The SNL Companion

The very nature of a blog is that you get to put your opinion out there in print for anyone, or preferably everyone, to read. 

There are many reasons for this. 

Let me entertain you!

But speaking for those of us who do this consistently and with regularity (Note: Because why wouldn’t I?) we also believe we are here to inform, entertain, educate and/or yell and scream at the world when we think it deserves it because someone has to and no one can do it the way it needs to be done except for us.  

At our idealistic best, we’re merely trying to help.

At our unvarnished worst, we’re promoting our thoughts and/or ourselves. 

Often shamelessly.

Ya got that right

So, now that I’ve gotten that out of the way, here’s the thing:

My husband and I wrote a fun and informative book on Saturday Night Live that will be released on Sept. 17th from Rowman & Littlefield and we want you all to read it, enjoy it and, if you can, BUY IT!

It’s titled:

The SNL Companion: An Unofficial Guide to the Seasons, Sketches, and Stars of Saturday Night Live.

Hello gorgeous

(Here’s the link to it on Amazon)

The list price is $36.95 but you can get it for 38% off at $22.81.

And it’s a whopping 648 pages!!

AND IT’S NOT BORING!!!

YAY!

So here’s the deal and some background. 

This book is more than a list of stars, sketches, hosts and musical guests through the seasons.  It takes readers through all of the notable highlights, the transitions and the necessary evolutions it took to make SNL the longest-running comedy series on television.  Also, through an analysis of all of the historical information, as well as interviews about how the show portrayed what was going on in the country, it becomes a sort of time capsule of comedic and musical American pop culture, as well as a showcase for much of the political and sociological change we’ve endured and evolved from over the last 50 years. 

So what you’re saying is…. THIS. BOOK. HAS. EVERYTHING.

This was not necessarily the plan.

It only became that through extensive research on every key sketch (Note: And I mean EVERY) and seasonal high and low and in-between point throughout the history of the series.

We interpreted the information but at the end of the day it’s Lorne Michaels and everyone associated with SNL who deserve the credit.  They are responsible for creating the many hundreds of hours of outstanding television memories (Note: Oh, and of course, every episode and season has moments that bomb, that’s the case with every long-running series that’s ever been on television) we had the pleasure, and sometimes appalled bemusement, of reliving.

and it was occasionally wild… and crazy

It’s not like every notable comedy star, writer, director or creator stepped through the doors of SNL since it began.  But, well, A LOT of them did.  Like — A LOT.  As we write in the book:

…Consider the popularity over the last fifty years of films starring:  Bill Murray, Adam Sandler, Eddie Murphy, Will Ferrell, Chevy Chase, John Belushi, Dan Aykroyd and Mike Myers.  Or the impact on TV made by shows created by, produced by or starring: Tina Fey, Larry David, Amy Poehler, Jane Curtin, Julia-Louis Dreyfus, Conan O’Brien, Seth Meyers, Jimmy Fallon, Bill Hader, Jason Sudeikis, Maya Rudolph, Andy Samberg and Will Forte.  Not to mention writers and directors like Adam McKay, Michael Schur, Greg Daniels and Bob Odenkirk…

And that’s a partial list that leaves out stand-up comics, Broadway and concert performers, musical guests in pretty much every genre, and even any number of flash-in-the pan one hit or one bit wonders.

.. and indeed they were

Here’s a more polished promotional link from the publisher: https://rowman.com/ISBN/9781493072606

Two more personal points worth noting.

My husband and co-author, Stephen Tropiano, published the forerunner to this book, Saturday Night Live FAQ, through Applause Books almost a decade and a half ago.  But with the 50th anniversary coming around and SNL’s enduring influence in the zeitgeist, especially in politics and through a continuous loop of viral moments, R & L (Note: They acquired Applause Books some years ago) asked him to revisit the material and expand the scope. 

she knows

Knowing I’m a political junkie who can’t resist comment and chronicling my every thought about that and pop culture somewhere, he generously asked me to co-author what has become a much more gargantuan and strangely personal project than we both imagined.

This brings me to the second thought. 

One of the best things I ever did in my life was to say “yes” in 1987 when a friend asked me to get together with someone he went to school with at NYU who had just moved to L.A. to get his PhD and didn’t know many people.  I took that someone to a party, spent the next three hours talking to him about something I was writing in between a few requisite questions about himself, and then drove him back to his college apartment at USC.

Flirting

When we got inside we hung out and watched a new episode of SNL where guest host Sean Penn (then married to Madonna) joked about beating up paparazzi (Note: He used to do that kind of stuff and in fact had just done so mere days before the broadcast). 

Then we…..well, never mind.

In any event, that was thirty-seven years ago and that someone is now DR. Tropiano, the guy who I am married to and still hanging out with watching SNL.

We should really write a book about that. 

Or maybe not.

Chris Parnell and Andy Samberg – “Lazy Sunday”

The World According to Affleck

screen-shot-2016-12-04-at-10-21-33-am

I never take A FILM BY credit. Film is a collaborative medium. And I’ve gotten enough attention.

Ben Affleck said this last line without irony, his head looking slightly away from the packed audience at the Writers Guild Theatre who had come to see his latest movie, Live By Night.   After which this group of about 400 writers and their friends broke into a spontaneous round of applause.

It’s hard to overemphasize just how difficult it is to get a bunch of writers anywhere, but especially in Hollywood and at a screening at the WGA, to spontaneously applaud for anything these days. Except perhaps the public stoning of Donald J. Trump in downtown Beverly Hills, and preferably in the window of Neiman-Marcus, if we are making wish lists or I am making personal orders.

... that and of course, for all the children of the world to join hands and sing together in the spirit of harmony and peace

… that and of course, for all the children of the world to join hands and sing together in the spirit of harmony and peace

Still, there we all were praising a guy who had just made a film we all saw that he had not only starred in but directed, co-produced…and this is the real kicker for this crowd…actually served as sole screenwriter. I mean seriously, how much more devaluing do we have to all endure and whom the “f” does he think he is???

Well, as it turns out, Hollywood writers are not as bitter of a group as you might imagine, which is not to say we’re un-bitter; and as a whole we don’t begrudge certain people the mega power to further their careers once they’ve succeeded far beyond most, which is not to say we’re thrilled for them daily. What writers, and most people in the world respect, is honesty, hard work and a brutal sense of recognition that no one, most especially those at the top, could ever begin to do it all alone.

Now, whether Ben is like that one-on-one, I have no idea. Truth be told, I have been fooled by star actors – and a couple of times one-on-one – a handful of times before. After all acting, nee pretending, is what they do really well and get paid to do really well. But in this case, I just don’t think so. Nor did a room full of my peers, more than a few of whom are far more cynical than I, if you can believe that’s possible. Which I assure you, it is.

Pretty... Pretty Much

Pretty… Pretty Much  #WGA

Live By Night is a sort of The Godfather meets Bonnie and Clyde meets a Hollywood gangster movie from the 30s or 40s starring Edward G. Robinson. It’s based on a book by Dennis Lehane and has many charms, most especially a convincing sense of period and the kind of attention to story and character detail one used to see in studio movies of the 1970s but seldom, if ever, sees anymore. None of this is to say it’s a perfect film – even Affleck himself notes that is a short list in his mind that starts with Citizen Kane, as predictable as he admits it sounds. And leans to movies like Lawrence of Arabia, The Godfather II and Jean Renoir’s Rules of the Game.

Still, what is most impressive about Night is how prescient it is in reflecting our current social and political climate through the lens of what is essentially a genre movie about gangsters in the 1920s and 30s. Once you get past the requisite vintage machine gun/shoot ‘em up vintage car chases and character arc set ups, the guts of the film is really about immigration and racism – and America’s ongoing blame game towards people who don’t fit what they (i.e. the majority of Americans) imagine to be its most preferable and vintage paradigm – white, churchgoing, God-fearing and, Lord knows, beyond reproach pure – by all outward appearances, that is.

as pure as this cream three-piece suit

as pure as this cream three-piece suit

It doesn’t matter how you win or what you do behind closed doors if you fit this ideal. In fact, you can don a white robe and burn crosses – as some do – or you can have indiscriminate sex, lie and cheat your way into political position, and double/triple deal with the powers-that-be to maintain your status. Just don’t make the mistake of being Black or Brown-shaded. Or Italian or Irish – which is White but not American. Or gay, which is unspeakable. Or Jewish, which goes without saying.

No doubt, Mr. Affleck will be receiving a lot of credit once the film opens in NY and L.A. on Christmas Day and then across the country in January for his foresight into what looks to be the WHITEST Christmas contemporary America has seen in decades, climate change notwithstanding. But as he readily admits, nothing could be further from the truth.

Take a seat grinchy

Don’t get ahead of yourself, Grinchy boy.

After winning the Best Picture Oscar for Warner Bros.’ Argo, he pretty much had his pick to do anything he wanted with anyone he wanted (Note: Take that in any and every context you like). But at a time when we were at the height of Barack Obama’s presidency, he decided to choose a period novel about immigrants because “America is a place of immigrants and…a patchwork of immigrant goals.” And it was a subject that constantly and consistently intrigued him (Note: And you wonder why we liberal elite applauded).

Of course, it was exactly that theme that troubled others about the commerciality of the project. Do we do a period movie about themes that we have pretty much dealt with over the decades? Eh. Well, Ben did just win the Oscar, he’s starring, he’s made some good films. Oh, and wait – he’s agreed to be Batman!!! Okay, I made up that last conversation and have no idea whether it was a quid pro quo for him to do Warner Bros’ Batman v Superman in exchange for the green light on this one.   Still, even if there wasn’t — there is an implied mutual reciprocity in the business of show. You do one for me in my corner and I’ll give you one for you in your corner.

Thinking about storyboarding Live By Night

Tortured soul… or thinking about storyboarding Live By Night? #letsbereal

Come to think of it, that’s no so different than the way it is in the real world (which show biz, isn’t) and in the upper echelons of our old, and certainly new government (which many of us kind of wish wasn’t real but sadly, most certainly is).

Yes, everyone’s been saying how timely this all is now but not at the time we were doing it. We didn’t know…I didn’t vote for Trump but I do know a few people in my life who did and I’m trying to understand them. – B.A.

That makes Ben a much better man than I am at the moment. I’m not saying I won’t eventually get there but I’m not even close to it yet. For what I believe at the moment is that I really do understand a lot of Trump voters – the anger, the eagerness to blame those “different” for your loss of money, power and perceived “station” in the world. I can’t help but comprehend and I currently hesitate to deny that ugliness because as a gay Jew who went to an integrated school in a big American integrated city with kids who were Black, Brown and yellow-skinned, and multi-ethnic white in origin, I’ve seen and experienced it all countless times before – and at a very young age.   What’s so shocking and insidious to me is that it so fervently continues now – and that it will be a Hollywood gangster movie set in the 1920s and 30s that is the first widely released film in 2017 to address it in any kind of mass commercial artistic way.