Hysteria

OMG, THE CORONA VIRUS!

OMG, THERE ISN’T GONNA BE TOILET PAPER!

OMG, DO YOU KNOW THAT AMAZON IS OUT OF PURELL?

OMG, JOE BIDEN IS SENILE!  AND WE’RE GONNA LOSE!

OMG, BERNIE SANDERS IS A LUNATIC!  HOW CAN WE WIN? 

OMG, TRUMP IS SENILE AND A LUNATIC!  SOMEBODY STOP HIM BEFORE HE WINS!!

…And how was your week?

AGHHHHH

It’s reassuring that in stressful times like these citizens across the country are overrunning Costco to buy toilet paper, hand sanitizer and water and not rioting in the streets.  Or is it?

Well, at least no one seems transfixed anymore that the stock market fell over 12% overall in the last month and economists say we’re headed towards a worldwide recession.

No, what’s foremost in people’s minds are dirty butts, starvation while quarantined, and the inevitability of death by a thousand handshakes.

These days we’re all Trudeau #notthankyouplease

Though fun fact:

Do you know what the consumer research company Nielsen lists as the single item with the biggest increase in food and beverage sales for the week ending Feb. 29th?

gotta be booze?

It’s……..

OAT MILK!!!!!!

Oh for the love of…

Yes, seriously.  Sales were up 322%  (Note:  Yes, 3 HUNDRED 22) in a one-week period and 348% in the last month.  Its closest competitor is powdered milk products at 84% and dried beans at 39.6%

Water, in case you were wondering, was waaaay back, pulling up the rear at 11.8%.

What this tells me is that we’ve all gone nuts, especially since several weeks ago I actually tried oat milk for the first time in coffee and literally had to spit the entire mouthful out in the sink.

I’ll stick to my regular latte please

For the non-dairy variety I much prefer soy, thank you very much.   Despite the fact that four months ago someone warned me that if men consume too much soy they will inevitably grow breasts.

This is the least of my problems at the moment and at my age.

I don’t do well with hysteria and have spent a lifetime of therapy fighting against it.  And yet these days it’s all around us.  People are either panicked about not having a 401K or panicked about losing 20-30% of their 401Ks in the last month.

Debbie Downer’s return to SNL this week says it all

It’s true.  I’ve heard people talking about either or both

  1. on line at a Starbucks
  2. at the car wash on a cell phone and
  3. while walking in a mall parking lot

If only I’d known at the time that two of the only stocks to go shooting straight up in that time period was Target and Walmart.

I could’ve saved them and myself a lot of needless aggravation.

And beat the crowds at Target since I wouldn’t give one penny to the ultra right wing, homophobic Trump supporting Walton family that owns Walmart.

Except, wait a minute……

I’m wrong.

It seems that in the 2016 election 60% of the members of the family foundation gave to Democratic causes with many of the younger members actually supporting…. …Hillary Clinton?

WHAT

This seems to get more to the root of the answer of what will kill us.

I’m as guilty as the next person in perpetuating a certain kind of hysteria that will finally get us all in the end   And that would be the knee jerk distrust of the next guy or gal who disagrees with us, offends us or just plain disgusts us.

I don’t know about you but I can’t tolerate one more ……… that ……………….s or ………….s for …………………… or for a…………… No one gets a free pass anymore from me and EVERYONE has to pay the piper.

This kind of thinking will destroy us.

Certainly, I loathe people who disagree with me on big things (Note: Or anything!)  as much as you do but, well, where is it leaving me, or us, in the long run?

Be that as it may…

Let’s take the election.  If you’re a Dem and you really want Trump out of the White House don’t assume your fellow Dem who doesn’t support your candidate is misguided, stupid or too liberal or conservative to know any better.

I mean, you can think it but certainly don’t post it or say it out loud.  It won’t win you any friends and it certainly won’t influence any people.

In fact, it will have the exact OPPOSITE result that you are looking for.

Though it does seem like it’s time to admit, I’m really OVER AMY. #sorrynotsorry

It will only cause your perceived “enemy” to dig in further and foster needless hysteria.  And it will cost you a lot more than an empty-handed toilet paper run at Costco.  It will cost you… well, let’s not even think about that, shall we?

But if you’re a Dem speaking to a roomful of Trump supporters…..you can tell them to take their ____________ hats and ________________ it where the….

Well, I’m working on that.  Though not at Walmart.  Never at Walmart.

At least, yet.

Def Leppard – “Hysteria”

And All That Buzz

Bob Fosse and Gwen Verdon were special talents.  He is still the only artist to win the Oscar, Tony and Emmy awards all in one year (1973) and she was the first musical theatre actress to win four Tony Awards.

More to the point, it’s not every estranged married couple who kept working with each other years after their estrangement that has an eight part miniseries aired about their lives decades after their deaths.

When you watch Fosse/Verdon on FX, and everyone should, it’s difficult not to marvel at the sheer breadth of their work that will forever live on long after all of our deaths.  Sweet Charity, Cabaret, Damn Yankees, Chicago and All That Jazz, to drop a handful of legendary landmarks, are only a few highlights.

Both director/choreographer Fosse, and Broadway star, muse and behind-the-scenes facilitator Verdon did all kinds of work in a wide variety of genres.  But what unites them, more than anything, is their dedication to a disciplined, single-minded type of artistry that seems to have disappeared from the cultural zeitgeist these days.

Let’s not get it wrong; there are contemporary artists with the type of discipline that both Verdon and Fosse shared with us all through their lives.  But in both their cases they left far more than that, as the miniseries shows us.

OK yes, him (and he’s producing Fosse/Verdon… go figure)

In a sense, Fosse/Verdon, and their lives, gives us a timeless roadmap to the world pre #MeToo.  It was an existence where men consistently had the upper hand, the best opportunities AND usually got sole credit for ALL of the work even when that wasn’t necessarily the case.

When females actually managed to shine in their own spotlight far brighter than their male counterparts, it was in the midst of the age-old expectation that they would eventually dim their bulbs and take time off from doing their own thing in order to help the guy’s light to shine just as bright (and often brighter) on a project of their own without basking in the glory.

Who is holding up whom? (hint: It’s Gwen)

It was either that or turn the other cheek when the man brooded and strayed into the arms of many other women because, well, how could HE not when SHE wasn’t around.   For those women choosing to go solo, well they might make it alone for a bit but much sooner than later they’d mostly age out and be left alone – a fate few would be able to happily survive when left to their own devices in the real world.

We’ve come a long way from those times, though likely not as far as we think we have, one suspects.  As one watches Ms. Verdon endure her husband’s serial infidelities as she bails him out in too many ways to count on Cabaret, it occurs to us, hmmm, and why didn’t I ever know that, how come she never got any credit?   As she continues to serve as his creative sounding board on so many other future projects and successes (Note: And notably doesn’t on several of the failures) we become clear of the extent of their partnership, and just how much we DON’T know about who did what and just how much on any uber successful project of any artist or in any artistic collaboration.

Truly a singular sensation  #yesiknowthatfsromChorusLine

None of this is to take anything away from the miraculous creative vision and accomplishments a talent of the caliber of a Bob Fosse leaves us.  It’s one thing for a chorus boy/dancer to turn expert choreographer and then director of Broadway musicals.  It’s another to then become a sophisticated movie director who not only reinvented the onscreen musical with the movie Cabaret  (Note: Beating out Francis Coppola’s work on The Godfather to win the best director Oscar that year) but then two years later go on make the critically acclaimed, black and white non-musical, biopic of Lenny Bruce, Lenny, and use a non-linear narrative from which to tell it.

Not to mention the release of the autobiographical biopic All That Jazz five years later, a thoroughly original multi-Oscar nominated film success he co-wrote and directed that pretty much presaged the reasons behind his own death (Note: 12 years later) for all the world to see in glorious living color on movie screens all across the world.

JAZZ. HANDS.

Gwen Verdon was at Fosse’s side in various ways all through those artistic leaps and bounds and together they define a certain type of show business special that today too often feels sorely lacking.

Though the special is still there.  In fact, you see it every day, all around.  But the show business special – hmmm, that’s another story.

I, for one, am soooo tired of hearing young talent is not what it used to be, not special, not on the level of a Fosse or a Verdon anymore.

Well, of course ability like theirs was, indeed, rare, as were their complex sensibilities and intellect for telling a sophisticated yet human story.  But there are many people who are special in all kinds of different ways now, some of them even similar to a Fosse or a Verdon, whose work has little chance of gaining recognition.  Even when it does, it almost never gets that same kind of mainstream acceptance.

This EXACTLY

For one, there is not the mass attendance for a single form of media that we once had.  There was a time when Broadway theatre was IT and it tackled primarily new and exciting subjects, or at least fresh and entertaining/thought-provoking ones that often broke into the cultural zeitgeist.

Movies also told primarily real life human stories sans gaping plot holes, and for decades later it was not unusual for the biggest successes to say something about our lives as we knew them (Note: Or didn’t know them) that year.  Sure, there were disaster films, spectacles, horror, sci-fi and mindless comedies, but they were not the overwhelming majority of the work.  Yes, they had special effects but to have a really SPECIAL affect on the world you had to do a lot more than simply launch a starship into an infinite universe or create a colorful costumed villain whose one goal in life was an unmotivated ambition to blow up the universe.

I mean.. is it really even the end?

Right, right, we can hear the hiss and boos about this type of grousing from this computer screen already.  Well, no one is saying these shows and films shouldn’t exist.  Or that it’s a shame that television has expanded to the point where there is so much programming that no one show ever seems to be particularly special to most of us.

But the facts are that in an age when media is so diffuse and so plentiful there is almost no young person that can create the level and sheer amount of narrative work or performance with the same amount of staying power, depth of story and cultural intensity of a Fosse or a Verdon.  There isn’t the mass popular audience for that kind of sophisticated worldview, that type of show biz special.  It’s just not how the industry is set up these days.

We have international stars like Leonardo DiCaprio, Brad Pitt, Angelina Jolie, Martin Scorsese, Steven Spielberg and, dare I say it, Jordan Peele??   But can they do the kind of deep or stylized work of Fosse or Verdon and break through? Schindler’s List was 25 years agoRaging Bull came out FOUR DECADES ago.

I’m…. I’m… OLD

Star Wars is not Cabaret, or even The Godfather – it can’t be and wasn’t meant to be.  Because the truth is there is no longer a mass-market avenue for the latter two projects.  But even fluffier Broadway shows that catapulted Ms. Verdon to stardom like Sweet Charity and Damn Yankees would doubtless be made into theatrical films in the 2000/10s.  Chicago, her final starring vehicle finally was, but decades after the original closed on Broadway and barely broke even.  It was only when a stripped down, TV/movie star driven revival was launched and kept afloat with a rotating name cast that Hollywood came calling and a film was produced that was safe enough to appeal to mass acceptance.

To look at that film in light of Fosse/Verdon one realizes that despite its Oscar win it’s the anti-Cabaret.  Rather than move forward the medium or the film’s story it merely waters it down with an eye towards the present as it pastiches various Fosse-like moves from the past.  And it was released a full 17 years agoGet Out, for all its cultural significance, (Note: And add on Us) is nowhere near the class of storytelling of any of Fosse’s best work, or that of a Scorsese or a Spielberg.  #PlotHoleCity

For these reasons and many more, one can’t help but mourn a bit for the past during the Fosse/Verdon miniseries.  It gives us so much show biz special in an age when it’s not the thought behind the show, but the delivery system by which it comes to us, that feels the most special to us.

Liza Minnelli – “Maybe This Time” (from Cabaret)