Sitting Down with the Emmys

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ATT: POP CULTURE VULTURES & TV LOVERS

RE: LET’S HAVE SOME FUN….please?????

Given the week we’ve just had it feels exactly right to spend a bit of time concentrating on an event that has pretty much zero affect on our everyday lives – the EMMY Awards.

This is not to say we don’t care at all or as fans, or friends of nominees, or of people who work on shows that are nominated – or – as possible nominees ourselves, (Note: Uh, no – not me) we think they are unimportant.   Actually, in point of fact they are very, very, very American.

We in the U.S. of A. love a good competition – how else can you explain why a liberal like myself actually spent 32 hours Wednesday night watching 11 Republican candidates gumming each other to death from a stage at the Ronald Reagan presidential library? No, I certainly wouldn’t do it for a football game (Note: Except the Super Bowl because its half-time show usually features either a gay icon or a band from the seventies) but then I never said we all like every competition. This is still, for the time being, a country that is pro-choice. Which brings me back to the topic at hand – television.

Lonely Island Emmys

Lonely Island Emmys

The Oscars might still have the classiest statue but the Emmys are more intimate and ultimately more fun. These shows and the folks who create them, star in them and actually make them, come into our homes. They’re not so much royalty but pseudo friends. We don’t spent a mere two hours or so in their company as we do with our filmmakers but rather upwards of two years or more doing all kinds of things while viewing them that we don’t need to go into here. I don’t know about you but for me that makes it a lot more familial and certainly much homier.

Not to mention – I can’t spend another evening obsessing about the14 year old Muslim boy who was handcuffed in Texas for bringing a clock to school, the apocalyptic El Nino weather warnings that everyone keeps saying will destroy my newly purchased home, or the unavoidable rantings and ravings of The Republican Apprentice on just about every topic and airwave imaginable.

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On that minor point let me say this: If you’ve had your scalp reduced and hair plugs inserted in your head, the rat’s nest that rests on top of it certainly doesn’t count as ALL YOURS. Could you imagine having to look at that from the Oval Office for the next four years???

And no – I didn’t accuse anyone of anything so I don’t have to apologize.

In any event, Sunday’s festivities officially begin now with some major category predictions for your betting pool at home. A warning upfront: No one really has idea who is going to win for sure. Well, except when it comes to Jon Hamm. He WILL WIN for best dramatic actor this time out. This is not only true but it is one more reason to objectify him.

I. Can't. Even.

I. Can’t. Even.

He’s an actor. Trust me, he doesn’t mind.

And every time Jon Hamm’s name is mentioned or the camera is on him – DRINK!

The nominees/winners are below:

OUTSTANDING COMEDY SERIES

It's Maura's night!

It’s Maura’s night!

“Louie”

“Modern Family”

“Parks and Recreation”

“Silicon Valley”

“Transparent”

“Unbreakable Kimmy Schmidt”

“Veep”

Prognosticators are divided on this category, giving a slide edge to “Veep.” I don’t think so. This has been a defining year for the transgender community and thus it feels like Hollywood will give the award to “Transparent.” The story of how a family reacts when its patriarch comes out as a transgender woman has been universally praised and let’s face it – “Veep” will be even better in a presidential election year.

Winner: “Transparent”

 

LEAD ACTOR, COMEDY

Emmy Winner? Yes, that's me.

Emmy Winner? Yes, that’s me.

Anthony Anderson, “black-ish”

Matt LeBlanc, “Episodes”

Don Cheadle, “House of Lies”

Will Forte, “The Last Man On Earth”

Louis C.K., “Louie”

William H. Macy, “Shameless”

Jeffrey Tambor, “Transparent”

There are few sure things in an entertainment awards show but Jeffrey Tambor’s win for his performance as said patriarch in “Transparent” is about as close you you’ll get. Whatever one’s possible gripes with the series, Tambor’s work is exceptional. Go back and watch him on “The Larry Sanders Show” and figure out how it could be the same person. Besides, the industry loves when a character actor finally gets the breakout role they always deserved.

Winner: Jeffrey Tambor, “Transparent”

 

LEAD ACTRESS, COMEDY

A truly meta moment

A truly meta moment

Lisa Kudrow, “The Comeback”

Lily Tomlin, “Grace And Frankie”

Amy Schumer, “Inside Amy Schumer”

Edie Falco, “Nurse Jackie”

Amy Poehler, “Parks And Recreation”

Julia Louis-Dreyfus, “Veep”

There is only one person deserving of the award in this category – Lisa Kudrow in “The Comeback.” In fact, it is one of the best female performances I’ve ever seen in a comedy series – equal parts hilarious, cringe worthy, heart-breaking, sad and joyful. The odds are that Julia Louis-Dreyfuss will win for the 80th time (Note: Yes, she’s won 80 times, you go figure) or the beloved Amy Poehler will get it for her last season on “Parks and Recreation.” Still…

Winner: Lisa Kudrow “The Comeback” (because I say so).

SUPPORTING ACTOR, COMEDY

Real life win

Real life win

Andre Braugher, “Brooklyn Nine-Nine”

Adam Driver, “Girls”

Keegan-Michael Key, “Key & Peele”

Ty Burrell, “Modern Family”

Tituss Burgess, “Unbreakable Kimmy Schmidt”

Tony Hale, “Veep”

There is no stopping “Veep” in certain categories. All of these guys do excellent work but there is something about Tony Hale’s performance that woos Emmy voters. Possible spoilers are Andre Braugher or Titus Burgess for “Brooklyn” or “Kimmy.” Still, who in Hollywood will resist the aide to a delusional, clueless egomaniac?

Winner: Tony Hale “Veep”

SUPPORTING ACTRESS, COMEDY

Can you deny the Notorious RBG?

Can you deny the Notorious RBG?

Mayim Bialik, “The Big Bang Theory”

Niecy Nash, “Getting On”

Julie Bowen, “Modern Family”

Allison Janney, “Mom”

Kate McKinnon “Saturday Night Live”

Gaby Hoffmann, “Transparent”

Jane Krakowski, “Unbreakable Kimmy Schmidt”

Anna Chlumsky, “Veep”

Again, the supporting category is awash with great work. How much would I love to see Kate McKinnon pick it up for her rapping version of my Aunt Ruth (Bader Ginsburg). Quite a lot. But this town often ignores me. It’s going to be Allison Janney in “Mom.” Truth be told, she’s great playing the alcoholic mother of Anna Farris. And besides, she only has 75 Emmy statuettes for “West Wing.” She needs another.

Winner: Allison Janney “Mom”

WRITING FOR A COMEDY SERIES

David Crane and Jeffrey Klarik for Episodes, “Episode 409” from Showtime

Will Forte for The Last Man On Earth, “Alive In Tucson” (Pilot) from FOX

Louis C.K. for Louie, “Bobby’s House” from FX Networks

Alec Berg for Silicon Valley, “Two Days Of The Condor” from HBO

Jill Soloway for Transparent, “Pilot” from Amazon Instant Video

Simon Blackwell, Armando Iannucci and Tony Roche for Veep, “Election Night” from HBO.

It’s really hard to compete with a well-written television pilot because it has to be a great episode and has the added degree of difficulty of introducing you to the characters and the world of the series. “Transparent” feels like a lock given it is unlike any comedy series ever on the small screen and it comes from a streaming service. Still, the writing award is, for some reason, often seen as a consolation prize for a show that is bypassed in other areas. Nevertheless —

Winner: Jill Soloway “Transparent”

OUTSTANDING DRAMA SERIES

Cmon guys... THIS HAPPENED!

Cmon guys… THIS HAPPENED!

“Better Call Saul”

“Downton Abbey”

“Game of Thrones”

“Homeland”

“House of Cards”

“Mad Men”

“Orange is the New Black”

A REALLY tough one. Many people I really respect swear this was THE season of “Game of Thrones.” More importantly, it led the pack this year with 24 Emmy nominations. So you can pencil it in on your own ballot. I’m going with the last season of the best-written show on television – “Mad Men.” Screw the rest of the field. And the Academy if they don’t vote my way.

Winner: “Mad Men”

LEAD ACTRESS, DRAMA

You know Cookie will be throwing shade no matter what

You know Cookie will be throwing shade no matter what

Taraji P. Henson, “Empire”

Claire Danes, “Homeland”

Viola Davis, “How to Get Away with Murder”

Tatiana Maslany, “Orphan Black”

Elisabeth Moss, “Mad Men”

Robin Wright, “House of Cards”

The best roles for women have for some time been on television. This is an impossible category of excellence. But it’s going to be Viola Davis. Brilliant, frightening, frail and bold. It should also be noted that an African American woman has never one in this category. Yeah, it’s true.

Winner: Viola Davis “How to Get Away with Murder”

SUPPORTING ACTOR, DRAMA

No nomination? Was it the moustache?

No nomination? Was it the moustache?

Jonathan Banks, “Better Call Saul”

Ben Mendelsohn, “Bloodline”

Jim Carter, “Downton Abbey”

Peter Dinklage, “Game Of Thrones”

Alan Cumming, “The Good Wife”

Michael Kelly, “House Of Cards”

My spies tell me this it will be Jonathan Banks in “Better Call Saul.” Loved him playing the same character in “Breaking Bad.” It’s not unprecedented to get recognition the second time around. Baby boomers will instantly remember Valerie Harper and Cloris Leachman winning for their work on “The Mary Tyler Moore Show” only to go on to great acclaim in solo series bearing their characters’ names (Note: Okay, “Rhoda” and “Phyllis”). Banks doesn’t have his own show but lucky for “Saul” he’s on someone else’s.

Winner: Jonathan Banks “Better Call Saul”

SUPPORTING ACTRESS, DRAMA

Holloway-Harris for the win

Holloway-Harris, your Emmy is calling.

Joanne Froggatt, “Downton Abbey”

Lena Headey, “Game Of Thrones”

Emilia Clarke, “Game Of Thrones”

Christine Baranski, “The Good Wife”

Christina Hendricks, “Mad Men”

Uzo Aduba, “Orange Is The New Black”

It is a fact that no series regular on seven seasons of “Mad Men” has ever won the Emmy. Really? Yes. That’s why it seems as if the much deserved Christina Hendricks will pull it out of this really close competition. Also, because I’m willing it. If you have reservations, Uzo Aduba is a close second. But remember, Joan always gets exactly what she wants in the end.

Winner: Christina Hendricks “Mad Men”

WRITING FOR A DRAMA SERIES

Leonard for the win!

Thanks Leonard!

Joshua Brand for The Americans, “Do Mail Robots Dream Of Electric Sheep?” from FX Networks

Gordon Smith for Better Call Saul, “Five-O” from AMC

David Benioff and D.B. Weiss for Game Of Thrones, “Mother’s Mercy” from HBO

Semi Chellas and Matthew Weiner for Mad Men, “Lost Horizon” from AMC

Matthew Weiner for Mad Men, “Person To Person” from AMC

It could easily be “Game of Thrones” – that’s what the smart money says. But, uh, no. The final moment of “Mad Men” is yet another image in the annals of TV history, even for those non-fans of the show. Yes, I’m biased. But what else is new.

Winner: Matt Weiner, “Mad Men” “Person to Person”

LIMITED SERIES

Is the Chair hitting the bullseye?

Is the Chair hitting the bullseye?

“American Crime”

“American Horror Story: Freak Show”

“The Honorable Woman”

“Olive Kitteridge”

“Wolf Hall”

This is tricky. Long-form, limited and mini-series categories tend to reward the unexpected.   It could easily go to any of the five but I think it will be “Olive Kitteridge” because you’ve seldom seen a less sympathetic yet compelling dramatic female character on television that is not a vampire, lawyer, stuck in medieval times or a sex goddess. She’s just a plain woman who is really, really difficult. That’s tough to do and make compelling over several nights.

Winner: “Olive Kitteridge”

LEAD ACTOR, LIMITED SERIES OR MOVIE

Timothy Hutton, “American Crime”

Ricky Gervais, “Derek Special”

Adrien Brody, “Houdini”

David Oyelowo, “Nightingale”

Richard Jenkins, “Olive Kitteridge”

Mark Rylance, “Wolf Hall”

I’ve had to do reading on this one since I’ve only seen a few of the nominees. The overwhelming consensus is…

Winner: David Oyelowo “Nightingale”

LEAD ACTRESS, LIMITED SERIES OR MOVIE

Wore denim to win her Tony #badassforlife

Wore denim to win her Tony #badassforlife

Felicity Huffman, “American Crime”

Jessica Lange, “American Horror Story”

Queen Latifah, “Bessie”

Maggie Gyllenhaal, “The Honorable Woman”

Frances McDormand, “Olive Kitteridge”

Emma Thompson, “Sweeney Todd: The Demon Barber Of Fleet Street”

The winner should be Frances McDormand and hell, I’ll be honest, I’d bribe voters to make it so just to hear another one of her outrageously honest acceptance speeches. If you don’t know what I mean, pray that she wins. Though don’t be shocked if either Queen Latifah or Maggie Gyllenhall snatches it away at the last minute. But also pray they don’t.

Winner: Frances McDormand “Olive Kitteridge”

SUPPORTING ACTOR, LIMITED SERIES OR MOVIE

No arguments here!

No arguments here!

Richard Cabral, “American Crime”

Denis O’Hare, “American Horror Story: Freak Show”

Finn Wittrock, “American Horror Story: Freak Show”

Michael Kenneth Williams, “Bessie”

Bill Murray, “Olive Kitteridge”

Damian Lewis, “Wolf Hall”

Everyone seems to believe it’s going to be Bill Murray and having watched “Olive” I would not be disappointed. But I’m going out on a limb here and say any straight actor who can pull off playing a repressed gay effete homicidal killer named Dandy and not come off as an inaccurate and/or offensive stereotype deserves this award and more. Not to mention, he was hilariously awful.

Winner: Finn Wittrock “American Horror Story: Freak Show”

SUPPORTING ACTRESS, LIMITED SERIES OR MOVIE

For the Emmys.. two heads may be better than one

For the Emmys.. two heads may be better than one

Regina King, “American Crime”

Sarah Paulson, “American Horror Story: Freak Show”

Angela Bassett, “American Horror Story: Freak Show”

Kathy Bates, “American Horror Story: Freak Show”

Mo’Nique, “Bessie”

Zoe Kazan, “Olive Kitteridge”

In the spirit of the above, any actress who can play conjoined twins and not only believably evoke two very separate personalities but endure all of the green screen and body doubles she undoubtedly had to contend with needs this statuette. Not to mention, Sarah Paulson has been one of the unsung heroes of each season of “American Horror” and has never gotten the award.

Winner: Sarah Paulson “American Horror Story: Freak Show”

REALITY-COMPETITION SERIES

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“The Amazing Race”

“Dancing With The Stars”

“Project Runway”

“So You Think You Can Dance”

“Top Chef”

“The Voice”

How do you resist this category? I have no idea. So here’s the thing – “The Amazing Race” usually wins though 2 years ago “The Voice” deservedly stole it away. Fine, then considers most of the voters are in the industry and in their hearts become insecure again once they make the bolder choice, let’s go back to –

Winner: “The Amazing Race”

VARIETY TALK SERIES

Really Chairy?

Really Chairy?

“The Colbert Report”

“The Daily Show With Jon Stewart”

“Jimmy Kimmel Live”

“Last Week Tonight With John Oliver”

“Late Show With David Letterman”

“The Tonight Show Starring Jimmy Fallon”

All the usual suspects – which is why I believe the freshest and least usual will win. John Oliver is not only funny and smart but the unlikeliest of hosts to not only be able to substitute for Jon Stewart on “The Daily Show” while he was away directing a movie but to front his own once a week comic news commentary on HBO – not Comedy Central.

Winner: “Last Week Tonight with John Oliver”

VARIETY SKETCH SERIES

All Hail Amy!

All Hail Amy!

“Drunk History”

“Inside Amy Schumer”

“Key & Peele”

“Portlandia”

“Saturday Night Live”

I’m only including this category for one reason. To give my vote to our much deserved comic gal of the moment –

Winner: “Inside Amy Schumer”

TELEVISION MOVIE

“Agatha Christie’s Poirot: Curtain, Poirot’s Last Case”

“Bessie”

“Grace of Monaco”

“Hello Ladies: The Movie”

“Killing Jesus”

“Nightingale”

Should the television movie and limited series (which are often movies in several parts) be separated in different categories? Oh, who knows. Well, it’s not going to be “Grace of Monaco,” that much is for sure. The Academy has traditionally always loved a good Agatha Christie – which is why my vote goes to the Bessie Smith biopic. Queen Latifah playing the bisexual blues singer, a topless scene of her sitting at her makeup table and Mo’Nique playing her best frenemy Ma Rainey – are you surprised this gets my vote???

Winner: “Bessie”

… and you didn’t think I forgot…

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LEAD ACTOR, DRAMA

Bob Odenkirk, “Better Call Saul”

Kyle Chandler, “Bloodline”

Kevin Spacey, “House of Cards”

Jon Hamm, “Mad Men”

Jeff Daniels, “The Newsroom”

Liev Schreiber, “Ray Donovan”

Uh, seriously?

WINNER: JON HAMM!! “Mad Men”

(Note: He’s been nominated all 7 years of the series and has never won for breathing life into one of television’s most complex and iconic characters – Don Draper. This is the voting morons’ last chance to make good. And THEY WILL).

DONT WORRY! IT WILL HAPPEN!

DONT WORRY! IT WILL HAPPEN!

And no – I didn’t include the directing categories. The list got too long and writers too often get dropped in favor of directors on these lists.   Don’t feel bad. The directors have a much more powerful union and better residuals.

Okay – will check back after it airs. And remember:

JON HAMM = DRINK!!!!

 

Skin Deep

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I used to joke that even though I appeared to be a white, gay Jewish male I was, really, a big Black woman – preferably one who could sing like Aretha Franklin, Jennifer Hudson or, if I chose to go a bit more exotic, Nina Simone. Well, live long enough and any metaphor becomes obsolete and somewhat offensive – or even timely.

Chairy, is that you?

Chairy, is that you?

It’s difficult to know what one can joke about anymore. Certainly, it’s impossible to decide just what is timely. I decided late this week to bite the bullet and write about Rachel Dolezal, the just resigned former president of the Spokane chapter of the NAACP who was exposed as biologically White after a decade or more passing as Black (Note: Though there was and is still some debate on just what constitutes being Black). But then the idiocy of our national obsession with Ms. Dolezal was swiftly shifted by the actions of one truly undebatable WHITE 21 year-old Southern male.

When Dylann Storm Roof walked into the historic Mother Emanuel Church in Charleston, S.C., one of the first Black churches in the country, and shot nine innocent Black people dead after spending an hour as part of their Bible study group on Wednesday night, the meaning of being Black in America once again became crystal clear.

It is not about releasing your inner Aretha Franklin. It is not about crimping your hair, fighting for civil rights, having friends and family members who are African-American in bearing, or possessing any appreciation or talent for rapping, soul food recipes, community service or the historical nature of oppression.

NoSMDH

To be Black in the U.S. means to be at risk and to always be, in some small or even miniscule fashion, and despite your apparent economic or social status, looking over your shoulder. It means to be in danger even when you feel 100% safe. And, if one makes the decision to survive and live a relatively happy life, it means deciding, given those parameters, to figure out a way to turn the other cheek on all that and – like all the rest of us – play the hand you were dealt to the best you can so you can fulfill your destiny.

On the other hand, what the hell do I know about being Black in America? What can any White person every REALLY know? Not very much. Because on some very, very teeny tiny level being Black in America is NOT yet like being like all the rest of us – as I just so cavalierly mentioned in the last line of the paragraph above. I guess I will have to be on a journalistic learning curve for the time being on that one for, as we now once again know, old habits die hard.

As a screenwriter and journalist I’ve imagined myself as characters in countless scenarios. I have been male, female and various other animals of all kinds of ages, races and heights with extremely moral codes and deadly murderous streaks. I’ve been a Hispanic single mother, a wealthy Black politician, a white female cabaret singer, a nerdy Jewish boy (Note: That one was soooooo easy) and, currently, a very young white newspaper editor from the Midwest in the mid 1970s with a penchant for justice so strong that I am now in the process of risking my job, friends and family for my principals despite all seeming logic to the contrary. (Note: Don’t worry, that character’s story WILL have a somewhat victorious ending. I mean, please – it’s Hollywood).

something like this...

something like this…

All of these imaginations, presumed personalities and dramatic machinations, as a therapist told me years ago, are merely outgrowths of a personal talent for invention, or more precisely, reinvention, that helps the real me deal with life. I concoct stories as a coping method to deal with difficult situations (both fictional and from my real life) and create my very own convincing beginnings, middles and ends around them. But this only works as a way to make me feel better about who I am and the events around me – as I have painfully learned over the years. Although it can certainly be the impetus for me – and perhaps my limited or maybe one day vast audience – for seeing the truth/my truth and creating personal change it is a fiction. In other words, it is not, nor can it ever be, real life. Meaning – it was not reality.

In other words:

One can’t walk in someone else’s skin because we are all born with our own very specific skin.

Marvel Studios made this abundantly clear in a recently leaked Sony email that reveals that in its contract for the Spiderman movies with Sony it is a legal requirement that the movie Spiderman’s human alter ego, Peter Parker, must always be CAUCASIAN and HETEROSEXUAL and that Spiderman himself NOT be a HOMOSEXUAL.

oh spidey....

oh spidey

As if there were ever a chance any of these could ever thus be so.

When a rumor recently floated that renowned British actor Idris Elba could one day be the future and first Black James Bond it created an international Twitter exchange, culminating not only with eventual denials from Elba but a public statement by 1970s movie star and former Bond co-star Yaphet Kotto that the mere idea of that was ridiculous and silly.

And that’s only in the movies. Imagine how uppity it could get in other areas. For instance, let’s take politics. Can you consider that one day that we might actually have…I mean, that there could sometime in the future really be…a Black president of the United Sates?

wait a second....

wait a second….

Oh. Right.

Of course, this says nothing of how Black you have to be in order to be categorized as BLACK. Pres. Obama is half-Black and half-White, which seems to count as being Black. Yet some years ago, it surfaced that Broadway star Carol Channing’s paternal grandfather was Black, making her about 25% Black. Yet this seems to be enough for her to still be considered White, though perhaps that’s just because she’s 94 years old and we’ve always thought of her as such. Still, it doesn’t make it good for the public racial future of Rachel Dolezal. She might have two children with a Black man who identify as Black and several adopted siblings who are Black but now that the closet door has been opened she can never truly change her public face – meaning skin color.

That this would count for anything seems so odd, doesn’t it? I mean, don’t we all require or at least hope our houses and apartments are painted a new, fresh color before we move in? Yes, that color has traditionally been white but lately eggshell, gray, putty or even…well, pick you choice are starting to become popular. Though not yet Black. Can you ever imagine Black walls? I mean, really….

I just can't get behind this...

I just can’t get behind this

My husband and I have just moved into a new home that is set against a hillside. It’s safe but over a three week period we’d noticed more than a small rock or two falling into our patio and decided to hire some experienced people to haul out some of the dirt and gravel and build some small barriers for reinforcement and ensure (as much as possible) the safety of ourselves and our dog.

The head of the crew we hired to do this is not Black but he is Mexican (Note: Let’s call him Walter, just for fun) and over the last few days we’ve bonded over a mutual respect for the machinations of Mother Nature and a shared penchant for somewhat politically incorrect humor. Walter and I have joked about everything from my lack of knowledge about plants and building things to the fact that all of his siblings have advanced and multiple college degrees in various “professional” occupations while he decided to go into the family business of taking care of the yards (Note: In his case it’s usually grounds, he’s slumming with us) of many of these same professional people.

the tao of snoopy

the tao of snoopy

Nowhere was this more apparent to Walter than when his working class self went to his local bank to cash a large (well, by my standards) check for supplies I had written to him personally. No sooner had he gotten to the teller for the deposit than a manager was called over to look over the check. After a few minutes, the guy looked Walter dead on and the following conversation ensued:

Bank Manager: This check looks washed.

Walter: Huh? What are you talking about?

Bank Manager: It looks like a fake.

Walter: Well, I saw the guy (Note: That would be me, Your Chair) writing it from his own checkbook.

Bank: Well, just remember, it’s gonna come out of your account if it’s no good.

Walter pauses, thinks. Then –

Walter: Well, okay, but I mean, I trust the dude.

Bank Manager: Okay, but — remember — it’s your responsibility.

um... what?

um… what?

The first thing I did when Walter related this story – after reassuring him about the money – was to ask him what the heck it meant for a check to be washed. He explained it’s when someone takes a check, washes off the ink and then fills in their own amount. Okay, I thought, that’s nervy and inventive – but these checks are brand new – is there something about my signature or writing that makes them look dirty?

My second reaction, as I thought about it, was outrage. I mean, really? Walter may be a big Mexican guy who lives in the hood, albeit in a nice house with a wife and two kids, and has an accent, but really – he has a business account there and he comes in all the time. Is he really going to pass a bad check?

This guy that questioned you about the check, this really pisses me off, I confess to Walter.

Ah, I don’t let those things bother me, dude. It is what it is.

Yeah, but I mean, I bet if I were trying to cash the check, I wouldn’t have gotten that remark, I tell him.

Probably not, Walter replies. But I’m used to it.

Of course, there are a whole bunch of things he could probably say about me, though it would have nothing to do with whether he’d cash my check.

Yeah, I hear that, Walter says.

One more thing, I tell him. I’ll bet this was a White guy, right? Probably like a middle-aged, middle class white guy, right?

Actually, Walter replied, it was a young Black dude. The Blacks and Mexicans, they got a thing going. But, well — I try not to take it personally.

Well, that makes one of us. I guess that’s some sort of start.  Though only kind of.

http://www.youtube.com/watch?v=5DmYLrxR0Y8