Pride, Prejudice & Pee Wee

If being gay was a choice, I’d choose gay every time.  Not because I think it’s better to be gay than straight (Note: Although sometimes….).  Rather, it’s because making any other choice would mean that I wouldn’t be myself.

Now, how’s that for pride month???

Oh please, no applause.

OK I’ll accept a cheer though

Every person I know and almost everyone I’ve ever met in the LGBTQ+ community would answer the same way.  Because once you have zero compunction about being your authentic self and actually live that way, the toughest part of that particular journey is over.

As for the handful of perverse exceptions on the subject, well, as practically everyone on earth aside from a MAGA politician will publicly admit, there is a streak of the depraved within EVERY community.

Meaning there are lots of ways to be gay.  Just as there are lots of ways to be pretty much anything. 

Tis true

This week I watched the fantastic HBO documentary, Pee Wee As Himself.  It tells the story of Paul Reubens, the late actor who invented and played Pee Wee Herman all those years and who, among other things, officially “comes out’ as gay on the program. 

Not that we imagined he was straight.  Or anything else.  Pee Wee was camp and camp done by a man scores very high on the gay meter.  Like 9 out of 10.  And yes, I know that Dame Edna was played by the late Barry Humphries, a straight man.  He’s the 1 out of 10. 

Which in public gay speak is 1 out of every 10,000.

OK but the glasses are gay, right?

In any event, the fact that Paul Reubens was gay is nowhere near the most interesting aspect of his life, or his story.  What‘s much more revelatory is that this little gay kid was a natural performance artist fascinated by the circus (Note: He grew up near Ringling Bros. HQ in Sarasota, FL), children’s television and mid-century kitsch.  And that he was a Cal Arts grad who had a boyfriend in his twenties but was so obsessed with rising to the top of show business that after their breakup he poured everything into his career rather than to ever lose himself or his ambitions ever again in the homo-normative narrative of gay domestic bliss.

Reubens, in drag, at Cal Arts

Toiling in the usual rounds of anonymous auditions, improv comedy, bit parts and more, he one day finally hit upon a strange character that managed to suffuse himself, and everything he loved, in the form of an oddball man-boy who could entertain all the oddball kids, their older siblings AND their parents.  But in an honest, hyper-colorful, strange and wittily sarcastic style that was both purely him and purely for the “him” who would’ve liked to have (or been) such a person when he was younger.

It’s a story that is not much different from that of many creative people in the entertainment industry, only with overwhelming, outsized mainstream success.

Early days

Sure there were personal lapses and dramas like the arrest at the porn theatre for supposedly exposing himself or the subsequent cancellation of his Saturday morning kids (ahem) syndicated TV series, Pee Wee’s Playhouse — which my husband and I used to watch almost every Saturday morning early in our courtship – waiting for the inevitable gay double entendres that would always come (Note:”You know what they say about big feet…”).

Cowboy Curtis Boots

But, like being gay, those were just moments in a life of creativity that was clearly formed by being a bit odd and a bit of an outsider, albeit with an obsession to stay that way and become an INSIDER through the imaginative expression of EXACTLY who you are.

The character of Pee Wee and the guy who created him was as gay as anything could be because it was NEVER about his gender or sexuality, or the gender/sexuality of those millions who were attracted to him. It was the fact that he was using who he really was to attract everybody together in one big playhouse. And that’s the most appealing, most successful and most enduring attraction of all. #OneBigTent.

An icon

Of course, this a fact that is impossible to explain to self-professed “real” men like our current Secretary of Defense Pete Hegseth, or as he is known as around our house, Brylcreem Boy.

Yes, it’s a dated reference, but so is he.  Type casting for a school bully out of the 1950s, down to the drunken rages, mistreatment of women and financial failures.

Words escape me

After the April debacle where he set up group chats and leaked plans for US military raids by using the unsecured internet line, Signal Chat, B.B’.s new plan is to remove the names off of any Navy ships that he claims don’t further his “warrior” agenda for the troops.  And rename them with something more appropriate to his “mission.”  At the top of the list this pride month (Note: And likely to reassign him to the name Petty Pete in our household), is the USNS Harvey Milk, christened in honor of the slain gay rights leader and former San Francisco Supervisor who was gunned down in his office at City Hall one morning late in 1978 by a guy who didn’t like his politics.

Hey! Look at this big gay boat!

Ironically, though not to Petty Pete, aka Brylcreem Boy, is that Mr. Milk was the quintessential warrior.  After four years in the Navy, where he served on a submarine rescue ship during the Korean War, he was forced to resign when his superiors found out he was gay.  Never comfortable with hiding who he was, he then went on to become the first openly gay person elected to public office in California, and the following year put his career on the line to defeat the then popular-in-the-polls Briggs Initiative, which would have made it unconstitutional for any gay person to teach in a California school, as well as ended the careers of any of those who already did so.

Mr. Milk prevailed and thanks to him we not only have gay teachers but millions of out gay people living proudly all over the world.  He imagined the latter dream in countless public speeches but, much like many other civil rights leaders, didn’t survive nearly long enough to see that become reality. Nor did he stay alive long enough (Note: he was forty-eight when he was murdered) to see a U.S. president decide to honor him, a former navy lieutenant, for his courage by putting his name on one of its ships.

Thank you, Mr. Milk.

Unsurprisingly, Mr. Milk is just one on a longer list of names that P.P. or B.B. (Note: Take your choice), and one assumes the bosses above him in the current White House, are seeking to erase from history in our government by claiming they were only put there in the first place because of some undeserved bow to diversity, equity and inclusion.  Additional Navy ships scheduled to be stripped of their names are the:

USNS Harriet Tubman

USNS Thurgood Marshall

USNS Medgar Evers

USNS Cesar Chavez

USNS Dolores Huerta

USNS Ruth Bader Ginsburg

USNS Lucy Stone

The gays, the Blacks, the Browns, the Jews and the Women (not necessarily in that order).

Groundbreaking

Well, those names may be temporarily erased from a Navy battleship but they will never be erased from American history.   Not by a secretary of defense who thinks branding his body with a series of white Christian nationalist tattoos is enough to make him a contemporary warrior.

Most Americans see him as a callow idiot, one of many teeny tiny man-boys in our collective pasts. 

Far more petty, and far less notable than Pee-Wee Herman himself.

Pee-Wee’s Playhouse Theme

LGBTay-Tay

When Taylor Swift gave a surprise performance of her new anti-hate song, You Need to Calm Down, in celebration of the 50th anniversary of the modern LGTBTQ movement at the very place where it started – NYC’s Stonewall Inn – it made an impact.

After all, the 29 year-old singer/songwriter is one of the best-selling recording artists of all-time with over 50 million album sales and 150 million in single digital downloads.  She’s won 10 Grammys, was included in Rolling Stone’s 100 Greatest Songwriters back in 2015 and has appeared three times in Time’s 100 most influential people, including 2019.

She’s a goddamn icon

Whether you are fan, frenemy, enemy or simply indifferent, it is undeniable that once Tay-Tay sets her sights on, or music to, a subject she carries an indefinable weight towards changing hearts and, more importantly, minds on said subject.

As a gay man of a certain age I do not take any support for granted, especially hers, and finally understand that each small and large gesture are essential building blocks forward.

A TS lyric like, shade never made anybody less gay in a song heard internationally more times than any of us likely ever will be, can’t move the needle alone.  Still, it can certainly be the single straw that breaks the back of hate in all sorts of different people for all sorts of different reasons.

YAY TAY TAY

At this point it might be worth remembering that it was on the day Judy Garland died that a group of trans people, gay men and drag queens stood up to police harassment en masse at the Stonewall Inn and birthed the modern gay liberation movement.

The fact that they rioted in the streets of Greenwich Village for several days, refusing to be targeted where they lived, did not happen just because a gay icon was gone, as the history books like to simplify.

However, it would not be overreach to write that when that final straw dropped on that specific day, a bunch of us were extremely pissed off, much more so than usual.  Just like you don’t throw a lit match onto a gas station or sass your Mom and Dad just after they’ve gotten home from a double shift at work. There are limits to what any of us will tolerate on a very bad day.

Even Joan has limits #nowirehangers

You can’t blame it on the sass or the match or the day or the shift.   It takes the combination of some or all of those elements (and more) to fuel the uncontrollable fire that was sure to come once all the kindling fell into place in exactly the right (or wrong) way.

It was in thinking about all of the above that it became undeniable that a week had just passed where all three of the new mainstream films and TV series I had just consumed for the first time centered specifically on members of the LGBTQ community.  This would have been unthinkable just two or three decades ago not because my tastes had changed but due to the fact that no one was making this much openly gay content back then for mass consumption.

Not even Charles Nelson Reilly was technically “out”

There was Halston, a feature length documentary on the gay designer of Jackie Kennedy’s pillbox hat, Liza Minnelli’s sparkly stage outfits and just about some part of every trendy female fashionista’s wardrobe back in the 1970s.

Then scrolling on Netflix was Larger Than Life: The Kevyn Aucoin Story.  This was a hard look at the celebratory life and tragic death of young gay man credited as the greatest makeup artist who ever lived.  A guy who worked with every female supermodel of his era, including Cindy Crawford, Naomi Campbell and Linda Evangelista, and then segued to work with the likes of Cher, Tina Turner, Barbra Streisand, Gwyneth Paltrow and Andie McDowell.

The master at work

This was all before branching out to create best-selling books and makeup lines and

dedicating his own time and money to mentor other young, forgotten gay kids, many of whom came from the same small homophobic home towns he himself had grown up in.

Watching his adopted father’s account of how the young Kevin had to drop out of high school at the age of 15 after several of the school bullies tried to run him down with their truck was enough to make any viewer question if anything has really changed at all.

Of course, this would be foolish thinking since his very own path to international fame as a proudly out gay man occurred years after the Stonewall Riots and the rise of a very un-publicly gay designer like Halston.

and certainly after Keith Haring’s “Heritage of Pride” Logo from the 80s

It is on the wings of countless real life people that Kevin was able to rise just a little bit more and the memorable gay characters of contemporary fiction emerge.  That is why watching Netflix’s just released 10-part limited streaming series, Tales of the City, based on Armistead Maupin’s best-selling books of 1970s, 80s and beyond San Francisco, seems a perfect cultural bridge to a 2019 public, yet now somehow almost routine, LGBTQ ally like Taylor Swift.I can recall devouring those Tales novels when I first came out because it was the first time I saw the gay and straight worlds melded together into the one more integrated, albeit messier, world that I lived in.

BONUS Laura Linney and Olympia Dukakis together again!

Sure, it was a somewhat idealized world but it spoke to my reality closer than anything I had come across up to that point, straight or gay.  Good as the early PBS miniseries (based on the first two books) was back in the early 1990s I can recall how disappointing it felt to have it viewed as both exotic and controversial when it was first broadcast during the AIDS era.   So much so that the PBS network declined to do any more movies/shows based on the next books, which were finally produced by Showtime but gained far less attention.

For those of us still around, and for so many others, it is therefore a partial triumph of both endurance and history that the gay-themed issues tackled in the latest Tales on Netflix are today barely controversial – only merely reflective of where the world is now.  Far more potent is how the middle-aged (Note: ahem) characters of my generation co-exist with the younger out(er) and proud(er) generation after them and how they all grapple with the full history of those left from the still older generation that came before either of them saw the light of day.

Kinda like the feeling I get when I see this guy out on the trail with his husband #PeteforAmerica

It is in this more full depiction of the many inroads and detours taken in the full path to get here that these newest Tales really soars.  This is done through expert performances from the likes of Olympia Dukakis, Laura Linney and Ellen Page as trans, straight and gay/bisexual characters, respectively, of different ages whose many stylized stories not only naturally but casually intersect with a core truth of not only how it was but how we would want it to be.  Perhaps, in some ways, how it now is for all of us.  Or, well, more of us.

This new Tales miniseries is memory piece of today that is built on the past but exists clearly in the present as it consistently looks towards the future.  It is not unlike what Taylor Swift does when she comes fully out as a straight LGBTQ ally in 2019 and uses her celebrity and talents to boldly admonish all current and future homophobes in a fun but clearly commercial pop song pointedly entitled You Better Calm Down.

Taylor Swift – “You Need to Calm Down”