Storytime

Storytelling is an art I’ve yet to truly master, which seems odd because I teach it.

But in a way, it’s not.

No one is a master at every story they tell.

That’s both the beauty and the hell of it. Just when you think you know exactly what you’re doing, something great pops into your brain that you can’t make work despite all of your knowledge and experience.

My thing is written stories, which have their own sets of challenges depending on whether they are meant to be performed on a screen or stage, or simply read to oneself silently.

There are tricks of the trade, depending on the medium, but at the end of the day the facts are never exactly true. The best you can do is capture the spirit of the truth, as you experience it through your characters.

Every writer is a magician, a liar AND a truthteller, all at once. But make no mistake, as sincere as we are, we are still pulling the wool over your eyes. Concocting a set of circumstances and actions and getting you to believe them in our world.

Well, at least a world of our own making.

Of course, we humans are ALL storytellers, even if we don’t write them down.

Donald Trump tells many stories but so do his 34 felony convictions this week. What does that tell us? That despite how many people you’ve gotten to buy the bullsh-t you’re selling, or telling, there comes a point where one of your stories (Note: Or at least 34 of them) won’t work and you’ll get busted.

You may think what you’ve concocted out of whole cloth is great but as Ernest Lehman, the renowned screenwriter of North By Northwest, among many others, once stated:

…Then suddenly the audience tells you what you never knew.

Trump makes up facts daily, spinning them into a sorcerer-ized version of his own reality, and for some insane reason(s) members of his party have taken a loyalty oath.

To the abusive alcoholic Dad who will buy them something to make up for the beatings –- emotional, physical and all sorts of other kinds. Or for the promises he makes to them, some of which he will keep for a price and most of which he won’t remember, deny having made or simply welch on because he can.

There are countless reasons why an audience not only stays with you for some of your lesser works, but pays for them over and over again and swallows them whole.

I, for one, have never figured out how a film as godawful lousy as Michael Bay’s Pearl Harbor (written by Randall Wallace) earned half a billion dollars at the box office worldwide. Or the international blockbuster earnings of pretty much any Michael Bay film.

Nor can I ever fathom how it is that the Fifty Shades of Grey trilogy of books (written by E.L. James) sold 165 million copies, Stephanie Meyers’ seven-book Twilight series nearly topped it at 160 million copies and that each have far, far outsold, by A LOT, everything in total the late, great Pulitzer Prize-winning writer William Styron EVER wrote.

Much in the same way I will never truly understand the appeal of a thoroughly unconvincing hack storyteller the likes of Mistuh Trump, as his current arch enemy truthteller and former fixer, Michael Cohen (Note: A guy from the boroughs, just like me and Donald) liked to call him.

Nothing about any of the above movies or books, or even movie versions of the above books, had the vaguest ring of even escapist truth to me. As for Mistuh Trump, you had to either grow up or live in New York City in the seventies or eighties to know what a truly buffoonish clown he was, and always has been able to get away with, thanks to inherited wealth, ties to criminal enablers and a mawkish racism and sexism that a lot of rich white people shared but would never verbalize in the “entertaining” way he chose to in all of those privileged and/or back-room circles.

So many stories so many New Yorkers like myself heard about at the time but when we voiced our disgust (Note: Those of us who did were a solid minority, but clearly a minority) we were dismissed as soft, too sensitive or unable to take a joke. Didn’t we know this was the real world and if we wanted to get ahead we’d just have to go along with it like everyone else?

No. We didn’t think that. And literally, we didn’t.

Instead, we did our thing in the way we thought right. We tried to fight but you can’t battle the Trumps of the world and their enablers 24/7 and have a life. As the years go on you learn balance, and the power of your own voice and your own stories. They might be less lethal but they were far less evil, and had far less of a vindictive, nasty ugliness directed towards others. What they also had was our ring of truth.

Perhaps someday, many of us thought, our story, or stories, would become just as popular has his were. Or even surpass them.

And with a 12-member jury of Manhattanites on Thursday, that day finally came. The one where the audience that mattered publicly turned their backs on one particularly bile-ridden string of lies he told and his defenders had enabled and/or supported. Instead, they bought into the stories of a porn star, a reformed felon who was a character in some of his uglier stories, and those from a team of lawyers, magically woven from the remnants of real facts he had chosen to either omit, or his cohorts unknowingly (Note: Or perhaps even knowingly) left behind in a paper trail of notes, eyewitness accounts, and phone record transcripts in the cloud (Note: Whatever and wherever that is) that can never be erased.

One final thing that might feel unrelated but isn’t.

As victorious as it felt after the verdicts of that jury, I still needed an escape from the aftermath repetition of his stories, which were pretty much everywhere you turned.

So I searched and searched and eventually wound up at one of the tried and true places I normally go to begin with —

Well, just for a palette cleanser.

And who I chose was a singer and actress who just happens to be the most Tony Award-winning theatre actor in the history of Broadway – Audra McDonald.

Well, actually PBS chose it for me with their Great Performances presentation of her 2023 concert, Audra McDonald Live At The London Palladium.

Boy, did that do the trick. Audra (Note: We all feel like we can call her that) is a born storyteller, known for her superhuman operatic voice which she can twist any which way – opera, Broadway, the blues, jazz, special material, you name it, as well as for her ability to climb any number of death defying acting feats via characters that on the surface seem far beyond the essence of the funny, down-to-earth and very contemporary self-admitted, “poor Black girl from Fresno” she really is.

In 2014, she became Billie Holiday (Lady Day at Emerson’s Bar and Grill) and won the most recent of her six Tony Awards. In 1994, I was in the audience at Lincoln Center when she became the first woman of color to star in a major production of the period musical Carousel alongside three other very white leads in this very traditional and extremely, very white play. With that performance, Ms. McDonald’s (Note: Okay, Audra’s) undeniable talents broke open the door for color-blind casting and, as tricky as the visual was at first glance, in just a few moments onstage she sold you on her life story of that story, and won her first Tony award for it.

I bear witness to her early abilities as a different type of storyteller because it was announced this week that she will soon be playing the pinnacle of All musical theatre roles – Rose, mother of the most famous stripper in the world (Note: Prior to Stormy Daniels), Gypsy Rose Lee – in yet another revival of what many consider the greatest Broadway musical in the canon of Broadway musicals, Gypsy.

Respect to Audra but also doubts by more than a few because Rose is a ball busting, big-belting, overbearing, borderline abusive, egomaniac parent. She will do ANYTHING to get whatever she wants in the name of love for her children but, as she even realizes by the end of the show, it’s really for her.

There will be no such realization from our former president, the one who deflects his felony convictions, as well as three other indictments and pending trials for major crimes across the country, by proclaiming in the lobby of his gold gilted eighties skyscraper to his disgruntled supporters — I Am Your Grievance!

No matter how many court sentences he gets and no matter how many more years, or even decades, he lives on his daily junk food diet, he won’t realize it because after a lifetime of privileged delusion he is incapable of change. It’s not in his DNA. Unlike America. Which despite our checkered history has managed to at the very least slowly evolve to an inevitable change that will continue to be told by a myriad of the best storytellers in the world till the end of time.

Whether that is change for the better – or we follow down the path of destruction blazed by so many once mighty world powers that came before us – led by a guy with a wispy-haired fake blonde comb over in multi-colored pancake makeup, remains to be seen.

I can’t say I’m looking forward to the next six months of him trying to own the public square and us, even though it will be worth it to see him become the massive loser I am certain he will become so publicly yet again next November.

But November does hold one surefire treat – Audra’s Gypsy begins previews at Broadway’s Majestic Theatre on Nov. 21^st and opens Dec. 19^th.

this is the only red and blue I want to talk about

I have every faith she’s thought long and hard about how she will authentically become a selfish, steamrolling, very flawed person who, despite her shortcomings, will finally admit she’s made a lot mistakes, certainly more than 34 of them.

And, in the end, we will love her for it.

Unlike some people, who keep telling the same old tired story in the same old tired way, expecting the same old tired result.

Audra McDonald – “Cornet Man”

04.07.24

by notesfromachair

Ripley, Believe it or Not

There are any number of shots and scenes in writer-director Steven Zaillian’s stunningly well-executed Ripley (now on Netflix) where Andrew Scott’s title character seems to be metaphorically salivating at the sight of even the most ordinary playthings of the rich he finds himself in the company of.

A thick, gleaming fountain pen or a thin paisley robe are no different than the expensive Italian villa with picture perfect views of the crystal blue sea. They are all precious objects to possess and consume (though not necessarily in that order) and, more importantly, they all seem to have equal weight in his mind.

In Zaillian’s stark yet quite stylish black and white adaptation of the renowned 1955 novel by Patricia Highsmith, Scott’s subdued yet somehow quite intensely determined gaze tells us all we need to know about where this will lead.

It would never be enough for Tom Ripley (Note: Well, he calls himself that) to possess just one or most of the above, nor would he be satisfied if he possessed all of them.

The truth it seems to be rendering is that there will always be more trappings, more objects and more ways to live the perceived high life. But the secret, stubborn stench of one’s own inferior, ordinary self can never be rubbed out by mere things. Much in the same way those things can never understand what it’s like to be truly alive, or feel good about their lush, humanly perceived beauty.

Or feel anything.

This is why, after viewing the first two episodes, all I could think about was just how relevant this Ripley is for understanding the psyches of a certain type in our current billionaire class in these anything but United States – the either Trump supporting Trump agnostic.

Let’s be clear, this eight-part Ripley mini-series is far from the first time Highsmith’s novel has been deemed relevant enough to be splashily transferred to the screen. Most notably, it was the source material for the twisty 1960 French film Purple Noon, which made an international movie star out of the then impossibly gorgeous (Note: Sorry, NO other way to say it) Alain Delon, while simultaneously reflecting (Note: Or perhaps presaging) the brewing, far less-materialistic social mores of the 1960s.

Decades later it was then remade by writer-director Anthony Minghella as The Talented Mr. Ripley (1999), starring Matt Damon, Jude Law and Gwyneth Paltrow, where it became a commercial and artistic hit and received five Oscar nominations. At the time we thought we were condemning the forever defunct acquisitive values of the let ‘em eat cake Reagan years (Note: Or at least I did) but little did we (or I) know just how much more there would be to condemn a mere 25 years later.

It has also been the subject of a radio play, stage adaptation, an episode of an anthology TV series and a young adult novel over the last seven decades for various other reasons and in various other moments.

In the future – well, it could be perfect material for a balls out contemporary opera, a post-modern ballet or even some combination of both. That is if the Netflix version is determined to be a sufficient enough branding hit.

Depending on where we are headed after that, at some point it might be cloned into a new type of anti-hero superhero event film. Think an upscale fusion of Joker AND Robin Hood, though let’s not give out any more free ideas).

The point is you can do a lot with a sociopathic protagonist who refuses to accept who he really is, or thinks a lot of stuff or better people or more admiration or endless victories will fill him up. Someone who would lie, cheat, manipulate and commit a lot worse than that, at will, against anyone or anything that stood in his way, in order to achieve it. (Note:Perhaps, one day, those crimes might even be against whole nations – or at least provide a template for such a character).

This week the Pulitzer Prize-winning economist Paul Krugman wrote a very thoughtful and quite scary column in The New York Times about why some billionaires will inevitably back the twice-impeached, many times indicted former president (AKA you know who) for POTUS again.

Krugman correctly reasons that it’s not as if these guys (and a few gals) haven’t made buckets of money in the record high stock market recovery under Pres. Biden, especially compared to how much they lost when the US economy crashed during Trump’s reign and mishandling of those pandemic years.

Nor are they unaware of his admiration for the Jan. 6 insurrection and those who perpetrated it, as well as his desire to be an authoritarian dictator on day one of his next administration.

He’s literally proclaimed it to them, and to us.

Not to mention his intention to use the Justice Department to jail his political opponents, and law enforcement to round up millions of undocumented immigrants to put in “detention camps,” or euphemisms far worse.

Nevertheless Krugman believes, unlike myself, those billionaires would still be unhappy with this type of world – if only because the economy tends to do poorly in times of social and political chaos.

So then, if none of these IS the reason, then why, why, WHY their recent surge of anti-hero, anti-democracy, Trump…love?

The first answer is obvious, if not odious. The very rich are guaranteed to pay way less taxes, and their corporations and business will be far less regulated, once Trump regains the Oval Office.

But even Krugman himself questions how that will matter. Since they all have so much money it will barely be a hit to, much less make a dent in, their overall income.

Plus, all the prestige they gain from being as rich, or richer, than the next billionaire (Note: Essential bragging rights among much of that class) will essentially remain intact since they will all be pretty much taking the same hits, and thus be in the same pecking order, across the board.

Thus what we are left with is his second answer, and theory.

The one that is far more troubling, and much more akin, to the Tom Ripley belief system about money.

And that is –

Somehow their wealth, their things, their elevated place in society, will protect them from everything bad in the world.

Like a small army of multiple Ripleys, they have talked themselves into believing that money, power and position give them absolute and total immunity (Note: Sound familiar?) from it all.

Even from their own bad decisions. Which, like Ripley, are actions fueled by the one fatal flaw nothing they possess can ever give them – the courage to face their own, deepest insecurities.

Neuroses so potent that they actually believe they will not meet the same fate as any number of dead, imprisoned or permanently contained Russian oligarchs under the authoritarian thumb of Vladimir Putin. Or that of so many wealthy Jews in Europe during the dictatorship of Adolf Hitler.

If those names don’t feel like warning signs… look again

Or have to deal with the fallout from their own unbridled excesses the way Pharma Bro Martin Shkreli or Bitcoin-meister Sam Bankmann-Fried recently had to do in an ostensibly free society. Or Roy Cohn or Joseph McCarthy were forced to face several eras before when they were overcome by their own hubris. Or Phil Spector or Robert Durst fell prey to once their true selves were found out.

This is to say nothing of the fate of Ripley (Note: Though that depends on which of his “endings” you choose) and the sheer havoc he wreaked on almost everyone, good or bad, that he came across in his quest for, well, glory.

But he and they were at least fortunate enough to be fictional characters in a pushed reality version of our world.

You mean I can’t just escape into a TV show?

Currently, the top 1% of earners in our country control 70% of its wealth. Among them are our current crop of contemporary US billionaires, 735 of whom hold more wealth than the bottom 50% of ALL American households (Note: For reference, consider there are now about 335 million people in the US).

Meaning that any group action taken by a substantial enough number of these actual flesh and blood, rarefied human beings have the potential to bring down not only them, but almost all 335 mill. of the rest of us.

Let’s hope that either the majority of them choose wisely in the coming months or that at the very least a majority of us are motivated enough to counteract their bad decisions at the ballot box.

Or both.

And that the $50 million the Trump campaign claims to have raised on Saturday from just ONE billionaire fundraiser in Palm Beach is a mere anomaly, or about as real as all the modern-day billionaire Ripleys combined.

Roy Orbison – “The Great Pretender”

notes from a chair

Tag Archives: Trump

Storytime

Ripley, Believe it or Not