Skin Deep

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I used to joke that even though I appeared to be a white, gay Jewish male I was, really, a big Black woman – preferably one who could sing like Aretha Franklin, Jennifer Hudson or, if I chose to go a bit more exotic, Nina Simone. Well, live long enough and any metaphor becomes obsolete and somewhat offensive – or even timely.

Chairy, is that you?

Chairy, is that you?

It’s difficult to know what one can joke about anymore. Certainly, it’s impossible to decide just what is timely. I decided late this week to bite the bullet and write about Rachel Dolezal, the just resigned former president of the Spokane chapter of the NAACP who was exposed as biologically White after a decade or more passing as Black (Note: Though there was and is still some debate on just what constitutes being Black). But then the idiocy of our national obsession with Ms. Dolezal was swiftly shifted by the actions of one truly undebatable WHITE 21 year-old Southern male.

When Dylann Storm Roof walked into the historic Mother Emanuel Church in Charleston, S.C., one of the first Black churches in the country, and shot nine innocent Black people dead after spending an hour as part of their Bible study group on Wednesday night, the meaning of being Black in America once again became crystal clear.

It is not about releasing your inner Aretha Franklin. It is not about crimping your hair, fighting for civil rights, having friends and family members who are African-American in bearing, or possessing any appreciation or talent for rapping, soul food recipes, community service or the historical nature of oppression.

NoSMDH

To be Black in the U.S. means to be at risk and to always be, in some small or even miniscule fashion, and despite your apparent economic or social status, looking over your shoulder. It means to be in danger even when you feel 100% safe. And, if one makes the decision to survive and live a relatively happy life, it means deciding, given those parameters, to figure out a way to turn the other cheek on all that and – like all the rest of us – play the hand you were dealt to the best you can so you can fulfill your destiny.

On the other hand, what the hell do I know about being Black in America? What can any White person every REALLY know? Not very much. Because on some very, very teeny tiny level being Black in America is NOT yet like being like all the rest of us – as I just so cavalierly mentioned in the last line of the paragraph above. I guess I will have to be on a journalistic learning curve for the time being on that one for, as we now once again know, old habits die hard.

As a screenwriter and journalist I’ve imagined myself as characters in countless scenarios. I have been male, female and various other animals of all kinds of ages, races and heights with extremely moral codes and deadly murderous streaks. I’ve been a Hispanic single mother, a wealthy Black politician, a white female cabaret singer, a nerdy Jewish boy (Note: That one was soooooo easy) and, currently, a very young white newspaper editor from the Midwest in the mid 1970s with a penchant for justice so strong that I am now in the process of risking my job, friends and family for my principals despite all seeming logic to the contrary. (Note: Don’t worry, that character’s story WILL have a somewhat victorious ending. I mean, please – it’s Hollywood).

something like this...

something like this…

All of these imaginations, presumed personalities and dramatic machinations, as a therapist told me years ago, are merely outgrowths of a personal talent for invention, or more precisely, reinvention, that helps the real me deal with life. I concoct stories as a coping method to deal with difficult situations (both fictional and from my real life) and create my very own convincing beginnings, middles and ends around them. But this only works as a way to make me feel better about who I am and the events around me – as I have painfully learned over the years. Although it can certainly be the impetus for me – and perhaps my limited or maybe one day vast audience – for seeing the truth/my truth and creating personal change it is a fiction. In other words, it is not, nor can it ever be, real life. Meaning – it was not reality.

In other words:

One can’t walk in someone else’s skin because we are all born with our own very specific skin.

Marvel Studios made this abundantly clear in a recently leaked Sony email that reveals that in its contract for the Spiderman movies with Sony it is a legal requirement that the movie Spiderman’s human alter ego, Peter Parker, must always be CAUCASIAN and HETEROSEXUAL and that Spiderman himself NOT be a HOMOSEXUAL.

oh spidey....

oh spidey

As if there were ever a chance any of these could ever thus be so.

When a rumor recently floated that renowned British actor Idris Elba could one day be the future and first Black James Bond it created an international Twitter exchange, culminating not only with eventual denials from Elba but a public statement by 1970s movie star and former Bond co-star Yaphet Kotto that the mere idea of that was ridiculous and silly.

And that’s only in the movies. Imagine how uppity it could get in other areas. For instance, let’s take politics. Can you consider that one day that we might actually have…I mean, that there could sometime in the future really be…a Black president of the United Sates?

wait a second....

wait a second….

Oh. Right.

Of course, this says nothing of how Black you have to be in order to be categorized as BLACK. Pres. Obama is half-Black and half-White, which seems to count as being Black. Yet some years ago, it surfaced that Broadway star Carol Channing’s paternal grandfather was Black, making her about 25% Black. Yet this seems to be enough for her to still be considered White, though perhaps that’s just because she’s 94 years old and we’ve always thought of her as such. Still, it doesn’t make it good for the public racial future of Rachel Dolezal. She might have two children with a Black man who identify as Black and several adopted siblings who are Black but now that the closet door has been opened she can never truly change her public face – meaning skin color.

That this would count for anything seems so odd, doesn’t it? I mean, don’t we all require or at least hope our houses and apartments are painted a new, fresh color before we move in? Yes, that color has traditionally been white but lately eggshell, gray, putty or even…well, pick you choice are starting to become popular. Though not yet Black. Can you ever imagine Black walls? I mean, really….

I just can't get behind this...

I just can’t get behind this

My husband and I have just moved into a new home that is set against a hillside. It’s safe but over a three week period we’d noticed more than a small rock or two falling into our patio and decided to hire some experienced people to haul out some of the dirt and gravel and build some small barriers for reinforcement and ensure (as much as possible) the safety of ourselves and our dog.

The head of the crew we hired to do this is not Black but he is Mexican (Note: Let’s call him Walter, just for fun) and over the last few days we’ve bonded over a mutual respect for the machinations of Mother Nature and a shared penchant for somewhat politically incorrect humor. Walter and I have joked about everything from my lack of knowledge about plants and building things to the fact that all of his siblings have advanced and multiple college degrees in various “professional” occupations while he decided to go into the family business of taking care of the yards (Note: In his case it’s usually grounds, he’s slumming with us) of many of these same professional people.

the tao of snoopy

the tao of snoopy

Nowhere was this more apparent to Walter than when his working class self went to his local bank to cash a large (well, by my standards) check for supplies I had written to him personally. No sooner had he gotten to the teller for the deposit than a manager was called over to look over the check. After a few minutes, the guy looked Walter dead on and the following conversation ensued:

Bank Manager: This check looks washed.

Walter: Huh? What are you talking about?

Bank Manager: It looks like a fake.

Walter: Well, I saw the guy (Note: That would be me, Your Chair) writing it from his own checkbook.

Bank: Well, just remember, it’s gonna come out of your account if it’s no good.

Walter pauses, thinks. Then –

Walter: Well, okay, but I mean, I trust the dude.

Bank Manager: Okay, but — remember — it’s your responsibility.

um... what?

um… what?

The first thing I did when Walter related this story – after reassuring him about the money – was to ask him what the heck it meant for a check to be washed. He explained it’s when someone takes a check, washes off the ink and then fills in their own amount. Okay, I thought, that’s nervy and inventive – but these checks are brand new – is there something about my signature or writing that makes them look dirty?

My second reaction, as I thought about it, was outrage. I mean, really? Walter may be a big Mexican guy who lives in the hood, albeit in a nice house with a wife and two kids, and has an accent, but really – he has a business account there and he comes in all the time. Is he really going to pass a bad check?

This guy that questioned you about the check, this really pisses me off, I confess to Walter.

Ah, I don’t let those things bother me, dude. It is what it is.

Yeah, but I mean, I bet if I were trying to cash the check, I wouldn’t have gotten that remark, I tell him.

Probably not, Walter replies. But I’m used to it.

Of course, there are a whole bunch of things he could probably say about me, though it would have nothing to do with whether he’d cash my check.

Yeah, I hear that, Walter says.

One more thing, I tell him. I’ll bet this was a White guy, right? Probably like a middle-aged, middle class white guy, right?

Actually, Walter replied, it was a young Black dude. The Blacks and Mexicans, they got a thing going. But, well — I try not to take it personally.

Well, that makes one of us. I guess that’s some sort of start.  Though only kind of.

A Twee Too Much

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There are a few things I need to get off my chest.

  1. I won’t be seeing the Jurassic Park reboot.   I found the first one interminably dull after a short while and this was at a packed screening in cushy seats where other people were loving it.
  1. My flat screen TVs, all of which are smart (certainly much smarter than me) have become the enemy. If I so much as graze one of their buttons in the wrong way I am left with nothing. No sound, no picture, snow or a frozen image. This can then only be remedied by calling one of five sources for help (all of whom I’ve bothered more times than I can remember) – a call which is even more embarrassing than admitting this problem publicly to all of you.
  1. I’m tired of people who can’t carry a tune or barely can sing but seem to do so quite well because of modern technology, passing themselves off as musicians and singers – and convincing the record industry and downloading public this is so.   You can’t croon or play if you are unable to achieve the effect without the help of heavy machinery.giphy
  1. Losing ones hair and figure is not fun nor is working out more than you ever did in your lifetime just to maintain status quo, health or to just look presentable enough to avoid scaring small children. On the other hand, cutting into your face or having fairly recent medical school graduates inject you with poisonous waste products from exotic animals so your skin can seem as taut as the sheets on a new recruit’s army cot seems even worse. And certainly more expensive.
  1. Ronald Reagan was a TERRIBLE president and don’t let anyone reinventing history in the forthcoming election year try to tell you any different.
because a picture of Reagan would make me barf, enjoy this litter of puppies

because a picture of Reagan would make me barf, enjoy this litter of puppies

This all started with a screening I attended of Me and Earl and the Dying Girl this weekend. No one likes a good cancer movie more than me, and certainly there isn’t a guy on the planet who gravitates more to an indie tearjerker – especially one that sold for near record millions at Sundance like such predecessors as Little Miss Sunshine – one of my all-time film festival (or any other kind of festival) favorites.

Now I hope all the filmmakers who made Earl go on to have long and happy careers (Note: They all inevitably will), not to mention most of the actors, who mostly did stellar work (Note #2: You can decide the muggers for yourself when/if you see it) and seem to have been enjoying themselves during filming. But if I have to watch one more hip, young, piece of cinema demographic filled with endless snide, deprecating dialogue bouncing off of colorful, macramé-like images shot through endless gradations of a fisheye/crooked/or skewed lens, I WILL just spend the rest of my life inside, watching my smart TVs, where I vow I WILL call one or more of you to figure out the problems with each and every one of them.

And just know by that time there will be many, many more.

It’s writer-director Wes Anderson time – meaning that’s what 100 minutes of Earl longs to give you via an unfresh and un-new visual and storytelling style– which in turn is unsurprising since WA’s frequent producer, Indian Paintbrush, distributes this one. Yup, it’s Quirky McQuirk-Quirk, Jr. with just a dash of sincere 60s/70s film homage and postmodern emotionless emotion thrown in.

And now I'm exhausted

And now I’m exhausted…

Question: If Odd is the New Norm then what is the New Odd? Would that be Mundane? It brings to mind the master originator of contemporary postmodern, David Lynch, and when he made The Straight Story in 1999, a pretty conventional tale of an older man crossing several states to visit his dying brother. The director publicly admitted that he had gone just as far as he could go with strange in his past so he decided the truly revolutionary strategy for him was to go plain. So just who will step up and assume the mantle of the then mid-career David Lynch? Anyone? Bueller?

Or perhaps let’s put it another way:

PLEASE, PLEASE, PLEASE — will someone make an impression out there doing PLAIN – which these days merely means unadorned and with a lack of tricks???

And not from this guy.. please

And not from this guy.. please

I knew the moment I saw Wes Anderson’s Rushmore 17 years ago and was left dazed and confused – something I have never been when watching a Richard Linklater film, by the way – that I was in trouble. But never did I dream that Mr. Anderson would be responsible for a commercial cottage industry of distanced, strange and bizarre just for strange’s sake.

This, of course, is how I also felt as a very, very young man when everyone was making such a fuss about National Lampoon’s Animal House, Raiders of the Lost Ark and Ghostbusters. I mean, they were fine, all fine – but the notion that they’d spawn endless sequels, reboots and their own cottage industries? Well, no wonder the president of Columbia Pictures didn’t hire me for that film development job in the 1980s – especially when I answered my personal favorite studio film of the previous year was Ordinary People. What an idiot I was. Though Ordinarily People could clearly be rebooted today – albeit with hand drawn animated inserts for the teary parts and with Mark Ruffalo and Parker Posey playing the parents of – the young new Miles Teller?

Coming soon to a theater near you

Coming soon to a theater near you

By the way, I think Miles Teller is among the best of the best in Whiplash and The Spectacular Now. He might yet one day win an Oscar even though his older generational acting doppelganger, Michael Keaton, never has (Note: He should have this past year). I also believe Miley Cyrus is very talented, imaginative and not a flash-in-the-pan, Amy Winehouse was not for a moment ever overrated and that the pastiche conceits of American Horror Story works every bit as well in its way as do the broad and stylized comic turns of both Broad City and Girls do in theirs. (Note: Coincidentally, Me, Earl and the Dying Girl was written by American Horror Story alumn Alfonso Gomez-Rejon).

But sometimes it is the job of each of us, especially those who have no other platform to do so other than in an obscure personal blog, to rail against the popular – to call out what we perceive to be The Emperor’s New Clothes.

pitch-perfect-enough-gif

The gay community, not to mention any number of other un-American US citizens tried unsuccessfully to do this all through the Reagan years of the eighties – when during that president’s stewardship AIDS became a pandemic and tax cuts for the rich and corporate deregulation helped spawn the economic meltdown of the late 2000 naughts we are all still recovering from.

Yes, I am on a soapbox but how else do our collective voices forestall Jurassic Park 33 – which you all may think you want now but, trust me, your grandkids will be cursing you for. Those same kids will also likely be listening to the new 2100-age, as-of-yet unborn Sinatra singing live in each of their rooms through some kind of still undiscovered clone entertainment mechanism.   And by the way, these kids will have all also adopted their own brands of voluntary male pattern baldness for their inevitably overweight selves because certainly by that time they won’t want to look like their grandparents – since at that point they will all be sporting perfect bodies without exercise and be tossing around their long luxurious manes of intact original hair thanks to some new, priceless and certainly voluntary (Note: Though we all know socially it won’t be, not really) medical option.

Welcome to the Twilight Zone

Welcome to the Twilight Zone

I’m not sure I’ll be around then – yet given the aforementioned advances there is a possibility I could at least still be carted about like an old embryo in a trendy Mason jar. However, I am 100% positive I still won’t get Rushmore, Me and Earl and the Dying Girl or Ronald Reagan.

Generation gap, my eye – the latter of which might actually be all that is left of me. If so, it will still be just as discerning as it ever was despite what the majority is saying.

This, as Martha Stewart says – and you know that SHE will definitely still be around then – is a good thing.