Best of the Week

A 2025 wrap-up next week. 

Well, more of a good riddance to a year that the most optimistic part of most of us would categorize as…challenging.  

Because you never want to tempt fate by saying any year was the worst.

Dumpster Fire GIFs | Tenor
Too much?

But as the Chair finishes his grading – and that’s what this year has done, caused me to more often than not speak about myself in the third person – here are three memorable moments to get you through the fourth week in December.

#1 – THE OUTPOURING OF LOVE FOR ROB REINER

Rob Reiner: A Gifted Artist Who Knew Why People Need Stories
Our beloved Meathead

A very smart person told me years ago that when someone you love and/or admire is no longer around you want to think about the way they lived rather than the way they died.

Perhaps you’ve heard that too.  Or read it.  It’s hardly an original thought.  But one that I constantly have to remind myself of when a death that really gets to me happens.

And what really got me after the initial shock over the gruesomely awful murders of Rob Reiner and his wife, Michelle Reiner, was the outpouring of love and kindness not only worldwide, but most particularly in Hollywood, aka The Industry.

Rob Reiner's star on the Hollywood Walk of Fame is adorned with flowers as  grieving fans pay tribute to the iconic director.
Gone but never forgotten

Aside from the countless remembrances from his famous friends and not so famous fans, I’ve heard stories and heard ABOUT stories from many dozens of people RR gave a start to, was kind to, talked to or took time out to simply notice when nobody else was paying attention.

Everyone without exception thought of him as smart, funny, generous and, as my tribe likes to say, a mensch. 

A fitting tribute from his Sally

Not many so accomplished in these parts do you hear that about.

Yeah, he was “Meathead” in All in the Family.

And of course, he directed a string of memorable and varied hit films, the likes of which few can claim – This Is Spinal Tap, The Sure Thing, Stand By Me, The Princess Bride, When Harry Met Sally…, Misery, A Few Good Men and The American President -nearly eight in a row over 11 years (1984-1995).

Undeniable talent

Not to mention Castle Rock Entertainment, the production company he founded that gave us screenwriter Aaron Sorkin’s first movies and Larry David’s first TV series (Note: Um, Seinfeld).

But as memorable as it all was and is, it’s his political activism this gay man of a certain age will remember. RR and his wife stepped up for lots of causes but in particular he lead the fight to legalize gay marriage, both financially and vocally – first to stop California’s proposed 2008 ban on same sex marriage (Prop 8), and later by funding the legal fight all the way to the U.S. Supreme Court.

How Rob Reiner's Activism Advanced the Fight to Legalize Gay Marriage and  Tax the Rich
Thank you Rob

It’s easy to step up when everyone else is, or when it directly affects your well-being.  It’s more difficult, and rare, to put yourself on the front line and lead a fight with your time, money and celebrity simply because you know it’s the right thing to do.

#2 – EPISODE FIVE OF THE VIRAL QUEER ROMANCE HBO MAX TV SERIES – HEATED RIVALRY.

Heated Rivalry' S1 E5 recap: confessions and major kiss
This is TV

It was the gay kiss scene seen round the world and embraced by millions of gays AND straights.  But if you would’ve told teenage Chair that one day he would turn on his television set and see two hot gay guys making out to cheers in front of a crowd of millions in the middle of a hockey rink just after one of them won the fictional equivalent of the Stanley Cup he would have….

Happy Shock GIFs | Tenor
Well…

Let’s just say it would’ve saved him a decade of woes, not to mention therapy.

But rest assured for decades to come the kiss will be featured in gay bars and pride parades everywhere for its uncomplicated message of love and acceptance.

When I was pressured into watching Heated Rivalry some weeks ago (Note: Okay, I don’t know everything) I figured that at best it was like the USA Network and Cinemax mated to birth a gay television series for Canada for a very select and mostly horny crowd.

watmay1 Anyone remember that episode of Seinfeld where there was a gay guy  and everyone just kept staring into the camera and saying "Not that there's  anything wrong with that."
that’s what I’m saying!

Yikes, was I wrong.  (Note: Well, partly wrong).  And the six episode season one that prompted it to  receive a larger, multi-episode season two order is proof.

Yeah, it’s hot and romantic.  But it’s also loving and nuanced with two of the most original young female LGBTQ allies TV has ever seen fit to give us.

#3 – TWO SOCIAL MEDIA POSTS FROM THE RESISTANCE TO A TONE-DEAF, BUS & TRUCK TOTALITARIAN ADMINISTRATION.

I will let the posts/tweets speak for themselves. 

The first is from Kerry Kennedy – lawyer, author, human rights advocate and niece of the late Pres. John F. Kennedy.  Along with the rest of us, she was infuriated when the current, ahem, POTUS, this week decided to literally rig the voting system of the Kennedy Center Board and slather his name ABOVE JFK’s, proclaiming the famed arts center The Donald J. Trump and The John F. Kennedy Memorial Center for the Performing Arts.

The second is from [an impersonation of] Cher from her fans (Note: aka, Fan Fiction).  White House Press Secretary Karoline Leavitt, known to reporters on the Hill as Bullsh-t Barbie, made the unwise decision to diss Cher publicly as an irrelevant relic of the past.

Let me just say this before I give diva and her posse the closing word.

I worked with Cher on a movie years ago. 

YOU. DO. NOT. COME. FOR. HER. 

At 72, Cher achieves major 2018 music milestone for a woman - ABC News
She’s always in her Queen Era

OR HER ADORING GAZILLIONS OF FANS WHO LOOOOOVE TO IMPERSONATE HER.

SHE (AND THEY). WILL. ALWAYS. WIN. 

Especially when they’re ALL right. Here’s a sampling of a fake, but oh so seemingly real, tweet written in Cher’s voice by her adoring brood (as if there is a difference).

RULE OF THUMB:  THE ONLY THING LEFT OF THE EARTH AFTER THE NUCLEAR HOLOCAUST WILL BE TWINKIES, TITANIUM AND AN AI VERSION OF CHER. PROCEED WITH CAUTION.

Cher – “DJ Play a Christmas Song”

The Chair’s Review: Bros

Who knew that Bros, the first gay romantic comedy released by a major studio, would be as good and sweet and touching as it is?

I certainly didn’t.

Oh, also, it’s pretty damn funny.

And Billy Eichner and Luke Macfarlane make a really convincing couple falling in love. 

It might not seem that way in the poster, which features only the backsides of two unidentified men, each with a hand on the other one’s ass.

Isn’t this better???

But, hey, you can’t have everything.

Sadly, one thing Bros didn’t have this opening weekend was box-office success.

It received almost universally glowing reviews and scored 97% on Rotten Tomatoes’ audience meter.  But grossing approximately $4.8 million domestically on 3350 screens makes it a huge financial disappointment in light of the $10 million plus it was expected to earn.

Not to mention the $22 million it cost to make and the $30-$40 million above that Universal Pictures spent to market it. 

Box-office numbers are a strange indicator of what is good, bad or indifferent about a movie.  Trust me, I know whereof I speak.  In the eighties, I started the first weekly national box-office column for Daily Variety, which in turn popularized the international trend of reporting the grosses each weekend as if movies were racehorses in the Kentucky Derby.

Groan

But what seemed a good idea at the time for a business publication inundated with inflated numbers of seeming profit provided by their corporate-entity makers (Note:  There is often little correlation between box-office grosses and actual profit, since it depends how much the damn thing cost to make and promote) promptly became nothing more than another way to measure a film’s VALUE. 

In turn, it too often was the barometer for it being dubbed a SUCCESS or a FAILURE.

Yes, we live in a capitalist society and who doesn’t like making money?  This is especially the case for corporate entities.

But as far as the measure of worth is concerned, the numbers a moviemaker’s film pulls in on opening weekend at the box-office in 2022 couldn’t be less-related to its artistic, and, yeah, even its ultimate financial worth.

Preach!

This is not 1980, when Richard Pryor and Gene Wilder’s bro comedy Stir Crazy was lighting up the box-office coffers in one of the first Daily Variety stories I ever wrote.  And Bros is certainly not Annie Hall (1977), a film about another neurotic Jewish New Yorker who falls in love with a gorgeous person from the planet SHIKSA/SHAYGETZ (Note: Look it up!) much the way Mr. Eichner does here.

As a young gay man who loved Annie Hall when it was released and had not yet come out, I could NEVER have imagined in my WILDEST, WEIRDEST dream that any movie studio, much less a major one, could make a gay male love story starring a much too talkative, know-it-all Semitic boy from Queens, like Billy AND myself, with any other boy boy from any other PLANET.

I mean, I barely realized those kind of love affairs were possible in real life on EARTH.  And you might even substitute the world barely with I didn’t even know. 

If only I had Bros way back when, I might have kissed (Note: And much more) A LOT less toads until I found my prince.

This!

But I suspect that was partly Mr. Eichner’s story too, and at least a sliver of the reason he wanted to make this movie in the first place.  It’s a laudable ambition and effort but practically a fool’s errand given the finicky nature of the way audiences watch new films in these pandemic and post-pandemic (Note: Ahem) days.

Personally, this is only the second time in more than two and a half years I’ve been to an actual public movie theatre as opposed to the at least 1-2 times PER WEEK that I used to attend pre-2020.

Me, 20 minutes before showtime

This might not be the case for most young people but, then again, we need to consider what everyone is now going to see publicly en masse. 

Once you cut out Marvel movies, horror films and tent pole-type action flicks, how many big opening weekends for romantic comedies are left??

Bros director/co-writer Nick Stoller scored big with the pre-pandemic 2008 film Forgetting Sarah Marshall.  And producer Judd Apatow directed the writer-star Amy Schumer to opening weekend success in 2015 in her big screen debut, Trainwreck.

But those might have been made and released a century ago as far as our current movie-watching habits are concerned.

Imagine a world where at least half of the new movies can be had opening weekend at home on your big ass screen with a click of a button from a service you pay a minimal amount of money to subscribe to.

You don’t have to.  It exists.

… and you don’t even need to wear shoes (or get dressed!)

Or better yet, think about a life when any moviegoer can pay the price of a single ticket of admission plus a few more dollars and entertain as large a group of friends as they want to their house (Note: Or even a first date with someone they like) and together watch that new movie they’ve been dying to see, on their computer, in their living room, bedroom or, well, any room in or outside their house, apartment, or trailer home?

You don’t have to.  You can merely open your eyes and fulfill that wish for 80% of the movies out there.

Universal and the other big four or five major studios  (Note:  Six? Seven? Three? How many are technically left?) might not want to recognize this fact.  But it’s still a fact.

This is especially the case for a genre that’s always been close to this gay man’s heart – the romantic comedy.    

On the other hand, maybe I’ll be proved wrong in a few weeks when the new George Clooney-Julia Roberts rom-com, Ticket to Paradise, debuts solely at movie theatres.

Admittedly a better poster!

Yet is it fair to compare movie star royalty like the Clooney-Roberts combined billion-dollar box-office oeuvre with Billy Eichner and Luke Macfarlane?

Well, too bad.  Who ever said life was fair?

See, that’s the gist of the argument.  But the market doesn’t quite exist anymore to launch a new rom-com star, or stars, solely on the big screen.  Even Julia Roberts did a TV series a few years ago and the last theatrical box-office success starring George Clooney was…… okay, Gravity (2013), where he didn’t even have the lead and which was certainly no rom-com.

Bros got the most difficult thing right in a movie of any genre, but most especially one that is a romance AND a comedy.  It persuades us to care about its two leads by presenting them as real people rather than cardboard cutout movie types generated by a computer program, a list of old films and the shuffling of scenes written on a bunch of recycled index cards.

and it’s charming!

Sure, there are moments where what we are watching has so many LGBTQ plus references and people that you need a flow chart to be fluid, up to date, on trend and hip enough not to be left in the dust or mildly uncomfortable by some throwaway remark or too larger than life comic overstep or contemporary reference.

But that’s the exception rather than the rule here. 

Bros is certainly not perfect but what is the last perfect movie you’ve seen in the pandemic, or post-pandemic present? (Note: Or ever?)

As rom-coms go, it far exceeds 2022’s Marry Me (starring J-Lo and Owen Wilson) and The Lost City (Sandra Bullock and Channing Tatum in the leads) any day of the week.

But that will not be the ruler against which the first gay romantic comedy released by a major studio will be measured against.

They’ll compare it to the Oscars won by Annie Hall (1977), the popularity of When Harry Met Sally (1989), the box-office mojo of Sandra Bullock and Ryan Reynolds’ in 2009’s The Proposal (Note: $163 million domestically) and the zeitgeist reaction to Crazy Rich Asians in pre-pandemic 2018.

… which in this case means, box office success

This is meaningless.  And it takes away nothing from Bros being a very good, very smart and very entertaining film at a time when we need the very entertaining, the very smart and the very good. 

By any true measure of anything worth measuring, that makes it a success. 

Not to mention, historic.

Billy Eichner – “Love is Not Love” (from Bros)