Little Girls Blue

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The pop blues singer/icon Janis Joplin died in 1970 at the age of 27. But in the thoughtful, evocative new PBS American Masters documentary Janis: Little Girl Blue filmmaker Amy Berg shows us how in 1962 she dared to challenge the racist and sexual stereotypes in small town America and how dearly an emotional price she paid. Sadly, it’s a price that is still paid in some form by many outspoken women of all ages in today’s world – be it Hillary Clinton, Lena Dunham, or your Mom, sister or friend whenever they fight for equal pay or dare to call out intractable members of the white male heterosexual power structure in the worlds in which they travel.

Welp, that was easy

Welp, that was easy

But back to Janis, who I refer to by first name since I feel like I knew her – even though I didn’t. That’s what happens when you grow up incessantly listening to someone’s music and somehow believe that in many an odd song they were – and to this day are – somehow speaking directly to you.

Among the most upsetting remembrances from Janis’ many friends and family members was right after she left her hometown of Port Arthur, Texas – a place where as a non-traditional female she was bullied relentlessly all though high school for, among other things, supporting integration in the early 1960s and wearing loafers without socks. This was no small feat in Port Arthur, which sported a very active branch of the Ku Klux Klan, among whose members were the families of the very males she saw daily in high school. (Note: One assumes these males also expected the girls to wear heels, or at the very least some form of foot undergarment with their other shoes).

That Girl

That Girl

Still, it would only get worse when she moved to Austin, Texas – where she discovered she could really sing and became enmeshed in the blossoming local folk music scene. As was her way, Janis immediately stood out from the crowd. She could not only use big words like indignation but she could sing like the very popular Black blues singer Odetta – whose voice she could mimic perfectly according to one of her best friends at the time.

In any event, after gaining a bit of a following in Austin as both a solo singer and member of a local blues band called the Waller Creek Boys, the guys at the nearby universities somehow began to resent her wanton ways. So being that each year their local fraternities had a tradition of nominating various males they didn’t like as the town’s ugliest man and plastering the winner’s picture on the front page of their local paper, The University News, it came to be that on Sept. 5, 1962 nineteen year old Janis Joplin picked up the paper that morning and found a prominent photo of herself for all the town and beyond to read and see with this exact bold-faced banner headline printed above the fold:

JANIS WINS UGLIEST MAN!!

Ain't no way

Ain’t no way

It crushed her, her band mate and friend at the time, Powell St. John recalls, unsuccessfully attempting to hold back his tears some 50 plus years later. Saddest thing I ever saw. To that point, I’d never seen Janis cry. Janis had a tough exterior. But it really got her. Got her bad. I said, ‘Janis, they don’t mean anything to you. They’re not even in your class.’ 

Her younger sister, Laura Joplin explains it another way. 

It became increasingly hard for her to fit into a group of angry, angry men who liked to pick on her…So where does she go? What does she do?

Janis gives us San Fran late 60s realness

Janis gives us San Fran late 60s realness

What she did was go to California. Where in just five years she becomes an international superstar. And in five years more dies of a drug overdose – most likely, surmises the documentary, precipitated by loneliness and a profound lack of self-esteem and hurt she carried around with her during the less than three decades in which she lived.

Thankfully times have changed somewhat. But not fully. And certainly not nearly enough. And in the case of some men – many of who have recently become emboldened by a throwback wave of sexism and racism they disparage as political correctness– not at all.

Sounds about right

Sounds about right

Hillary Clinton, the likely Democratic presidential candidate, is being routinely attacked and mocked each day by the presumptive Republican presidential candidate, Donald Trump as an unbelievably mean, nasty enabler of her philandering husband Bill Clinton. Mr. Trump routinely covers his ears and mocks the sound level and tone of her voice and several months ago derided her for taking too long to go to the bathroom on a commercial break at one of the televised Democratic debates. Lest one think Mr. Trump is the only straight white guy who disdains Mrs. Clinton’s manner, both Pulitzer Prize-winning reporter Bob Woodward and MSNBC host Joe Scarborough several months ago separately took Mrs. Clinton to task for being too loud or too shrill.

As opposed to whom – Mr. Trump?

In a steaming retort this week to Sen. Elizabeth Warren’s (Note: Yes, she’s part Native American) criticisms, Mr. Trump for the umpteenth time publicly smeared her with the snide ethnic slur of Pocahontas, this time in a national news conference right after he secured enough pledged delegates to become the Republican presidential nominee. Imagine snidely referring to the only Black female senator we have EVER had – Carole Moseley Braun in the 1990s – by saying, oh who, Harriet Tubman? Or perhaps stating, Right, I assume you’re talking about Mammy? Or maybe referring to a Jewish female senator like Barbara Boxer or Dianne Feinstein as, who, Queen Esther? How about calling some Latina American politician Eva Peron? Well, he did just call New Mexico’s Republican Governor Susana Martinez, a Hispanic woman, slow.

Amen, sister

Amen, sister

I loathe writing about Donald Trump. I want to make that very clear. He’s truly a boil on the ass of the United States. An infected, puss-filled scourge of narcissistic infection bent on destroying everything in his path that can’t be used to feed his minuscule ego. Minuscule, as in tiny? Yes.

Only people who are deeply insecure and feel extremely small way down inside feel the need to consistently pump themselves up by hurling massively nasty, racist, sexist, bullying insults at others when challenged. But there’s just something a little different when he goes after strong women who publicly challenge him on the issues of the day. Rosie O’Donnell was a fat, disgusting pig. Fox news commentator Megyn Kelly was described by a euphemism for her menstrual cycle – blood coming out of her eyes, blood coming out of her…wherever. Republican challenger Carly Fiorina – no idol of mine – was put down by casually asking us to imagine having to look at that face everyday.

We'll join her #ImwithCHER

We’ll join her #ImwithCHER

Lena Dunham, the multi-hyphenate Emmy award-winning creator, writer, director and star of Girls has undergone similar public indignation. Read the comments on her, as I have, via any reputable online news source. Fat, cow, disgusting pig, only begin to tell the tale. But is that to be expected with online comments? How about the question The Wrap TV critic Tim Molloy asked her two years ago? I don’t get the purpose of all the nudity on the show? And your character is often nude for no reason…” Would they ask this of the more shapely female actresses on, say, Game Of Thrones? 

Lena has her cake and eats it too #yougo

Lena has her cake and eats it too #yougo

As for Ms. Dunham, it was interesting to note on the finale of Girls this season that she chose to have her character backtrack in her career development through the season but emotionally mature in expected ways by its end. When her best friend hooked up more than casually with her ex-boyfriend, who she still probably loves, her character noted she wanted to boil a rabbit in a pot or stab them both in the heart. But instead she acted out inappropriately with those around her, controlled her rage and hurt feelings towards her besties and eventually left them a fruit basket by their door as a peace offering. She figured out a way to move on in her own inimitable way – not through power grabbing or insults but simply through self- actualization.

This is perhaps a 21st century version of what it means to be a woman/human these days and perhaps it’s progress. Now only if some of our more moronic males would follow suit. Mr. Trump can lead them in this direction. But he most certainly won’t.

Which means that in the name of all the females in our lives – not to mention everyone else – we’ll have to do it for him. By increasingly making him and his kind irrelevant.

The Hype Awakens

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What exactly is contained in a can of Darth Vader Campbell’s soup? The label says it’s pasta with chicken in chicken broth but really – what evil concoction do you think is secretly hiding inside? Hint: It’s the same ingredient contained in the Yoda, C3PO and R2D2 Campbell’s soup – at least as advertised. Yes, they are ALL pasta with chicken in chicken broth! At least according to the label.

This is what you get when you go to your local market and buy STAR WARS CAMPBELL’S SOUP. And if you don’t believe there is such a thing – an authentic Star Wars version of Campbell’s Soup that you too can have for about a buck a can at your local food dispensary – check it out!!

How many nerds will never open this?

There are Cover Girl make up tie-ins (Black Avril Lavigne eyeliner anyone?). Subway tie-ins (well, now that Jared’s not a viable pitch person…) and even Duracell battery Star Wars (at least that makes some sense when you think about it – sort of).

Experts say over the next 12 months there will be $3-5 billion generated in merchandise sales alone tied to The Force Awakens – the first Star Wars film in 10 years. And $11-$20 billion in five years, according to a recent LA Times story.

Even if that’s a bit overinflated, it’s still in the billions. Yes, that’s a B. And we’re only talking merchandising tie-ins.

The force is strong in those.... grapes?

The force is strong in those…. grapes?

I’m as guilty as anyone when it comes to this sort of stuff. Watching the finale of one of my guiltiest TV pleasures in the world last week –The Voice – I see Missy Elliot and Pharrell do this bizarre and somewhat catchy song called WTF. (Note: They had me at the title). It’s a bit edgy and sexy and revels with a lyric about repeated TONGUE action. I thought, good for them – it’s primetime network TV and they got some tongue in. Then this weekend I hear it again – on a Verizon/Samsung Galaxy commercial. The same lyrics but somehow they’ve managed to de-sex it for a Saturday afternoon. Is nothing sacred?

Chairy... please

Chairy… please

I’ve been left behind. It used to be where I could sneak Playboy’s annualSex in the Cinema” issue and as a teenage gay guy manage to see naked pictures of men while pretending to look at naked women. I always felt so proud of myself for the forbidden, successful sneak.  But I mean, what’s really forbidden these days? Certainly not guns. I can buy enough firepower to shoot you in the head a Google times and still not one person could legally blame a corporate overlord.

It’s all about personal responsibility. Or is it?

Well I, for one, am responsible for my choices. Do you know that the night the new Star Wars opened I was at home watching a DVD screener of The Martian? Then, on that Friday night I actually went to the movie theatre to see the new Italian film Youth. Do you know there is a Star Wars: The Force Awakens screening at the WGA just about now with JJ Abrahams speaking afterwards that I was invited to and am NOT attending? (Note: Full admission – I tried to RSVP but it was a day after I received the email and it was sold out. So screw him/them). Still, there are three other screenings I can get into at 11, 2 and 8:30 today and I’m not going to any of them. Nor am I going to the theatre to wait on those damn lines. I’ll show them. I’m waiting until the next industry screening at the DGA on Dec 28th that I did manage to respond to in time. Take that corporate overlords!!!

Whattup Santa!

Whattup Santa!

I can remember seeing Star Wars when it came out in 1977 at the theatre during its first week. It was fun and original. Then I went to a Fox screening room three years later to see Empire Strikes Back. I liked that too, though not quite as much. Then it was Return of the Jedi – I liked it a little less but it was fine. Which was followed years later by the first prequel, The Phantom Menace. Oh, dear, I fear Jar Jar Binks did me in. Though in fairness, it wasn’t entirely his fault.  There came a moment where even I finally stopped going to Cher’s Farewell concert tours.

... but I will follow her on twitter forever.

… but I will follow her on twitter forever.

Yeah, I know Force Awakens recaptures the verve, fun, spirit and storytelling of the original. And I’m going to see it. Just as I’m going to see Creed – which reinvents and captures a lot of the energy of the first Rocky – which I adored at the time and still really like much to the chagrin of so many of my intellectually snobby film friends who can’t let go of the fact that it beat All the President’s Men, Taxi Driver and Network for the best picture Oscar that year. Come to think of it…oh, never mind.

Alright already! It's been 40 years!

Alright already! It’s been 40 years!

Still, there are limits to how excited I can get about revisiting the past. I do this enough with old friends. Which is wonderful. Though sometimes it makes me feel like a relic. An all-warm and fuzzy, much loved relic but old and pasteurized nevertheless.

The key to evolving as a person and a species is to keep active, not retire and, most importantly, NOT LIVE IN THE PAST. Nostalgia is good but even better is moving forward. When you stagnate in art you remain frozen in time or are perpetually looking back in time in real life. You become not only irrelevant but lazy. You’re not a leader but a follower. If you’re not out to pasture you might as well be. Certainly, you’re making room for some younger or more hard-working upstart to pass you by and take the reins of the evolutionary spiral.

Cough Cough

Cough Cough

There’s a lot of talk these days about America being the leader of the free world. How we are the best, the most exceptional, the top innovator, the #1 purveyors of moral authority and brilliance. But you can’t be brilliant or original or innovative – or really lead into new, uncharted territories – if you’re merely looking back and always nostalgic for the former, trying to recapture what you’ve already experienced.

The future is scary because it’s unknown. But nothing ventured, nothing gained. We used to know that.