New to the Neighborhood

This past week the democratically led House of Representatives voted to impeach Donald J. Trump right out of the Oval Office.

There were seemingly endless hours and days of sober, nasty, angry and all around contentious testimonies, cross-examinations and speechifying none of us could get away from.

Even if you didn’t tune in, read about it or experience it via a random social media post/tweet, it was in the air.  Try going into any public place and someone, somewhere said somethingOr you I thought they did.

Of course, this is merely act one.

For those dreaming of a white christmas

In the next month we have a trial in the Senate that looks to be eerily similar except for the outcome.  Since that body has a Republican majority it’s likely that all of those legal and ceremonial bickerings will end with Trump exonerated/still in office and both sides of supporters feeling similarly aggrieved.

It’s about the only thing we all agree on as a group.

This weekend I watched the new movie about famed children’s TV star Mister Rogers, A Beautiful Day in the Neighborhood.  I watched it on a screener at home because I was so similarly aggrieved that I was too lazy to go out to the movies and too wrung out to actually spend time looking at anything that I even vaguely cared about.

Yeah, I never got the TV show Mister Rogers Neighborhood OR the man himself.  In fact, full confession, as a kid he REALLY gave me the creeps.

I’m not kidding.

Enjoy your nightmares

The sweater, the monotone, the dumb songs and the STARE into the camera made my skin crawl.  It seemed like any minute his red wooly arms would reach through the camera, grab me and then touch me in a place he didn’t belong.

Intimacy issues?  Trauma?  Challenge with trust?   Perhaps so or maybe it is all of the above?  But, I mean, who didn’t in those days?  Not to mention, which of us doesn’t have at least one of those in these days?

That’s why I can only point to current events as the reason why I bought A Beautiful Day in the Neighborhood, a film about a journalist interviewing Mister Rogers in the late nineties, hook line and sinker.

Wait… what?!

Sure, you could argue that the fact the film centered on a jaded, too-smart-for-the room journalist with childhood daddy abandonment issues was what made this cynical, smart-mouthed writer and child of divorce with childhood daddy abandonment issues like it.  And you wouldn’t be entirely wrong.

But neither would you be even close to being entirely right.

There is nothing less than this writer wants to see than Tom Hanks starring as yet another onscreen heroic character (Note: Particularly in a sweater).  In fact, for the first 20 minutes of the film I literally found myself so majorly annoyed and offended I began shouting fuck you out loud to Mister Rogers, the WGA, the screenwriters and anyone else who would listen (Note:  My poor dog) for subjecting me to this mess.

seemed like a good time to dust off my favorite gif

But then at some point something hit me.  It was a line from the beginning of the film and I had to pause, then eject and then replay the DVD from the beginning to get the exact quote.

Yes, I shudder to repeat this out of context but it’s something…Mister Rogers says to one of his…..ugh……..puppets in the first five minutes.  And that is:

Do you know that means, to forgive?  It’s a decision we make to release a person from the feelings of anger we have at them.

Yeah, I know.

.. and then the Chair’s heart grew three times

A purple prose bromide that is just another part of the never-ending Toolkit of New Age Logic.

Not to mention, it’s not even original to me.  I was a faithful Oprah watcher and to this day I still get O Magazine.  Plus, I’ve literally had decades of therapy where this very issue – and very line – has been covered ad infinitum.

But usually it is in reference to me and my personal issues, not those of national neuroticism and consciousness.

OK.. and well this too

As a left leaning Democrat who used to feel like he was a liberal  (Note: Until the last year where I’ve been yelled at for being what is now considered a MODERATE) well, let’s start with I’m angry with everyone and anyone categorizing me as that.

But then there’s also:

1- A president who hate tweets a 16-year-old climate activist because he was jealous she got the cover of Time Magazine as Person of the Year instead of him. (Note: And his wife, the faux anti-bullying activist, among other fauxs).

What it’s actually like to BE BEST

2- His various enablers, from Congress on down, who don’t mind him consistently meeting with powerful Russians, including Putin, on the phone and this week in the White House, and laughing about it even as he’s being prosecuted for actions relating to it.

3- Staunch conservative Republicans who turn a blind eye to his attacks on people who have spent their lives trying to defend the freedoms they claim to hold dear (Note:  This week it was calling the FBI scum, and last month it was referring to the press as traitors and very bad people)

4- His loyal base of EVERY voter (Note: Whoever they are) who are okay with base insults against every non-white, non-straight or ethnically specific group under the sun from the Oval Office, as long as said base get to watch those who oppose their politics squirm while he throws then a bone on some issue near and dear to their hearts.

I didn’t say it — he did!

There are also:

5- The Democrats, liberals, et al, on social media who loathe Trump but rant and rave about how NO ONE but THEIR candidate (Note: Often Bernie Sanders, sorry) will do.  This is usually accompanied by endless posts and stories about some failing among the many, many, many others in the Trump-opposing field.

6- The women who are threatening to sit it out if the Dem nominee isn’t female, the gays who claim they won’t vote until the nominee is queer, the people of color who will willingly stay home unless…..well, you get the picture.

Posted without comment

7 – The woke culture that has gotten my students to the point where they are often afraid to write, or even say, anything controversial in class for fear that they might micro-agress/offend.

8- The vitriol, threats and sheer meanness from the top on down, that has turned young people mostly off to politics and given them little faith that they or anyone else can make a difference until this generation of boomers die out and they are able to take control.

Okay, boomer, indeed.

All of this and more has brought me to the point where, in the search for a solution, I actually find myself, all these decades later, turning to….Mister Rogers for comfort????

I draw the line at the puppets though #STILLCREEPY

Well, if that’s what it takes, fine, I do forgive them.  Trump and his followers, every last one of them.  Seriously, I do.  I only wish they could forgive whatever they think me and my ilk did to them (Note:  This includes all those who now claim the mantle of 2019 liberal).

Mister Rogers, and now I, might be a little naive but at the moment this seems the only solution for any of us in this country to have even a fighting chance.

Mister Rogers – “It’s a Beautiful Day in the Neighborhood” (Opening Theme)

We’re all uncomfortable

If you refuse to watch art from people you in some way disapprove of, only Tom Hanks and Julie Andrews are left.   

-– The Chair

Make me watch Forrest Gump or The Ladykillers again and I’d probably punch you in the face.

Not to mention, Hawaii and the 1980 remake of Little Miss Marker would be a very tough slog.  (Note: Sorry, Jules).

And truly, if you’re going to watch some classic films why not simply go to the acknowledged mainstream top of the list choices.  Perhaps Chinatown or even… ROSEMARY’S BABY?????????

What’d’ya say Mrs. Mulwray?

Uh, oh.  Both films were directed by Roman Polanski and Mr. Polanski is best known these days by a new generation of filmgoers as the man who had sex with an underage girl and fled the U.S. before he could be properly punished for it.

Rightly or wrongly – and it’s not either one – this issue came up recently in a writing class when we were analyzing story elements of a classic sequence in Rosemary’s Baby where the lead character is raped by….

Well, who did it is not important for the subject of this discussion.  The pertinent part was the past deeds of this director and how much his personal actions influence what a viewer now sees or can’t see in the piece of art being offered to us.

This film still kind of says it all #ugh #uncomfortable

My knee jerk reaction is that we must separate the art from the artist and realize that times change, truth reveals itself in increments and people who live in glass houses, which means ALL of us, shouldn’t throw stones.

On the other hand, to NOT acknowledge that the personal is not only political but pertinent and influential, is to ignore the extreme cultural moments we are living through these days. 

I thoroughly enjoyed Bohemian Rhapsody but I’m not so sure I want to support ANYTHING director Bryan Singer does/did again.

As a gay guy, I’ve heard about his penchant for younger men for years and the fabled parties where they gathered with him (Note: Or were gathered up for him).  On the other hand, I was never there and certainly never saw him doing anything inappropriate with a 15 or 17 year old boy elsewhere so who was I to judge?  What is my responsibility?  And does it mean he shouldn’t direct Millennium Films’ upcoming big budget remake of Red Sonja?

I’m with Randy #10yearoldmemes #stillapplies

The Sundance Film Festival this week previewed the upcoming 4-hour HBO documentary, Leaving Neverland, which chronicles in painstaking detail Michael Jackson’s sexual relationships with pre and early adolescent young boys when he was in his thirties.

British filmmaker Dan Reed is a respected documentarian and by all accounts the personal testimony of Jackson’s victims, their families, and the similarity and specificity of details make it as devastating to watch as the current Lifetime series Surviving R. Kelly, which centers on that singer/songwriter/producer’s longtime sexual abuse of numerous underage women.

I have not felt comfortable with Mr. Jackson’s music for DECADES given that we were close in age as I watched him parade to endless premieres and show biz photo ops in the eighties and nineties in the company of  9, 11, 13 and 15 year olds boys, sometimes two or three at a time and occasionally strangely holding hands with the odd one as he spoke of playful sleepovers at his dreamy playground of a ranch.

This picture REALLY makes me uncomfortable

I remember thinking to myself, what would someone my age conceivably EVER be doing with those boys overnight and, if it wasn’t overtly sexual, could it EVER conceivably be appropriate, even with their parents’ approval?  What I concluded then and now was that it could not and, hence, I never was able to listen to or watch Mr. Jackson in the same way ever again.

I have no proof and I’m not faulting anyone who jams out to Billie Jean or who will forever see him as the King of Pop.  But there was and is something so questionable in my mind about Mr. Jackson’s personal life that sucks the goodness and fun and joy out of anything I could possibly see or hear him do.  Even the famed Motown anniversary moonwalk – the younger, gentler version of what he left behind – leaves me at best sad for all concerned when viewed in the context of the entirety of his life.

This brings me no joy #notaseasyas123

One teaching colleague of mine recently shared the difficulty of talking to college students about Miramax/Harvey Weinstein when recounting the history of the Hollywood independent film movement.  It’s not that you don’t do it, but how do get them to appreciate what that studio accomplished without the stench?   And how do you write a book about the history of television in the last century and not give The Cosby Show its due?  That’s a topic someone else very close to me (Note: VERY) is dealing with at the moment.

Can we just talk about Denise Huxtable and noone else?

To say nothing of Louis CK  and his recent jokes about the students of Parkland or Woody Allen movies in general.   How do I look at Annie Hall these days?

As a baby boomer I can only speak to Annie Hall, one of my favorite films of all time, and confess that it will forever make me laugh because I am able to block out all reality and focus in on the joy it brought me throughout my life.  Yes, I am that strong or that weak where these feelings overwhelm everything else past and present and take me back to a time when it at least FELT like we were all a lot more innocent and unsullied by the realities of a hopelessly stained contemporary world.

Of course, that is/was a fantasy in itself but at the very least it got me through my twenties and thirties.  Though when you shove Manhattan in my face now  and I’m forced to watch Woody with Mariel Hemingway’s 17 year-old character, (Note: As happened several months ago on cable TV) it’s cringe worthy.  Meaning denial only works in certain cases and, in this case,  I suddenly froze up and couldn’t help but turn away.

Can I hold on to this?

So yeah, in this light I totally get some of my students’ aversion to Rosemary’s Baby and Mr. Polanski.   How many of us Jews interested in movies have ever had a tough time with academic articles fetishizing the filmmaking talent of Adolph Hitler’s favorite director, Leni Riefenstahl?  (Note: Whose Triumph of the Will is coincidentally used as a bittersweet punch line in said Annie Hall)

Perhaps the answer is a film festival featuring Triumph of the Will, Rosemary’s Baby Annie Hall and maybe…oh…Cosby in Uptown Saturday Night?   We can also add in Kevin Spacey ‘s Oscar winning performance in American Beauty and two of Singer’s X-Men movies for good measure.

The audience at this film festival

But how many of us would go?   Not as many as would watch any one of the six in the privacy of our own homes and keep it a secret.

Michael Jackson – “Bad”