Same Old Song?

Turner Classic Movies had Judy Garland Day last week and, being a gay man of a certain age, I couldn’t resist tuning in at one point to this 24-hour Judy film fest.

Don’t judge me.

But of all of the choices available who knew that it would be a 1961 dour melodrama about four German judges being tried before a postwar military tribunal for their collaboration with Hitler and the Third Reich, Judgment at Nuremberg, that would hit me like a ton of bricks.

I can think of at least five other Judy films that would have been more enjoyable. (Note: Okay — A Star Is Born, The Wizard of Oz, Meet Me In St. Louis, Easter Parade and I Could Go On Singing). Though none that could be more timely.

Realistically, this is how I wish I felt about today’s political climate.

In hindsight I should have predicted it. Like the currently much lauded, breakthrough post apocalyptic Hulu series, The Handmaid’s Tale (which is about to once again become a multi Emmy winner for its superb second season), you can’t go wrong in 2018 watching a story about a country of people who enable a rabid white nationalist political regime to persecute, maim and/or kill anyone they deem to be a subversive OTHER.

Unless all you want to do is escape and put your _____ in the sand.   In which case, you are not only wrong but veering towards the same sheep-like behavior portrayed by some of your fellow countrymen in that movie, that series and no doubt countless other ____________s about to come out on other platforms that will be, at least thematically, very much like them.

Whether we call it the Nazis, the power brokers of Gilead or simply Trumpism – it’s all the same thing. A regime that wants to demonize anyone outside of a select group of people they don’t judge ‘ideal’ – whether they be Jews, the non-religious or Mexican/Middle Eastern immigrants – in order to rouse a base of loyal voters whose lives they promise to improve and whose country they vow to protect and/or rebuild.

I’m gonna go ahead and add “Crippling Insecurity” to the YES column #tinyhands

This strategy is always advanced with promises to put the people of said country FIRST, declarations that said country is GREAT and proclamations that the rest of the world is NO BETTER morally than they are and usually quite INFERIOR.

Yeah, I don’t like comparing any regime, especially America’s current regime, to the Nazis. But the argument being advanced is not how successful the regime is at achieving their goals or to what ends they will get to go in order to achieve them. Instead, it’s the philosophy and the strategy.

The degree to how far they get to go – well, this is up to their subjects… er….citizenry. In other words – THIS IS UP TO US.

BRB

Again, the comparison seemed a bit reach-y. Until too many lines from Judy’s Nazi film, for which she was nominated as Oscar’s best supporting actress that year along with several other cast members in their own categories, began to ring a bell.

— It started when Marlene Dietrich’s upper crust German woman says of Hitler:

He was in awe of nobility but he hated it.

— Then it continued when Montgomery Clift’s ordinary German man recalled the times he was MOCKED by LEADERS of the power class for speaking in a way that seemed slow even when he demonstrated the ability to understand logic.

I’m with Meryl — this still makes my blood boil

— It continued when Judy’s youngish German woman recalled how her best friend, a 65 year old Jewish man, was laughed at and held up to mockery by the PUBLIC at his trial simply because he was A JEW. The charges were violating the new law outlawing A JEW having sex with A GERMAN ARYAN (Judy), a charge he was found guilty of and put to death for even though, as it turned out, it never happened.

–Then there was Marlene’s defense of herself and the German people over Americans condemning her after the war:

Listen to me, there are things that happenedon BOTH SIDES.

ummmm… WHAT?

— Which all finally led to one of the four judges on trial, eloquently played by Burt Lancaster, exposing the lies he and his fellow Germans told themselves about Hitler and the Third Reich:

We say – what difference does it make – our country is at stake – Hitler (He) will be gone after a while. Things denied to US as a democracy are open to us now…. And then one day we looked around and saw what was going to be a passing phase had become a way of life.

Yes, all of these lines were indeed written – by the great screenwriter Abby Mann – but they were based on actual transcripts and stories he culled from the real Nuremberg trials right after the end of WWII.

.. and with a cast like this to make it come to life.

They were not his thoughts he put into his characters’ mouths so much as a distillation of real sentences and opinions and ideas of the time.

Though perhaps knowing there would be a portion of their audience that still might think they were being too polemic or had gone a bit too far, the filmmakers’ “movie trial” included 5-10 minutes of REAL NEWSREEL FOOTAGE of thousands of actual naked Jewish corpses – as well as others barely alive and starving – to back up their words.

This along with clips and still photos of the real crematoriums, featuring close ups of the popular German oven manufacturer that built them. In addition to historical maps indicating the dozens of specific towns with concentration camps hidden among a significant percentage of German citizenry who either supported Hitler because he was doing some good things or because it was easier to turn a blind eye to the whole ugly mess just because.

It’s difficult to face the truths, or potential truths, of any world, especially our own, but in the end it’s far uglier not to.

or you know, truth becomes relative. #stillcantbelievethishappened

As Spencer Tracy’s presiding American judge lets us know at the end of Judgment at Nuremberg in a way only a presiding American judge played by Spencer Tracy could truly make work:

A country is what it stands for – when it’s the most difficult. We stand for justice, truth and the value of a single human being.

Or to put it in 2018 parlance: There’s a reason why Sen. John McCain, who died on Saturday, chose Barack Obama and George W. Bush, a former Democratic president and a former Republican president, to deliver the eulogies at his Capitol Hill memorial service this week rather than the current sitting President of Trumpism.

 

What Price?

It’s been said many times that everyone has a price.

What this means is that people will do anything if they are paid enough money or given what they want.

So the question we all need to seriously ask ourselves during these very turbulent times is:

What is YOUR price?

Is it safety from real or imagined enemies, foreign or domestic?

That is to say, doing whatever it takes to bar morally unknowable immigrants (Note: nee…all of them?) from entering our country? Or is it prohibiting any morally questionable person in support of such a policy from dining in your restaurant, not to mention, continuing as president?

Perspective

What is YOUR price?

Is it about ensuring our country thrives financially, as well as ethically?

That is to say, making sure you have a president whose first priority is cutting taxes, creating old-fashioned jobs for the long ignored and appointing Supreme Court justices who will once it again make it difficult or illegal for women to get an abortion? Or is it ceasing communication with family and now former friends who believe in all of the above, while screaming at the top of your lungs in their faces, or from the rooftops or on our airwaves, to counter their selling out our most precious American ideals of freedom, equality and democracy for all?

What is YOUR price?

Repeat, Repeat, Repeat

You see where this is going. I had planned on continuing but the list and the metaphors could be – and are – endless as we approach July 4, 2018 – the 242nd anniversary of American independence.

Several days ago I watched What Price Hollywood a 1932 film directed by George Cukor about a spunky waitress who serves drinks to a charming, drunken Hollywood director that gives her a bit part in his movie, guides her to stardom and then dissipates into a state of alcoholic disrepair as her life blossoms.

The plot has since been appropriated by numerous movies, including the many versions of A Star Is Born (Note: The new Bradley Cooper/Lady Gaga one opens Oct. 5, and yes, I’m counting the days). Still, this does not mean it is any less ironic or timely.

Click for the OFFICIAL countdown (to the minute) #really #REALLY

There is no reality where you can get everything you want without it costing you something. It wasn’t the waitress’ fault the director became a hopeless alcoholic and ruined his life but because he was such a great mentor and friend it breaks her heart. That is the way the drama works because that is the way the world is – we achieve things and the norms and/or people we counted on and loved quite suddenly, at least to us, fall by the wayside.

A more contemporary comparison might be Indecent Proposal, a 1993 film where billionaire Robert Redford offers happily married Demi Moore a flat $1,000,000 to spend the night with him, no strings attached. After discussing it with her high school sweetheart husband, the financially strapped Woody Harrelson, and reassuring him of their forever love, the couple agrees to the Faustian bargain and… well… it goes as Faustian bargains go if not for test marketing and a somewhat tacked on Hollywood ending.

Girl how did you think this was going to pan out? #dowagergetsreal

Meaning, if someone is going to pay you $1,000,000 suffice it to say it IS going to cost YOU – a lot – and it may not be measurable by mere currency.

It certainly seems like US Supreme Court Justice Anthony Kennedy, 81, has the right to retire from the bench anytime he wants. Yet when I read this week that he was not so subtly reassured of his legacy beforehand by the White House, and that his eldest son worked for years with Trump on real estate deals at Deutsche Bank, the institution that loaned Trump a BILLION dollars, I couldn’t help but cynically and rhetorically ask the justice, and myself, – what price?

Me… all week

Of course I will never know if a price was exacted or if this justice – the Republican who was actually the swing vote in making gay marriage the law of the land – was swayed by any of it, or by them.

So it’s instead easier for me to stew over the millions of Americans (Note: And perhaps a handful of Russian bots) who voted for and still support a president who consistently calls the press the enemy of the American people or very bad people on the very day that five journalists were gunned down in their Maryland newsroom by a crazed shooter with a vendetta against their paper. Did Trump’s words contribute to egging the guy on in that particular moment? Again, we’ll never know. But for any of his supporters who still get joy from and continue to revel in how he’s characterized one of the foundations of our democracy – the free press – again I ask – what price?

And then – well, there are the immigrant kids in those cages. Mostly brown. Many fleeing violence in their home country – the way my grandparents and friends’ relatives did when they escaped the Nazis and came here in the 1930s and early forties. Or the way my internist’s family did when he was smuggled out of war torn southeast Asia in the 1970s. Or how my dental hygienist managed it when her family ran for their lives from Iran in the 1980s.

Today in America

None of them were forcibly separated from their parents by the US government when they arrived at our borders seeking asylum (Note: The latter a legal right of ANYONE arriving at our shores. Asylum, that is).

So for those currently chuckling with satisfaction at or apoplectically angered by those of us marching in the streets who are outraged that non-English speaking three year olds are being forced to appear ALONE in court at a hearing where they are responsible for telling their own immigration story THEMSELVES before an adult in a big BLACK ROBE who towers above them, I ask – to every last one – again – what price?

And to consider if what they’re losing is worth what they’re getting in return. Financially, morally or, really, even in practical terms.

Broadway United – “We Are The World”