, here's a fine pic of Jon Hamm

In lieu of anything Mel Gibson related, here’s a fine pic of Jon Hamm

Arrival, Sylvain Bellemare

Deep Water Horizon, Wylie Stateman and Renee Tondelli

Hacksaw Ridge, Robert Mackenzie and Andy Wright

La La Land, Ai-Ling Lee and Mildred Iatrou Morgan

Sully, Alan Robert Murray and Bub Asman

WINNER: Hacksaw Ridge, Robert Mackenzie and Andy Wright 

I know little about sound editing and will never see another Mel Gibson movie again so don’t trust me here. But war movies are hard to beat in this category and all the smart money says that the anti-war, war film makes you feel like you’re there.

I wouldn’t know.

Sound Mixing

Play me a song, Piano Man

Play me a song, Piano Man

Arrival, Bernard Gariepy Strobl and Claude La Haye

Hacksaw Ridge, Kevin O’Connell, Andy Wright, Robert Mackenzie and Peter Grace

La La Land, Andy Nelson, Ai-Ling Lee and Steve A. Morrow

Rogue One: A Star Wars Story, David Parker, Christopher Scarabosio and Stuart Wilson

13 Hours: The Secret Soldiers of Benghazi, Gary Summers, Jeffrey J. Haboush and Mac Ruth, Greg P. Russell (read about that scandal here)

WINNER: La La Land, Andy Nelson, Ai-Ling Lee and Steve A. Morrow

Because nothing is music to the ears of the most people than the sound of La La Land and the ovations it will receive on Oscar night. There, I said it. Again.

DER ORANGE FUEHRER

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It’s difficult to watch the real life Leni Riefenstahl style propaganda film Donald Trump is trying to live each day he serves as the Electoral College president of the United States.

And yes – Riefenstahl was the official director of the Nazis – Hitler’s personal chronicler – with such films as Triumph of the WILL (Note that word in the title) to her credit.

And double yes – I am saying Trump fashions himself as a modern day Hitler – one who demands to be adored and rule with an iron hand as he WILLS to personally wipe out ANYONE and EVERYTHING that stands in the way of his adoration.

WAH!

WAH!

And, well, um – yeah – I’m not ruling out his attempts at future US concentration camps for particular groups of outliers he doesn’t like if he continues to remain in power. It will have to be craftier, done in a 2017 style and method, and I doubt he could pull it off. But I’m not eliminating it as his final solution.   Because I also doubted this ignoramus would be elected.

We don’t want people with bad, bad ideas coming into our country.

That was just one of many rousingly vague bromides that spewed out of his mouth in Saturday’s latest propaganda speech in Florida.

In the context of the remarks he was referring to immigrants.   So let’s take him at his word, even though he doesn’t seem to have one worth taking, only many that stream out of his sub-consciousness in scattershot directions.

What exactly ARE bad, bad ideas? Who decides they are bad? And how?

Believe me, this country already knows BAD ideas

Believe me, this country already knows BAD ideas #SAD

Well, he indicated in his speech the answer laid somewhere between his skewed interpretation of the appeals court opinion overturning his recent executive order to limit immigration and the actual special powers granted a president to enforce laws via our Constitution. So to prove his point he quoted said law in his speech, reading the following from a piece of paper.

Whenever the president finds that the entry of any alien, or any class of aliens, to the US detrimental to the interests of the U.S., he may by proclamation and such period as he shall deem necessary, suspend the entry of all aliens or any class of aliens…or any restriction he may deem to be appropriate.

What the subject of his own Riefenstahl mind movie leaves out – and what separates the U.S. from past and present dictatorships – is presenting some sort of reasonable proof or argument of one’s assertions of detriment to the gatekeepers of checks and balances enshrined in our constitution. That is to say that blanket refusal of entry – and in many cases – RE-ENTRY of tens of thousands of people, many of whom already hold green cards and are actually re-entering their own homes, dorm rooms or childhood homes – needs to be reasonably defensible in court, in life, or otherwise – or it is illegal.

And we know a few things about illegal dealings... don't we Don?

And we know a few things about illegal dealings… don’t we Don?

As is the case with dictatorial thinkers (nee the president who lost the popular vote by almost 3 million), there is an outright rejection of anything that challenges their ultimate power. In fact, his voice grew fiery and his body physically jolted as he bridled at how his people were now hard at work on a NEW (world?) ORDER to challenge the court’s blockage of his original executive one. This was most apparent in the words he chose to describe his view of what the Constitutional statute enshrining his powers that he had just read from did to anyone who opposed him.

Every word here is a total KILL for the other side.

That’s right – KILL. As in – you’re dead. Lie down.

LET ME HEAR YOU SAY IT!

LET ME HEAR YOU SAY IT!

There is a style and rhythm to the way this guy speaks, haphazard though it might often be. One of the few consistencies is – there is not a lot of nuance. KILL means just that. Whether in a competition, or the court system, or perhaps literally. In America we will win, win, win. At what cost? Well, you tell me. Or perhaps he is already telling – us.

Again, he’s not that complicated.

As the man continues to speak about fake news from our most vetted and fact checked information sources (eg. The New York Times and Washington Post); appoint people who have fought their entire adult lives to dismantle the very government agencies they are now being charged to steward (eg Scott Pruitt EPA, Betsy DeVos Dept. of Education, Rick Perry, Dept of Energy); and stacks his closest inner circle of advisors with white men who, like himself, have ZERO to little experience in governing or foreign affairs (son-in-Law Jared Kushner, charged with achieving peace in the middle east, and the unmentionable former Breitbart “news” chief and avowed Leninist Steve Bannon, who I’ve unfortunately just mentioned, as his top consigliere on EVERYTHING) – we all need to CONTINUALLY ask ourselves.

WHAT. EXACTLY. IS. THIS?

Gotta get it together!

Gotta get it together!

Since the majority among us, certainly among those reading here, are reasonable people, the answer is, once again, as uncomplicated as a Trump speech:

IT. IS. EXACTLY. WHAT. YOU. THINK. IT. IS.

What this in turn means is that we all need to act accordingly:

#RESIST #DEMONSTRATE #ACT #DONATE

LOL (but also, YES!)

LOL (but also, YES!)

Do not stop. Call your representatives in Congress. Post on social media. Talk to friends. Go to meetings. Argue with relatives. Take to the streets. This is how the country came into being centuries ago, has continued to flourish through difficult decades, and is the ONLY road for survival. Despite how much our new dictator-in-chief rails against it.

How do I know this is needed? Because these days I even find myself, a life-long liberal, occasionally agreeing with John McCain from the sidelines. Yes, that’s right. The guy who brought us Sarah Palin.

We need a free press. If you want to preserve democracy as you know it you have to preserve a free and adversarial press. That’s how dictators get started.

Nailed it #maverick?

Nailed it #maverick?

Sure, he walked back that statement hours later by saying he wasn’t equating Trump with a dictator. But I’m not. I’m in full equating mode. Well okay – perhaps that’s a bit harsh in light of recent court opinions. Let’s just say that at this point – he’s an aspiring dictator.

When I told my husband about what I was writing, he reminded me of the brilliant Susan Sontag’s 1975 essay for the New York Review of Books on the work of Leni Riefenstahl entitled, Fascinating Fascism. In it, she factually and intellectually goes on to debunk and devastate the Nazi chronicler’s attempt to rehabilitate the reality of the extensive period of her life in service to Hitler into a gauzy creative representation of an unfairly marginalized artist who simply shot what she saw.

I'll save you the trouble it looked something like this #dumpsterfire

I’ll save you the trouble it looked something like this #dumpsterfire

Let’s hope someone, or more than one, are able to do the same thing en masse with Trump that Sontag did with Leni. And that it sticks.   If history is any indication, this person, or people, will come from what our modern-day American Fuehrer in training likes to most sourly call: THE CROOKED MEDIA. Which, given the reach of global internet platforms these day, is not only the NY Times and the Washington Post but each and every one of us Americans who gives even a whit about democracy and freedoms – not only for ourselves but for all of our non-immigrant, and immigrant, brothers and sisters throughout the world.

Sage Advice

screen-shot-2017-02-12-at-2-39-48-pm

Every year I take my students to see a panel of people who wrote the most acclaimed films of the previous year. This time they included the writers of:

La La Land, Moonlight, Manchester by the Sea, Hidden Figures, Arrival, Hell or High Water, and yes, Deadpool.

Lil Deady (Pooly?) getting some love.

Lil Deady (Pooly?) getting some love.

These people are all among the current nominees for this year’s Writers Guild of America awards and at the point they speak on the “Beyond Words” panel they are ending an intense series of talks, interviews and other generalized discussions about their process, their work, their careers and their futures.

But what everyone seems to really want from the possible valedictorians of their class is:

THE ANSWER.

How DID you do it? How DO you do it? What can I DO to also do it? And am I FOOLING MYSELF by even thinking that I can do it?

Getting my listening face on! #readysetgo

Getting my listening face on! #readysetgo

The panel consists of writers (or writer-directors) but you can substitute the same questions for anything, really – actors, producers, directors, cinematographers, editors and script supervisors.

WHAT IS THE KEY?

Well, it’s exactly what you think it is. You work at it. And you do it harder and more consistently and with as much abandon as you have ever done anything in your life. In fact, more so.   And chances are, you will GET THERE.

Yes, this is quite encouraging. But then — oh my. You should see the series of scared, young and old DISAPPOINTED faces in the audience.

For here is the real answer they begin to realize minutes, hours, weeks or months later if they do follow that sage advice (Note: If you prefer to stay away from harsh truths stop reading now):

You will definitely get somewhere, certainly a better place artistically. But not necessarily on a future panel that’s before you.

Maybe not in your future... and that's OK!

Maybe not in your future… and that’s OK!

And I would add this nugget of information that perhaps never crosses one’s mind. Certainly it didn’t cross mine years ago.

Perhaps that (panel) is not exactly where you belong or where you would even want to be given the compromises, sacrifices and cost of the single-mindedness it takes to achieve what you think (or may even know) are your dreams. Perhaps the work you do will be honored in some different way entirely.

This is not meant to be any more discouraging or encouraging than anything those writers told the audience of movie fans, aspiring writers or curious industry-ites who had nothing better to do on a Thursday evening than look for hope, information or just plain intellectual entertainment. But I guarantee you it is also the same truth spoken by any one of those same artists, as well as many others, on that night or on any other night on any other year.

You can take away all kinds of things when people tell you to work really hard at what you do, follow some of the rules and break others, and to listen to your inner voice and then dig in deeper.

Inspiration can come in all forms. #sarcasmworkstoo

Inspiration can come in all forms. #sarcasmworkstoo

You can be encouraged and enlightened, buoyed by the brave soldiers that came before you and succeeded.

Or you can become depressed because you know you’re already doing all of that and more and haven’t gotten anywhere close to that result.

And, in some cases, you might even become frozen with fear when you run your entire life around your brain because suddenly you realize you’ve been doing all this and MORE for years (or perhaps decades) and are so much farther away from that place on that stage than you would ever care to admit to anyone out loud, most particularly yourself.

everyone's path is a little bit different

everyone’s path is a little bit different

Well, that’s fine. All of it is fine. Except, it doesn’t mean anything. At all.

There are numerous X factors in life. And in show business, in particular, we all measure art and practicality and talent and then divide it by happenstance. For instance, did you know:

— Damien Chazelle, all of 32 now, wrote La La Land six years prior. At which point it sat around, landed briefly at a studio, was put in turnaround, and then sat around for many years more. Which prompted him to then write and direct Whiplash out of his anger to the system. Which in turn forged La La Land.

Mr. Chazelle... or one of my students? #hardtotell #stillinspirational

Mr. Chazelle… or one of my students? #hardtotell #stillinspirational

— Taylor Sheridan quit work as an actor on a lucrative TV show as he approached his 40th birthday to write what became Hell or High Water, but not before he ran out of money and moved him and his wife and 10 month old kid into a small one bedroom apartment on Sunset and Laurel. (Note: He voluntarily gave the location).

— Kenneth Lonergan got raked over the Hollywood coals when the movie he made in 2000, Margaret, languished in legal battles, was recut and even then barely released eleven years later. And didn’t direct another film until Manchester by the Sea. In fact, his friend Matt Damon said that that he brought him the kernel of the idea for the film to get him out of his funk just so his creative voice could be heard again.

And so on and so forth.

You and I and certainly few of the rest of us are likely reach the successes above with our own projects. For there is always a certain amount of timing, luck, talent, karma and cosmic grace (Note: Not to be confused with Karma) that comes into play with these things.

Sometimes timing is everything

Sometimes timing is everything

But surely if we all don’t bear down and focus in on our work, and continue to dream big – despite our experience, age, economic circumstances or emotional places we currently occupy in our lives, we will never get there.

And if we do – who knows? We could possibly surpass them.

Why does this stuff always seem so trite and cliché?

Because the very nature of clichés is that they are references and expressions of stuff we have heard time and time again that offer nothing new to our view of the world.

Which doesn’t mean they’re incorrect.

What I’ve found to be the key is exactly what WE – you and I – DO with all of this advice. Not the advice itself.

Resist the eyeroll! Stay with me

Resist the eyeroll! Stay with me

It’s the actions we take, the people we engage with and disagree with and love and scream and yell with and the art we make – based on our own reactions and experiences – that comprise the sum of our output.   Which in turn shows up on the page, in the film, on the screen, in the machine and before the next doorkeeper determined to slam that door in all of our collective faces, that can and will make the difference.

I know this because I’ve seen this and lived this. Just look around you and you’ll see it too. And then look within and start working. And let the chips fall where they may.

But if this still sounds a bit too new agey, self-helpish and yes, cliché, don’t take my word for it.

This week I also went to see 84-year-old Broadway legend Chita Rivera do her one-woman show in Los Angeles. She recalled the time half a century ago in the 1960s when another Broadway legend, Gwen Verdon, and her then husband, director Bob Fossse, still another Broadway AND soon-to-be movie legend, asked her to star in the touring company of Sweet Charity in a role created to smashing success by Ms. Verdon herself.

The Unsinkable Ms. Rivera

The Unsinkable Ms. Rivera

Ms. Rivera confesses to at first being thrilled with the offer, which soon turned to total terror knowing she couldn’t possibly fill her predecessor’s shoes. Or even come close. Until finally, she shared with us, it occurred to her:

Chita, just bring your own shoes.

I tell that to all the kids, she added. Just bring your own shoes. And it’ll be fine.

The Crowning Achievement

screen-shot-2017-02-05-at-11-49-24-am

The major strength of Netflix’s acclaimed series The Crown is that finally and once and for all an outsider (Note: Me) understands the pros and cons behind the idea of a King or Queen.

That is not to say that one (Note: Me) likes or accepts the idea of a hierarchy of humanity – i.e. a whole country required to bow and curtsy to another citizen wearing a crown – but at least the tradition and the people wearing the hardware are both clear and recognizable as something approaching human.

Heavy is the head, they say #werkitgurl

Heavy is the head, they say #werkitgurl

I’m not much for bowing down to idols – true, false or otherwise – but in one brief scene in its season one 10-episode arc, The Crown is succinct on this one heretofore elusive point:

The monarchy represents something Divine that can serve as a sort of model for what mankind can aspire to. (Note: One assumes that includes lowly females).

So despite the fact that the actual monarch, be it female or male, is indeed human, once he/she is anointed with oil by a leading British religious figure, he/she also all at once (and forever) becomes Divine He/She and therefore worthy of genuflection and ring kissing by everyone in It’s orbit.

Or so the thought processes go.

Not to mention, and to its further credit, this fine series also shows that a Queen (The British kind, that is) doesn’t necessarily want or is even qualified to be a Deity and that more than a few in the inner circle have their own worries that this vast spectacle is indeed nothing more than their own high-priced version of The Emperor’s New Clothes.  

... which most certainly includes The Crown's Miss Shade, Princess Margaret

… which most certainly includes The Crown’s Miss Shade, Princess Margaret

Moreover, it ultimately and finally posits (and this is the what really brings it all home), that despite all of the doubts and handwringing about it, the vast majority of its SUBJECTS are indeed on some level TRUE BELIEVERS in it all and will actually VOLUNTARILY indulge en masse in the tradition of genuflection to this Chosen Human Deity.

This thus reinforces the point of the monarchy to whatever doubting royals there may be and, judging by the continued fascination with them across the globe, proves an even larger point about societies in general:

The PEOPLE indeed do WANT and NEED a HIGHER IDEAL in which to BELIEVE IN and strive towards.

We Americans, of course, have no such thing as a national royalty and if we did it certainly wouldn’t be in Washington, D.C. – at least at the moment.   Except, of course, for one thing —

THE OSCARS.

Behold... our golden god!

Behold… our golden god!

Yes, I know this is a long way to go for an analogy and moan and groan at HOLLYWOOD all you like – led by PRETEND POTUS DJT (aka The Non-Deity who lost the Popular vote by 2.86 million). But let’s be honest:

The vast majority of the TV watchers here and worldwide WILL tune in to the television coronation of Oscar. And even if they don’t and/or claim not to – see what happens when the BIGGEST MOVIE STAR IN THE WORLD walks into a room, a bar, a party, a restaurant or a hardware store in your neighborhood in your presence.   You will see the closest thing approaching GENUFLECTION you will EVER, EVER WITNESS IN YOUR LIFETIME ON AMERICAN SOIL.

Bow down to our undisputed QUEEN

Bow down to our undisputed QUEEN

(Note: If this hasn’t happened to you yet or you think it never will take my word for it. I have witnessed it in more than several cities big and small across the country over several decades in my lifetime and it is ALWAYS the same unmistakably American version of a mass CURTSY and BOW).

(Note 2: And please don’t write in and say what about The Pope? America is a secular country (so far) and He (It?) doesn’t count).

This is not a defense of the Oscars because that would be a defense of an indefensible DEITY. It is just an effort on the part of a lover of this year’s favorite for best picture, La La Land, to get the movie fans and pop culture lovers and prognosticators worldwide to calm the f-k down and, as the young people say (right?), get out of my grill.

I say believe the hype

I say believe the hype

Those of us who adore this movie for its reinforcement of hope and belief in the creative dream and Hollywood-ized version of love and romance, are not the intellectual equivalent of “Make America Great Again” as one essayist whose name I won’t mention recently pondered. Nor do we have crappy taste in films or suffer from too much white privilege (though which White person among us White people doesn’t?). In fact, we simply were transported by something we’ve never quite seen before on the Big Screen and want to sing its praises and share it with you.

Which brings me to another chief complaint about the movie – Ryan Gosling and Emma Stone are not… Hugh Jackman and Barbra Streisand? Beyonce and Jay-Z?   Adele and Sam Smith? (You sooo don’t want that even though you think you do). Jennifer Hudson and Pharrell?

... or original casting choices Emma Watson and Miles Teller. #HermoinegetsWhiplash

… or original casting choices Emma Watson and Miles Teller #HermoinegetsWhiplash

Listen up. It’s not always about the notes you can hit and how well you can sing – especially in a movie musical where performance is everything. It’s about telling the story, the emotion, the passion, the joy and the sadness.   And consider that after five decades of concert tours, Bob Dylan still can’t sing a lick. No, honestly. Can he really “sing” – as you crave? Yet he’s captivating. As are many singer-songwriter-actors. Rappers don’t sing the way Sinatra did. Which is fine. Aretha Franklin is still the Queen of Soul and the late Karen Carpenter will always have perfect pitch. That’s a whole other subject and has nothing to do with carrying the story of a movie with your performance in a slightly imperfect yet surreal world.

Which brings us to what looks to be the three-way race for best picture between La La Land, Moonlight and Hidden Figures.

Ready to place your bets?

Ready to place your bets?

They’re all wonderful films in their own way and yeah, perhaps you don’t agree that La La Land has the inside shot at being this year’s DEITY. But that doesn’t lessen the impact of the story and its filmic luster for many or change the fact that in the system you are choosing to participate in there can only be one QUEEN. (Note: Ahem).

So instead take a broader cosmic view of the whole process. Think of them each as planets. La La Land is Earth, Hidden Figures is Saturn and Moonlight is Pluto.

Although gravity works a little bit differently in La La Land

Although gravity works a little bit differently in La La Land

Pluto is the furthest away from mass reality and therefore probably won’t win. Hidden Figures is certainly the most enjoyable to look at and understand from an en masse point of view.   But La La Land is not only surreal and visually interesting – it has managed to capture something else in the minds of many – a kind of magic that feels like home to the majority. It doesn’t mean we’re right and you’re wrong. That we worship The Deity and you are heathens.

NOR, does it mean the reverse.

We’re talking movies and planets – each floating in their own solar systems. I mean, can you compare Uranus with Venus? Or would you be too embarrassed to even try? Well, if you wouldn’t be, you should be.

Crown or not, in the end we’re all the King and Queen of our Own Existence and the stars of our Own Movies.

The point is not to be swayed by someone else’s version of royalty. And to never genuflect

To anyone.