The Emmy Blues

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So much TV, so little time. Except when you have too much time to extol the virtues of TV. Ha! As if the producers were attempting to show us or even talk about great TV.

Actually, I’m not quite sure what it was. A way to trend on social media and grab the “young people?” Not so much. The best line of the night was Larry David explaining how he dates, admitting he’s grown tired of saying to women, as a way of pretending he’s interested, tell me more about your niece. I wonder if Emmy has nephews. Not that I’d ever ask, or even pretend to.

LOL

LOL

Of course, there was also the moment when host Jimmy Kimmel’s faux arch nemesis Matt Damon came out eating an apple after Kimmel and his show lost for best something or other, and proceeded to rake him over the coals for three minutes. Kimmel took it like a champ and then slyly retorted: Thanks, Jason Boring.

Okay, I thought it was funny. But trendy or trending –- not so much. Again.

I don’t blame the host, who seems likeable, nice and game. And he’s certainly an improvement over Andy Samberg or the time I attended a few years back when we had the reality star trifecta-plus hosting skills of Heidi Klum, Jeff Probst, Tom Bergeron and god knows who else. Now that was quite an evening. Or three.

Ahem, ME! #SeacrestOut

Ahem, ME! #SeacrestOut

How do you do a show about the best that’s on television and not show one clip of what’s ON television? Check that, the In Memoriam segment did show two or three-second moments of recently deceased stars with nothing but the sound of Tori Kelly singing Hallelujah – one of the greatest and most misused songs ever consistently sung on awards shows. But what chance did it have? Henry Winkler started the segment pre-song extolling the many virtues of the wonderful and wonderfully talented, recently deceased king of perennial 80s comedy, Garry Marshall (Note: Okay, 70s, whatever) and we didn’t get a snippet of the Fonz, Laverne and Shirley or even Richie Cunningham.

That would have had a much better chance of favorably trending than the bit where therealJeb!Bush pretends he’s Kimmel’s limo driver and admonishes him for being…oh, who the heck remembers anything Jeb ever says anyway?

This really happened #NoTipfromChair #Ubernightmare

This really happened #NoTipfromChair #Ubernightmare

Point being there was a time when audiences got to celebrate the work of the honored actors, creators, directors and writers by actually watching clip packages of the real work being honored. This would seem even more necessary these days when absolutely NO ONE can possibly watch the entirety of more than 50% of ANYTHING that is being honored. That is, unless they themselves are a DVR and the networks are now going for the eyeballs of machines.

Speaking of the BIG FOUR networks – which thus far have been the ONLY hosts of the Emmy awards show in history – could they be the culprit? Well, perhaps. For why would they want to give free clip service to sub networks, streaming services and basic/pay cable channels like HBO, Amazon, Netflix, BBC America, USA, FX and PBS? Isn’t it enough that HBO’s Game of Thrones and Veep won best drama and comedy series? Or that Sherlock won best television movie? Or that American Crime Story’s The People vs. O.J. Simpson took best limited series? Yeah, FX is a subsid of Fox but, let’s face it, it’s not part of the big 4 profile – and certainly not the Big 3. Why give them any more of the free publicity they’re already getting??

Marcia, Marcia, Marcia #nuffsaid

Marcia, Marcia, Marcia #nuffsaid

Everything in the entertainment industry is one part a business decision and another part creative decision. But are they ever EQUAL parts? Well, certainly not very…often? One is usually in the dominant position but if the other one is dragged along to success with that strategy kicking and screaming, at the end of the day everyone’s happy. Or claims to be.

You want to know the awards the (formerly) major networks won Sunday night? Well, NBC was the big victor with two – one for The Voice in the best reality show category and the other for the brilliant Kate McKinnon as best supporting actress in a comedy series for Saturday Night Live. Fox made the cut for best direction of a variety special for Grease Live and Regina King was awarded supporting actress for her work on ABC’s innovative American Crime. As for CBS, anyone? Bueller???

Not so fast CBS! Even Janney walked away empty handed.

Not so fast CBS! Even Janney walked away empty handed.

This doesn’t say much for any of the Big 4’s regular prime time, non-reality schedules, does it? And perhaps that is the root of the problem. For anyone under 30 ( and perhaps even 40) there is no regular prime-time schedule. There is little appointment television anymore and when there is it has to be great, or unusual or at least timely. That’s what award shows honor and that is why there’s been a reversal of big network dominance. Most of their schedules cater to very little of that.

Was anyone asking for this? #deepthoughts #NBC

Was anyone asking for this? #deepthoughts #NBC #CominginDecember

It is also interesting to note that the night’s two most deserved and surprising winners were Rami Malek for USA Network’s Mr. Robot and Tatiana Maslany on BBC America’s Orphan Black for best dramatic actor and actress. Both do unusual, almost superhuman work and both play extremely troubled and disaffected people under 30.   They anchor two of the most current and trendy shows on television – neither of which would ever have a chance of getting on the air solely through the American Network Big 4.

YES YES YES YES YES #CloneClub #FSociety

YES YES YES YES YES #CloneClub #FSociety

This brings us full circle back to the mix between creativity and business. After all, it is the entertainment industry or show biz.

The problem with the Emmy awards is no longer what’s on TV today but who’s showing what on TV today. And for what reason. And for whom? You can almost hear the collective sighs of the Big 4 honchos every time one of the major award winners was read. Followed by grumbling, disgust, denial, anger, depression and fear.   But what they really need to do is get to the final stage – acceptance. It would make their shows, and certainly the Emmy awards show, a lot higher rated. And certainly more entertaining.

But what do I – an inveterate fan of Mr. Robot, Orphan Black and a host of many other nominees and winners, know? I’m only the audience.

 

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Hidden Costs

“Everybody has to pay the piper,”  “You don’t get something for nothing” and “No one gets off scott free.”  These are only three of the annoying sayings that get invoked over and over again by my family and have become the punch line to many of the sad, sick Larry David moments of karmic payback that seem to dog our existence.  They also serve to insure that none of us will ever get too complacent if any good fortune comes our way because it will inevitably cost us more than we will possibly know.

I used to think this was just a neurotic Jewish thing – Woody Allen’s version of “the horrible and the miserable” from “Annie Hall” where he tells his girlfriend Annie we should be happy we’re “miserable” because we could be in that small class of people who have “horrible” lives due to some handicap, awful crime, or genocidal atrocity. Yes, this was before political correctness vis-à-vis the physically and emotionally challenged and anti-depressants but, anyway, you get the point.  We (my family, I mean) are all inevitably doomed.

This all came to bear this week when my partner and I became what I always feared – people who buy washer-dryers and get excited about it and then get screwed by the system we should have been watching out for.  My feeling is that it probably served me right for getting gleeful about appliances in the first place.  How did this happen?  When did I become my Mother? Grandmother?  Aunt?  God knows, my Dad didn’t care about this stuff – in fact, when he and my mother got divorced he used to buy cheap socks and throw them out so he didn’t have to do laundry.  Sorry, Dad.  It’s true.

As for my partner, myself and our washing machine (no, that’s not a new French film), our non-musical sheer glee at this sleek new toy was quickly replaced with anger, disgust and then murderous rage once we began the purchase of those gleaming new fangled “bargains” and soon found out that those three of the most annoying sayings in the world that have gotten invoked by members of my family for decades (two of which I think I actually started. Oops.  © Rick Perry) are actually true.

Yes, I am here to report that the washer-dryer was expensive but on a major sale yet after the two year service agreement, delivery charge, gas hookup, tax and cart away fee for the other appliance from 1972, the sale price was actually 33% more than advertised and definitely above the sticker price were the whole thing not on sale at all.

Hidden costs or a sign of the times? Be more mechanical and hook up your own damn machine and, while we’re at it, cart it away, Mr. Lazy Bones, you say?  Uh, I’d wait if I were you.   Fifteen minutes after the delivery man left, the machine gushed water all over the laundry room, ruined the flooring, rendered the back door impossible to open because the wood floor swelled and, insult to hidden cost, the company two weeks later that sold us this lemon has not made good on its promise to compensate for losses despite me spending the equivalent of two 12-15 hour days harassing them in a way that I’m sure you, kind readers, could imagine only I, the Chair, could do.

An isolated instance?  This happens to everyone? Grow the eff up?  Gosh, I hope not.  But maybe. Perhaps as Charles Barkley noted last week on “Saturday Night Live” is this is simply a WPP?

Click here to watch the sketch

 

Actually, I think it’s a national (international?) trend.

Sunday night we go to see “Hugo” at a cool theatre in Hollywood where they charge $1 extra for movie tickets because it’s a flagship theatre.  I’m not a 3-D fanatic but I get the fascination and, after all, it’s Scorsese and it’ll be worth it to see it under optimum conditions.   And it’s a Sunday night. And it’s been playing for a while, so no line.  We go up to the box-office.  Cool.  I’m excited.  That’ll be — $39.50?  Huh?  No, how can that be?  For two tickets?  Well, it’s a 3-D show.  But….how much….Well, we charge $3.50 a ticket for the 3-D glasses.  Huh?  That’s our policy.

The industry's torture device

FINE.  We see the film.  I hate those freakin’ glasses.  It’s like having a small television resting on your nose, especially when you’re already wearing your own eyeglasses.  And the movie – it’s beautiful to look at, imaginative but maybe my inner child was asleep during the first hour due to the extra $3.50 apiece because, well…okay, subject of another discussion.  Still, it’ Scorsese, right?  Until we leave the movie theatre and there’s a big basket and an usher with a sign that tells us you need to RETURN the 3-D glasses you just paid $3.50 apiece for.  So — the extra $7 was a rental fee?

Tick Tock

I now hate Scorsese and precocious French children even if they are orphans.  But of course, that will inevitably cost me, too.  Perhaps in new, politically correct French readers or maybe in ways the universe has not yet decided but is currently planning in its quest to level the playing field and make us all pay the inevitable piper.  (It’s those European socialist ideas, courtesy of  Mitt  Obama, I tell ya!) Bottom line…it won’t be pretty.

All this talk got me thinking about other hidden costs.  Actually, the hidden costs of  everything.  Because truly, everything costs something even if it’s free.  You can’t ever get back the two hours (three if you count traveling time) you lose when you go to a bad movie.  Or all the money and lost time you’ve spent on counseling if you’re still in a bad relationship and dead-end job and do nothing about it.  And you might have more valuably spent your time reading Proust’s “Remembrance Of Things Past,” Tolstoy’s “War and Peace” or even watching the entire series of “The Wire”  (the show that everyone claims to be the best written show on television and which I haven’t yet sat through – though I have had an astrology reading) than spending 4, 6 or even 8 years of college if you can’t get a job in you field and are saddled with student loan or personal debt you’ll never pay back.

Except –

  1. What if the movie was great, even life-changing?  Then those 2-3 hours might be among the best of your life.
  2. What if those counseling sessions were the only thing that has gotten you to make major changes in your world that have given your life unexpected meaning, joy and balance?
  3. Perhaps those 4, 6 or even 8 years of college taught you to think in a way you would have never dreamed possible and spurred you on to not only a job in your field but a creative vocation in life that has given you the kind of creative (and even financial) gratification that only a handful of people ever manage to get a fraction of after endless decade upon decade of existence?

I bring this up because the first 3 negative results and the last 3 positive results have all happened to me in my very short life so far.

Hidden costs?  Always.  Look out for them.  Beware of the charlatans.  And – watch your back  (Especially at a Sears sale).  But there’s another saying my family lives by, even though we don’t joke about it – “Nothing ventured, nothing gained.”  Take a risk.  Try it.  Jump in.  There’s a ying and yang to the world.  No one gets off scott free.  (I certainly don’t – and continue not to).  But if you play it right, the piper can very much be worth paying.  Even at, perish the thought, far above the full retail price.