The Real Villains

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There are (at least) 129 people dead and 352 injured in Paris – the latest mass murder victims from the latest international terrorist attack.

These things don’t just “happen.” There are reasons other than they’re crazy and we’re not.

This week I was talking to my screenwriting students about writing real villains (the nicer word is antagonists but let’s face it, villain gets the point across far more effectively). I told them one of the keys is that until you understand why your villain is doing what he’s doing you only have an IDEA of a villain.

What my students – and all of us – need to understand is that in drama and in real life a villain truly believes in his or her heart of hearts that what they are doing is ABSOLUTELY RIGHT based on their life experiences and where they are in the world at that moment they take action.

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Villains believe their actions are justified. Their actions are a means to their END – which they are convinced, rightly or wrongly, they deserve and/or are correct in executing. Their end can be twisted, offensive, or cray cray to you and I and the rest of the world based on all objective logic. But until you really get how they think and WHY they think it, you will not be able to create or evoke – nee write – them or their situation convincingly.

It’s upsetting to fail at your task as a writer, but the cost of not doing your due diligence in real life battles is a lot more consequential. It means you will NEVER be able to defeat your perceived villain. Certainly not in any permanent or enduring way. Writers hand in bad scripts or abandon projects altogether with only a career price to pay. When your opposition and you are flesh and blood the battle lasts a lot longer and has a far greater effect than a few bad hours of entertainment. It means your villain – nee enemy – can go on for years, decades, or perhaps generations – wreaking havoc.

What a way to live. Or not live.

Is it faith or life (or both) that sustains you?

Is it faith or life (or both) that sustains you?

I tend to see the fundamentalists of any religion as somewhat villainous and that is a prejudice of mine about both religion and doctrinaire thinking. It’s a reason why a play I started years ago about a fundamentalist, anti-gay American town and how it ostracized and eventually murdered a mouthy gay young adult never quite worked. I just couldn’t figure out how to make the people of the town three-dimensional enough to allow the audience to understand and believe their actions. I was too invested in my own bias to think through it clearly no matter how much I tried or how liberal I thought I was being. I got as far as “they were raised that way, they were true believers and they were small-minded” but none of it seemed enough to justify what I clearly felt was, plain and simply, a town of sick, heinous people who were clearly less than something human. So eventually, I dropped the project.

That was six years ago. Perhaps one day a light bulb will go off and I’ll figure it out.   Or not. Either way the world – and myself – will survive.

We have no such luxury with perceived “real life” villains who threaten our very existence.   Yes, I’m talking about the TERRORISTS. Are their reasons really any different than that of ANY convincing movie, theatre of television villain? You’d better believe they are. They are analogous only to our best, most well thought out villains. Certainly, their actions are. And their cost is a lot more than boredom, offensiveness or the price of a $15 ticket to watch in real time.

These are not the moustache-twirlers of pop culture past

These are not the moustache-twirlers of pop culture past

I teach and mentor Ithaca College students in a satellite L.A. school where they spend a semester interning in the entertainment industry as well as taking classes. But our home campus was all over the news this week for mass student protests over perceived racist incidents and inaction to it from our president. This followed similar demonstrations at the University of Missouri, Yale and other schools across the country.

After reading and watching a myriad of stories via the New York Times, CNN and MSNBC, as well as scouring numerous posts on Facebook (Note: Where we trended in the #1 spot – is that to be celebrated?) and on Twitter, I was amazed. Once you got past the first few paragraphs or sound bytes of news, so many of the comments of our so-called informed adult observers dubbed our students and school with words like “whiners,” “babies,” “sick people,” “socialists,” “jail” and “die.” Yeah, I guess that about summarizes it.

Wait... huh?

Wait… huh?

The utter sheer dismissal from so many corners – both liberal and conservative and everywhere in between – was quite shocking to me.   In a non-segregated world there was bound to be a “browning” of America and all this vocal minority (eventual majority?) of young people are saying is that the white power structure needs to slightly alter their way of thinking and reacting to situations they used to categorize merely as misstatements and hard knocks and accept them for what they are – intolerable and offensive.

Of course, the counter argument is statements like – grow up, crybaby, or you’ll never survive in the real world. Well, guess what – as a young gay guy I gained nothing from the numerous times I was called faggot in school or the handful of moments when several teachers made fun of me for a perceived effeminate gesture. In fact, it was just the opposite – years of therapy at a cost of tens of thousands of dollars. If we can provide our young generation a few tools and strategies to deal with these inevitable taunts early on and, yes, in a safer space in college, why WOULDN’T we do it?

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Amen

Of course, this means listening and understanding their arguments – the arguments of people who are different and with whom we feel we have little in common – even if we don’t agree with them. When the University Of Missouri president finally stepped down from his post several weeks ago in an effort to heal his college community, the Republican Apprentice (Note: Oh, you know who I mean) quickly branded him as part of a group of weak, ineffective people in positions of power at college communities across the country. I should have been the chancellor of that university, he bloviated. Believe me, there would have been no resignations.

But like most trigger happy, lazy thinkers, the ole R.A. did neglect to tell you this one salient fact. There actually was a Trump University from 2004-2010 that is now defunct and being sued for $40 million by the NY Attorney General who has filed charges that this school was operating as an illegal, unlicensed for-profit university that DEFRAUDED its students and bilked them each out of tens of thousands of dollars worth of broken promises and meager results.

I suppose I digress. But only a little.

See, our American Oracle of Healing – Oprah Winfrey – said some time ago that one of her big takeaways from her career as a talk show host and media mogul billionairess is that EVERYONE wants to be heard. When individuals believe they are not being listened to, shunned or even perennially ignored is when the trouble starts. And festers. And becomes something much larger than what it started out. And increases exponentially as time goes by and the status quo continues. Then, at some moment, as writer Malcolm Gladwell so eloquently stated in his international bestseller, there is The Tipping Point and things begin to change – for the good or bad – whether we all like it or not.

One spark is all it takes

One spark is all it takes

No one is defending or justifying terrorism or mass murder. But the world is not a John Wayne movie where a few six guns and some moxie can do the trick. Besides, those movies didn’t have fully developed villains, anyway. You can’t get away with that anymore. Even the new, somewhat disappointing James Bond film Spectre gave Christoph Waltz’s character a personal backstory, which is ultimately how James Bond defeats him (Note: Oh, please, it is NOT a spoiler. Did you think Bond died???).

So as painful as this will be, it might help as the dust settles in the weeks and months to come for us all to try to begin to understand the backstory of this latest band of villains – nee terrorists – in an effort to, if nothing else, stop future attacks. And secure our future – or even – A future.

To this end: I give my students a list of 25-30 questions to ask themselves about their fictional villains. They include: where they came from; where did they grow up; what’s in their room at home; what is their typical day like – meaning what do they do; their relationship with their family; their biggest hurt; what is sacred to them and why; their favorite food and color; unforgettable character; moment they fell in love; job; possession of resonance; sexual proclivities; and age.

Maybe even the name of their pet

Maybe even the name of their pet

I tell my students to answer in depth, superficially and go on tangents. Much of the information they won’t use but if they answer all the questions with thought and feeling they will begin to get an understanding of who that person is and how some of the above, which the audience/world might never even see, informs their decisions. The result will then be a closer to flesh and blood character whose actions will seem perfectly believable given their specific set of circumstances. And if they, the writer, understands the villain, then they can in turn figure out how the hero of their story will figure out how to defeat them at their own game and return the world to stasis– or even better.

Yeah, this is writer stuff and not as adrenaline inducing as rushing into a shootout.  But it works far more effectively in the end and is A LOT less bloody for all parties concerned. Unless blood is what we’re really looking for.

Making it Work

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The big news this week was that Tim Gunn – America’s Teacher and longtime Project Runway mentor and defender – finally went off on one of his designer contestants for the first time in 14 seasons and 11 years. Confronted with endless excuses and Swapnil Shinde’s admitted laziness despite his obvious talent, Mr. Gunn told him his behavior and excuses were a bunch of bullsh-t, adding what is the f-cking point of doing anything if you’re not going to commit and give your all.

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If someone else had ranted this – from me on up – it would have been just another day at the workhouse or of trolling the web. Certainly, it’s de rigueur when it comes from the mouth of The Republican Apprentice – who now ranks as America’s top GOP presidential candidate by a lot, to use his exact words. But when a beloved nice guy or gal explodes in your face it’s a lot different.

There is nothing like the unexpected – especially when it goes from nice to naughty – to jolt us into temporary attention and perhaps submission – if not shock, awe and/or revulsion. Remember when Tom Cruise jumped up and down like a madman on Oprah’s couch? Or when we found out that NY Congressman/nice Jewish boy Anthony Weiner was really Carlos Danger, the secret online seductor? How about when Disney’s own Miley Cyrus stuck her very elongated pointed tongue in and out and towards a man twice her age on television at MTV’s VMAs? The country went absolutely, positively apoplectic.

It could be a partial explanation for our preoccupation and fascination with the phenomena that is The Republican Apprentice – or at least it was until recently. It’s scary to write this out loud but yesterday I found myself saying over dinner to a handful of very smart people who asked me that I now actually believed for the first time that The Ole RA might very well be the presidential nominee by next year’s GOP. What was once shocking and unique has now suddenly become establishment and imaginably viable. Plus, there’s no denying several months of double-digit poll numbers.

Current mood

Current mood

But back to Mr. Gunn, for whom who I have always held a soft spot. He was on to something when he spewed out his tough love truths in a desperate attempt to deliver one final wakeup call. Think of it as a gay Hail Mary pass to a competitor possessing the clear ability to win the game but who lacked focus, discipline and respect for not only himself but the entire competition in which he voluntarily chose to participate in the first place. As a teacher myself I can tell you there is nothing more infuriating. You mean you have the goods but are just…. lazy… scared…. stuck in your own drama…. unwilling to move just three more steps…. prefer instead to… play??? Seriously??? See your less-talented colleague over there, the one who works 24/7? Don’t come bitching to me (or anyone else) in 20 years when you wonder why what they do has gotten the response they have – be it in either money or creative praise or both. It just doesn’t happen out of nothing. You have to put in the time in order to perpetrate the crime that you now see as success. They did. You didn’t. Now suffer the consequences.

Nice try, honey.

Nice try, honey.

Of course, this isn’t all there is to it. All the hard 24/7 work in the world doesn’t guarantee victory nor is the converse true. There are those in the minority who through timing, luck or extreme talent can stumble into a kind of momentary success despite all of their best efforts to NOT make it so. Still, on the whole it really is the hard work, the push back against the most desperate straits and all evidence to the contrary in those dark moments of doubt, that produces something unique or even spectacular. At least on any sort of consistent basis. Whether the world recognizes it or not is never the point. The real victory is when you know you’re leaving it all on the stage – as they say in show biz.  Or on the field – as is noted in sports. Or in/on the ________, as people tell you in whatever is your chosen field of labor and/or desire.

The fifth season of American Horror Story premiered this week and has gotten royally raked over the coals for — well, I’m not exactly sure what. It seems as if it is to some degree on this very subject. Have Ryan Murphy and company finally jumped the shark and delivered something so dull or gratuitous, as many culture vultures have so GLEEfully pointed out, or have we (meaning THEY) all just grown all too used to it? As a longtime fan of the series I am the first to admit that it occasionally lacks a certain story sense or too often than not falls victim to an overindulgence of style, sexual subversion and violent perversion. But jeez, isn’t that part of the fun of it all?

American Horror Story edition

American Horror Story edition

The brilliance of the whole concept is that there is nothing quite original in the storytelling, look or manner of the show in itself. The point is that it takes every subject trope of its season of choice – be it haunted houses, insane asylums, witches or carnivals – and ribaldly steals from every movie, television show, play or short story every executed on the subject. Then it throws it all together in some bubbling stew of camp, pathos and politically unacceptable (Note: Or acceptable depending on whether you’re me or everyone else) morality where it emerges with something if not new then unique unto itself. Its strength lies in its overall execution and what often becomes two handfuls of truly memorable moments over the season. Yet it is those moments that make the parts of the whole that fall flat work – which is more than I can say so far for either The Republican Apprentice or this season of Project Runway. (Note: Although Mr. Gunn did give me one of those in this past week’s episode meltdown so there is that).

I mean, whatever, I'm into it! #noshame

I mean, whatever, I’m into it! #noshame

Watching Lady Gaga and Matt Bomer portray what amounts to millennial versions of Catherine Deneuve and David Bowie in 1983’s much under-rated The Hunger as they executed deadly sexual games with another couple in their all-too-stylish boudoir on the premiere episode of AHS: Hotel more than worked for me. As did the creepy kids skulking around a la The Shining and The Innocents. As did loveable Max Greenfield’s gay, blonde hair-dyed heroin-injecting pretty boy burnout being sexually violated by a dead ghoul with a power tool. Yeah it was gruesome, but it was also Grand Guignol ridiculous. The gay positive sensibility of the series puts this sort of thing in the crazy context of just one more form of mindless brutalization the AHS word offers, rather than serving to cast a specific retribution towards a member of one specific minority group the creative forces behind the scenes don’t cotton to.

One wishes The Republican Apprentice, the entire GOP field or any number of religious organizations across the world would take note before they choose to scapegoat their next real-life victim(s) of choice. They’re dealing with real life choices not the creative ones in television and Grand Guignol theatre. Or are they? Well, if nothing else, at least they’re committed. Or should be.