Goy to the World

It’s officially holiday season and from now until New Year’s Eve life is officially a Christmas cookie cutter Hallmark TV movie and we’re all its willing and unwilling viewers.

Just try to scroll or flip or surf in the next five weeks and NOT land on one of them. For the Hallmark brand is no longer solely on the Hallmark channel.  It’s now an official genre – more of a template, really – that’s migrated to Lifetime and Hulu and Netflix and pretty much EVERY other network, cable and streaming platform out there.

Me, 10 minutes after Thanksgiving

You know what this is even as you DENY you would EVER watch one or HAVE EVER seen one because you are just THAT cool:

– A type A career person returns to their hometown around the holidays and meets the more rugged or relaxed person of their dreams

– A big city person reluctantly finds themselves trapped in the country for a few days and Cupid’s arrow strikes as they help resurrect a dying business, usually involving decorations, party planning, hospitality, a needy relative or a tree

TINSEL FIGHTS!

– A recent widow or widower, or happily divorced or unhappily engaged person, is forced to re-engage in a job with someone they initially loathe as sparks fly.  Then, as a result, they wind up getting over the bad partner or the hurt, though not without a few serious yet not too deep, i.e. truly humanly unrecognizable, complications.

Of course, these are only a mere sampling.  There are also the ones where:

– An ordinary guy or gal meet cute with someone who turns out to be a Royal or a celebrity or a mega-gazillionaire they have somehow never heard of or at least fail to recognize.   

And probably Candace Cameron Bure

Or the others  that feature  —

– A non-threatening but engaging person with an” issue” who travels to be with their family around Christmas and somehow and in some way, find their worst childhood trauma getting resolved in less than two hours by staying in a house that would make Martha Stewart go crazy with jealousy and run out to get stoned with Snoop Dog were she not already doing so.

Of course, more than one of these plots can or might be contained in a single episode.  In fact, as a viewer, one only hopes that as many of these tropes as possible be shoved into the narrative.  It’s part of the lure for not only hate-watchers but genre appreciators alike.

Also coats… so many beautiful coats.

And I know this because:

I AM THE CHAIR and I LOVE A GREAT/BAD OR ANYTHING IN BETWEEN HALLMARK MOVIE.

And since I love you so much, here is a list of the new ones available to keep you busy for the rest of 2020 on those days when things WILL inevitably get tough.

It would seem as if a Jewish gay guy like me would be loath to confess his fascination with a large swath of films in which he or his ilk seldom, if ever, appears.  I mean, there’s as much chance of someone like me showing up for the holidays at one of these places as there is of, well – me showing up for the holidays at one of these places.

I’m on my way

Yet ever since my folks brought the young me to my first Broadway musical in the late 1960s and I heard Angela Lansbury sing We Need A Little Christmas in Mame, none of that mattered.  The sparkle from the tinsel and the colors of the tree lights (Note: Yeah and the spotlights) onstage were exciting and fun and EVERYTHING my family and me NEVER experienced in December but that I so, so, SOOO wanted to that I was hooked.

Thus I, and I suspect many non-Christian Hallmark fans, don’t ever associate anything about these movies or shows with the birthday of a historical or even vaguely religious figure. 

Ain’t nothin’ meek about this

Instead, they are candy cane fantasies delivering us from our humdrum holiday realities with dazzle and glamour and impossibly delicious deserts.  And they do this with characters and food and fashion so ridiculously out-of-our world that we can actually safely LOVE laughing AT their ridiculous simplicity as much as we will DENY ever shedding  a tear when somehow their one huge fake life problem finally manages to work itself out.

Which begs the question of how quickly and completely every single one of these characters is even able to find true love in the end.  I mean, you could do an entire network or web channel series of sequels to each of these films where you revisit the couple several years later and unleash all the dirty little secrets of just how happy or, likely, unhappy their films’ endings truly wound up being.

How am I not wildly rich?

This is why as a writer I could never, ever EVER get hired to write one of these, as much as it would certainly be fun.  I’d keep insisting things like:

-But um, who acts like that? 

-What town is this? 

-Who are these people and why don’t they tell their f’n families off instead of allowing them to pressure them that way?

OR –

Leave N.Y. or L.A. to run a bed and breakfast or family bookstore with the most boring person in the world?  Are they KIDDING?  I don’t care how good-looking they are!  

OK, but I bet the wifi is terrible

Of course, when I voiced one or all of these to my husband as we watched Hulu’s Happiest Season, the first genre movie of this kind to center on a gay couple, one of whom was played by our own openly gay star Kristen Stewart, he rolled his eyes and replied to me:

Settle down, Rossellini.  This isn’t Italy in the 1940s.  They don’t live in your world.

True.. but brutal

Well, I’ll say.  In my world, Kristen Stewart would NEVER have put up with the crap her closeted girlfriend was putting her through with her quasi-TV conservative parents played by Mary Steenburgen and Victor Garber (Note: The latter of whom is openly gay in real life), forcing her into pretending she was nothing more than her orphaned roommate from the big city desperate for a place in WASP nirvana.

Instead,  she would’ve left her for her closeted girlfriend’s ex-girlfriend from high school that also happened to be visiting their hometown for that weekend.  That gal, now a doctor who lives and works in New York City, is actually a much better match and is played by the wonderfully snide and sassy Aubrey Plaza. 

I want a movie about them just for the suits alone

Forget that Kristen already had sassy and snide covered with her on-screen best friend, played by our current male gay du jour Dan Levy.  A life with those two A-list queers could cover enough snide AND sassy to get me through each Christmas as well as EVERY OTHER  holiday season for the rest of the twelve lifetimes I plan to live over the next 958 years.

But alas, life is NOT a Hallmark film, real or reimagined.  I suppose this is why I will now and probably forever keep watching them.  The only way to get through life, real or imagined, is to willfully and completely soldier on, especially through the chafe, ever hopeful that one day we will stumble on to the imperfectly perfect mix of our own concoction.

Barbra Streisand – “Jingle Bells”

The Pand-Emmys

What’s more meaningless and wasteful and escapist than watching an awards show during a pandemic several days after human rights icon and US Supreme Court Justice extraordinaire Ruth Bader Ginsberg died?

Not much.  Especially since at least 12 different people have assured me in the last 24 hours that the world as I know it will soon end.

As if it already hasn’t.

Welp

Anyway, this is one of many reasons why I decided to tune in to the mostly virtual 72nd Primetime Emmy Awards Sunday night.

What could be better than escaping into a sea of pop culture calamity?

My hope was for a night of diversion and bitchy commented asides that would allow for the venting of so many things that, okay, I haven’t exactly been holding down.

At all.  And not towards anyone.

If you’ve been reading here lately, or ever, you know.

And we still love you completely

Still, my husband and I are suckers for free Hollywood crack so gathering ourselves and our guacamole and chips around the TV at 5:00 PST to not exactly hate watch, more like love-hate divert, seemed like the best idea in at least five minutes.

Plus – we don’t have to social distance, wear a mask or even think about that sh-t – I mean, patriotic duty and kindness towards our fellow citizens – which we do happily since it’s no big deal and, truly, why would anyone in their right mind be complaining about it at this point?

Wear the damn mask

Like your past, who you are and what you are thinking follows you around like the plague and can rear it’s ugly head at any inopportune moment.  Which is why it’s best to show that unsavory, albeit snidely fun side of you only around people who get you’re not the total a-hole you seem to be, people like your significant other, best friend or even pooch…..during a Hollywood awards show…when you can talk back or even catcall to the screen at people in fancy clothes and over-privilege who can take it.

Even virtually.

WWJRD (What would Joan Rivers Do?)

This, of course, was not to be on Sunday night.

None of it.

This, in fact, was the opposite of what we hoped.  Overly polite people trying their best to gingerly entertain in a responsible way while consistently making the point that there was nothing really important going on this evening on this show except, well, group human hugs in a particularly difficult time of what could be our soon-ending civilization.

Ugh.  How disappointed were WE at my house?   (Note: Okay, mostly I).

Fortune 500!

But, I mean, what did we think?  That host Jimmy Kimmel wouldn’t wear rubber gloves to hand the winner’s envelope to in studio presenter Jennifer Aniston?

Or that we wouldn’t soon see that despite the early canned laughs and celebrity shots the massive Microsoft Theatre really had no audience at all and Kimmel was  really speaking to a sea of appropriately empty seats?

Or that instead of buying seats and ads and throwing lavish after parties the studios and TV Academy would pool their money and combined raise $2.8 million during the broadcast to feed hungry kids? (Note: nokidhungry.org).

Really channeling my inner Larry David

Or that many of the award categories, nominees and winners would be read by COVID-19 first responders like nurses, doctors, farmers and truck drivers?

The people putting their lives on the line to keep society going?  People taking time out of their day to appear on a silly awards show to amuse the likes of me?

These were people I bet were even expecting half of us watching at home would make fun of their hair, how they spoke or at least whom they were wearing.  That’s how cool they were.

Alas, we couldn’t do any of those things.  Nor, I suspect, could much of anyone else.

This but there’s nothing else on

Because despite how much we might very, very, VERY much want it, there is no true escape from the reality of these days.

I mean, if an award show can’t even deliver that, we truly have no choice but to face facts and become the actual heroes and heroines on our favorite TV shows in real life.

At least partly.

So yeah, it’s great that Schitt’s Creek set a new record for a TV comedy and swept in every major category – series, directing, writing, actor, actress, supporting actor, supporting actress.  And that an out and proud gay guy, showrunner Dan Levy, took home four awards in one night.

Melting my cold dead heart

It’s also great that Succession, a show that takes on the unfeeling, corporate rich, won best drama series, best directing, best writing and best actor.

For this scene alone, Jeremy Strong earned it

Not to mention it’s great Watchmen was awarded best limited series, writing, actress and supporting actor for its original genre bending depiction of the destruction of Black Wall Street and the justice that, in turn, could have wrought.

I mean, is anyone better than Regina??

Kudos to all of them.  And many, many more not mentioned.

In fact, here is the complete list.

But what this year’s Emmys will best be remembered for, if it is at all, was for being the first major televised awards show up that best encapsulated the strangeness of our times.  (Note: Feel free to substitute strange with the angriest, or bitchiest, word of your choice).

This works too

As much as it did its job I’m hoping next year the 73rd go-round are A LOT worse, and, in turn, bring out the worst in those of us at home.

Because that will mean all of us, on the whole, are doing a hell of a lot better.

Emily Hampshire – “Maybe This Time” (from Schitt’s Creek)