The Glory of Denial

Denial just ain’t a river in Egypt.   — Mark Twain

What a week!

A gaggle of witnesses in the impeachment hearings of Electoral College POTUS Donald J. Trump sat before the House Intelligence Committee all testifying to essentially the same thing.

That thing is that Trump explicitly or implicitly threatened to withhold many millions of dollars of previously approved military aid to the Ukraine unless its new president agreed to investigate Joe Biden, Trump’s chief Democratic rival for re-election in 2020, for corruption.

sighhhhh

Then, an even bigger gaggle of other candidates competing for the Democratic nomination against Biden, who, you might remember from the previous paragraph, is STILL the leading candidate vying to compete against Trump to become the next Electoral College (and maybe even Popular Vote) POTUS, stood on an Atlanta debate stage on one of those evenings trading verbal barbs, sincere looks and well-thought out albeit pre-scripted arguments, in support of themselves.

Maya Rudolph as Kamala on SNL is your Christmas present 2019

Though most of them were ostensibly aimed at each other what they all were really targeting was a growing national and international audience waiting with bated breath to see which of them will become THE lucky gladiator chosen to face Trump in a virtual death match at the Hillary Clinton Coliseum of Public Ridicule to become not only leader of the US but King, or Queen, of the Free World.

Can you even stand it?

That was a rhetorical question.

It’s difficult to be an American citizen right now and go for even a single day where the subject of Trump, impeachment, Democratic candidates and the ubiquitous expression of quid pro quo doesn’t come up somewhere or at some time.

Even if you choose not to discuss it, you will doubtless be in some coffee shop, office building or household where it’s the prime subject or find yourself dragged into a discussion or gibe simply because you’re in the vicinity of something or someone determined to make their own remark, get your goat or simply express an opinion that makes you want to set your hair on fire or eat a package of Ding Dongs.

Or both.

We’ve all been Liz Lemon since 2016

If you participate in any of this too often it begins to feel like abuse, often self-abuse.  But ignore it for too long, e.g. more than a day, and you feel like a partying extra at the Kit Kat Club in the movie version of Cabaret.

Speaking of movies, there is a brilliant one out now from famed Spanish director Pedro Almodovar called Pain and Glory.  It is a semi-autobiographical tale about a film director in chronic pain who turns to smoking heroin as a means of denying both the medical and psychological challenges in his life, only one of which is getting older.

See you at the Oscars Antonio!

It is a deep, riveting metaphor for the lives we are all living now, despite how much critics, audiences and award givers will prefer Joker, Marriage Story, A Beautiful Day in the Neighborhood and even Knives Out.  Heck, after the week we’ve just had a spoof of an Agatha Christie film like Knives Out with James Bond-ian Daniel Craig as the 2019 bumbling version of Hercule Poirot enduring the bitchy bon mots of a stylish rich boy played by Chris (Captain America) Evans, sounds preferable to this American citizen.

CHRIS EVANS IN A SWEATER! CHRIS EVANS IN A SWEATER! #swoon

Still, despite the glorious denial escapist entertainment offers and fulfills, it is that very critique the Almodovar film cautions us about glorifying in for too long.

To deny the reality we are living by whatever means available to us is okay for a while.  Most people don’t die from a brief encounter with their drug of choice, be it heroin, big screen entertainment, a chocolate cake cleanse or even a small string of indiscreet online sexual encounters instantly regrettable the following morning.

… or a Billy on the Street Netflix Marathon #elenaforever

But a wise filmmaker like Almodovar warns us with Pain and Glory that escape and denial will only get us so far.  Go down that road for too long and you will lose not only your focus but your health and your moral center.  Yet he also assures us that to simply continue as we are and not try something else, some new means of escape, is to remain stagnant in our miseries.

It is only through our journeys to throw enough stuff up in the air and explore an alternate road that we get insight and, hopefully, wisdom into who we are and what we’ve lost, or actually gained, in the process.

Wait… isn’t this the plot of Frozen 2???

Each event in its entire story is a metaphor for the risks and benefits of trying something new, and the costs of denial when we refuse to admit that merely going down a new road where we pick up a few pieces of gold, or golden wisdom, is no excuse for throwing the rest and best of US, nee our lives, away.

If ever there were a movie for this week and our Trumpian times it is this one, not a biopic offering life lessons from Mister Rogers or a whodunit about the kind of cartoonish, unsavory characters that are all too recognizable when we turn on our TV news shows of choice and gawk at our favorite partisan heroes and villains in Washington, DC. Certainly there are pleasures to be had in the above two films as well as many other diversions of choice.

but but but.. JAMIE LEE!!!  #knivesout

But now is not the time for any of us to revel too long in the glory, and the glory of denial, that they offer.

Especially not after the week we’ve just had and the ones that are inevitably coming ‘round the bend.

Randy Rainbow – “He’s Just a GURL Who’ll QUID PRO QUO!”

Super Harriet

Harriet Tubman’s face was scheduled to be on the $20 bill next year but the Trump administration put an end to that.  In May it was announced the redesign would be delayed until 2026 due to counterfeiting and… (ahem)…security features.

This means the soonest an image of a Black female can grace our currency for the first time will be when Trump is out of office, that is if he were to win a second term and survive his pending impeachment.

AHHHHH! #methinkingabout2020

It also means the soonest any of us will be able to proudly pull a wad of Tubmans from our wallets instead of our current stack of twenties bearing the likeness of Andrew Jackson, a slave owning, Southern cotton plantation master who forcibly removed two major native American tribes from their homelands in the early 1800s, will also have to wait.   (Note: FYI, Andrew Jackson is Trump’s favorite American president, so much so that a portrait of the former POTUS now hangs in his Oval Office).

Typical

Still, what didn’t wait and what even Trump couldn’t stop was this weekend’s release of Focus Features’ Harriet, a long overdue major studio biopic about one of the most legendary and unexplored historical figures in American history.

One can easily picture Trump reveling in the flat image of Jackson on his wall as he figures out more ways to pit various regions of the country against each other in a new 21st century Civil War.

Can we hire Daniel Day Lewis to recreate this?

But after watching the superbly made screen version of Harriet Tubman emerge as a sort of mainstream cinematic superhero for everything that is just and right about the world, past and present, it’s clear Trump and his favorite predecessor better take cover. A cultural shift of the tides is beginning and it’s being led once again by a petite, very dark-skinned young woman who has no difficulty in speaking truth to White Power, past or present.

It is no accident that the image of Harriet Tubman one walks away from after Harriet is one of our nation’s first female superheroes, a woman who has been historically documented to have helped many hundreds of slaves escape the South, often by using her own amazingly unerring and mystical sense of direction and focus.

Also, good hats!

Tubman herself claimed that God spoke to her and helped guide her and the many people she saved to freedom.  This is literally represented in the film through images of both past trauma and future dangers right around the bend each time certain death rears its ugly head.  These are also shown in other moments in the film as nothing more than possible delusions from minor brain damage she received after a slave master broke her skull when she was 13 years old and she lied comatose for several months.

At a recent screening at the Writer’s Guild Theatre in Beverly Hills, Harriet’s director and co-writer Kasi Lemmons addressed a question about Tubman’s real-life and cinematic feats by noting that at the very least she had prefect instincts.  But her co-writer Gregory Allen Howard (Remember the Titans), who wrote the first draft of the script 25 years ago, decided early on to approach Tubman’s story not so much literally but as an action film…with a superhero.

There is literally a comic book called “Harriet Tubman: Demon Slayer” #really #saysitall

Since Howard’s first draft screenplay, a plethora of historical records, including photographs and diaries, have been unearthed and several Tubman biographies have been written.  These all verify Harriet’s seemingly superhuman abilities as an expert guide leading scores of slaves to freedom through the Underground Railroad as well as what she claimed to be a very specific and deep personal communication with God himself.

Of course, like any great leaders in a particular field of endeavor, especially in the past, it is difficult to know exactly how they do it and why they are able to be so exceptionally successful when the odds, and reality, were and are so severely stacked against them.

Some of us even look at Trump and wonder that very same thing, even as his Wizard of Oz-ish curtain is currently being pulled back for all of us Dorothys to see in real time, if we choose to.

There’s no place like the polls #votehimout #2020comefaster

But at the end of the day what’s important are results, be it a Trump, a Harriet Tubman or any particular major studio film beckoning for box-office receipts or at least a blaze of glory as its launched into the zeitgeist.

We know what Tubman achieved and what Trump did.  Right now, and after just a few days, Harriet has so far managed to land the number two spot at the box-office nationally this weekend — no small achievement for a historical biopic.   Yes, that’s no small feat but one suspects, like it’s namesake, its more impressive achievement will be a slow burn into the cultural conversation of who we are and where we are as a nation.

You know it

This might start with Cynthia Erivo’s riveting film debut and sure bet lead actress Oscar nomination for her lead performance, move towards the clear parallel of Civil War era 1% attitude to those carrying the torch for Trumpism today and then wander off into why the heck it took a century and a half of cinema for Hollywood to finally tell the real life Hollywood story of Harriet Tubman.

Yeah, for real

Of course, we all know why it took so long for Harriet to reach the big screen.  As cowriter Howard so aptly put it, you needed Black Panther to blow the doors wide open.

Let’s just hope it doesn’t take as long for the superpowers exhibited by Ms. Tubman in Harriet to blow the doors of the Oval Office open and escort the likes of POTUS’ Trump and Jackson out for good.

Cynthia Erivo – “Stand Up” (From Harriet)