Box Office Avoidance

I don’t feel ready to go back to a movie theatre and it’s making me a little crazy. 

Check that. 

I’ve always been a little crazy, in an engaging sort of way, but I’ve gone a lot crazier in the last 18+ pandemic months partly because I don’t have life at the local cinema to help me out.

Right.  I know. 

Not me at all, I swear

Theatres are open and I’m thrice vaccinated and boosted as much as any human can be at this point. 

What that means is that even if I were to contract COVID the overwhelming odds are I wouldn’t be hospitalized and, statistically, am pretty much immune from dying by its ugly hand.

Nevertheless, sitting inside for 2-3 hours in a mask with a room full of people I don’t know doesn’t seem like an escape from crazy to me.  It feels like gilding the lily of crazy. 

And, I suspect, I’m not alone. 

Plus, how am I supposed to eat popcorn like this?

Steven Spielberg’s West Side Story,” about as want-to-see and hyped as any holiday movie can be (Note: The exception being something Marvel-ous) opened to about 4.1 million at the domestic box-office on Friday and is expected to gross about $10.1 million in its first weekend of release.

To translate those numbers into industry parlance, that means AWFUL. 

There are lots of reasons and analyses of this you can read here that will recount it far more articulately, hopefully and in more length than any mere blog such as this one will allow.

It’ll be a slow build, the weeks before Christmas are never great box-office, Spielberg films tend to sustain much longer than others, blah, blah, blah…

Digging into the archives for this one

But here’s what I do know.  For sure.

The audience for this movie is majority older adults, despite it’s youthful casting, and as far as that’s concerned I’m Telling You, the majority of us older Americans mostly Aren’t Goin’ out to the movies.

Oh Chairy, I see what you did there

This may or may not be rational but in every way and more this is the correct assessment of the situation.  For the time being.  And probably longer than that.

Sure, sometime during the Christmas season I just might decide, on the spur of the moment, to attend an 11am showing at a theatre on a Monday or Tuesday (Note: traditionally the slowest movie going days) in a reserved seat far, far, FAR away from anybody else. 

But this will only happen if the box-office numbers for WSS don’t build, and indeed plummet, probably into CATS: THE MOVIE territory.

Don’t bring me into this

More likely is I will wait until I can rent the film on a streaming platform or attend a small, select industry screening at an off hour where you have to prove you’ve been triple vaccinated. 

And there have so far been few, if any, of the latter events on my industry invite docket.

(Note: Industry invite docket being any email, phone call or overheard conversation within eye or ear shot that sounds even vaguely appealing to this very, very VERY crazy, quite desperate housebound me).

I’m keeping busy in the meantime

I’m told by some of my friends that it’s not wise to live this way and that you only live once.   I tend to be ruled by the latter and to that I do emphatically reply, Um….YEAH.  YOU SAID, IT, I DIDN’T.  AND NOW I DON’T HAVE TO!!

I guess it all comes down to risk/reward.  What are you willing to put up with and for how long?

Or as someone much smarter, wry and acerbic than me once said:  Is the f-king you’re getting, really worth the f-king you’re getting??

The Chair’s gettin’ saucy!

Historically it’s taken me a while to decide what the answer is to that one whenever I’m in a situation where I’m not pleased.  Though certainly I expect to revisit the issue as pandemic life proceeds with no end in sight. 

In the meantime, I can already rent Kenneth Branagh’s much talked about Belfast on Amazon for $19.99, and Meet the Ricardos will be available there on  Dec. 21.  The Hand of God, director Pablo Sorrentino’s (The Great Beauty) much ballyhooed new film drops on Netflix Dec. 15th.   And there is always a chance the Writers’ Guild and others will be sending out DVDs or codes I can pop in for things like Guillermo Del Toro’s new version of Nightmare Alley.

Don’t worry Benny, I got you on Netflix too

Yes, I know it’s better to view that one on the big screen but guess what?  Me and the hubby are not giving presents to each other this year and are instead using the money (and then some) to get a bigger, more streaming friendly flat screen (Note: 77” – but don’t call us size queens) at one of the MANY holiday sales.

It’s not the same as going out and being with other live people.   But the only mask you have to wear is the one you sometimes put on in front of your spouse instead of following through with every insidious, horrible thing you’re really thinking of doing to them.

….Oh, of course I’m only joshing!!!

Or am I???

2022 look, obviously

But before you answer, consider how crazy I’ve already confessed to being and just how much crazier I will get by the day. 

Who knows what those in my age group are capable of?

Even Spielberg, once he gets the final grosses.

West Side Story (2021) – “America”

2019, Take a Seat

I’m thinking of 2019 as the year of the bad breakup.  It was miserable, endless and painful and yet it had a few high points where you got some revenge and even won several arguments.

No, that’s not a particularly healthy way to think.  But it is satisfying and harmless if you only indulge at the end of the year.  Like a pizza dinner with fries on the side and a chocolate anything for dessert.  Or sex with the wrong person.

Yeah, I said it.

No one really wants to look back on a year such as this one but as 2019 comes to a close a handful of moments might be worth remembering.  That is aside from teenage environmental activist Greta Thunberg taking every one of us over forty out to the virtual woodshed for destroying the planet over the last 30 years.

Some moments are in a class by themselves and have far more meaning than the off year in which they occurred.

And with that:

THE CHAIR’S BEST OF LIST:

The Finger Point Seen Round the World

On point

Say what you will about Speaker of the House Nancy Pelosi but her total domination of the Electoral College POTUS who thinks He’s King in 2019 was one dependable, if sporadic, joy to behold.  This was typified by that October still photo Trump tweeted of her dressing down the sort of prez over his Syrian policy with her words AND her finger with the attempted shaming caption, Nervous Nancy’s Unhinged Meltdown!

Only he could never imagine she would embrace an image where she was confronting a table full of clueless straight white men who could barely look her in the face, make it her Twitter cover photo and in turn have it embraced as THE symbol of female empowerment and popular resistance to the patriarchy heard round the world.

AND you thought she couldn’t top last year’s meme of her leaving the White House in that red coat and oversized sunglasses…

The Strangest and Best TV Special that Shouldn’t Exist but Does

How did this get made?

Netflix’s John Mulaney and the Sack Lunch Bunch is exhibit A in defense of Netflix because it’s hard to imagine it would get green lit by or as widely seen on any other platform in the world.

But how to describe it?

Well, see, there’s this smart comic named John Mulaney (Note: Co-creator of SNL’s Stefon) who had an Emmy winning Netflix special last year and thought for his fellow-up he’d mix it up with a group of musical theatre pre-teens he gets to sing, dance and emote with in a post-modern remix version of the eighties kids shows Electric Company and Zoom!

This, of course, sells everything about the program way, way, waaaaay short.

Intrigued, confused, weirded out? All of the above.

Suffice it to say any show that features The Talking Heads’ David Byrne, Broadway’s Andrew De Shields and moviedom’s star Jake Gyllenhaal singing along to Mulaney-penned or approved original material with youngsters who have much better voices than they do is worth seeing.

If that doesn’t grab you how about a young guy warbling Sascha’s Dad Does Drag, another singing, Grandma’s Got A Boyfriend or a young woman getting to wear David Byrne’s iconic big suit while dueting Pay Attention with him?

No?

What about Jake in a colorful xylophone jacket having a sweaty nervous breakdown as he desperately and unsuccessfully tries to convince us of the places where he is sure music sprang from.

Are you sure I’m not on drugs?

Be honest.  You like to watch….don’t you?

The Unforgettable Performance

Clang, clang, clang goes the Oscar?

Judy Garland is likely the most imitated performer in the history of show business.  Or at least in every gay bar across the world, which is, let’s face it, where all of show business sprang from.

That is why Renee Zellweger’s incredible performance in title role of Judy, a film that chronicles Garland’s final musical comeback towards the end of her life, is such an achievement (see my post about that here).

It’s not so much that she delivers a carbon copy imitation.  It’s more that she manages to evoke the very tremulous essence of the vulnerable performer and turn her into a recognizable brew of strengths and weaknesses that each of us can relate to.

… and she did indeed #tehehe

On paper this might have seemed like a disaster, especially since there is nowhere to hide when half the film is shot in close-ups and two-shots of you either alone or pulling focus from others by just being you (nee Her).  That Zellweger manages to pull this off (and then some) in a film that will likely win her the competitive best actress Oscar that eluded the real Judy is sweet.  Even sweeter for her is the fact that it has vaulted her right back on top of contemporary Hollywood after the tongue waggers-that-be delighted some years ago in categorizing her as already past her prime before she even turned 50.

Tee-hee.  Hee.

Best Shirtless Brad Pitt Moment

You’re Welcome

He’s 56 years old and it was in Once Upon A Time in Hollywood.  Without CGI.  That is all.

Priceless Mean Girls Moment

Canadian Prime Minister Justin Trudeau, French president Emmanuel Macron and British Prime Minister Boris Johnson huddled together at this year’s NATO summit dishing Electoral POTUS Donald Trump and it made us ALL feel better about being human.

Oh, OF COURSE NO ONE IS CONDONING GOSSIP OR BITCHY BEHAVIOR!!

Still, Mean Girls was a best-selling book, a hit movie, and a Broadway musical that ran for almost two years and will likely be playing at a city near you in 2020 so there must be something to it.

We all know Regina George would make Electoral POTUS cry.

Sure, the best strategy with a know-nothing bully is not stooping to their level.  But we all need to blow off steam, and preferably where they are in close enough proximity to know that you HATE them!!!!

Not to mention, the message must have gotten through.  Trump promptly left the summit early just a day later in a huff, knowing he was not wanted.

Wait….you feel bad?  Really???????

Because his latest revenge against Trudeau, hot off the presses:  Trump and his son, Donald Trump, Jr., tweeting that it was the Canadian Prime Minister who was responsible for Sr’s cameo in Home Alone: 2 (1992) getting cut from Canadian television over this year’s Christmas holidays.

As if!!!

Best Joyous Hate Watching

Will you ever forget…the very first moment in 2019….that you saw…….the trailer to……the movie version of………CATS????

The fake fur, the pointy ears, the strange facial expressions and inhuman semi-sexual gyrations.  It delivered everything and more…or less.  Universal recently took the historic step of actually announcing that after a week in release it was redoing some of the special effects and issuing new versions of the print to the thousands of theatres it was playing.

Our response to that is:  PLEASE DON’T.

Nailed it!

Don’t change a frame for those of us who are waiting to stream it…along with a side of magic mushr—well, something.

And this just in from the gift that keeps on giving:  Dame Judy Dench was only just a handful of days ago quoted as saying her cat, Old Deuteronomy, is…transgender!

Please don’t make it stop.  Now OR forever.

And finally – THE Prophetic Musical Moment

Taylor Swift was much more than a regrettable 2019 supporting turn in Cats.  Sure, her You Need To Calm Down record and video is a song about LGBTQ equality and acceptance.  On the surface.  But in a sense, isn’t it also the overriding message to all of us when we reflect on the entire year and strategize for what’s inevitably to come in 2020??

Taylor Swift – “You Need to Calm Down”

Want more Chair 2019 takes? Dip into our archive and find gems like: The Chair Sees Hadestown with Hillary Clinton (plus Woke-lahoma review), Farewell Dear Rhoda, Paul Rudd Refuses to Age, Prince George Can Dance If He Wants To!, and lots of love for When They See Us, Fosse/Verdon, USand more.