LA on ICE

Greetings from L.A.  – that burning, trash heap of a city invaded and occupied by illegal aliens and criminals!  A dangerous, hellscape of paid insurrectionists intent on ripping away the fabric of our country!!

The place that I call home.

Well, guess what TACO —

WE LOVE L.A.!!!!

We’re with you Tay!

And thanks to you, now more people than ever, in NOT ONLY the country BUT THE WORLD, love it. 

That’s because this week everyone saw us trying to save democracy by exercising our constitutional right to protest. 

And if the worst you can say about protestors in a city of about 12.5 million is that there were no fatalities and comparatively little violence or vandalism (Note: The worst of the latter being a couple of self-driving Waymo cars being set on fire, something I myself contemplated doing in frustration long before any protest) we’re doing pretty well.

Take that

Especially because it’s not every day you see your home experience a real invasion.  The kind where the federal government sends in masked, unidentified and armed federal agents to infiltrate your neighborhood and arbitrarily grab your friends, family, neighbors, co-workers, acquaintances and fellow citizens off the street, throw them into vans and, for no discernible reason they will articulate, attempt to disappear them into custody, perhaps never to be heard from again.

It’s like some crazy old rich 79-year-old Floridian-transplanted-from-New York’s birthday wish in a pretend game where he’d get to be president of the United States for the next four years and do anything he wants.

Oh….

Ugh x 2000

I know.  It’s not funny.   But it could be because this should all just be some massive American punk move from a gaggle of overprivileged man-boys and mean girls with too much money and time and privilege on their hands.

Oh…

And now I have a migraine

Since Homeland Security’s “invasion” of Southern California earlier in the week, the only real and true invasion going on in any of the many neighborhoods I know includes secret ICE agents joined by 2000 members of the National Guard and 700 fighting-ready U.S. Marines with military weapons, all guarding the federal building downtown and patrolling a few key blocks nearby for no reason other than they were ordered to by a rogue federal government commandeered by a rogue president.

Which is to say nothing of the hundreds of L.A. police and sheriff officers shooting rubber bullets and tear gas bombs downtown on Saturday (6/14), as millions in other cities nationwide symbolically joined us in the No Kings Protest against the democracy-breaking Trump policies.

But let’s back up a little.

It’s been that kind of week

Earlier this week, our current, ahem, POTUS took power over the National Guard from the governor of a state (Note: In this case, California but coming soon to a state near you) for the first time in more than 60 years, a power grab now being fought by California in appeals court and soon likely the U.S. Supreme Court.  A couple days later he topped it off with commanding U.S. (Note: OUR) military troops, the kind trained NOT to keep the peace but to instead be efficient killing machines in places as far off as Fallujah, Kandahar and soon likely…well, you get the idea…into our city to pick off anyone who couldn’t pass for a white Afrikaner farmer. (Note: Let’s just say even I could in a pinch).

Listen up, cuz they fallin’

Meanwhile, here in L.A. hundreds of non-white children and adults are being pulled off the streets from Home Depots, schools, supermarkets, playgrounds and farmlands.  This week the local news was rife with six and eight year olds crying and screaming as a parent was literally dragged away from them as their older teenage sibling, barely managing to hold it together, tried to comfort them.  Then there was the story of the late twenties Black military vet shoved to his knees by one of these uniformed baboons and put in a chokehold because he had the temerity to walk up the steps of the Veteran Administration building downtown to check on his benefits (Note: This was midday and there was no reason NOT to enter the V.A. that day).  Though the one seared into my brain is that of the ICE agents with kerchiefs around their mouths chasing down a Mexican farm worker from the Central Valley through a strawberry patch he was employed to work in.

They sure did

Of course, all this was nothing compared to what happened to the senior United States Senator from my home state of California, Alex Padilla, when he dared to pose a question to U.S. Secretary of Homeland Security, aka ICE Barbie and renowned dog killer, Kristi Noem.   Cosplaying her version of chief immigration enforcer – she, of the petrified plastic surgery face accentuated by plentiful hair extensions and full pageant-style makeup, was telling a series of mistruths that culminated with this ominous threat to anyone thinking of protesting anything she or her agents choose to do in southern California.

“We are NOT going away.  We are staying here to liberate the city from the socialists and the burdensome leadership that this governor and that this mayor have placed on this country and what they have tried to insert into the city.”

She’s a charmer!

At which point OUR senator, the one who was democratically elected, along with our governor and our mayor by me and millions of other Californians, proclaimed from the back of the room as he approached:

 “I’m Senator Alex Padilla. I have questions for the secretary. Because the fact of the matter is …”

At which point he was grabbed by a bunch of agents, dragged out of the room, tackled onto the ground and physically held down by several men on the floor who grabbed his wrists behind his back and handcuffed him in full, proud view of the cameras.  And no, I’m not exaggerating even a little bit.  If you haven’t already, you can view it here.

Here’s the thing about our Senator Padilla.  He’s a graduate of MIT and an engineer, an L.A. native who was put through school by two Mexican immigrant parents – a Dad who worked as a short order cook and a mother who cleaned houses.  A guy who trained as an engineer and could have made a ton of money doing that but instead chose to enter politics in the 1990s because he wanted to give voice to a community of people who didn’t have the education and power to speak for themselves to the powers that be.  A guy who’s soft-spoken, hard-working and extremely well-liked by his Senate colleagues.  Someone who would never think of killing their 14 month old puppy instead of taking the time to train it properly, or ever consider being the public face of a modern-day version of Hitler’s Brownshirts.

If I sound a bit worked up over this it’s because:

  1. I am.  And –

2. While Sen. Padilla was being ICE-handled by Cruella’s goons on Thursday, I was five blocks away sitting in a large room at the L.A. Criminal Court House waiting to be called in for jury duty. 

It didn’t work this time

I can’t say I was shocked when the news alerts about all this popped up in my phone but nevertheless I was taken aback.  That is until another potential juror, a thirtyish woman from Thailand, nervously approached me and tentatively asked if I’d ever been on a jury before.  She was smart, had a cell phone, was conversive in the language but underneath it all looked terrified.  It was as if she felt like if she made one wrong move or gave one wrong answer some masked man out of the corner would emerge out of the shadows and take her away. 

I chalked it up to me just being dramatic (Note: Or as my shrink has said more than once, “inclined to piece things together in order to tell a story.”).  But when we were upstairs, sitting on benches outside the courtroom door to which we’d been assigned, and she requested to sit by me so I could “help guide her” through it, I wasn’t so sure.

Turns out I was right…and then some.

Somehow being right this time didn’t feel this good

Once inside the courtroom, I looked around at about 40 or so of my fellow potential jurors, well more than half of whom were of Mexican, Black, Asian or some other non-white ethnicity – truly an L.A. melting pot — and heard us all verbally answer the judge’s questions about our jobs, previous experience with law enforcement, and prior jury service.  What quickly became abundantly clear to me – storyteller or not – was that the demeanor of every single non-white person ranged from cautious and concerned to absolutely intimidated and frightened.  People stumbled over their words, told stories of police harassment and witnessing violent crime, and expressed outright concern over what constituted a right or wrong answer or whether they’d said  too much or too little.

As for the answers from the majority of us white folks, and the manner in which we gave them, well let’s just say I wish there was a new term for, um, Caucasian privilege, (Note: Did I make one up?) since everything about the term is so profoundly embarrassing and enraging to me.

As it should be to anyone who cares about democracy in 2025 and beyond.  #Resist.

We all had a venti cup that day

Oh, and P.S. – After I confidently said to the defense attorney I’d have no trouble at all with the concept of reasonable doubt in the case potentially before us, one where a woman of color was being tried for a crime against the state, I was immediately dismissed by the city’s prosecuting attorney from jury duty.

Make of that what you will.  But also know that this very kind of Caucasian privilege is what too many of my “kind” in Washington are fighting to preserve.

Randy Newman – “I Love LA”

SNL Supersized

If you were ever a fan of Saturday Night Live – and let’s face it, many of us were for at least a handful of years – NBC’s more than three-hour Sunday night special SNL50: An Anniversary Celebration was both an original and nostalgic super-sized treat.

And no, I’m not just saying that because of the book I co-authored with my husband, Stephen Tropiano — The SNL Companion: An Unofficial Guide to The Seasons, Sketches and Stars of Saturday Night Live.

Oh this? ::wink::

The book that is available on Amazon in paperback or on Kindle.  

Nor is it because the two of us coincidentally spent part of the end of our first “date” watching the SNL episode hosted by Sean Penn 37 years ago, never realizing that both we (and the series) would still be a thing.  

It’s not even due to the nostalgic fact that we each happened to go to an SNL taping (Note: Me during season one; him in season three) in its first five seminal seasons. 

We didn’t!

It’s that somehow – after so many hits and misses – this particular episode got it exactly right.  Or, well, as right as it could ever be.

There are many secrets to SNL but chief among them is its ability to regenerate itself with a revolving cast of comedy performers every few X number of years, some of whom even start as writers.  Just when the series isn’t working, suddenly someone or something (Note:  Like some ripe-for-parody personality or news event) comes in that makes it work again.  Its most popular sketches endure but are seldom done too many times, always leaving room for the newest hot take to cross into the zeitgeist and create some seemingly necessary, key cultural moment. 

… and sometimes it’s just Dooneese!

Rather than rest on its laurels and rely solely on its past, it constantly tweaks its content while remaining true to the tradition and structure of its unique brand of sketch comedy and musical guests.  Weekend Update, the host monologue and the singer/band performances may endure and so do the way they are presented and who presents them.  Yet what is contained inside and who is offering what is always different. Not to mention the commercial parodies, the music videos, the short films, guest hosts and guest star cameos.

All of this and more were there in abundance on #SNL50. Yet unlike the prototypical evening of clip reels peppered with celebrity or cast member intro and outros, this was instead like watching a gigantic new episode of the series that incorporated reinvented, new versions of a lot of our favorite sketches and characters from each decade, sometimes with new ones, and in others surprise moments with an SNL performer from an entirely different season showing up in their own signature character from an entirely different bit.

Linda was ready for Sweata Weatha

Among the best was an unexpected spot by a very game Meryl Streep (Note: Her first ever in the entire 50 years) playing the mother of Kate McKinnon’s alien-abducted Colleen.  As it turns out, Colleen Sr. was also abducted by those little men with the big eyes and watching her have her comic way with fellow abductees (Note: Pedro Pascal and Woody Harrelson, each former hosts) was every bit as bizarrely funny as it sounds.

But there was also:

  • Black Jeopardy featuring with contestants Leslie Jones and Tracy Morgan joined by Eddie Murphy playing a fiction version of Tracy Morgan as the third contestant while standing right next to him.
  • Original SNL cast member Laraine Newman in a short film doing a nostalgic walk through of Studio 8H memories only to be met by Pete Davidson’s dim bulb Chad persona as an incompetent 30 Rock stagehand.
  • A Q&A of little known SNL facts and cutaways hosted by Tina Fey and Poehler, which gave us a chance to see any number of other former cast members and guest stars.  
  • A tribute to SNL digital shorts with a new one on SNL-performance anxiety led by Andy Samberg and Bowen Yang (Note: Though good as it was it couldn’t outweigh the special version of Samberg and Lady Gaga reworking his and Justin Timberlake’s Emmy-winning “Dick in the Box” two nights before in an SNL musical anniversary special).
  • And Adam Sandler center stage with his guitar (Note: Introduced by little-seen these days Jack Nicholson!) singing a new tune he wrote in the tradition of his Chanukah song, but this time in tribute to various SNL performers and crew people (Note: Many behind-the-scenes personnel were given shout outs and brought in front of the camera during the episode), some of which were quite touching without overdoing it.

Instead of allowing a heavy hitter group of live musical acts to take over, they were judiciously spread over the three hours, much like they would be over the course of a single episode.  There was Paul Simon, Sabrina Carpenter, Lil Wayne and Paul McCartney (all former guests) but by far stealing the show was a blues rock version of Nothing Compares To U by Miley Cyrus and Brittany Howard.  A cleverly reinvented but fitting version of the signature Sinead O’Connor tune, written by Prince, both of whom left us with their own classic SNL performances before their untimely deaths.

Remember when you were in the Beatles?

It’s tricky to write about 50 years of SNL without leaving so many out from the past, on the special and even in the audience attending the special.  But what’s even harder is not devoting some time to its creator, and producer of 45 of those years, Lorne Michaels.  He’s been an omnipresent part of everything, referenced frequently and every so often making brief (and very often even silent) onscreen appearances.  The latter was exactly the case over this three hours, which at first seemed strange but, by the end, felt only fitting.  Mr. Michaels clearly enjoys steering the ship but wisely picks and chooses when and where he appears on camera.

Thank you Lorne

It’s not that he doesn’t know his way around an audience and a teleprompter. Or shy away from taking credit for steering the ship for most of its journey.  It’s that on nights where it’s all going the way it should be, it’s best to simply let the work speak for itself.

“Nothing Compares 2 U” – Miley Cyrus & Brittany Howard