My Night with Miss Universe

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I spent the night with Miss Universe, Alicia Machado, twenty years ago. Relax, nothing happened. I’m gay and she’s straight. And truth be known, it was just the evening, other people were around. Still, that means I know her better than 99.9% of you out there.

It was at a very small party to watch the Golden Globes at a friend’s house in Los Angeles. She came with her then good friend, the actress Maria Conchita Alonso. There were no more than 10 people.

Here’s what I remember:

— We teased her that we were disappointed she didn’t bring her crown. She laughed and endured various crown and scepter jokes throughout the evening by people who assumed they were the first to tell them to her.   Sometimes she even laughed. Now that’s what I call a good sport, not a nightmare.

and gurl, that is SOME serious headgear

and gurl, that is SOME serious headgear

— Food was served and she wasn’t an eating machine, as Mr. Trump has told you. In fact, there was plenty left for everyone and even leftovers. Though there usually is when we Jews and gays attend and host dinner parties. We like to overdo. Not to perpetuate any more stereotypes here. (Note: I can say this because I’m gay AND Jewish).

Our queen knows

Our queen knows

— She wasn’t fat or even overweight, not that it matters.   In fact, what I very distinctly recall thinking was how refreshing it was that she didn’t seem anorexic or look like a lollipop. Midway through her reign, she looked radiant and healthy. Little did I know that she did (or would have) an eating disorder some years later caused by the unseemly pressures put on her to look like something other than her gorgeous self.   And yes, she was gorgeous. Stunning, in fact. And not merely in a worshipful, gay guy way. (Yeah, I know that’s what some of you are thinking). Still, I wish there was a straight guy there who could confirm this. But it’s true.

— She was very sweet and very young. We tend to forget when we see beautiful young women in person and off the TV or movie screen that they are not sophisticated, larger than life glamour gals but no more than versions of your younger sister or tomboy best friend from high school or college. She seemed so genuine and trusting, I thought. Though her English wasn’t great it was enough to get by and understand. Yet I worried about what it must be like for her to navigate the many letches of this business. My now husband told me he thought she could probably take care of herself. Little did we both know back then that she could, but that it would take time and she would pay a price for it.

We'll see who has the last laugh #getemgirl

We’ll see who has the last laugh #getemgirl

I can’t imagine what it must have been like to come from the middle of Venezuela, with English as your second language, and as a teenager (she won the Miss Universe contest at the age of nineteen) have to deal with the likes of the 50 year-old version of Donald Trump. Past being prologue, that must have been the real nightmare.

I have not seen Alicia in 20 years except on television, like you. She appears more mature and worldly but the essence of the gal I’ve recently remembered appears the same – polite, lovely, respectful and intelligent. The fact that she would not repeat the racial slurs she said she heard Mr. Trump utter all those decades ago in a recent interview is exactly in keeping with what I remember – a person who didn’t unnecessarily want to hurt others if she didn’t have to.

... and we'll leave that to the New Yorker #snicker

… plus what could she say that would be better than this? #snicker

On the other hand, I’m not (at all) surprised Mr. Trump has tried to smear her for coming forward nor am I shocked that the only sex tape that anyone can find as it relates to the issue of Donald vs. Alicia is a soft core Playboy video where Mr. Trump pours champagne from a bottle over a bunny logo. Classy, right? Not that I’d fault her or anyone performing consensual sex on camera. It’s the leering adult male gaze at young women more than half your age surrounding you and some New York limousines as you pour booze over an image of an animal made to look like a young woman that is the sleazy part that gets me.

Did you really think I would post a pic of Drumpf in a Playboy video? #JonHamm4Ever #myeyesarenotbleeding

Did you really think I would post a pic of Drumpf in a Playboy video? #JonHamm4Ever #myeyesarenotbleeding

In the Oscar-winning movie Little Miss Sunshine seven year old Olive, an aspiring pageant contestant and charismatic innocent, is shamed by her father early on for eating ice cream. Later, Olive asks Miss America if she eats ice cream and she very definitively says yes.   When Olive takes this as confirmation that her appearance is actually pageant-level okay, it worries the male members of her family, particularly at the end of the film when Olive is about to perform in front of the judges and audience because each is afraid their beloved Olive with be laughed off the stage in humiliation. At that point Olive’s Mom finally steps up and very wisely admonishes them to, let Olive be Olive. She might get hurt but at the end of the day the truth will win out if you’re being honest about who you are.

Let Olive be Olive

Let Olive be Olive

Alicia Machado has always known this and tried to live this way, from what I’ve seen up close and recently onscreen. That’s more than I cay say for Donald Trump, someone I’ve seen a lot of recently onscreen but admittedly have never spent an up-close evening with – and hopefully will never have to.

Global Warnings

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Why does one write about anything as silly and meaningless as an award show – especially the Golden Globe Awards – which are chosen by a bizarre group of international critics who have the collective credibility of, well – a blogger?

The correct answer is not – because you are a blogger.

Rather, it is the same answer I give my students and friends when they ask, Why does fill in name of a good or favorite actor do so many bad movies?

Answer: Look at all the choices available to them at the time. Which one do you think they should have picked?

In my case, I just can’t spend another week on The Republican Apprentice, Hils, the Bern or Grandpa Munster (Note: Oh please, you know who I mean).

I'm back!

I’m back!

Plus, our president has guns covered at the moment, there doesn’t seem much of a debate left on climate change and do you really need to read another 10 best/worst list of 2015 or a preview of your top choices or potential losses for 2016? No, you do not.

So here are my GG predictions. We’ll weigh in on Monday for a post mortem of the show. The commercials have host Ricky Gervais teasing us that he might make a celebrity cry. Don’t dress. And take that as seriously as any tease you encounter on television – or anywhere else for that matter.

BEST MOTION PICTURE – DRAMA

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CAROL Number 9 Films; The Weinstein Company

MAD MAX: FURY ROAD Warner Bros. Pictures / Village Roadshow Pictures / Kennedy Miller Mitchell

THE REVENANT Regency Enterprises; Twentieth Century Fox

ROOM Element Pictures / No Trace Camping; A24 

SPOTLIGHT Anonymous Content / Participant Media / First Look; Open Road Films

Winner: SPOTLIGHT

It’s got the heat, as they say. And it’s a really good film. CAROL is too rarified for this group, MAD MAX is too forward-thinking, THE REVENANT is too gross and ROOM is too small. If you are thinking a possible upset for your betting pool, remember this is an international consortium – so perhaps, REVENANT or MAD MAX. But, uh…no

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA

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CATE BLANCHETTCarol

BRIE LARSONRoom

ROONEY MARACarol

SAOIRSE RONANBrooklyn

ALICIA VIKANDERThe Danish Girl

Winner: ALICIA VIKANDER

This is one of the trickiest categories so don’t wager the house. Brie Larson should win and will probably be awarded the Oscar because it is likely Ms. Vikander will be put up for supporting actress. But given these nominations, the international appeal of THE DANISH GIRL should do it along with AV’s universal raves. The CAROL women will split. Possible spoiler is Saorise Ronan but that’s doubtful since the film is small and likely has not been seen by all the voters, “critics” though they may be.

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA

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BRYAN CRANSTON, Trumbo

LEONARDO DICAPRIO, The Revenant

MICHAEL FASSBENDERSteve Jobs

EDDIE REDMAYNEThe Danish Girl

WILL SMITHConcussion

Winner: LEONARDO DICAPRIO

FYI, I think Bryan Cranston will win the Oscar. But again – international voting is a big element here and Mr. DiCaprio seldom, if ever, wins awards. The true winner should be Michael Fassbinder who couldn’t grunt, bleed, accent or costume his way through the nearly impossible role of a somewhat unlikeable icon. But that won’t happen. Nor will Mr. Smith go to the stage.

BEST MOTION PICTURE – MUSICAL OR COMEDY

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THE BIG SHORT    Paramount Pictures / Regency Enterprises

JOY     Fox 2000 Pictures; Twentieth Century Fox

THE MARTIAN    Twentieth Century Fox

SPY     Twentieth Century Fox

TRAINWRECK    Universal Pictures / Apatow Productions

WINNER: THE MARTIAN

How much do you want to see Amy Schumer up there? Well, (NOTES SPOILER!) you’re going to have to wait for a category. And the true winner should be THE BIG SHORT. But I’m not entirely sure this group will go for the latter. The international market ADORES Ridley Scott and he’s another perennial non-winner. Not to mention, there are a group of critics who see the overly long, overly optimistic for humanity theme of THE MARTIAN irresistible. Well, no one can accuse we here at notes of any of that!

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – MUSICAL OR COMEDY

BFFs

BFFs

JENNIFER LAWRENCE, Joy

MELISSA MCCARTHYSpy

AMY SCHUMERTrainwreck

MAGGIE SMITH, The Lady in the Van

LILY TOMLINGrandma

WINNER: AMY SCHUMER. And no, you didn’t read that wrong.

It’s a comedy and this group also likes to feel both hip and out-of-the-box from time to time. Not to mention – the Hollywood Foreign Press’ main source of revenue (meaning how they stay afloat) is the broadcast of this show (which means ratings).

Lest we forget who won big at the 2010 Globes!

Lest we forget who won big at the 2010 Globes!

Not to say Ms. Schumer doesn’t deserve best comic (and even musical!) performance by an actress this year. Though my vote would go to Lily Tomlin. Why? Because how often do we get the treat of seeing Lily Tomlin playing a snide lesbian…in the movies, that is?

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – MUSICAL OR COMEDY

The world saves Matt Damon... again

The world saves Matt Damon… again

CHRISTIAN BALE, The Big Short 

STEVE CARELL, The Big Short 

MATT DAMONThe Martian

AL PACINODanny Collins

MARK RUFFALOInfinitely Polar Bear

WINNER: MATT DAMON

Sure, this feels ridiculous. Is ‘THE MARTIAN a comedy? As much as it’s a musical. Nevertheless, it’s Damon in a walk. My vote is for Bale or Carrell. Or Mark Ruffalo. Or Al Pacino, even though I haven’t seen that movie.

BEST MOTION PICTURE – ANIMATED

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ANOMALISA    Starburns Industries; Paramount Pictures

THE GOOD DINOSAUR    Pixar Animation Studios; Walt Disney Studios Motion Pictures

INSIDE OUT    Pixar Animation Studios; Walt Disney Studios Motion Pictures

THE PEANUTS MOVIE     Blue Sky Studios; Twentieth Century Fox

SHAUN THE SHEEP MOVIE    Aardman; Lionsgate / Studiocanal

WINNER: Um, INSIDE OUT. Seriously.   (For my thoughts on the truly bizarre Anomalisa, check out last week’s post)

BEST MOTION PICTURE – FOREIGN LANGUAGE

#honesty

#honesty

THE BRAND NEW TESTAMENT (BELGIUM / FRANCE / LUXEMBOURG)

THE CLUB (CHILE)

THE FENCER (FINLAND / GERMANY / ESTONIA)

MUSTANG (FRANCE)

SON OF SAUL (HUNGARY)

I have no business weighing in here since I haven’t seen any of the nominees. The talk is for SON OF SAUL. Few Hollywood groups or award contests can resist a Holocaust film.

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN ANY MOTION PICTURE

Whatever Chairy, you know I'm fabulous!

Whatever Chairy, you know I’m fabulous!

JANE FONDA, Youth

JENNIFER JASON LEIGHThe Hateful Eight

HELEN MIRRENTrumbo

ALICIA VIKANDEREx Machina

KATE WINSLET,  Steve Jobs

WINNER: JENNIFER JASON LEIGH

I gotta say Jennifer Jason Leigh even though THE HATEFUL EIGHT is the one big film this year I still haven’t seen. Why? It’s only early January. Why JJ Leigh? Because she should have won years ago for GEORGIA and I’m still annoyed. Look it up. #SadieFlood4Ever

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE

Not a knockout for Sly

Not a knockout for Sly

PAUL DANO, Love & Mercy

IDRIS ELBABeasts of No Nation

MARK RYLANCE, Bridge of Spies

MICHAEL SHANNON99 Homes

SYLVESTER STALLONECreed

WINNER: MARK RYLANCE

Mark Rylance has the edge. Watching his performance is an acting master class in less is more. It should be required viewing for anyone serious about the craft.

BEST DIRECTOR – MOTION PICTURE

Le sigh

Le sigh

TODD HAYNES, Carol

ALEJANDRO G. IÑÁRRITU, The Revenant

TOM MCCARTHYSpotlight

GEORGE MILLERMad Max: Fury Road

RIDLEY SCOTT, The Martian

WINNER: TODD HAYNES

This is one of the toughest categories. The winner SHOULD be Tom McCarthy for not showing off and telling a story in a compelling way without all the bells and whistles. But likely it’s between Todd Haynes and Ridley Scott. Hmmmmmm. Okay, it’s Todd Haynes. It’s just the kind of film that would feel arty to these voters.

BEST SCREENPLAY – MOTION PICTURE

Is that my office?

Is that my office? #hotmess

EMMA DONOGHUE, Room

TOM MCCARTHY, JOSH SINGER,  Spotlight

CHARLES RANDOLPH, ADAM MCKAYThe Big Short

AARON SORKINSteve Jobs

QUENTIN TARANTINO, The Hateful Eight

WINNER: TOM MCCARTHY, JOSH SINGER, Spotlight

It’s hard to imagine they won’t win for making journalism heroic, dramatic and noble once again. The writers of THE BIG SHORT could be the spoilers here simply for originality. Though let’s not get carried away on that score.

BEST ORIGINAL SCORE – MOTION PICTURE

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CARTER BURWELL, Carol

ALEXANDRE DESPLAT, The Danish Girl

ENNIO MORRICONE, The Hateful Eight

DANIEL PEMBERTON, Steve Jobs

RYUICHI SAKAMOTO, ALVA NOTO, The Revenant

WINNER: ENNIO MORRICONE but…

…really no one has ANY idea, including the members of the Foreign Press.

Is this the tie-breaker in your pool? Then go for Ennio Morricone. Otherwise, drink every time someone onstage says original.

BEST ORIGINAL SONG – MOTION PICTURE

Betting against the sentimental choice

Betting against the sentimental choice

“LOVE ME LIKE YOU DO” (Fifty Shades of Grey)  Music & Lyrics by: Max Martin, Savan Kotecha, Ali Payami, Ilya Salmanzadeh

“ONE KIND OF LOVE” (Love & Mercy)  Music & Lyrics by: Brian Wilson, Scott Bennett

“SEE YOU AGAIN” (Furious 7)   Music & Lyrics by: Justin Franks, Andrew Cedar, Charlie Puth, Cameron Thomaz

“SIMPLE SONG #3”  (Youth)   Music & Lyrics by: David Lang

“WRITING’S ON THE WALL” (Spectre)   Music & Lyrics by: Sam Smith, Jimmy Napes

WINNER: ONE KIND OF LOVE 

Since the entire movie of YOUTH depends on and leads up to the performance of the haunting SIMPLE SONG #3, you’d think this was a lock. But I don’t believe this group can resist giving the much-loved Brian Wilson biopic, LOVE AND MERCY, some love. Or the much-admired Brian Wilson some long overdue awards attention.

BEST TELEVISION SERIES – DRAMA

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EMPIRE (Fox)

GAME OF THRONES (HBO)

MR. ROBOT (USA Network)

NARCOS (Netflix)

OUTLANDER (Starz)

WINNER: MR. ROBOT

I’m going out on a limb here though it could easily be GAME OF THRONES. But the Foreign Press loves to be the FIRST to discover a show around awards time. I remember at the turn of the century when they SHOCKED the crowd on hand and at home and gave Fox’s PARTY OF FIVE best drama series. Again, look it up. As for MR. ROBOT – I’m in the middle of binge-watching it and I have to say I’m sort of hooked. Sort of? Huh?

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – DRAMA

Friendly competition

Friendly competition

CAITRIONA BALFE, Outlander

VIOLA DAVIS, How to Get Away with Murder

EVA GREENPenny Dreadful

TARAJI P. HENSONEmpire

ROBIN WRIGHTHouse of Cards

WINNER: VIOLA DAVIS

Take it to the bank. She’s crazy good. Literally.

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA

JON HAMM! JON HAMM! JON HAMM!

JON HAMM! JON HAMM! JON HAMM!

JON HAMM, Mad Men

RAMI MALEKMr. Robot

WAGNER MOURANarcos

BOB ODENKIRK, Better Call Saul

LIEV SCHREIBER, Ray Donovan

WINNER: JON HAMM

That’s the sound of me cheering.

BEST TELEVISION SERIES – MUSICAL OR COMEDY

Still riveted

Still riveted

CASUAL (Hulu)

MOZART IN THE JUNGLE (Amazon)

ORANGE IS THE NEW BLACK (Netflix)

SILICON VALLEY (HBO)

TRANSPARENT (Amazon)

VEEP (HBO)

WINNER: TRANSPARENT

It’s the show of the moment. It just is. I suppose VEEP could sneak in it but it’s doubtful.

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – MUSICAL OR COMEDY

You know you love me Chairy

You know you love me Chairy

RACHEL BLOOM, Crazy Ex-Girlfriend

JAMIE LEE CURTIS, Scream Queens

JULIA LOUIS-DREYFUS, Veep

GINA RODRIGUEZJane the Virgin

LILY TOMLINGrace and Frankie

WINNER: JULIA LOUIS-DREYFUS

Has Julia Louis-Dreyfus ever lost an awards competition? Who does she know? Still, there is a slim chance for Gina Rodriguez. Yeah, the international factor again. But I’ve learned my lesson betting against the Walt Disney of comedy actresses. (Note: I didn’t really just write that, did I?)

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – MUSICAL OR COMEDY

Is there a Globe for failure to age?

Is there a Globe for failure to age?

AZIZ ANSARI, Master of None

GAEL GARCÍA BERNAL, Mozart in the Jungle 

ROB LOWEThe Grinder

PATRICK STEWART, Blunt Talk

JEFFREY TAMBORTransparent

WINNER: JEFFREY TAMBOR

The closest there is to a sure thing. A brilliant portrayal of a trans woman because he plays her very simply – as a person.

BEST TELEVISION LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION

A winner dontcha know

A winner dontcha know

AMERICAN CRIME (ABC)

AMERICAN HORROR STORY: HOTEL (FX)

FARGO (FX)

FLESH & BONE (Starz)

WOLF HALL (PBS)

WINNER: FARGO

It’s the most talked about drama this year. If one more person looks at me wide-eyed and says – What do you mean you don’t watch Fargo – you must! – I’M GONNA SCREAM. Ahhhhhhhhhh

BEST PERFORMANCE BY AN ACTRESS IN A LIMITED SERIES OR MOTION PICTURE MADE FOR TV

Oh Chairy, you betray me!!!

Oh Chairy, you betray me!!!

KIRSTEN DUNST, Fargo

LADY GAGA, American Horror Story: Hotel 

SARAH HAY, Flesh & Bone

FELICITY HUFFMAN,  American Crime

QUEEN LATIFAH, Bessie

WINNER: KIRSTEN DUNST….

….Because c’mon, you HAVE to watch FARGO. Then you’d understand. Though remember when she burst on the seen as a young girl in INTERVIEW WITH A VAMPIRE? I do. Again, look it up.

BEST PERFORMANCE BY AN ACTOR IN A LIMITED SERIES OR MOTION PICTURE MADE FOR TV

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IDRIS ELBA, Luther

OSCAR ISAAC, Show Me a Hero

DAVID OYELOWONightingale

MARK RYLANCEWolf Hall

PATRICK WILSONFargo

WINNER: MARK RYLANCE

Because FARGO has to lose in some category and Mr. Rylance is that good in everything he does.

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A SERIES, LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION

You crazy, Chairy??

You crazy, Chairy??

UZO ADUBA, Orange is the New Black

JOANNE FROGGATT, Downton Abbey

REGINA KINGAmerican Crime

JUDITH LIGHTTransparent

MAURA TIERNEY, The Affair

WINNER: JOANNE FROGGATT

How do you not give DOWNTON ABBEY something? Talk about international appeal. Not to mention – it’s Anna.

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A SERIES, LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION

What about my comeback?

What about my comeback?

ALAN CUMMING, The Good Wife

DAMIAN LEWISWolf Hall

BEN MENDELSOHNBloodline

TOBIAS MENZIESOutlander

CHRISTIAN SLATER, Mr. Robot

WINNER: BEN MENDELSOHN

I actually saw all of Bloodline. If there ever were an award-winning type of role, Mr. Mendelsohn had it – and delivered. The others will have to make do being in his company this year.

OKAY – SEE YOU ONLINE where I’ll be live tweeting at: @NOTESFROMACHAIR. Tune in!!!

Getting Dirty

Watching the sheer number of “A” list celebrities appearing on this year’s Golden Globe Awards could give you a crick in the neck.  Or, if you thought about it, could be a pain in the neck.  But for totally different reasons.

First, the crick:  It became a bit dizzying keeping track as celebrities rushed, walked, ambled and stumbled their way across the stage of the Beverly Hilton Hotel this past Sunday.  Johnny Depp, Brad and Angie, George Clooney, Steven Spielberg, Meryl (Streep) and Glenn (Close), both present and competing for awards just like they did in the eighties, Martin Scorsese and Seth Rogen (no, there isn’t a reason to pair them except that I thought it would be fun and the one and only time you ever see them mentioned together), Madonna (who is no longer part of a pair but is now a director), Jane Fonda and Aaron Sorkin (the latter two, who will be working together on his upcoming HBO series “The Newsroom,” where she plays a sort of female Ted Turner) and so on and so forth.

Pia "That Girl?" Zadora, 1981

An impressive turnout for any awards show, much less one that is probably best known for honoring Pia Zadora (who?) as its 1981 Star of the Year for her memorable performance in “Butterfly,” a film which had not yet been released at the time the award was given but would become memorable, yet not for exactly the reasons that kind of award would indicate.

Evidenced here:

As the story goes, Pia’s multimillionaire (the 1981 version of a 2012 billionaire) husband at the time, Meshulam Riklis, wooed the Hollywood Foreign Press with free trips to his Riveria Hotel in Las Vegas and other perks and parties and that the award to his much younger wife was payback time.  Hey, whatever works, is fair game.  I mean, that’s show biz, right?

Well, exactly.  The biz fosters people doing all sorts of odd things. A studio chief once told me that the esteemed and classy screenwriter Eleanor Perry  desperately wanted a writing assignment in the seventies after she divorced her filmmaker husband Frank Perry and actually begged (his words) him to give her the assignment to write what would eventually become another Zadora vehicle, the adaptation of the campy pump novel, “Lonely Lady,” about a young pretty female writer’s rise through the dregs of Hollywood to screenwriting stardom. But unlike the heroine in the book, Ms. Perry never did get the assignment.  Knowing Ms. Perry’s intellect and dedication to meaningful characterizations, said studio chief vehemently refused the respected writer’s plea for the job, telling her, “Oh, Eleanor, you know that I can’t.  You’ll want to put all of that integrity into it.”  To which Ms. Perry, replied:  “No, there will be absolutely no integrity, I promise!”

The point being, to quote someone’s grandmother, “If you want to play with pigs, you have to roll around in the mud.”

It's exfoliating!

Not that everyone in Hollywood is a pig.  Far from it.  I would say that the majority of people are smart, fairly okay, and, actually, pretty cool.  But all of us, from time to time, do roll around in the mud with the rest of the livestock, as most living things must do.  Our mud is often prettier looking than pig slop, but mud it is, nevertheless.

Crude?  Snide?  Bitter? Cynical?  Sadly dismaying?  Not really.  Just truthful.  (And here’s where the neck pain comes in).  All of the aforementioned talent are at the top of their game – they can pretty much name their price and their property – and yet, they are choosing to appear live and in person and on television to pick up an award given by a very, very small organization of entertainment reviewers, many of whom work only part-time for their publications and who, as any of us who have worked in entertainment publicity know, can easily be persuaded to nominate a star from any decently reviewed high profile movie that comes out that year.  In other words, all is not kosher in Denmark.

Of course, this doesn’t make the stars that participate in this shell game any less talented.  In fact, it might make them more so.  Because aside from their creativity, they have recognized and mastered the art of both show and biz.  Show being the creative art – the acting, writing, producing, singing dancing, etc.  Biz being the, well, job creator part – or self creation, as it goes out here.  If at some point you’re not willing to “dig in” – which could likely involve some mud rolling, or persuade lots of people to get dirty with or for you – you will likely not be in the game.  (And this is where the pain the neck continues).  For stars, digging in means not only a smart agent, but “acting” nice to people if they won’t warrant it, and these days, doing publicity and marketing for your movies and  ass  hand kissing for your movies in the unlikeliest of places.  No one sits it out anymore.  Even Harrison Ford shows up at the Globes.  Woody Allen does press tours.  In fact, it’s hard to even think of a star under 30 that doesn’t do some sort of media because, well, given the competitive marketplace and our 24/7 global existence, that is just not an option these days.  And press doesn’t mean the New Yorker and Vanity Fair.  It means strange awards banquets, Access Hollywood, ill-gotten lobbied for or even bought spots at film festivals in and out of competition, maybe even an over the top chat show in England or Australia where you have to get dunked in water or have confetti thrown in your face. Or an American low-budget cable access show… in pajamas.

Ralph Fiennes and Holly Hunter in pajamas? Click the picture, and then explain this to me.

As for Ricky Gervais, (uh, yes, him too) he’s not the above-it-all Globes master of ceremonies you thought he was.  How could he be?   For the last three years he has sort of lent a patina of hipness to the proceedings, turning the corniness of the event on its ear and actually giving the attendees a sense of being “in on the joke” because, well, if Gervais is doing it, it’s not really mud-rolling and self-promotion, it’s sort of court jesterish.  And it means young, hip people are watching.  And it’ll be sort of fun because liquor is served and audiences are hoping more than one person will be tipsy and say something unrehearsed in the sound byte, pre-planned, post-digested world we live in.

"I can't explain the tux either"

Nice try.  Sort of.  And not all wrong.  Except for the fact that Ricky’s by no means above it all.  How could he be when he’s the main fixture of the program?  Because if indeed Ricky Gervais thinks the awards are a joke and has as much disdain for the validity of the Hollywood Foreign Press and the system of its award giving as we think, WHY IS HE HOSTING?  It can’t be the money unless he’s a spendaholic (and that tuxedo would suggest he isn’t).  Perhaps he’s having a very long post-modern moment where you embrace that which you find distasteful in an attempt at the kind of ultimate irony comics like Andy Kaufman were famous for.  Well, that would account for doing it for one year.  But for three in a row?  Not a chance.  Once is irony.  Twice is habit.  Three times – definitely mud rolling.  He’s mixing it up.  Staying relevant.  Plying his craft.  A famous actor once told me about choosing a role:  “It’s not that hard.  You look at what’s offered and take the best one.”  Best, of course, doesn’t always mean quality.  Sometimes it’s the best paying.  Sometimes it’s the best exposure.  Or the best strategy at the time for your career.  Or the best part, meaning a smaller but juicer role in a smaller or bigger vehicle.  (Think Jack Nicholson in the first “Batman” and add $10 million dollars).

Anyone who has had a career or wants a career must know that if you are or are to be among the lucky 1% that get to work in your chosen field, every day is not a romp in the hay.  Some days, more than one might think, involve a toss in the dirt, a poke in the knickers, a roll in the mud.  And you must be willing to get dirty.  Sully yourself.  Play with the little people.  Or get lots of help doing it.  Even if you are creating your own job.

It’s a badge of honor.  It keeps you human.  What’s inhuman is pretending that you’re not doing it.  That somehow, you’re above or beyond it all (Hi Ricky).  That’s worse than mud rolling.  It’s lying.  And it sets a bad example for everyone coming after you, nipping at your heels.  Because it means you’ve gone from mere pig to full swine.