Good Luck Shane

Saturday Night Live announced earlier this week it signed a comedian named Shane Gillis for its upcoming season and there’s already a lot of backlash.

Like, a lot.

See, Shane’s primary shtick is playing the aggrieved, tough-talking, straight white guy who tells it like it is under the guise of comedy.  Though what this consists mainly of is him hurling politically incorrect insults at Asians, women, LBTQ people, Muslims and other straight men he thinks are too soft because they’re either too depressed or too PC-acting for his tastes.

When do the jokes start?

Though I’ve never seen Shane live I’ve listened to about an hour of his comedy from various clips and podcasts (Note: Some of which he tried to scrub from the Internet but have since resurfaced.  Let that be a lesson to all of us).

Suffice it to say, they’re peppered with bon mots like:

White chicks are literally the bottom of the comedy chain,

Judd Apatow and Chris Gethard are f-cking gayer than ISIS and white faggot comics and,

Heavily accented imitations of chinks in Chinatown (Note: Not since Mickey Rooney in Breakfast and Tiffany’s) as well as numerous references to chink food.

Yup, Shane’s clearly got a comic persona.

Oh I see, he’s an asshole.

But he doesn’t present as a caricature of machismo like, say, Andrew Dice Clay or in the category of smarmy walking/talking radio id like Howard Stern did back in his shock jock days.

Instead, Shane simply comes across as, well, one of the boys.  The type of guy that hangs out at comedy clubs and bars, stays for drinks afterwards and has opinions, lots of opinions.

This is almost too polite

His delivery isn’t unusually exaggerated nor does it feel drunk or even particularly ranting.   Rather, he seems to mean every single thing he is saying, and not in an Andy Kaufman-esque, are you putting me on way.

It makes one wonder, what is the stuff he’s choosing not to say and would I be safe if a guy like that became popular and got in the White House?

Oh, oops.

but also ughhhhh

Certainly, don’t take my word for any of this.  You can listen here to any number of Shane clips here or here and judge for yourself.

The question now is, what are we (and NBC) to do with our fellow traveler Shane?

Object too strenuously to him and we’re accused of being the freedom-hating censors that we claim to loathe and resent.   We can’t take a joke and we’re humorless, unless of course the joke is on anybody but us.

Wait, I’ll get my coat

Yet if we simply stay quiet and let the free market dictate Shane’s fate we are denying ourselves our first amendment right to speak up and out about that which we are aggrieved by.  And history shows that for those of us who are NOT in the straight white male majority no good can come of that (or us).  Reverting to silence and behaving is how our nightmare started to begin with.

So, what’s a double minority like the Chair to do?

What’s any minority to do?

Heck, what are the straight white guys who DO NOT share Shane’s aggrieved view of the world, nor think it’s particularly funny, to do other than think to themselves that these days THEY just might be the most aggrieved minority of us all because they can’t complain about anything to anyone out loud anymore and NOT be called on the carpet by EVERYONE except Shane, et al, for it?

Nope, Chairy, not getting me to feel bad for this.

Well after some thought I, for one, think we should just let Shane be Shane on NBC’s Saturday Night Live and see what happens to him in our 2019 social media infested world.

Allow him to stew for a while in the town square of Twitter.  Give him and the SNL writing team time to work up his first couple of mini-appearances on NBC late night and see if any of those routines get more hits than the racist ones already existing on YouTube.

Then…let’s see if, in turn, he gets invited to the White House.  Or, better yet winds up there some years later by some fluke of electoral fiat via social media platform performance.

Um.. wait… what? #StanKenan4ever

What, it’s happened before to the unlikeliest of NBC stars?

But this time we’ll be ready.

To be forewarned is to be forearmed.

Right now Shane is merely a rookie member of the group formerly known as The Not Ready For Prime Time Players.  It takes at least a full season to be bumped up to first string and, well, who knows where we’ll all be by then.

Hopefully, funnier.

Frank Sinatra – “High Hopes”

 

UPDATE!! Welp, Shane was fired... so I guess… 

NEVERMIND!

Give it the Boot

I like nostalgia as much as anyone but do we really need a new Magnum P.I. and another Cagney & Lacey? CBS thinks so. They just greenlit them as pilots.

And why not?   They thought the same thing some years ago when they decided to bring back that brilliant series of my youth…wait for it…. Hawaii Five-O – which is now entering it’s…wait for it….EIGHTH season. Never mind CBS’s refusal last year to bring the salaries of its two Asian actors, Daniel Dae Kim and Grace Park, in parity with its other White stars after all that time (Note: No, they didn’t take to heart the snarky hint to change the series title to Hawaii White-O), thus casing them to leave.

ugh.. whatever CBS

And why should they care? As the vaudeville comedian once quipped after an endless string of bad jokes – I (they) got a million of ‘em!!

Case in point. CBS also greenlit reboots of the cutting edge series of my teens and twenties…MacGyver and S.W.A.T!   Yes. Who knew??? Well, somebody did even if we didn’t. Because they’re both in their…wait for it…second year!

Which is to say nothing of their straight to series deal for a reboot of the Emmy Award-winning comedy about a sober female TV journalist — Murphy Brown — but this time with its original creator and star.

Well.. this could be interesting

That’s right. No re-imagining or recasting here. Candice Bergen is returning as the fictional, crusading, single Mom journalist who – to clarify for my current students – once came under attack from the real Vice President of the U.S. in a nationwide speech as a real, culpable threat to the nuclear family for daring to bring a child into the world without a husband or father in her house. Um, fictional house.

UGH. Everything old IS new again. #helpus

Yes, truly, this happened! His name was Dan Quayle (Note: The veepee, not the kid) and no doubt you haven’t heard of either him or Murphy Brown but just wait till the fall. You will. If it gets an airdate. And heck, even if you don’t watch your parents will no doubt tell you about it in one of those torturous, endless conversations where you’re only half-listening, surfing the web in boredom.

Way to compete for that key ad demographic, CBS!!!!

OK, no fair to pick on the Eye network (though they make it so easy to do so). This season NBC brought back Will and Grace with its original writers and cast to great success and somehow managed to embrace their ages AND make the gay-straight thing seem as relevant as it did when it first aired 20 years ago.

and the pop culture train keeps on coming!

So let’s see what Murphy Brown can do 30 years later. As well as Hawaii Five-O did 40 years later, albeit with a different cast (Note: Alas, its stars and creator are deceased)? Well, perhaps.

But no, wait – we see you hiding there in the corner, ABC. Don’t think we forgot YOU.

they’re back on the couch… and so are we

Late last year you had promised to give us a new version of….can’t wait for it….Roseanne!! And now it’s what, less than two months away until its March 2018 announced airdate?? Kewl. Plus, the real Roseanne recently announced to TV critics that her fictional TV doppelganger and husband will be…TRUMP SUPPORTERS!!… …And that she, herself likes the way he’s shaken things up.

omg.. someone get me a bag.

Though seriously, before anyone goes all ballistic on real Ro just know canny comic TV stars say all sorts of provocative stuff when promoting a new show – and even when they’re not. Again, you have to do something to compete with Netflix and everyone knows the real Ro is about as dumb as a fox.

And while we’re speaking of Netflix (not Fox, we’ll get to them), one does wonder: Just how in the hell did CBS let the reboot of its 1970s hit Norman Lear series, One Day At A Time, go to the most successful streaming service around, where it has emerged as a major critical, and from what we hear, though who ever really knows with Netflix, let’s be honest, commercial hit?

Ohhhh.. is that right? #youtellemRita

Was having one of the few living EGOT recipients, Rita Moreno, as a co-star, too much for them? Or was the issue an actual half-Latinx writing staff? Couldn’t they have tempted Mr. Lear to return to the Eye with a new hands-off approach after decades of earning them billions of dollars, literally? Or did it not fit into their…um…business plan?

Well, perhaps they’re just discounting everything other than the three major networks that created new shows during the time ODAAT first aired. Not likely. Very soon after it was cancelled, Fox emerged as the fourth major, then there was pay cable, then basic cable, then streaming and now, well, there’s just too many to count. Or, well, to take seriously as creative, and especially ratings, competition.

There is just too much TV to watch. #help

Which begs this question:

Is it too soon for Fox to bring back Glee with the adults at night school playing the kids’ roles? I, for one, don’t think so. But if we know Ryan Murphy (and we don’t) he might do it better and make it a limited or horror miniseries where the marginalized high-schoolers REALLY get revenge and become…Oh, never mind. That’s the type of reboot that’s probably already been done to film, live, on-tape or/and virtual death. And beyond. Which is not to say that it couldn’t work…in the right hands.

Of course, there is no point in leaving a real-life decision at Fox out of the loop, particularly since that was its choosing to NOT actually reboot American Idol after a long 2 years and instead allow ABC to have the honors. Way to go, Fox! (Note: We Think). And way NOT to go, ABC! (Note: We Think). Since at the end of the day, well, who really knows? There could be a way by, say, 2030, to reboot a series that is currently on the air with a concurrent alternative version and new location. Or perhaps the same general location and even the same stars but in a different reality.

… but just, like, enough with this show already. #isthetruthstilloutthere

Don’t you dare say no and give us the stink eye before you look in the national mirror towards our nation’s capital…and report to us exactly what is real…and what is fake.

Which could actually be a political remake of 1998’s Sliding Doors starring Gwyneth Paltrow, but set in D.C.. Anybody see it? No.   Well, apparently she’s one of Ryan Murphy’s best friends. Want to be a TV producer? Well then, you can have the idea (Note: I got a million of ‘em!) but only if you start there. I’m dying to see what they say about it and what happens when it goes to the networks.

Peter Allen – “Everything Old is New Again”