It’s Brutal Out There

What is that key 18-24 year-old demographic thinking about?  

Well, I’ll tell you.  Mostly they’re thinking they don’t want to be in 2021.  And, well, who can blame them? 

To vaccinate or not to vaccinate?

To mask, or not to mask?

These should not be the questions. 

And why are those questions even up for debate?

Have I been quiet lately?

Once we lived in a world where science ruled; where political leaders understood they needed to agree to disagree in order to govern; and where actual news footage of hundreds of rioters storming the Capitol building, destroying property and killing cops was at the very least seen as a…well…riot .

Yet today’s 2021 has become one big mass of illogical conclusions.  A literal Alice In Wonderland where up IS down and down IS up.

That is if we could even agree on the definitions of DOWN and UP.

Nope. Na-ah. I’m going back to bed.

No wonder our young people want nothing to do with it, or us.

Every spring I teach a class for college writing majors called Thesis Writing For Screen Media.  In it, graduating seniors develop and write either an original screenplay or TV series pilot and first season episode guide.

It’s not an exact science but what I have come to see annually after reading their work over the years is a cross-section of what’s going through the minds of those with far less experience but far more guile and energy than myself and those of my peers.

Not at all what I look like while grading these scripts

What I get is a brief but fleeting glance of what they see as…the future.  And given their age and the fact that they will soon be taking over the reigns of this, ahem, Wonderland, their perceptions are far more relevant than mine.  Or, likely, yours.

Some years the stories are mostly pure escapist and other times they veer towards the deadly depressing in a way you can only pull off when you’re in college.  One year there were far too many scripts centered around technology (Note: At least for my tastes, which means more than three) and in another a decade back I wanted to shoot myself in the head when I had four or five (though it felt like ten) leaning heavily towards relentless versions of Lord of the Rings/Harry Potter sword and sorcery.

My notes. #igiveup

Of course, mixed into these are always, always, ALWAYS takes on love, injustice and outrageous coming of age, buddy, love stories in the contemporary world. 

Not much like that this year.

Of the twelve scripts I read, only ONE took place in 2021.  That means ELEVEN of them were set in the past, the future or, in one case, in an alternate animated universe that has never existed but you sure wish could exist.  Particularly in these days.

OK but not THIS alternate reality

I’ve got stories in the roaring twenties and depression era New York City.  I’ve got one that takes place in 18th century West Asia, two others set in the intolerant post Civil War west of the 1800s, and another in a literal ghost town not of this earth.

There is one that takes place far in the future on various planets, a second set in ancient Greek mythology (Note: Gods and all) and a third set only five years ago in a pre-pandemic restaurant.

I can’t wait to erase this from my memory

The sole story that takes place in our contemporary world is about three people, two of whom are on the spectrum, and all of whom pretty much live in their own worlds and mostly try to ignore ours.

It doesn’t take an analyst to understand what these writers are doing, and if you guessed taking the easy way out you would be incorrect.

We can intellectualize all we like – we baby boomers and we Gen Xers – but it seems clear that the reality we’ve rendered for the next generation has become pretty much incomprehensible to understand, that is with any real insight, without stepping out of our time period.

Gen Z edition

You can’t make sense of the illogical.  You can’t write about a world where there are no basic truths or rules the vast majority can agree upon.  If you want to answer real questions of faith or humanity you have to go back at least five years or more (Note: Preferably more) or move ahead some indeterminate amount of time (Note: Preferably A LOT more than five years).

Normally I tell young writers who are stumped or shy or reticent, if you merely look around your house or your neighborhood you will discover far more stories than you could possibly tell in a lifetime, much less a semester.

Me when I see that there is a screenwriting professor in the script

Choose what you can’t get off your mind, what fascinates you and go ALL IN.  Use all of YOUR creativity, YOUR craft and YOUR mind to recount to us one of those and you have the best chance of hooking us.  Not to mention, you’ll be amazed at how writing about what you care about in the here and now makes us exponentially care about it, too.

I gave that same min-speech this year but the result was like nothing in the past.

It’s not like there weren’t thematic personal truths to the stories they were telling.  We still got the love stories, the tales of deep hurt (Note: Sometimes even peppered with wry comedy) and the rite of passage journeys.  There were also those of war, of survival and even of government corruption that included people of all races, colors and sexual persuasions.

But in none of them, not a one, was there a literal evocation of 2021 as we know it.

Yep, this… entirely.

In reflection, this was a wise decision.

How can these young people, or any of us, write about something with any meaning that we can’t, at present, even begin to understand?

Olivia Rodrigo – “brutal”

MILLENNIALS: A Love Story

Narcissist couple taking self portrait.

My students, usually aged 20-23, are, as a group – smart, motivated and kind of terrific.  So I’m sick of the media, as well as others, picking on them. The selfish millennials.  The Me, Me, Me Generation.  The narcissists who live off their parents as long as they can, don’t want to do hard work, strive for fame rather than creative or intellectual achievement, and are far more concerned with how many friends or followers they have on social media than the people who like or even love them in real life.

As Bill Clinton said about Barack Obama during Mr. Obama’s 2008 Presidential campaign against Hillary Clinton: “GIVE. ME. A BREAK.  This whole thing is the greatest fairy tale I’ve ever seen…”

Though I don’t have Bubba creds, as a screenwriter, journalist, teacher and human being I can tell you that cleverly made up stories, like both clichés and really good lies, ALWAYS have a grain or two of truth.  As does all great fiction.  So it’s not wholly untrue that the insults cast about against young people today have zero reality to them.  But it also doesn’t mean that, on the whole, they are correct.

We all know it's true

We all know it’s true

Or to put it another way: just because the new mocha and carrot cake cupcakes from that great bakery in your neighborhood taste lousy doesn’t take away from the fact that their classic vanilla and chocolate ones, which far outnumber the former anyway, aren’t still fantastic and wouldn’t win you first place on Cupcake Wars.  Given the choice, most people go in for basic flavors (which, for my money, are always better), yet they are never featured upfront as the specials of the day.

A non-Jon Hamm drool worthy pic

A non-Jon Hamm drool worthy pic

And no, I don’t think I’m pushing the metaphor.

I just finished reading 26 screenplays in 12 days, notes and all, from these young people and I can tell you what’s on their minds -–forbidden love, dysfunctional parents and families, escape from their troubled or mundane worlds to a mythical or alternate one in the past or future, society’s vacant value system and lack of responsibility to future generations, and the general existential tragedy of life as seen through a broadly comedic or intensely overdramatic lens or mindset.

Yes – all the things that bothered the Generation Xers, the Baby Boomers and I suspect each new coming-of-age group back through the decades and centuries of time remain intact.  Sure, the packaging might be different because we’ve gone from carrier pigeon, to Pony Express, to snail mail, to email, to texting, and to Twitter.   But the actual themes, passages and journeys in existence remain constant.

I know how difficult it is to write even a bad script since I have done it many more times than I care to remember.  So I can also tell you that while some (or even many) of these young people write their screenplays in between periods of YouTube gazing, web surfing or gchatting, their sentiments are equally sincere, if sometimes over or understated – just as all of my peer group’s are were.  Perhaps that’s why they are being over-categorized and subtlety dissed, just like we were – but with an even nastier streak.

Eyeroll

Eyeroll

Time Magazine hurling insults at The Me Me Me Generation in its recent cover story harkens back to 1967 when the magazine, during in its heyday, voted its annual Man of the Year award to the 25 and Under.  The difference is, 45+ years ago Time went out of its way to profile and categorize all types of people in this new generation in various POVs and color shades of the rainbow.  Last week, however, the only famous millennial it quoted in its entire cover story was Kim Kardashian.

Said Kim:

“They (millennials) like that I share a lot of myself and that I’ve always been honest about the way I live my life.”  (“Ha!” – The Chair)  “They want relationships with businesses and celebrities.  Gen X was kept at arm’s length from businesses and celebrity.”

Well…okay.

When I asked 25 of my students several years ago about Kim and their peer group’s fascination for her they simultaneously laughed in my face and groaned.  It wasn’t at all what Kim did or didn’t do that made her interesting, they agreed, but “how ridiculous she is” and “how much some people make a fuss about her.”  In other words, it was the postmodern version of a Kim Kardashian existence that intrigued them, not the now about-to-be new Mom herself or the vast Kardashian empire ($80 million and climbing) that she, her sisters and her own mother created by not being particularly good at anything but being famous.

We can at least thank them for this brilliant parody

We can at least thank them for this brilliant parody

There have been individuals of every generation well known for well, not very much.  Consider the classic line towards the end of the movie musical Gypsy, based on the memoirs of renowned performer stripper Gypsy Rose Lee, when her press agent tries to get her to lighten up in front of the lens of a photographer, who is about to shoot her naked in a bubble bath for a huge spread in Life Magazine:  “Smile Gyps, show us your talent!”   To which Gypsy throws back her shoulders and shoves out her breasts.*

The difference is, of course, Gypsy Rose Lee was never held up as representative of her entire generation.

This all reminds me of what it was like when I was a reporter for Variety (1977-1983, I was 5 years-old at the time, obviously) and every year they’d put out an anniversary issue where they would ask us to do trend stories.  I hated those stories.  Because they always involved generalizations about a group of people or professionals or ideas that were conveniently being grouped together so we could reduce them to a catchy sociological phenomenon or cultural stereotype.  I think it was the year of the woman at least 3 times during that period and perhaps oh, I don’t know, 15 times since.  There has also been the emergence of the gays and gay power or – as it used to be called back in the day – the PINK mafia.  In the 60s it was Black power.  Before that it was the rise of the immigrants.  Now, it’s the rise of illegal immigrants (the least offensive term), or, to put it more kindly – the emergence of The Dreamers.

Something like that...

Something like that…

It’s all sort of the same thing when you get down to it because it’s the story of our country, if not the world.  A group emerges onto the scene that somehow seems to threaten the status quo, who in turn fears it will (and perhaps is) beginning to lose its power.

But writing from the other side of the generation gap it’s easy to see this simple fact:

Everything, after a time, makes way for the new, whether that thing likes it or not.

I’m around the new a lot and generally like what they’re about.  I talk to them.  I even hang with them occasionally.  It could be that I like them because I’ve taken the time to know them and not categorize them.  I also understand the unvarnished truth – that they’re not here so much to take over but continue with us on the journey – and then steer the ship when, inevitably, we no longer can.

(* The line (and all the lines) from “Gypsy” were written by the very brilliant playwright/screenwriter Arthur Laurents.  Lest anyone think movie characters think up what they say themselves)