For Your Consideration

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I used to have a poster in my bathroom that read ART OFFICIAL underneath a cartoon drawing of a deceased politician who, among other achievements over his 30 years in office, vigorously advocated for legislation in the U.S. Senate that would quarantine people with AIDS, reinstitute segregation in the South and defund all governmental support of the arts. His name was Jesse Helms and a looker, he wasn’t.  Still, every time I went to the bathroom and saw his face, snarling at me from over the bathtub, I felt as if I were taking a crap right in front of him and everything he stood for. This made me incessantly happy for quite a long period of time during a very difficult period of my life.  Okay, about 15 years.  Still, how many other $9.95 posters can you say that for?

Allow me to excuse myself

Allow me to excuse myself

Many people, including my now husband, criticized me for keeping Mr. Helms around for that long and begged me to take him down.  Nevertheless, I wouldn’t relent – even when Mr. Helms started to bend and fade after years of restroom abuse and we were towards the end of the Clinton administration where times had begun to change just a little bit.

Some months after Sen. Helms finally dropped dead at the age of 87 and my test of wills was won I decided it was time to move on.  Still, I sometimes miss that poster (Note:  The original piece was drawn by famed guerilla poster artist Robbie Conal) and everything it evoked – anger, color, sadness, triumph and, in the end, just plain justice.

I have a better idea for some bathroom art.

Perhaps some better bathroom art

Point being, it’s hard to quantify what a poster or any piece of art means to an individual.  What speaks to us, why it resonates, just how good “good” really is or just how “awful” a truly awful creation can be is purely subjective.  Can you really, as the old saying goes, sew a silk purse from a sow’s ear?  Well, for my $9.95 you couldn’t get any more piggish than Jess Helms yet, crossed with the expert purse-spinning of someone like Mr. Conal, you could not have wound up with anything more silken.  My dear husband to this day still disagrees but, fortunately, arguments like those are not relationship breakers.

Which brings us to the announcement of this year’s Emmy Awards.

But before we begin, here’s a photo of Jon Hamm.

hai

hai

And another.

Me again?

Me again?

This man has NEVER won an Emmy Award and yet has been nominated all eight seasons he has brilliantly played Don Draper on the equally brilliant television series Mad Men, which finally ended its run this year.

Yes, Mr. Hamm is the physical anti-Helms and in that sense certainly bears no relation to any sow I have ever seen.  But that is no reason to penalize him for achieving the equivalent of the finest silk etching of one of the medium’s most iconic and certainly-to-be enduring characters.  So if you’re a voter – you. must. vote. for.  him.  And if you’re not, consider joining the Television Academy just so you can make sure that this time justice will be done.  Or simply go through your phone book and lobby someone you love, like or even feel indifferent towards to do the same.

Even I will vote for Jon!

Even I will vote for Jon!

Now, where were we?

Ah yes – awards.  See how totally subjective these types of discussions can be?

For your conveniences, here is a link to this year’s nominees

There is no point going on about every one of several hundred categories and who was left out, included or otherwise justly ignored.  We all have our favorites.  And sows.  Yet here are some salient facts you might not have known:

Sizing up the competition

Sizing up the competition

1. Every nominee in every category must be officially “entered” into the race.  To do this it costs anywhere from $200-$800, which can be reimbursed if you are a member of the Television Academy – though that’s a yearly fee equivalent to the entry fee.  True, the studios or producers will often pay the money but not always.  Not to mention, any time anyone pays for anything that will give the general public pleasure, the cost will somehow funnel its way back to you – the audience – in some form.

Translation: This is not to say that there are not deserving people who win this or any other show business award.  But the next time you become outraged at the unfairness of it all, consider the paradigm on which this is all constructed. (Note: With the exception of any award for Jon Hamm).

2. The rules require most categories limit the amount of nominees from 2-6.  But you might notice that this year some have seven or eight nominees.  That’s because there is a 2% rule which means that if the last nominee who makes the cut is not getting 2% votes more than the next one in line, that BOTH have to be upped above-the-line.  Got that?  I thought so.

Whatever... she is marrying Joe Manganiello  #trophyhusband

Whatever… she is marrying Joe Manganiello #trophyhusband

Translation:  From the point of view of the television business – the more the merrier.  Meaning, if there is any way a network can somehow eke out another nomination it can advertise by getting one or two of its employees (who are often Academy members) to vote for one of their shows or performers or craftspeople they will do it with the hopes that they can land within 2% of the next marginal entry and somehow tip the scales in their favor.  Note:  This is not purely cynicism, though certainly something has to explain why Julia Louis-Dreyfus has been nominated 19 of the past 25 years for playing two very similar characters and Tatiana Maslany of Orphan Black finally received her first in three years for a BBC series (Orphan Black) during which she convincingly plays 5-7 very distinctly different people. (Note:  Oh, hiss and boo your own selves – Copyright, Bette Midler – and save your outrage for world peace).

3.  There is similarly no accounting for why perennial nominees are suddenly left off of the list.  For instance, this year Big Bang Theory’s Jim Parsons, a four-time winner and six-time nominee in the Best Lead Actor in a Comedy category, was completed overlooked.  Bill Maher, who has been nominated 18 times for hosting and writing his own show for 20 years (and has never ever won) was passed over entirely this time out.  (Note: He’s probably relieved).  Homeland was back among the best drama series in its fourth season after being dropped from the list last year following two consecutive nominations and one win in that category for its first two seasons.  Similarly, Mad Men has been nominated for best drama series for every year it has been on the air but NOT ONE OF ITS REGULAR ACTORS HAS EVER WON.  EVER.  #itsanhonorjust2benominated?

Will one of these admen (and women) bring home the gold?

Will one of these admen (and women) finally bring home the gold?

4.  A big deal is made each year over “new blood” being recognized during awards season.  This year, the people of the moment the zeitgeist seems happiest about are Amy Schumer for her much lauded sketch comedy show on Comedy Central, John Oliver for hosting a new HBO show that bears his name and Netflix’s Unbreakable Kimmy Schmidt, which scored a series and a handful of guest-starring nominees but none for uh, Kimmy Schmidt – aka Ellie Kemper?  There are no whys in this discussion.  Only why nots.

Hey... look who was on Kimmy Schmidt?

Hey… look who was on Kimmy Schmidt?

5.  It’s one thing to peruse a mainstream publication’s list of Emmy contenders for hits and misses but when you’re looking for something a bit more specific, or at least unusual, research shows (Note: Okay, fine, it’s just my opinion), people turn to blogs.  In this spirit, we’d like to point out that by far THE unique Emmy nominee of 2015 is the nod to Jane the Virgin’s Anthony Mendez as BEST NARRATOR.  The CW show has broken the barrier and become the first ever-scripted series to score a nomination in this category.  Since you’re wondering, this year he goes up against Neil deGrasse Tyson, who narrated National Geographic’s “Hubble’s Cosmic Journey,” Miranda Richardson, who did Nat Geo Wild’s “Operation Orangutan,” Peter Coyote, the voice of PBS’ “The Roosevelts: An Intimate History” and Henry Strozier, narrator of Animal Planet’s “Too Cute!” series.  Though the much-hoped nomination for Jane the Virgin star Gina Rodriguez in the lead actress category didn’t happen. #donteventry

6.  Finally, it could be argued that, historically, among the most competitive Emmy category has been lead actress in a comedy series.  Think about it – Lucille Ball, Carol Burnett, Jean Stapleton, all four Golden Girls in various years and, okay, yes, Julia Louis-Dreyfus.  (Note:  I never said she wasn’t good!).

However, there should really only be one winner this year and that’s Lisa Kudrow for comic/tragic/comic heroine Valerie Cherish on HBO’s The Comeback.

That girl!

That girl!

It doesn’t get any better than what she managed to pull off as actress, writer and producer.  Will she win against Amy Schumer, Amy Poehler. Lily Tomlin, Edie Falco and, um. J L-Dreyfuss??  If there is any justice, yes.  But as was the case with my under $10 piece of Jesse Helms artwork, sometimes it takes 30 years for justice to prevail.

Finally —

GIVE JON HAMM THE G-D DAMN EMMY!!!

Trumping Mr. Finch

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Human beings lie. This is part of who we are. This does not mean we do not tell the truth. We do to many and varying degrees. But to deny the former is to invalidate the latter.

In other words, it can’t all be good. If it all were, then the very definition of the word good would be meaningless if you took in the actual events of everyday life.

Which brings us to Donald Trump. Did you watch him? See him? Hear about it? I thought so.

Oh.. that guy?

Oh.. that guy?

Relax, this is not going to be about him – though in his alternate reality speak everything seems to be. Or at least told in terms of him. Which is what we all do to varying degrees (Note: See paragraph #1). But it’s all about degrees, isn’t it? And what we say – and to whom.

Harper Lee, who wrote one of the most famous and iconic books of any American author, To Kill A Mockingbird, has a new novel coming out this week – her SECOND at the age of 89. Rather, it is her first book (Note: As far as we know) but her second PUBLISHED novel.

See how tricky this lie thing is?

Suck it 50 Shades, I made books hot again

Suck it 50 Shades, I made books hot again

Ms. Lee’s latest is entitled Go Set A Watchman and she has been getting a lot of flack – or perhaps it’s just press – for daring to take Atticus Finch, the father figure (admittedly based on her own father) she immortalized as possibly the most principled man – certainly lawyer – on the planet in TKAM and portraying him as a racist in her new/old novel.

Now let’s set aside the fact that for whoever he might be based on Atticus is a fictional figure and that Miss (Note: She famously prefers Miss to Ms.) Lee actually wrote Watchman more than several years prior to her most renowned creation – which was first published in 1960. The real question that seems to be eating reviewers, readers of advanced copies and now the general public is:

Has Harper Lee been lying to us all these years? Is Atticus Finch really a….RACIST? A guy who she apparently chronicles in the new book once attending a Ku Klux Klan meeting and then later denounced the U.S. Supreme Court’s Brown vs. the Board of Education decision that desegregated the American school system?

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Okay, well, maybe that’s really two and a half questions. But really it all boils down the first – is she LYING to us? For if we cannot believe in the heroism of Atticus Finch, a guy who took on a whole Southern town in the 1930s and dared to successfully defend a Black man falsely accused of raping a White woman then – well – what else is NOT TRUE?

Um, A LOT.

Don't look at me!

Don’t look at me!

And, well, OF COURSE SHE’S LYING. As well as TELLING THE TRUTH.

None of this stuff is simple. The question we should be asking ourselves is: What is the broader truth and how do we recognize THE BIG LIE???

As a writer it amazes me to think anyone truly believes that Atticus Finch was the exact representation of Harper Lee’s real father. He couldn’t possibly be because:

  1. He is a written representation of a flesh and blood person from one subjective storyteller’s (individual’s) point of view – meaning he’s one-dimensional and frozen in place at the author’s whim rather than three-dimensional and able to roam free on his own
  2. He was played by Gregory Peck in the movie… and
  3. The movies are cultural representations of some of our most convincing lies, though not always our biggest ones, and people who win Oscars for these roles cannot possibly be entirely telling the truth since THERE IS NOT A LARGER THAN LIFE MOVIE HERO THAT EVER, EVER, EVER IN THE HISTORY OF THE WORLD EVER existed in real life as they do when they’re rendered 22 feet tall and 52 feet wide.
Named AFI's #1 Greatest Movie Hero

Named AFI’s #1 Greatest Movie Hero

That we, or so many of us, could truly believe Atticus Finch was indeed real is the secret of the movies and what makes them great, enduring and an art form that will probably never disappear no matter how hard the major movie studios try to make this so with the financial choices they’ve been making as of late.

Yet all the shock and disbelief that a white man of the Deep South who was raised at the turn of the century and practiced law in the 1930s would ever have had a racist thought in his belief system truly does take me aback. Of course, it also surprises me that there are tens of thousands of people across the country who believe Donald Trump when he categorizes illegal Mexican immigrants as rapists sent here purposely by its government who are killing innocent Americans walking down the street en masse.

Interesting form of logic

Interesting form of logic

In the interests of fairness – and we here at NOTES always attempt to give equal time to opposing views no matter how nutty (Note: I didn’t say we didn’t editorialize) – it is certainly true there are among illegal Mexican immigrants a few rapists and others who do kill innocent Americans walking down the street. Mr. Trump, in fact, found one or two examples of such he reiterated to a room of crazed red meat conservatives and libertarians this weekend in Las Vegas at a Freedom Fest Convention. But it is also true that the vast majority of illegal immigrants – either from Mexico or other countries – are NOT rapists and murders. If this were so we would see a spike so high in crime statistics that no amount of real life Atticus Finches could exonerate from our daily lives and minds (Note: That is, if he did ever exist, which, I might remind you again, he did not).

To put it in terms Miss Lee might see fit to approve of – why can’t Atticus Finch be both a wonderful man, father, attorney and humanitarian yet also be a person who, through his life, espoused, hosted or otherwise considered, any number of less than admirable thoughts and views? This does not make him a bad person – simply a real person.

Yet if one were to measure him as a whole person one must consider whether his dark views represented him in the majority or if his life’s work – both professionally and personally as a father – took up the lion’s share of his existence and was not the true portrait of who he was. In the case of Atticus Finch, who among us would not say that even with what we know of him he’s still, when all is said and done, a pretty moral guy. We were not told a BIG lie about him – instead what we got were a bunch of truths that need to now be balanced against, well, a whole group of other, more disturbing facts.

This is not the case with Donald Trump – or at least it doesn’t appear to be given the information we now have about him on hand.

He traffics in THE BIG LIE. The celebrities who win the top prize on The Apprentice are not really hired by him. His proclamations that our Southern borders are the most unsafe that they’ve ever been are not borne out by current day statistics which show that today’s murder rate in a border town like El Paso, Texas, for instance, is at an all-time low. His continual claims that Pres. Obama has failed to create jobs, especially compared to his recent Republican counterparts are also untruths. In fact, the economy has gained FIVE times more jobs than under Pres. George W. Bush and the unemployment rate (5.6%) is below the historical average.

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#nailedit

None of this is to say the economy is absolutely great, Pres. Obama is faultless or that illegal immigration ceases to be one of many issues needing to be addressed in a more efficient manner.

It is only to proclaim that in each news cycle Donald Trump and many others like him (Note: You be the judge of whom – this has nothing to do with political affiliation) do tell THE BIG LIE. They use bluster, emotional manipulation and all kinds of sophisticated theatrical trickery in order to prove ill-conceived points, devoid of or carefully shading the facts to their own benefit and, specifically in Mr. Trump’s case, to advance whatever narrative he’s choosing to publicly spew at the moment.

Ding Ding Ding

Ding Ding Ding

I’m familiar with what he/they do because these are all part of the arsenal any writer uses in his or her work daily when creating compelling characters and/or watchable situations. Miss Harper Lee also knows about this – A LOT MORE about this than I do. But in entertainment – and literature – these are merely tricks of the trade.

For Donald Trump and others like him they are divisive weapons being used to take the reigns of the ACTUAL world by any BIG LIE necessary.

Watch out for them, they’re dangerous. As for Trump himself, well let’s just say he’s no Atticus Finch – no matter which of Miss Lee’s novels you choose to read.