The One Where I Finally Understand

I have an on and off relationship with the TV show Friends and that is as it should be. 

Or, to put it in the lexicon of the series, I’m never quite sure if we truly love each other or are just taking a break.

I see what you did there!

As its creators Marta Kauffman, David Crane and Kevin S. Bright recalled in the new HBO Max special, Friends: The Reunion, the one-line pitch to network executives about the series was always this simple:

That time in your life when your friends are your family.

So naturally there comes a point when you move on, other priorities take over and you begin creating your own family

At least that’s the way Kauffman put it in a series of interviews sprinkled throughout the special.

Hearing it said out loud in such stark terms I finally understood all these many decades later, in the 20-twenties, why a television series that became an international phenomenon from 1994-2004, and continues to this day, and will likely continue for generations to come, was never MY story.

Let’s unpack that Chairy…

I’m one of those people who never thought of moving on from my really good friends.  I knew early on I didn’t want to have kids and wasn’t going to have kids. I knew my real family would be my friends, and whatever relatives I chose to stay in touch with.  I didn’t make a distinction because there NEVER WAS a distinction.

I knew that I could create my own family any way that I chose to.  It would not even for a millisecond occur to me that the people in my life closest to me, who I’d love most in the world, could NOT include those who were my dear, dear friends.

Some of this has to do with being gay and of a certain age.   Many of us LGBTQ baby boomers simply didn’t fit into the hetero-normative margins of the straight world so we fashioned an even more fun, kind and loving one comprised of OUR friends. 

You didn’t necessarily have to be queer to be part of that world.  You just hand to get it, be there and love us.

Sound familiar?

Phoebe gets it

It is important to note this was done not out of resentment but of choice.  If you grew up the way I did, at the time I did, moving on wasn’t on the table.

To have a real, true friend meant you had a forever family.  Especially if you had lived through the eighties and early nineties period prior to when Friends debuted.

A reminder of how painfully 90s Friends is

It was the height of the AIDS epidemic and by 1994 each day was like climbing through the rubble of a nuclear holocaust if you were one of my friends.  Who was alive, who was dead, who was depressed, who was doing well and who was just generally in denial or drifting or drinking/drugging themselves to death?

That was a daily occurrence and just about the only thing you knew is that your friends that remained would be there for you.

Oh Chairy.. ya did it again!

But miraculously here’s what each day also brought you —

Dumb jokes and dumb jobs; hilarious and heartbreaking dates that might or might not turn into love affairs; mortifying moments of embarrassment and secret vices that your good friends would be more than happy to publicly rag on you for…

Terrible fashion choices, silly haircuts, weight gains and weight losses, and relatives who could swoop into town and undo every neurosis you had spent years getting under control in one quick visit.

You wouldn’t think this would be the case at the time but it’s true.  It was also what made Friends work, even for those of us who didn’t quite always get it.

Well we all get bad haircuts…

Unlike other network sitcoms of its era:

  • It was funny, it was clever, it was silly and, every so often, it tugged at our heartstrings.
  • It had six of the most charismatic and adept casts in all of sitcom history – Jennifer Aniston, David Schwimmer, Courteney Cox, Matthew Perry, Lisa Kudrow and Matt LeBlanc – who even now, reassembled together again onstage at the Warner Bros. lot, some 17 years later, seem incapable of phoning in a false or phony note when it comes to their interrelationships.
Dare we say.. authentic?
  • It has even managed to rise above all types of the usual show biz b.s. antics since its been off the air, those that have eclipsed and nearly swallowed up the afterlife of almost every other late 20th century show.  To whit:

a. Yes, we knew the actors all got paid a record-setting one million plus per episode and more towards the end of its run.  We were HAPPY for them.

b. Yeah, we know to this day it’s reported the EACH make $20 million per YEAR in residuals and the show STILL generates about a billion dollars a year for WB TV.  We can live with that if it means we get to sometimes see it.

I’m with Janice here #wow

c. Uh huh, we get the friends each received about  $2.5 mill for this special alone; that there’s a lot of cosmetic “enhancements,” and hair dye, to keep them so dewy-looking; that the “girls” are closer than the guys; that some of their careers have fared better than others; and that Matthew Perry, in particular, continued to struggle with severe substance abuse and other health issues that plagued him throughout the run of the show.  Whateva and we’re rooting for him.

But nothing truly tarnishes the juggernaut that is Friends.  And if you don’t think so consider…

a. What other cast would get paid that much money to reunite?

b. Which other show has a worldwide audience ranging from Nobel Prize winner Malala to one of sport’s GOATs David Beckham?

c. And how many nineties sitcoms could get Justin Bieber to dress up live as a potato or Lady Gaga to do a duet on a song called Smelly Cat for no billing on a reunion special?

100% would watch this show

Friends, like our friends, our families, is far from perfect.  Yeah, I wish it was more multi-cultural, economically inclusive and LGBTQ positive, too.  And, um, please, no WAAAAAYY could they have afforded that apartment at that time – grandmother or not.

But I think of everyone interviewed  Matthew Perry got it exactly right when trying to express what Friends continues to mean and how it endures.

He said no matter what party you went to years later, if you ran into another cast member, you were probably going to spend the evening with them.  You apologized to whomever you were with because all bets were off.  You knew, in that moment, you could talk for hours and very likely would do so, as if no time had passed.

The indefinable pull of that type of relationship is what makes real friends.  And what made Friends.  Whatever either of their drawbacks.

Friends Opening – Season 1

It’s Brutal Out There

What is that key 18-24 year-old demographic thinking about?  

Well, I’ll tell you.  Mostly they’re thinking they don’t want to be in 2021.  And, well, who can blame them? 

To vaccinate or not to vaccinate?

To mask, or not to mask?

These should not be the questions. 

And why are those questions even up for debate?

Have I been quiet lately?

Once we lived in a world where science ruled; where political leaders understood they needed to agree to disagree in order to govern; and where actual news footage of hundreds of rioters storming the Capitol building, destroying property and killing cops was at the very least seen as a…well…riot .

Yet today’s 2021 has become one big mass of illogical conclusions.  A literal Alice In Wonderland where up IS down and down IS up.

That is if we could even agree on the definitions of DOWN and UP.

Nope. Na-ah. I’m going back to bed.

No wonder our young people want nothing to do with it, or us.

Every spring I teach a class for college writing majors called Thesis Writing For Screen Media.  In it, graduating seniors develop and write either an original screenplay or TV series pilot and first season episode guide.

It’s not an exact science but what I have come to see annually after reading their work over the years is a cross-section of what’s going through the minds of those with far less experience but far more guile and energy than myself and those of my peers.

Not at all what I look like while grading these scripts

What I get is a brief but fleeting glance of what they see as…the future.  And given their age and the fact that they will soon be taking over the reigns of this, ahem, Wonderland, their perceptions are far more relevant than mine.  Or, likely, yours.

Some years the stories are mostly pure escapist and other times they veer towards the deadly depressing in a way you can only pull off when you’re in college.  One year there were far too many scripts centered around technology (Note: At least for my tastes, which means more than three) and in another a decade back I wanted to shoot myself in the head when I had four or five (though it felt like ten) leaning heavily towards relentless versions of Lord of the Rings/Harry Potter sword and sorcery.

My notes. #igiveup

Of course, mixed into these are always, always, ALWAYS takes on love, injustice and outrageous coming of age, buddy, love stories in the contemporary world. 

Not much like that this year.

Of the twelve scripts I read, only ONE took place in 2021.  That means ELEVEN of them were set in the past, the future or, in one case, in an alternate animated universe that has never existed but you sure wish could exist.  Particularly in these days.

OK but not THIS alternate reality

I’ve got stories in the roaring twenties and depression era New York City.  I’ve got one that takes place in 18th century West Asia, two others set in the intolerant post Civil War west of the 1800s, and another in a literal ghost town not of this earth.

There is one that takes place far in the future on various planets, a second set in ancient Greek mythology (Note: Gods and all) and a third set only five years ago in a pre-pandemic restaurant.

I can’t wait to erase this from my memory

The sole story that takes place in our contemporary world is about three people, two of whom are on the spectrum, and all of whom pretty much live in their own worlds and mostly try to ignore ours.

It doesn’t take an analyst to understand what these writers are doing, and if you guessed taking the easy way out you would be incorrect.

We can intellectualize all we like – we baby boomers and we Gen Xers – but it seems clear that the reality we’ve rendered for the next generation has become pretty much incomprehensible to understand, that is with any real insight, without stepping out of our time period.

Gen Z edition

You can’t make sense of the illogical.  You can’t write about a world where there are no basic truths or rules the vast majority can agree upon.  If you want to answer real questions of faith or humanity you have to go back at least five years or more (Note: Preferably more) or move ahead some indeterminate amount of time (Note: Preferably A LOT more than five years).

Normally I tell young writers who are stumped or shy or reticent, if you merely look around your house or your neighborhood you will discover far more stories than you could possibly tell in a lifetime, much less a semester.

Me when I see that there is a screenwriting professor in the script

Choose what you can’t get off your mind, what fascinates you and go ALL IN.  Use all of YOUR creativity, YOUR craft and YOUR mind to recount to us one of those and you have the best chance of hooking us.  Not to mention, you’ll be amazed at how writing about what you care about in the here and now makes us exponentially care about it, too.

I gave that same min-speech this year but the result was like nothing in the past.

It’s not like there weren’t thematic personal truths to the stories they were telling.  We still got the love stories, the tales of deep hurt (Note: Sometimes even peppered with wry comedy) and the rite of passage journeys.  There were also those of war, of survival and even of government corruption that included people of all races, colors and sexual persuasions.

But in none of them, not a one, was there a literal evocation of 2021 as we know it.

Yep, this… entirely.

In reflection, this was a wise decision.

How can these young people, or any of us, write about something with any meaning that we can’t, at present, even begin to understand?

Olivia Rodrigo – “brutal”