Light vs. Dark

When Joe Biden officially accepted the Democratic Party’s nomination for president this week in a forceful and, frankly, awe inspiring speech, he opened his remarks with a quote from the late African American civil rights activist Ella Baker:

Give people light… and they will find the way.

I’m not much of a light vs. darkness guy because I tend to see the world in infinite shades of over analytical grays.  This accounts for my lifelong disinterest in comic books and all things superhero and sword and sorcer-ish from the time I was a pre-pubescent up through the present day.

Sometimes I wonder if I ever would have made it out of young adolescence with all my limbs intact if I had grown up in the age of Harry Potter.  (Note: I’m the kid in the corner with his arms folded wondering why we can’t instead talk about Sutton Foster in Thoroughly Modern Millie).

Also me in the corner

Though I imagine I might have figured out a way to find value in Harry’s lessons.  I’ve pretty much had to do this as a writing mentor for any number of students inspired not only by the worlds of Potter, but by the actions in Marvel, DC, Spielberg and Lucas.

I try to temper my enthusiasm

Of course, the lesson in this is to not be so quick to dismiss out of hand something that is not your thing.  If you do it that fast it is likely the universe will actually put you in a place where you will absolutely be forced to keep dealing with Dumbledore or the inevitable Avengers 5, 6, or 7 until you can stop dismissing it from way up on the very high perch from which you sit and choose to judge.

Such was my experience listening to Mr. Biden – oh heck, let’s just call him Joe cause that’s what he likes anyway and that’s what fits these days when you’re speaking with or writing about him.

And Joe it is

As Joe talked of being the harbinger of light in these dark Trumpian times I had a knee jerk, split second intellectual reaction of imperious resistance.

He can’t possibly be putting it this simply in these horribly awful and complicated times, could he?  I mean, this isn’t Star Wars or a Marvel movie or even one of my students’ basic notions for an as-of-yet unwritten studio blockbuster.  This is real life.  And real life these days is….

EXACTLY about darkness and light.

Much to my surprise.

It helps that it’s color coded

This is because in that instant I finally got why many young people of all ages crave superheroes and sorcery.  When things go so bad all around you it helps to have a powerful figure of stature on a stage that big drawing the curtain back, looking you in the eye and assuring you that the power of the light inside you is enough to fight the darkness attacking you IF you deign to believe in it.

In fact, in this case it is especially powerful because, unlike most superheroes, you don’t have to fight the fight alone.  You have a whole force of ordinary people very much like you and if you simply pool your forces together you can together shine bright enough to…

*cough* *cough*

Well, I was gonna say light up the lights of Broadway, which explains so much of why I never gravitated towards superheroes to begin with.  But instead, let’s go with vanquish the darkest of enemies, and call it a day.

Because by now you know what both I (and Joe) mean by the metaphor.

There are some moments in time where simplicity rules no matter how complicated you think it all is and I want to get.

Well, this too

We’re living through incredible darkness at the moment, as Joe’s 25-minute speech pointed out.

  • There are 176,000+ Americans dead from COVID-19
  • There are 5.68 million Americans infected with the virus
  • The U.S. leads the world in confirmed cases and deaths
  • More than 50 million Americans have filed for unemployment this year
  • More than 10 million Americans will lose their health insurance this year

And yet this just in from the President’s counselor and all-around right hand gal Kellyanne Conway when asked about plans for this week’s Republican convention:

You are going to see and hear from many Americans whose lives have been monumentally impacted by this administration’s policies.  We definitely want to improve on the dour and sour mood of the D.N.C.

Ah yes, behold all the doom and gloom.

But, um, how will that strategy improve on the dour and sour mood of the D.N.C.?  I mean, if we actually have real Americans speak? 

Well, there might be a casting call going on right now since its just been announced that two producers from Trump’s The Apprentice have been signed to help guide the festivities and wrangle talent.But here’s what we do know at the moment.  The Missouri couple that a few months ago toted assault weapons at Black Lives Matter demonstrators, Mark and Patricia McCloskey, are scheduled to appear.  As is Nicholas Sandmann, that smirky Kentucky teenager who got up in the face of Native American elder Nathan Phillips at the Lincoln Memorial last year and tried to stare him down with a Cheshire cat smile that only the Church Lady could love.

Talk about darkness vs. the light.  Or shall we say, the Light vs. the Dark.

Ugh, fine, I get it.

Well luckily, I don’t have to because Joe did it for us in his way.  All  we have to do now is follow his lead and make the right – I mean left – choice.

Though admittedly I have a ways go with that.  On Monday, the night before the convention began and three days before Joe spoke, an elderly masked woman and I were riding up the elevator alone to the same floor in a medical building on our way to different doctor appointments (Note:  Don’t worry, I was only getting an allergy shot).

In any event, during the ride she suddenly turned to me and  said:

Excuse me sir, I’ve taken it upon myself to be the town crier, in this upcoming election you must vote for Trump.

To say the least…

To which I proceeded to say things to her I have never heard myself  say out loud to anyone and couldn’t print or put on TV.  This was after excoriating her on her feelings about Black and Brown people and telling her to turn off Fox News and educate herself.

Though before she accused Joe of being senile and having Alzheimer’s.  To which I shouted back at her down the hall (Note: We were no longer in the elevator):

Well, you should know about that!  And good luck with your message in Los Angeles….HONEY!!!

Yep

This is all another way of saying the light has probably come for me and us just in the knick of time.

Sutton Foster – “Gimme Gimme” (from Thoroughly Modern Millie)

The Chair’s Must See Movies 2018

This is NOT a 10 best list.  Frankly, this year one would be hard pressed to talk about the best, as in:

We’ve got THE BEST MOVIES.

It would sound too much like that doll-haired huckster on TV shouting, with far too much certainty, things like:

I’ve got the best people…

I’ve got the best brain….

I’ve got the best words…

(Note to self:  Whenever someone has been reduced to telling you about their WORDS, run…don’t walk…to the exit).

My final thoughts on Electoral POTUS for 2018 #2019isMuellerTime

We like to say movies are all about images but what they really are is a combination of pictures AND words, mostly said by actual human beings, These two essentials are then arranged, ordered, stretched, edited, cut and re-interpreted to the point where they:

TELL A STORY.

But not just any story.  The most memorable must sees of any year show you people engaged on a journey that in some way is so unexpected, or familiar, that it grabs you and holds you even when you have to go to the bathroom and desperately want to let go.

Yup.  Must see movies have that kind of power and I’m just the middle-aged guy to personally testify to that fact.  Because if they’re done right you have a tough time breaking their spell despite what your body is pleading with you to do.

But even more difficult is getting them out of your mind.

Of course, this doesn’t mean they’re THE BEST in any given year.  After all, what is best at this point in time is starting 2019.   (Note: Hopefully.)

PLUS THE LAST AVENGERS MOVIE IN 2019!! (It is the last right? Right? RIGHT?)

Instead it means that in a time when pretty much everything FEELS and IS more important than any one movie, these films would NOT..LET…GO.  They held us, well me, to OUR CHAIR.  #ShamelessSelfPromotion

So screw the critics who want to make you feel dumb or out of it when you think to yourself things like:

Getcha glasses, here comes the shade

– I thought The Favourite was ridiculous and mean, as great as those three actresses were. 

– I felt Mary Poppins Returns was sacrilege and a sad excuse for Disney to make money.

– Nothing about Dick Cheney is remotely amusing, especially when one of our most handsome actors has to so ugly up his person to play him in Vice.

And —

– I wish Clint Eastwood would just STOP.   Or simply make a movie with an animal again.

The 2018 MUST SEES, in no particular order:

Three Identical Strangers

Do not adjust your screens, this is not three Andy Cohens

You know how you turned on the news most days in 2018 and thought/said – you can’t make this stuff up?  Well, no screenwriter could convincingly concoct this story and have it resonate the way it does – which is why it IS absolutely true.

A documentary about three wooly-haired Jewish triplets is crazy enough but what happens when they’re separated at birth, find each other in college and then….

It’s not fair to reveal more than the trailer.  Suffice it to say the story becomes bigger than the three boys and takes you on a JOURNEY…JOURNIES.  No excuses, it’s #Streaming.

Black Panther

Take me to Wakanda

Many of us weren’t interested in superhero comics as kids and even more of us have little interest in superhero movies now.  This does NOT mean we dislike them.  Like many adults, we are simply indifferent.

What the team behind Black Panther did in the most in the most subversive way was to NOT treat the film based on a somewhat obscure Marvel comic from the 1970s as SPECIAL  It was smart enough to know that with the first Black  Superhero Film EVER all that was needed was to tell a STORY that rang true and they could create the most meaningful movie of the genre to date.  That they did, and then some.

Does it suffer a few lags in the middle, a couple of confusing plot twists and several overly long action sequences?  Maybe.  But it also brought suspense and depth to an overdone genre not by adding another star villain but simply by being the best version of itself.

The Other Side of the Wind/They’ll Love Me When I’m Dead

Redeeming Orson

This is the newly finished final cut of the unfinished film Orson Welles started shooting more than 40 years ago and a documentary on the making of said film and of Welles’ final journey of incompletion.

There are more than a few moments of brilliance in Welles’ imperfectly perfect last film.  More than anything, this seriocomic mockumentary of itself and its real life filmmaker shows us once again how far ahead of his time Welles truly was (Note: Decades before reality TV) and just how deep his love-hate relationship with Hollywood ran.

The actual documentary on the making of the movie confirms most of what any movie fan could guess about the filmmaker and his subjects.  It plays as equal parts loving tribute, cautionary tale and historical document of the Hollywood filmmaking community.

There is no other filmmaker who can bridge the gap from the 1930s, up through the 1970s, and then just time into the 21st century so seamlessly.  The fact that Welles does it in two films via Netflix feels like his final middle finger to the town that lauded and then dumped him.  And after watching both pieces of work, that seems more than justified.

Can You Ever Forgive Me?

Let the Oscar buzz begin

What was the last film you saw featuring a nasty middle aged lesbian writer and an even older gay male party boy who strike up an unlikely friendship in 1970s/80s New York City?  Based on a true story?  Where they bilk collectors out of money by selling fake literary letters while blithely insulting all of the pretentious people you yourself are not fast enough to one-up in real life?

Hmm.  Never.  Though sounds like a typical Saturday for me.  Which is one of the many reasons I LOVED this film and it’s a must see.

The other is the surprisingly multi-layered, in-depth performance of Melissa McCarthy in the lead.  What a pleasure not seeing her spitting out a piece of pie to the camera, going to the bathroom in the middle of the road or flying through the air and squashing someone on her way down.

She and her co-star Richard E. Grant should both get Oscar nominations and every writer, or anyone who thinks they truly understand the writing life, or has ever written or read a book, should see it.  And not look at box-office figures or read the reviews. #GiveMeABreak

BlackKlansman

Talk about a good poster

Speaking of the Oscars, do you know Spike Lee has never even been NOMINATED for an Academy Award as best director??  Hopefully that changes this year.  It’s hard to imagine anyone but Lee bringing the right mix of comedy, irony and politics to what amounts to a story about race in our country.

Yeah, a real Black policeman in the 1970s DID pretend to be an aspiring member of the KKK on the phone to some real KKK members and actually began to rise through the ranks of  his local racists via the white Jewish  detective he got to pose as his physical self.

It’s so strange it works and so specifically scary that it resonates in 2018 politics.  One more reason it’s one of the must-sees of a year that will not have ended a bit too soon.  #DidIAlreadySayThat?

The Cold War

From the Director of IDA

It’s 89 minutes and as special as ANY movie you will see in 2018 or any year.  Polish filmmaker Pawel Pawlikowski has gifted us the story of his parents’ turbulent romantic relationship set against the 1950s Cold War in Poland.  But don’t let the title or the poster fool you. Unlike its title, it is intensely romantic, bizarrely strange, tragically quirky and so musically eclectic as to be right on the border of camp.

It is a pleasure to report that a filmmaker can tell a story with giant gaps in time and not confuse his audience; move arcs of characters in completely odd directions that feel perfectly understandable; and get us to buy it all in Polish and French with only English subtitles to guide us.  That and an unwavering bullsh-t detector that never allows for a single false moment.

If there is a film of the year, THIS ONE would be IT.

Ella Fitzgerald – “The Best is Yet to Come”