This is Us

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One of the most popular shows of the new television season is This Is Us, a series that follows three generations of an American family back and forth in time. Though it primarily focuses on three grown “triplets” in their thirties, the hallmark of the story is that it flows easily through the decades as if they are continuous scenes on our screens – much the way we surf everyday on our desktops to follow variations of the same news story or subject matter. The latter is purposeful and is a large part of what makes This Is Us so timely and relatable.

This is... a hit

This is… a hit

The focus of the show is about being seen and heard. The brilliant African American kid from drug addicted parents who was adopted but never quite fits in; the fat girl who grows up into an obese women and has trouble letting people see the real her beneath what they view of her exterior, assuming they’d ever care to; and the hot TV actor who was once the least noticed in the bunch who now hides behind his looks and success because he can’t face the pain of always knowing that inside he really is and always was second rate. And these are just the triplets!

This is Us echoes a popular show from my past, thirtysomething, which pulled off a similar feat in the 80s but with the focus on a contemporary group of friends of a certain age who had indeed become each other’s family. However, while This Is Us moves constantly through past and present, thirtysomething dwelled primarily in the present with only occasional echoes of the past.

There was a limit to how willing we were to look backwards for answers in the “Greed is Good” eighties. These days, perhaps presciently, This Is Usfocus is on searching the past in desperate hope for answers about who we are today. Each psychological and actual crisis seems to rest in a series of past incidents – though after seven episodes they provide mostly brief insights and few satisfactory answers or solutions to changing actual behaviors. Perhaps it will go more fully down that road as it continues and takes notes from network execs. But right now, its characters seem to be desperately exploring. They know they’ve suddenly woken up in crisis and are willing to do almost anything to either NOT feel the pain or to somehow begin to forge a new way in which to live on.

You... You're good! #seewhatyoudidthere

You… You’re good! #seewhatyoudidthere

Perhaps some of you might see where I’m going with this. Though I’ll bet half of you don’t… which could be my fault but is probably indicative of the fact that I dwell in deep blue state America. Did you think you’d get a break from it all here? Rest assured there will be little escape for at least the next two four years. Though we’re probably not headed in the direction that you think. In either place.

The Electoral College election of Donald Trump and Mike Pence to President and Vice-President – despite the fact that they will have lost the popular vote by close to TWO MILLION people by the time the final tallies are counted – is currently wreaking havoc on the American family. Yet how we see our present via our past seem to greatly differ, depending on what side of the ideological fence we stand on.

Let’s take the example of what happened when Mike Pence attended the Friday night performance of the hit Broadway musical Hamilton in New York City, a deep blue state renowned for its multi-ethnic population, some of whom work in what is renowned as its sexually diverse theatre community (Note: Meaning, there are a ton of us gays employed on Broadway, and 99.999% of the straights are among our staunchest allies).

...said no one

SURPRISE! …said no one

If you haven’t heard, upon entrance to the theatre, the veepee elect was spontaneously booed among small bits of applause. Sort of like what would happen in an alternative universe if president elect Hillary wandered into a Chick Fill A in Mississippi a week after voting ended.

We've been down this road before #stopandsmellthechicken

We’ve been down this road before #stopandsmellthechicken

Being that Hamilton specifically tells the story of an IMMIGRANT’s rise in American history it is unsurprising the audience cheered at various pro-references to immigration nor is it shocking that upon Mr. VP’s re-entrance to the theatre in the second act a specific line about just how much we immigrants (Note: Yes, my grandparents came from Russia, Poland and Hungary – though not all of them – some were killed by the Nazis) can accomplish if given the chance drew thunderous applause.

That was seemingly about it until after the curtain call, when one of the lead actors read a statement (partially written by Hamilton creator-turned-cultural-icon Lin-Manuel Miranda) as the audience filed out. It read exactly thus:

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To which that night our 2016 President Elect who will lose the popular vote by TWO MILLION (Note: It’s sort of like an asterisk to a home run record), sent out TWO THREE TWEETS via Twitter. They read exactly thus:

So much for the land of dissent – at least in theory. As for practice, well, that’s still up in the air until AFTER January 20th.

But let’s not stray too much from the subject at hand, which would be looking back at our lives and our families in order to provide information, insights and answers about who we are, how we can heal and in what fashion we will move on.

Since Make America Great Again is THE SLOGAN that won Trump-Pence the electoral college vote, many non-T/P voters found themselves recoiling from their anti-immigrant, often racist, sexist and xenophobic campaign rhetoric; their embrace by white nationalists; and rallies where hysteria to Lock Her Up (Yes, you know which “her”) was the war call of both supporters and candidate.

The thinking:

Wait, aren’t we mostly a nation of people who mostly came from other countries? Wasn’t civil rights for Blacks and other non-whites a given, at least on paper, after a checkered racial history culminating with eight years of our first Black president? Isn’t a large part of what makes America great the fact that we don’t en masse scream for the incarceration of an individual until they are proven guilty, or at least until they have been formally charged with a crime?

No friends, THIS is us. #dontleave

No friends, THIS is us. #dontleave

On the same, token, numerous T/P voters and supporters clearly don’t feel great. The discernible issues cited seem to be not enough jobs in the white working class, our country’s benchmark welcoming policy towards immigrants in an age of global terrorism and a general disgust with the status quo in Washington, DC, but more particularly with the liberal coastal elites.

Wait, you fixed the economy for yourself but not us; you don’t care that many of our American factories closed; we were attacked by non-whites on 9/11 and you’ve never faced it; our government is going bankrupt and all you want to do is spend, spend, spend??? Well, there are no free rides anymore, buster (and busterettes).

All of these issues, every one of them, are valid issues for a family to discuss. And what is our country, or any country, after all, if not a family of people???

Just don't bring this up to Aunt Nan at Thanksgiving #shestouchy

Just don’t bring this up to Aunt Nan at Thanksgiving #shestouchy

The question to be answered is how do we, as a family, settle our real differences? Do we look back into our past – one that included slavery, a Civil War, the fight for women to simply VOTE, two World Wars and any number of others, our coming together as a people and landing on the moon, our rise to becoming one of the most financially and socially admired places on Earth? All of the above?

Meaning, What are the PRINCIPLES and ACTIONS that actually made AMERICA GREAT? And if you don’t believe we ARE great, which clearly the majority of the Electoral College voters do not, HOW DO WE BECOME GREAT AGAIN?

If past is prologue it won’t be about limiting freedoms, closing borders, or judging people by their personalities and lifestyle choices. On either side. At least, that’s what our newest, most beloved television characters are beginning to realize. (Note: Thanks, NBC!)

On the other hand, real life America is certainly not lived in via the reality of ONE hit television series, is it?   Or…is it?

The Emmy Blues

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So much TV, so little time. Except when you have too much time to extol the virtues of TV. Ha! As if the producers were attempting to show us or even talk about great TV.

Actually, I’m not quite sure what it was. A way to trend on social media and grab the “young people?” Not so much. The best line of the night was Larry David explaining how he dates, admitting he’s grown tired of saying to women, as a way of pretending he’s interested, tell me more about your niece. I wonder if Emmy has nephews. Not that I’d ever ask, or even pretend to.

LOL

LOL

Of course, there was also the moment when host Jimmy Kimmel’s faux arch nemesis Matt Damon came out eating an apple after Kimmel and his show lost for best something or other, and proceeded to rake him over the coals for three minutes. Kimmel took it like a champ and then slyly retorted: Thanks, Jason Boring.

Okay, I thought it was funny. But trendy or trending –- not so much. Again.

I don’t blame the host, who seems likeable, nice and game. And he’s certainly an improvement over Andy Samberg or the time I attended a few years back when we had the reality star trifecta-plus hosting skills of Heidi Klum, Jeff Probst, Tom Bergeron and god knows who else. Now that was quite an evening. Or three.

Ahem, ME! #SeacrestOut

Ahem, ME! #SeacrestOut

How do you do a show about the best that’s on television and not show one clip of what’s ON television? Check that, the In Memoriam segment did show two or three-second moments of recently deceased stars with nothing but the sound of Tori Kelly singing Hallelujah – one of the greatest and most misused songs ever consistently sung on awards shows. But what chance did it have? Henry Winkler started the segment pre-song extolling the many virtues of the wonderful and wonderfully talented, recently deceased king of perennial 80s comedy, Garry Marshall (Note: Okay, 70s, whatever) and we didn’t get a snippet of the Fonz, Laverne and Shirley or even Richie Cunningham.

That would have had a much better chance of favorably trending than the bit where therealJeb!Bush pretends he’s Kimmel’s limo driver and admonishes him for being…oh, who the heck remembers anything Jeb ever says anyway?

This really happened #NoTipfromChair #Ubernightmare

This really happened #NoTipfromChair #Ubernightmare

Point being there was a time when audiences got to celebrate the work of the honored actors, creators, directors and writers by actually watching clip packages of the real work being honored. This would seem even more necessary these days when absolutely NO ONE can possibly watch the entirety of more than 50% of ANYTHING that is being honored. That is, unless they themselves are a DVR and the networks are now going for the eyeballs of machines.

Speaking of the BIG FOUR networks – which thus far have been the ONLY hosts of the Emmy awards show in history – could they be the culprit? Well, perhaps. For why would they want to give free clip service to sub networks, streaming services and basic/pay cable channels like HBO, Amazon, Netflix, BBC America, USA, FX and PBS? Isn’t it enough that HBO’s Game of Thrones and Veep won best drama and comedy series? Or that Sherlock won best television movie? Or that American Crime Story’s The People vs. O.J. Simpson took best limited series? Yeah, FX is a subsid of Fox but, let’s face it, it’s not part of the big 4 profile – and certainly not the Big 3. Why give them any more of the free publicity they’re already getting??

Marcia, Marcia, Marcia #nuffsaid

Marcia, Marcia, Marcia #nuffsaid

Everything in the entertainment industry is one part a business decision and another part creative decision. But are they ever EQUAL parts? Well, certainly not very…often? One is usually in the dominant position but if the other one is dragged along to success with that strategy kicking and screaming, at the end of the day everyone’s happy. Or claims to be.

You want to know the awards the (formerly) major networks won Sunday night? Well, NBC was the big victor with two – one for The Voice in the best reality show category and the other for the brilliant Kate McKinnon as best supporting actress in a comedy series for Saturday Night Live. Fox made the cut for best direction of a variety special for Grease Live and Regina King was awarded supporting actress for her work on ABC’s innovative American Crime. As for CBS, anyone? Bueller???

Not so fast CBS! Even Janney walked away empty handed.

Not so fast CBS! Even Janney walked away empty handed.

This doesn’t say much for any of the Big 4’s regular prime time, non-reality schedules, does it? And perhaps that is the root of the problem. For anyone under 30 ( and perhaps even 40) there is no regular prime-time schedule. There is little appointment television anymore and when there is it has to be great, or unusual or at least timely. That’s what award shows honor and that is why there’s been a reversal of big network dominance. Most of their schedules cater to very little of that.

Was anyone asking for this? #deepthoughts #NBC

Was anyone asking for this? #deepthoughts #NBC #CominginDecember

It is also interesting to note that the night’s two most deserved and surprising winners were Rami Malek for USA Network’s Mr. Robot and Tatiana Maslany on BBC America’s Orphan Black for best dramatic actor and actress. Both do unusual, almost superhuman work and both play extremely troubled and disaffected people under 30.   They anchor two of the most current and trendy shows on television – neither of which would ever have a chance of getting on the air solely through the American Network Big 4.

YES YES YES YES YES #CloneClub #FSociety

YES YES YES YES YES #CloneClub #FSociety

This brings us full circle back to the mix between creativity and business. After all, it is the entertainment industry or show biz.

The problem with the Emmy awards is no longer what’s on TV today but who’s showing what on TV today. And for what reason. And for whom? You can almost hear the collective sighs of the Big 4 honchos every time one of the major award winners was read. Followed by grumbling, disgust, denial, anger, depression and fear.   But what they really need to do is get to the final stage – acceptance. It would make their shows, and certainly the Emmy awards show, a lot higher rated. And certainly more entertaining.

But what do I – an inveterate fan of Mr. Robot, Orphan Black and a host of many other nominees and winners, know? I’m only the audience.