Making an Impact

I want to make a difference, says just about everybody at least once.

This is especially the case lately in these Un-United States.

Though ALL OF OF US, every last one, do still live in a country that now rips children from the arms of their parents crossing the border and cages them in holding facilities where they see an hour of sunlight a day.

This, by the way, while our attorney general smiles creepily about it as he gleefully quotes a Bible passage used previously by the Third Reich (Note: aka The Nazis) to defend it.

Yes, we have to own our current failures and keep repeating these facts whenever we can even if SINGELHANDLEDLY we can’t change them.

If only because historically it takes A LOT for Americans to make political change but as a people we DO CHANGE – though usually only when our backs are against the wall and there is no other alternative.

Or, as one oft quoted line goes:

Americans can always be counted on to do the right thing – after they have exhausted all other possibilities.

Over the years this has been attributed to everyone from Winston Churchill to Israeli politician Abba Eban, to an unnamed “Irishman” to, well, any amalgamation of sources.  Which makes it no less true.

There is, of course, an argument to be made that everybody thinks they are making a difference because they themselves are different. Every Instagram photo, each Facebook post, all the Twitter rants undisputedly reach people and can be a catalyst to GREAT CHANGE.

… and that’s why there are 96 colors in the box

Or simply deflation when one realizes it didn’t matter as much to everyone else as it did to us. And that even though one or more people than you thought noticed or followed or commented you will NEVER in ten lifetimes match Katy Perry’s 110 MILLION Twitter followers or even Trump’s 52 million.

If only Katy were twice as powerful.

disney princess today… President tomorrow? #itcouldhappen #noreallyitcould

Still, it is essential to remember that each of us has A LOT more power than we think. In fact, every day we hold in our hands the possibility of affecting pivotal decisions, sometimes even life and death ones, among others that cross our paths.

And if you think this isn’t so you have never been a teacher, a mentor, a friend, a lover, a parent or even enemy to anyone.

This, of course, is impossible. In those areas we are ALL double-hyphenates – at the very least.

It is not an exaggeration to say that you never know the full effect you are having on someone you forge any sort of relationship with. Sure, you know what YOU get from them but you don’t truly know how your thoughts, deeds, actions or lack of them served as a catalyst to another person’s change – which then precipitates others, who in turn go on to inspire many others, and then go on to create ______________.

You flatter me so #imblushing

Well, you get the picture. Though perhaps you don’t.

I myself have to be reminded of this every so often, usually when my psyche is at an all time low after seeing kids, usually non-white and poor, taken away from their parents for no other crime than fleeing to the one country where they were told there was an opportunity for freedom – an equal playing field where anyone, even them, could make something of their lives.

Even if this were never true for all (and most especially them in 2018) is beside the point. The United States was always more an idea than a reality. It is no different than the honest advice you might give to a beloved friend or the warm feelings you can’t help but share with a mysterious potential lover who never dreamed anyone would dare think of them the way that you do.

Paging your inner Eliza Dolittle #Icouldhavedancedallnight

Sometimes all any of us have to do is say what we feel (or believe) to someone else, give them something to think about, and change can begin to happen for them, and us, right before our eyes. Other times the timing is wrong but it doesn’t mean there won’t be a great result when we’re not around. In still other cases, we might reach no one but the mere fact that we attempted to finally connect might immeasurably help ourselves, giving us just a little more courage to speak up in different circumstances where the connection we’re trying to make could be much more significant. Or perhaps in the end it’s just another baby step towards, well, something else.

This week I attended an event in honor of the 125th anniversary of Ithaca College held at Walt Disney Studios. It was a big blowout hosted by I.C. alum Robert Iger, Disney’s chairman and chief executive officer – a guy who is arguably one of the top 10 most powerful people in the entertainment industry.

After me… of course #wink

Aside from the fact that he looks great while somehow being even OLDER than I am (Note: And let’s face it, that’s all that we in L.A. really care about, right?), it was fascinating to see the face of this guy brighten when he talked about the meaningful human connections HIS COLLEGE LIFE gave him and taught him – so much so that forty plus years later he agreed to show up and host the gala festivities on his own studio’s back lot the very day he lost his much publicized attempt to acquire 20th Century Fox, to one of his rivals, Comcast.

I’ve held an endowed CHAIR (ahem) position, taught writing and mentored countless students and graduates at the school’s L.A. campus for more than 15 years and in that evening found myself face to face with more grown up versions of people that I will always remember fondly as the not quite adults Mr. Iger once was than you can count.

Feeling very proud #channelingmyinnerMaggie

Forget that some of them now have kids who are teenagers and know a lot more about so many things relevant to today’s world than I do.

What I will always remember from that evening are the numerous instances someone came up to me and recalled some pivotal time where I managed to somehow say something that made them not give up, imparted some little piece of craft (Note: That, no doubt, someone had taught me) that fixed a problem with their work which felt insurmountable or imparted some tiny piece of life advice or social statement (Note: Likely perched on the soapbox I carry around with me, along with my manifesto of liberal talking points) that gave them the confidence to engage in the battle of the world to get what THEY really wanted.

OK.. maybe channeling my inner Ron Burgundy

I mean, who KNEW? At this point, it’s not as if I can remember 85% of the things I’ve said in the past – or even in the very recent present. Though I will confidently proclaim that in every case, whether I remembered it or not, I had NO IDEA what I was saying was even being listened to, much less important to anyone I was saying it to.

It was merely spontaneous engagement on a topic with a group of people sitting in a room and sort of willing (Note: Yeah, sometimes it is tough) to engage.

That’s not the stuff of great teaching. It’s more the talent we all have – of being a thoughtful, decent, listening and reactive human being. At the end of the day it’s only the give and take and exchange of ideas with others that ultimately makes any real difference at all. Or has the chance to.

Four Tops – “Reach Out (I’ll Be There)”

Grampy’s Grammys

Screen Shot 2015-02-09 at 11.47.16 AM

Music is a touchstone. But many young screenwriters I teach have confessed to me they have previously been instructed NEVER to put a song reference in a script because they will limit or confuse a reader who may or may not know the song or the group they’re talking about or will be taken out of the moment by a tune that will probably never wind up in the movie anyway.

The above advice is, of course, ridiculous. Music has always been a great connecter and the perfect evocation of a mood or moment in time that all the talk or visual images in the world can’t muster. It is true that if someone doesn’t know a song a reference to it will not put them in the mood or mindset you intend. But if you go with your gut and choose wisely that song most certainly will do the job when they get to HEAR it – which is the point of writing musical references to begin with. And besides, any artistic moment in time needs all the help it can get.

Which brings us to #GrammyAwards2015.

Hosted by LL Cool J - for the 2,000th time

Hosted by LL Cool J – for the 89th time

As a resident of the west coast who is not in the music industry and therefore not present at the actual live ceremonies, I was three hours late to the party thanks to the greed and hubris of CBS. As the official broadcaster of said ceremony, the network has decided that unlike the Oscars, Emmys and Golden Globes they have no public obligation to share the music simultaneously across the world – or at the very least, the country.

Knowing full well that the primary reason people watch a music awards show is for the performances and not the actual awards, CBS instead chose to delay their west coast broadcast in order to sell more prime time ads and create a greater revenue stream for itself. This is, of course, the network’s prerogative – but only for the time being.

tina-fey-gif

There is a power shift going on in how and where and when we get our entertainment. And that shift is going back to the consumer, which means that before long every event of any importance will be available simultaneously in most time zones. It might be five, ten or 20 years away but the corporate world – which these days includes entertainment and even politics – knows deep down that the party is essentially over and that changeover is causing major and minor freak outs as well as corporate and personal misbehaviors everywhere. These manifest themselves in little bouts of broadcast hubris as well as false and outrageous public statements from people, politicians (Note: No, they’re not the same thing) and various organizations about everything from vaccines to international terrorism, before segueing into mass media hysteria over the possible gender change of an Olympic gold medalist or the newsiness of just what the historical accuracy is of any number of Oscar nominated feature films this year whose only real sin is failing to announce loudly enough its claim that it is merely “based” on a true story.

On the flip side, which of us hasn’t found it a little bit more than fun to live in an age when political gaffes and cultural injustices aren’t events so easily handled?   Truth be told, there is some infinite joy in knowing that eventually Twitter, YouTube and Instagram will provide the real images, observations and videos of said events or thoughts rather than the pre-packaged or approved ones we’ve mostly been previously granted by the gatekeepers.

Enter: Olivia Pope. #ItsHandled

Enter: Olivia Pope. #ItsHandled

I guess I’m gloating but it can be quite entertaining to watch more than a few members of the status quo squirm as their grip on power unwittingly gets pried out from behind our necks. Still, the new scandal du jour of something like NBC anchor Brian Williams exaggerating being shot down in Iraq during the previous decade or fictionalizing a case of dysentery in order to make his Hurricane Katrina reporting more dramatic during the Bush, Jr. presidency is almost quaint at this point. I mean, the one thing we all know these days is that EVERYONE exaggerates a bit – it’s just a lot easier to get caught.   Yes, it’s true – the public already does know that even if the bosses in power don’t.   This is not to excuse the lie or the liar or even to condone that mode of behavior.   Only to acknowledge that we mostly understand that we – most of us – are, in at least some occasional cases, a bit hypocritical, indelicate with our opinions and guilty of bending reality ever so slightly and more – whether national, international or not – whenever the mood hits us.

The new normal today is the degree of the lie. Which is why awards shows are so terribly fun to watch – even when a power broker like CBS doesn’t allow you to view them live along with everyone else.

The craftsmanship of a successful artist’s image is often painstakingly and precisely planned, executed, buffed and shined before you and I get to experience it. But how the famed act in public when they have to be themselves onstage at a live event cannot be any of the above by its very nature. Oh, a person can sort of present a terribly rehearsed version of themselves but on a live show the rehearsal is often fodder for the real show on social media. Sure, he or she or even they can do a bit better fooling us when entertaining live – if indeed that is their profession and they’re good at it. But on the other hand, those who have been auto tuned, or have had their public images sculpted up a bit too brightly become as transparent as an overexposed X-ray held up to the light. Which is more than apt since the people we’re talking about have often been far too overexposed anyway.

Or a little underexposed if you're Sia.

Or a little underexposed if you’re Sia.

Watching this year’s Grammy awards I couldn’t help but feel like I’d be a bit like the star of Gramps Goes to the Movies – catching up with what the young-ins are doin’ and listenin’ to or watchin’ it three hours after the fact or perhaps even a year after my own figurative children’s children had first gotten wise to it.

But then I look up at my TV and the 1970s hard rock band AC/DC – a group I managed to avoid during most of my natural adolescence – are doing a five minute opening number.

What year is this? Am I a teenager again? And what time is it? Don’t I still have math homework to get through? Or perhaps it’s CBS again – playing a cruel trick on the left coast and switching programming back 40 years in order to appeal to its key heartland demographic where presumably they all still do listen to that group.

Performing at next year's Grammys

Performing at next year’s Grammys

As it turned out it was none of those. Only that the actual Grammy broadcast was clearly not hip or even unhip. It actually simultaneously managed to be a hybrid of both and neither. There was something for those of us in or moving into AARP range, others who are indeed still teenagers and the rest of you who fall somewhere in between. In its own odd way, its musical acts, award choices and onscreen behaviors amounted to nothing consistent or at times even decipherable.

This is not say to it wasn’t infinitely entertaining at points or that it failed to reach some quite high moments in others. It is only to note that try as they might to manage it all into something slick and pre-packaged it was actually all kind of a big, engaging mush of truth, fiction, fabulousness and confusion. Sort of like sifting through Twitter or Facebook for too long – but then realizing you’ve both enjoyed and wasted three and a half hours of your life in what seemed like 33 and a third minutes. Not to date myself.

That Zuckerberg

That Zuckerberg

Those of you who didn’t watch along with Grampy Chair or Great Uncles AC/DC can certainly revisit the highlights on the social media platform of your choice. Though I can save you the time with a few thoughts and links to some bottom line highlights.

  • You’ll want to marvel at who thought about having Tom Jones and Jessie J duet You’ve Lost That Lovin’ Feeling as a tribute to famed Brill Building songwriters Cynthia Weill & Barry Mann. No, I didn’t say it wasn’t good. I’m just sayin’…
  • You’ll want to slap your head when you realize CBS is actually choosing to bleep out some song lyrics and words from country superstar Miranda Lambert’s live performance. SHE’S too racy for your core audience? Really? Or do you just think the left coast can’t take a bit of sexual innuendo?
Seasonal allergies be damned!

Seasonal allergies be damned!

  • I want to applaud Katy Perry’s Cover Girl commercial where she frolics amid pink flowers while managing to sell me makeup. Though you might want to boo. But as Taylor Swift, all sleek and tall in Grammy blue once both wrote AND sang: Haters gonna hate.
  • Critics might love groaning when Madonna does her new single about the power of love but I thought it was fun and, more importantly, SHE was once again having fun. You can choose to not think so but you’d be wrong. And no matter what you say anyway, here’s my answer to you in the form of a tweet from GregvsMatt: Roses are red, violets are blue #Madonna is 56 and looks better than you.
Werk it, Material Gurl

Werk it, Material Gurl

  • CBS proves it is once again infinitely unclever by having Fox/American Idol’s Ryan Seacrest introduce NBC/The Voice’s Adam Levine and Gwen Stefani performing their single, but all the network proves is it doesn’t have a tentpole TV reality singing show nor can it even make a lame joke about the others.
  • Matthew McConaughey’s confounding Buick commercials, particularly the one with the bull, will short circuit your brain before you even realize that the revenue it produces is what this three-hour delay is really about. (Editor’s note: It’s Lincoln, not Buick, Chairy. #powerofadvertising)
Annie kills it.

Annie kills it.

  • Sixty-year old Annie Lennox stops the show cold with the best performance of the night both by igniting Hozier’s tired performance of his own Take Me to Church and then electrifying us all with her own rendition of an almost 60 year old song – I Put A Spell On You. If nothing else, the reaction confuses those who live and die by the age demographics of corporate market research. #HelloCBS.
  • I manage to consider that Kanye West’s two onstage collaborations with Paul McCartney and Tony Bennett’s jazz turn with Lady Gaga center stage might disprove every bitchy phrase myself and every other baby boomer has ever uttered about what people, or even corporate networks, will promote those days.
Prince digs into Maude's closet

Prince digs into Maude’s closet

  • I then reconsider the above stance when Kanye steps onstage to try and Taylor Swift Beck’s unexpected win for best album (Note: Presented by Prince in the orange chiffon number your Aunt Esther was gonna wear to your bar-mitzvah but didn’t) and instead pulls back at the last minute even though Beck asks him not to. Then I have to admit to myself that just because one loves a Beatle doesn’t mean one necessarily has or evokes any taste at all.   Though at the same time, I have to also admit Prince looks far better in that getup than my Aunt Esther ever could have, not to mention she’d never be smart enough to publicly state: Like books and Black lives, albums matter.
  • You, if you were indeed watching, probably listened in awe as Sam Smith dueted with Mary J. Blige on Stay With Me – a simple love song/video about a gay guy who isn’t good at one night stands. And you would be right to marvel at both that and the fact that he went on to win four Grammy Awards. #WhoWouldHaveThoughtWayBackWhen. Though it would have really been something if he had dueted with say, Rufus Wainwright. #JustDreamin2025.
Hot damn we love those soulful Brits!

Hot damn we love those soulful Brits!

  • No, it was all of us who kept rewinding Sia’s performance of Chandelier facing away from us while funny woman Kristen Wiig mimed and dance with Sia’s diminutive ballerina all through the song and didn’t so much get a laugh but prove that she is actually also a real live performance artist.
  • You will thank me for advising you to consciously uncouple from Chris Martin and Beck in the fourth hour, almost finale when they duet on one of the songs from what was just voted album of the year. What year, I’m not sure.
I mean.... we get it.

I mean…. we get it.

  • And, though I am in the minority and hesitate to say this – I continue to wonder how Beyonce – clearly an extremely talented and driven woman – can somehow manage to make the finale of the evening – the spiritual Take My Hand, Precious Lord, from the soundtrack of the movie Selma, so beyond grand and indulgent while Common and John Legend sung the hell out of their original song for Selma – Glory – and closed out the show with sincerity. I’ll take a guess. It probably had to do with the fact that they didn’t have a wind machine, flowing white chiffon or enough lighting effects to buff their imagines into a perfect shine.

But hey – that’s just me. And this year’s Grammys. Three hours late. On the west coast feed.