Movies aren’t what they used to be.
This is the GOLDEN AGE OF TELEVISION!
What did you binge watch lately?
There is NOTHING to see at the movie theatre!
Can I borrow your Netflix password?
Movies, in general, have taken a critical bashing as of late and it’s not entirely unwarranted. Let’s face it, the Suits are drunk with sequels and superheroes and don’t really give a hoot what makes sense or doesn’t if it can deliver millions of bodies in potential theme park rides, sequels, spin-offs and merchandise.
Films have taken on the business school lingo of a precious asset – a property that exists not solely for its financial value at the theatrical box-office or, heaven forbid, its creative content. Rather, they are seen in most of the top towers and executive suites as a commodity to be leveraged into many, many smaller and larger off-springs –much like a Triple Crown winning horse that is put out for gelding after it serves the greater good.
That’s fine. For them. But it’s not the entire story of 21st century film.
Quite randomly last week I came upon a new list put out by the BBC. NO, DON’T STOP READING! This list actually applies to you – the moviegoer. Or more broadly, the movie fan. Instead of surveying critics and audiences to compile a list of the 100 greatest movies of all-time, or some such subset that would spotlight drama, comedy, action or presumably, even porn or snuff films in the future, they tried something novel. (Note: No, not an actual novel, as in reading – we all know no one does THAT anymore).
Yes, the Brits had the tenacity to compile a list that I, Mr. Movie Fan, had never seen before. That would be the top 100 films of the 21st CENTURY.
Huh? What is that – a list of 10, or maybe 20 movies, most of which none of us have ever seen before? Or want to see? No, surprisingly not at all.
Okay, technically the list is of 102 films and it does stem from 2000-2016 which means the first year it charts is technically not a part of the 21st century – which began in 2001 (Note: Apparently 2000 was an irresistible film year one couldn’t turn away from). But who really cares? The point is, this is a very narrow period where 177 film critics from every country in the world (Note: Antarctica was the exception, which brings up the whole question of climate change and access we don’t want to get into) actually agreed there were 100 plus movies, many of them AMERICAN, that are actually worth watching, remembering and…wait for it…HONORING.
In case you are wondering – no, there is not a sequel in the bunch.
In case you are further wondering – yes, there is exactly ONE superhero film in the bunch and you probably have already rightly guessed which one is indeed The ONE. (HINT: Uh no, it’s not The Matrix. Plus, Neo is not really a superhero and anyway, he first appeared in 1999. As for the 2003 sequels – well, let’s not go there).
What this list reminds us of is that – WAIT, there are lots of movies I’ve enjoyed in the last 15 (okay 16) years. Sure there are too many clunkers, or cynically made assets. But maybe, just maybe it’s worth forgetting the Netflix password every once in a while and instead go out to an actual theatre before the art form, as we know it, dies altogether. Or worse yet – becomes solely a corporatized asset.
A complete list will be shared below but how about just the top six right here?
- Mulholland Drive (2001, David Lynch)
- In The Mood for Love (2000, Wong-Kar-wai)
- There Will Be Blood (2007, Paul Thomas-Anderson)
- Spirited Away (2001, Hayao Miyazaki)
- Boyhood (2014, Richard Linklater)
- Eternal Sunshine of the Spotless Mind (2004, Michel Gondry and written by CHARLIE freaking KAUFMAN, OKAY?)
All of them original, beautifully made and meaningful. Are they my top six or your top six? Perhaps not. But they are inarguably as good as many of the classic movies from decades before.
Certainly, any LIST inherently has its head-scratchers and personal duds and this one is clearly among them. Notice I stopped at six because #7 is Terrence Malick’s The Tree of Life, which you couldn’t pay me enough money to endure five minutes of ever again. Perhaps this confirms the long held belief that I am a philistine, but that is not the point. We all have our personal Trees. And in fact, I’d pay to watch other glorious Malick films such as Badlands and Days of Heaven over and over if you didn’t bring up the subject of #7 ever again.
As for some others The Coen Brothers’ No Country For Old Men and Inside Llewyn Davis ranked #10 and #11 respectively. David Fincher’s Zodiac was #12 and Alfonso Cuaron’s brilliant Children of Men was #13.
You want less, well, pretentious? (Your word, not mine). Pan’s Labyrinth was #17, Mad Max: Fury Road was #19, The Social Network was #27, and Wall-E was #29.
Favorites of mine like CHARLIE freakin’ KAUFMAN’s Synecdoche was #20, while Sofia Coppola’s Lost in Translation was #22, Paul Thomas Anderson’s The Master was #24, Christopher Nolan’s Memento was #25 and Pedro Almodovar’s Talk To Her came in at #28.
Let’s also give separate credit to The Dark Knight at #33 because, well, think of the odds against the whole thing working the way it did when there was merely a blank page and no real concept but a history of…ASSET.
As I continued down the list I came across any number of films (40, in all) I hadn’t seen, some I really didn’t care for (Okay, I admit it – I’m too old for Wes Anderson) but others I had forgotten had come out in the not so distant past. Of the latter how about: Crouching Tiger Hidden Dragon, City of God, Brokeback Mountain, Melancholia, Moulin Rouge, Inglorious Bastards, The Great Beauty, The Hurt Locker, Her, Amelie, The Pianist, Ratatouille, Finding Nemo, Spotlight (Note: I have a very short memory) and Requiem for A Dream.
What pleased me most about this list is that it coincided with the first week of the fall screenwriting class I teach. The list of top 100 films on everyone’s mind are usually the 1, 2, 3 classic movie punch of Citizen Kane, The Godfather and Casablanca. Certainly, these are all great, timeless movies – as are many of the others on that usual classics list. But for young people – as well as for some of the rest of us – consistently remembering these as the best of what the big screen has to offer can’t help but feel a little depressing at some point. Because it evokes a golden age that is long gone and, very likely, will never return.
This is why the BBC did Americans and moviegoers worldwide – not to mention the future of film – a great service by compiling this new grouping of films. Perhaps it doesn’t evoke a new golden age (though maybe it does) but it does prove the movies are alive and well and can be for some time to come. Though only if we get out our pods and mosey on down via our people mover of choice to check some of them out. Judging by the newly motivated faces on some of my students perusing the list, this will continue to happen in the near future. But at the very least, we could give them a little help.