Dream Teams

Are you losing your mind yet?

I don’t know about you but I most certainly am.

More than once a day I think of myself in a celebrity box on The Hollywood Squares and I’m not even famous.  Nor has The Hollywood Squares really been a thing since around the time I graduated college.

But ZOOM – here we magically all are, perhaps multiple times a week, in a virtual new reboot of a TV game show where we play to the camera, try to seem intelligent and attempt to crack jokes when all else fails.

I don’t even want to see what 50th day looks like #itsnotpretty

Except, of course, we don’t have writers.  Certainly not judging by any of the countless Zoom chats I’ve been on.  Instead, midway through 2020 we are all solo acts, responsible for creating our own material and literally living and dying by each choice we make both inside and outside the grid.

It’s enough to make you long for the glory days when everything you said in your square was rehearsed and scripted for maximum effect.  Sure, you didn’t always get to be your absolute true self but at least you didn’t have to think about who and/or what that was 24 hours a day. Note: I’m including sleep time because, well, haven’t YOUR dreams been more than vivid lately?

This seems normal now

For those of you who don’t know, The Hollywood Squares was an addictive daytime and primetime game show in the sixties and seventies (and rebooted shortly in the late 90s) where celebrities each occupied a box in a glamorous life-size tic-tac-toe board and answered true or false questions on a myriad of topics of the day.  It was then up to a contestant to agree or disagree with the celeb, thus earning them an X or O and eventually prize money.

If you can’t quite picture it in your mind give it a few months and I’m sure some enterprising souls will come up with a Zoom version app and make a mint charging you for your own intellectual property.

This is too much to process

But back to the real Squares.  By far my personal fave was center celeb, Broadway, TV and movie actor Paul Lynde, who occupied that prime spot for almost a decade and a half.  Mr. Lynde was the funniest and outwardly gayest performer in the entertainment world during those years, quite a feat since he was never out at all, at least in how we traditionally define it.

If you want a sense of how it was back then with Paul and those of us who loved him, it went something  like this:

Moderator Question:  Paul, you’re the world’s most popular fruit.  What are you?

Paul’s Answer:  Humble.

.. with his signature giggle  #icanhearthispicture

Of course, I can’t recreate the sniggering, snide delivery (Note: Well, certainly not these days, if we can’t be face to face) but you get the picture.

This particular Paul question came courtesy of a short, snappy profile of him in this week’s issue of Entertainment Weekly.  It’s officially called the PRIDE issue and in it the magazine devotes itself to pioneering LGBTQ entertainers and storytellers – past, present and future – and the many ways they have influenced culture, and in turn, our world.

Pour the champagne!

Lovely as it is to be noticed, by far the standout item in this week’s magazine is the bizarre cover, well, drawing, of noteworthy  LGBTQ celebs of the last century in what could best be described as the gayest nighttime cocktail party you will never experience.

It’s a virtual queer dream team of a party with the likes of Queen’s Freddie Mercury beckoning Janelle Monae over to his side of the room; Marlene Dietrich grabbing Cynthia Nixon by the waist and pretty much ogling her; and Ellen DeGeneres with her arm so tightly wrapped below Rock Hudson’s elbow that he can only barely make eyes at the hot – well, I’m not quite sure who he’s making eyes at but rest assured from the expression on his face there must be a myriad of hotties he’s focused in on at some unseen corner.

And to top it all off there’s good ole RuPaul in a red gown and black satin gloves, flounced across a baby grand piano, making goo-goo eyes at – yes, you guessed it – Elton John.

If you didn’t know better you’d think the media was dominated by gay or gay sympathizing liberals who had nothing better to do than to gang up on straight America and subvert their traditions by showing them just how much fun you can have by not insulting the minority of your choice and, in fact, being inclusive.

NPH knows

Of course, the bigger message of the photo is, much like a fantasy sports league, it gets you to thinking of the dream teams of your choice in all kinds of areas and just how they might rescue you, or us, from the doldrums of Zoom chats and quarantine.

For instance, can you imagine if we could bring back Marie Curie and Jonas Salk to a medical cocktail party of choice with, say, Anthony Fauci, recently demoted vaccine expert Dr. Rick Bright  and well, let’s throw in Albert Einstein for the hell of it.  What might they all come up with, aside from witty chatter and medical cures, or even talk about?  If not a cure or a shot, at the very least I’d bet they’d have plenty to say.

You know he’d be good at parties

And how about a political confab with Abe Lincoln, Gandhi, John F. Kennedy, Winston Churchill and Golda Meir mixing it up with Elizabeth Warren, Barack Obama, Alexandria Ocasio-Cortez and, okay I’ll say it, Donald J. Trump?  Trump says Lincoln was his favorite Republican so he’d make it, right?  Or would we have to invite Hitler Andrew Jackson?

Personally, I’d much prefer an afternoon run at a dog park I’d rent exclusively for Lassie, Lad-A-Dog and Nana because I’d get to bring my Jack Russell Rosie, my sister’s Havanese mutt Louie and several other friends’ pooches if they could make it down here in time.  Not to mention, well, every other pooch I and any of my friends and family once owned and loved as part of our family in our pasts.

Sorry not sorry

Which is sort of the point of a dream team, isn’t it?  Or even a tic-tac-toe board of celebrities on The Hollywood Squares.  To bring out the best of us by coming up with exactly the right answers to all the top problems and/or questions of the day.  And to make us feel a bit better in the process.

There was a time when a game show could do it with just a team of good writers and a handful of well-known performers.  The U.S government generally accomplished  this with a small Cabinet and a handful of clever appointees through  every single Administration in the last century while also managing to avoid the most severe consequences of several severe global pandemics.

Don’t mind me as I weep

These days, um, we have Zoom chats, the Gang that Wont Shoot Straight Under Any Circumstances in the White House and Operation Warp Speed to do the deed.

I hate to say it but not even a cocktail party with every LGBTQ star in the history of the world, can take my mind off of that.

Sorry, Entertainment Weekly.

Aretha Franklin – “Who’s Zoomin’ Who?”

Oscars So RIGHT

How is it that after 92 years the Oscars finally came up with both a telecast and a list of winners to be proud of?

Hitting the right notes, literally, for just about everything, the 2020 Oscars will probably be best remembered as the first time in history a foreign… ahem… INTERNATIONAL film won best picture.

Show tagline: PARASITE, NO HOST

Not only that, Parasite writer-director Bong Joon-ho took home THREE more Oscars for best director, best screenplay and best international (formerly foreign) film.

The hottest name in Hollywood!

And it was only a mere five decades ago when another Oscar winning writer-director, Billy Wilder, famously quipped to his cameraman:

Shoot a few scenes out of focus. I want to win the foreign film award.

That Parasite managed to touch the hearts and souls of a majority of Oscar voters is not in doubt. But what also seems clear is that the choice of a non-American film about economic inequality as the Motion Picture Academy members’ big winner was a very clear and very present way for voters to send out another message to the world. And that message is:

2020 America, and Americans, are NOT living in a bubble or behind a WALL. We are not isolationists who want to disengage with you. We, in fact, do get IT, even if it doesn’t always seem that way these days So don’t give up on us…yet.

I’m paraphrasing, of course.

In fact, I might be reaching or making this up out of whole cloth. Though truly, I don’t think so.

How I will try to think of 2019 in America

Hollywood might not literally speak for all 327 million people living in the U.S. but as an industry it is one of its chief representatives to the rest of the world. American movies reflect America to international audiences and what the Oscars choose to represent as the best of the best carries that weight.

Taken in that light the major category victories for Parasite were no small thing. No, they certainly don’t change the state of the world but, at the same time, they proclaim that things aren’t staying stagnant. If the same staid Academy that made the safe choice of Green Book as last year’s best picture is now doing a full 360 and saying a South Korean film dealing with class warfare is the gold standard, well, who knows what else is in store from any number of American industries looking to project some message to the outside of who we really are.

Don’t ever look back!

Oh yes, hope springs eternal. But then again, why not?

This message of change, or perhaps inclusion was reflected all throughout the Oscar telecast on Sunday night.

Singer-songwriter-performer extraordinaire Janelle Monae had Oscar’s best musical opening in history as she went from mock Mister Rogers garb to full blown, self-proclaimed, queer Black artist singing revamped lyrics to her 2010 tune Come Alive. Sashaying her way through a panoply of back up dancers and celebrities, she actually managed to make the Academy Awards seem hip and happening for the first time in…..well….EVER.

At one point THIS happened

But that was only one of a string of ingenious, nostalgic and just plain awe inspiring musical moments.

We had Idina Menzel belting a Disney song along with belters from more than a dozen countries in THEIR native languages.

Then there was Eminem appearing seemingly out of nowhere to rap his 2003 Oscar winning song Lose Yourself with some updated lyrics evoking the era of Trump.

OK so the song is as old as Billie Eilish, so what?

Soon Elton John was pounding on his red piano and singing the soon-to-be Oscar winning song he co-wrote with longtime lyricist partner Bernie Taupin for their autobiographical film Rocketman.

That followed twice nominated Cynthia Erivo also bringing the house down with her inspirational ballad Stand Up from her film about abolitionist Harriet Tubman, Harriet. 

And her dress was PERFECTION #QueenCynthia #EGOTiscoming

Then, as a capper, we got a haunting version of the Beatles’ Yesterday sung by this year’s multi-Grammy winner, 18-year-old Billie Eilish, in memory of the many film artists we lost this past year.

And amid all of that was this quite subversive high comic moment of the evening:

Rebel Wilson and James Corden entering in the crazy train makeup and costumes from their 2019 film disaster, Cats, to give this simple introduction to the award they were tasked to present:

As cast members of the motion picture CATS nobody more than us understands the importance of good visual effects.

Proving it’s never to soon…

Certainly one could gripe about a few misfired jokes from various presenters or any number of times when any one of us knew the wrong person, or people, were standing center stage with an Oscar in their hands that we felt belonged to someone else.

Still, it is difficult to argue with what most of those who did win were trying to say in their acceptance speeches.

They rambled, but we stuck with them

Aside from thanking their immediate families, or their teams, or their friends or cast mates, almost every major speech felt like a sincere outreach to an international audience for us all to find some way come together rather than to continue to be pulled apart by the circumstances of our times.

While the ceremony theoretically honors the art and craft of film, this year’s Oscars somehow felt more like a hand extending far beyond Hollywood and the borders of the U.S. towards the rest of the world in solidarity.

PLUS This is now Oscar-winning, so really, all is right with the world

Though on second thought, perhaps it’s more like a cry from those of us within to everyone watching on the outside for…help?

Janelle Monae – Oscars 2020 Opening