The 2nd Annual Rockers!

Screen shot 2013-12-29 at 1.06.20 PMThis is not a BEST OF  list.   It’s about impact, surprise and lingering effect.  As a lifelong culture vulture, creative person and relentless observer of waaay too much, I have the greatest respect for anything out there that stays with me – particularly in a good way.   Mostly because it’s so tough to break through all the noise these days.   Or perhaps it’s just that lately I have the attention span of a gnat.

Of course, starting any project with the goal of making a huge and lasting splash is a sure recipe for disaster.  Much as I hate to admit, this has happened to me several times over the years.  However, when people hunker down and “do their own thing” (as they used to say back in the day) the result can sometimes be, for lack of a better word – sublime.

sub·lime

1. Characterized by nobility; majestic.

2. a. Of high spiritual, moral, or intellectual worth.

b. Not to be excelled; supreme.

3. Inspiring awe; impressive.

Did someone say Supreme?

Did someone say Supreme?

Any one of those could earn you a Rocker and, let’s face it, who among us wouldn’t want to be awarded a photo of a red mid-century style chair.  (Note: Chair – Rocker, get it?).  Though perhaps using the term nobility is a bit much. Definition #3 – impressive, inspiring awe – isn’t that enough?  Yes, I think so.  And these, in no particular order other than the one that we chose, are my OUR awards.

BEST ROCKIN’ INDIE DARLINGS

Short Term 12; Fruitvale Station; The Spectacular Now

Indie, dahling

Indie, dahling

These three movies, all low budget independent films, have more to say in 5 minutes than do most of their budget-bloated major studio brethren manage to serve up in two three hours.  Of course, their combined box-office grosses are not equivalent to the opening weekend of, say – Ironman 3; Thor 2; or even Jack the Giant Slayer.

What this confirms once more is that fine dramatic storytelling is not the goal of the major studios anymore.  Though if it manages to happen on one of their releases amid a large profit and even larger chance to cash in via future ancillary markets and/or rights, they’ll take it.

Do not write in and call me a snob or say that this has been so in the film biz for one or two decades.  I, and even we, know that.  But it’s getting worse.  Can’t we retain even a small sliver?  Well, in their own awe-inspiring, impressive ways all three of the above did that and more.

Short Term 12:  Bravura performances all around in a deceptively multi-layered and tight original screenplay from first time writer-director Destin Cretton – whose next announced project is the film adaptation of the bestselling book The Glass Castle, starring Jennifer Lawrence.  If there is any justice Mr. Cretton will be Oscar and WGA nominated for his story of juvenile outcasts and the young people who try to help them at a “short term” facility – but there likely isn’t.  Still – now he’s got JLaw so it’s a win-win.

The Spectacular Now: A throwback to the small romantic dramas of decades ago where two mismatched, oddball young people fall in love in a most uncomfortable way.  It’s not perfect but it has so much heart that it wins you over.  This is in part due to actors Shailene Woodley and Miles Teller and to an even greater extent as a result of the adaptation of the book by 500 Days of Summer writers Scott Neustadter & Michael H. Weber, and the precise, sensitive work of director James Ponsoldt.  The script lingered for years before Ms. Woodley, a hot commodity after starring as George Clooney’s troubled daughter in The Descendants, became its champion.  Lesson here:  Create great roles for actors.

Fruitvale Station: Finally caught up with it last night at home and am still foaming at the mouth with rage at the murder six years ago of Oscar Grant III, a 22-year old African American male who was finally about to get his life together for the sake of his daughter, his family and himself.  The choice of writer-director and USC film school grad Ryan Coogler to tell this real life story in an unembellished pseudo-documentary style is what’s most impressive here.  The film was developed through Sundance and won best dramatic feature.   Yes, there are those who like to dismiss Sundance these days as pretentious and elitist.  Watch this movie before you go there.   In fact, just don’t go there anymore.

STEFON’S FAREWELL!

Bill Hader left the cast of Saturday Night Live at the end of the season this year and along with that went the departure of Stefon – his beloved club kid correspondent for Weekend Update.  Since goodbyes are often an inevitable and dreaded part of life – especially when it comes to the mercurial television landscape – it was at least nice to see that he was sent off with love and style and his own sort of gay wedding.

What can you say about a segment that featured Furbies, the real DJ Baby Bok Choy and an Anderson Cooper-Seth Meyers fist fight?  Only that it was a perfect homage and finale to one of SNL’s most original and beloved characters.

(Note:  For everything you ever wanted to know about the 38 seasons of SNL check out the funny, brand new and exhaustively researched book, Saturday Night Live FAQ: Everything Left to Know About Television’s Longest-Running ComedyThe author is Stephen Tropiano and he’s the Seth to my inner Stefon)

Note: Hader created Stefon with the very talented comedian-writer John Mulaney.  His standup act is hilarious and he is doing a new TV comedy for Fox next year in which he’ll star as the young, struggling comedian he once was.  Co-starring will be Martin Short.  Must see TV?  We think so.

ROCKIN’ NEWS MOMENT OF THE YEAR 

same-sex-marriage-decision_645x400

US Supreme Court Pro Gay Marriage Ruling.

Starring:  Rob Reiner, David Boies, Ted Olson, Edie Windsor, Kristin Perry & Sandra Stier, Paul Katami & Jeffrey Zarrillo – and President Barack Obama.

There has not been a film or television movie about it – yet.  But this year’s landmark US Supreme Court rulings that officially legalized gay marriage on a federal level is a landmark case that will have positive civil rights repercussions for generations.

Not to be partisan – but I will be – the reasoning behind this decision was foreshadowed in Pres. Obama’s 2013 inauguration speech where he talked about the journey “through Seneca Falls and Selma and Stonewall.”  Translation:  the struggle for women’s rights, civil rights, and LGBT rights are all one in the same and if the US stands for anything it means we progress towards freedoms for not some but all Americans.    Here is his exact quote:

We, the people, declare today that the most evident of truths—that all of us are created equal—is the star that guides us still; just as it guided our forebears through Seneca Falls and Selma and Stonewall; just as it guided all those men and women, sung and unsung, who left footprints along this great Mall, to hear a preacher say that we cannot walk alone; to hear a King proclaim that our individual freedom is inextricably bound to the freedom of every soul on earth.

citizen_cane

Arguing the case were lawyers Boies and Olson – adversaries in another famous US Supreme Court case, Bush v. Gore, for the courageous LGBT defendants Windsor, Perry, Stier, Katami and Zarrillo.  Oh, and if you don’t think it takes courage to be the public face in a civil rights case in terms of time, attention and vociferous hate mail – try it some time.  Or better yet, just post a comment to any random website where you disagree with an extreme right wing position – as I did this weekend about A & E’s reversing its decision to reinstate Duck Dynasty’s hate-speaking Phil Robertson – and note the number of truly savage, hate-filled responses you get.  It ain’t pretty.

A meathead no more!

A meathead no more!

Finally, you can dislike whatever Rob Reiner films you choose to but you cannot be disagreeable about his overwhelming commitment of time and energy to both raise money and personally finance the fight for gay marriage through it’s case origins in California right up through to the US Supreme Court.  There are political activists in the industry but few with Mr. Reiner’s reach, fervor or unwavering determination.  And, uh – p.s. – he’s not even g-a-y.  Not that there’s anything wrong with that.

BREAKING BAD – THE FINALE SEASON

Tear.

Tear.

There are so few moments in pop culture that live up to the hype.  But the phenomenon that was Breaking Bad was one of them.  I was admittedly late to the game in catching up with all seven seasons but given the national cultural hysteria I finally gave in, knowing full well that I would inevitably be disappointed.

Okay, well, so I don’t know everything.

I chronicled my eight days of binge-watching all 52 BB episodes here in time to join the real world in real time for the finale.  It might make my life seem small and insignificant to note that it is one of the few experiences I will never forget – but only if you have never tuned in and checked out the show itself.

Why does it work?   There are so many obvious reasons – great writing, acting, directing and across-the-board terrific technical talents.  But it was also a perfect reflection of our times in telling the story of an extremely smart but downtrodden everyman – nee a financially struggling high school chemistry teacher who is suddenly diagnosed with terminal cancer– who will do anything to provide not only for his family but for himself before he dies.  And anything means – A-N-Y-T-H-I-N-G. If you want to know more than that, borrow some DVDs or hack into someone else’s Netflix account.

Finales are tricky but this one proved every bit as powerful as each and every episode before it.  Sadly, this was not the case with another departing hit show fave of mine – Dexter.  Yes, endings are tough.   But ending well and going out the way you came in (Note:  Yes, that’s an unintentional quote from the 1967 camp classic Valley of the Dolls) – that’s the toughest.

ROCKIN’ THE WOOL OVER THE AUDIENCE’S EYES  — IT’S A TIE!!!

HBO’S Behind the Candelabra  &  NBC’s The Sound of Music – LIVE

Help!

Help!

Popularity doesn’t mean you rock.  It just means you’re popular.  I mean, did Paris Hilton rock?  Does (or did?)  Kim Kardashian?  Or, to put it another way, did Crash deserve to win the best picture Oscar over Brokeback Mountain? (Note: Watch them again and then compare and report back).

What popularity does account for are bodies taking notice of you or your deeds or your product.  That does not mean you’re good or even well done.  It just means you are and that you got A LOT of attention.

Therefore, by any objective standards the Liberace movie called Behind the Candelabra and the NBC live three-hour broadcast of the beloved musical The Sound of Music starring country singer Carrie Underwood were phenomenal hits.  But to my mind, not in a good way.  Carrie Underwood has a pleasant voice but cannot act.  I mean, I could’ve played a better Maria – especially if I got to do some of those lines next to Audra MacDonald.

As for story of closeted gay icon pianist Liberace – it was not the true story – that would have been far more salacious since Liberace’s real life lover Scott Thorson was 16 years old when they first met and couldn’t have been played by Matt Damon.  Had the real story been told – and not just the gay men as spectacle taleit would have had to be shown as the telefilm version of NBC’s To Catch A Predator.

In conclusion, and put it in high school terms – which often works in all things Hollywood – there is no way to argue with popularity.  It either is or it isn’t and you either are or you’re not.  But remember – the Emperor’s New Clothes were once popular, too.   Just sayin’.

ROCKIN’ SENTIMENTAL MOVIE OF THE YEAR

Saving Mr. Banks

Believe the hype.

Believe the hype.

No, I’m not going to defend myself.  I loved it — and not just because I loved Mary Poppins as a kid. The film is being sold as a comedy but it’s really about how writers (or any artists) try to survive the painful moments of childhood by weaving its high and low points into some sort of creative expression that can correct and/or save you or your loved ones from the situation.  As a writer who has done just that – and speaking for anyone else who hopes to do just that – you can keep all of your snide, snickering bah humbug remarks to yourself.

Plus – there’s Emma Thompson.  She’s not only sad, touching and irascibly funny in the movie, she gives the most hilarious press interviews you’ll ever want to see.  Case closed.

ROCKIN’ MALE PERFORMANCE OF THE YEAR:

Oscar Isaac, Inside Llewyn Davis

Me-Ow

Me-Ow

The guy can act AND sing.  No, seriously – he can really, really sing.  You can’t fake that when you’re playing the lead role of a folk singer in 1961 Greenwich Village in a Coen Bros. movie and a good part of the film is you, in five feet of close-up, chirping unadorned for the entire international world to see.

Also when the moments that you are singing onstage are the only ones where the audience can truly sympathize with your character’s plight, it is an enormous acting challenge.  Therefore, it didn’t surprise me or anyone else to hear the filmmakers admit publicly on a panel after an early screening of their film that had Mr. Isaac not walked in and nailed his audition very late in the casting process they were not sure if they would be able to make their movie at all.

The film as a whole is to a taste.  Okay, it’s odd.  But it’s also a rare opportunity to watch someone you’ve probably never seen onscreen before totally morph into an unforgettable character you’re unlikely to see onscreen again at any time soon.  If ever.

ROCKIN’ FEMALE PERFORMANCE OF THE YEAR IN TECH ACHIEVEMENT OF THE YEAR:

Sandra Bullock, Gravity

Floating towards.. Oscar?

Floating towards.. Oscar?

Oh, hiss and boo your own selves, as Bette Midler so aptly put it in her 1985 comedy album Mud Will Be Flung, Tonight!  I thought Sandy (yeah, that’s what everyone in the biz calls her) was pretty great in the movie….actually, quite great.

Fine – you try acting to nothing for most of your time on camera.  And when I say nothing I mean – nada.  There’s a green screen behind you.  You’re suspended in the air in a heavy faux astronaut’s uniform.  And you’re shooting on and off for years on end, trying to maintain some continuity of your character’s emotional state while the technical team behind your film tries over and over again to get the special effects just right.

Yeah, yeah, I know Cate Blanchett was terrific in Blue Jasmine.  But why does digging into the emotional life of a Ruth Madoff meets Blanche DuBois character have to trump the acting skill it takes to survive the contemporary vagaries of big major studio, SFX ridden contemporary Hollywood while simultaneously delivering an against-the-odds truly convincing performance that literally carries the film?  It doesn’t.  Sorry.  Sandy wins.

PS – Yes, her body looked good in those shorts.  So what??!!!

PPS – The movie was a huge leap in what we can do in SFX – not that you care!!

ROCKIN’ ACCLAIMED NOVEL I STARTED THREE TIMES BUT CAN’T YET CRACK: 

The Goldfinch By Donna Tart

This is thoroughly unfair but why can’t I read past pg. 20 of 761 pages no matter how many times I read those 20 pages over? I know the book is acclaimed but why, why, why is its prose so dry, dry, dry and leaving me so parched, parched, parched?  Too much TV?

tumblr_mea9wqzdbK1rl7213o1_500

(Note: Before judging me you should know I read every wet word of both Jonathon Franzen’s The Corrections AND Freedom and always wanted more).

ROCKIN’ UNACCLAIMED MEMOIR I LIKE TO READ ESSAYS FROM:

Beautifully Unique Sparkleponies, By Chris Kluwe

Also.. best hair!

Also.. best hair!

Funny, snide, smart, scrappy, funny, fun, fun.

And it’s not only because he’s hot and spoke up for the gays.  And…personally answered one of my tweets.  On Twitter.  In a direct message.  Okay, maybe that’s part of it.  But it’s not…everything.

ROCKIN(EST) SCARY VERSION OF THE FUTURE THAT MIGHT ALREADY BE THE PRESENT:

Spike Jonze’s Her

Falling in love... no buffering

Falling in love… no buffering

This is a world where a lonely fella can fall in love with his operating system (OS).  Yes, the OS is voiced brilliantly by Scarlett Johansson, who strangely enough gives what, oddly, is her best screen performance.  The sexy rasp and all…

Still, there is something significant happening here that goes well beyond Simone, the interesting but long forgotten 2002 film where a man concocts the ideal virtual female.  What’s going on is also significantly depressing if you think about it for too long or in the wrong way.  What is the right way to consider a world in the not so distant future where many of us are so incapable of relationships that we turn to our computers or mobile devices for our primary emotional attachments?  To admit that it is really happening right now?  Or to dismiss that notion as some sort of superficial movie industry take on New Media for Dummies?  Hmm, maybe neither.

None of this would work at all were it not for Joaquin Phoenix’s extremely committed performance.  But none of it would even be possible at all without the originality Spike Jonze brings to a subject matter so easy to present in a hackneyed way.

Wait – originality?  Yeah, I said it – you didn’t have to.  So, maybe 2013 leaves us with some hope after all?  Well, we can all rock to… this:

The 1st Annual Rockers!

1430_photo_1_174946

Year-end lists are usually divided into THE BEST and THE WORST.  But here at notesfromachair we’re trying to think of it a little differently – if for no other reason than to stand out from the million other news sources, columnists, cable TV talking heads and bloggers vying for your attention.   That is why we’ve created the first annual ROCKERS – dedicated to anything that has significantly rocked our world in 2012.

For those whose worlds have ever been rocked – which means everyone – this can be either a fantastic or horrible occurrence.  As a Jewish kid I didn’t grow up believing in Santa Claus but my entire existence felt not only rocked but severely threatened when I realized there was no way I could admittedly make Rowan and Martin’s Laugh-In stay on TV forever.  At the same time, my very meager and small world was also rocked the first time I saw Rowan and Martin’s Laugh-In on TV and realized there were people in the world that I truly did want to hang out with (Note:  Little did I know that a lifetime of hanging out with these kind of show biz types would rock my world in many and too numerous to specifically choose from good and bad fashions).

But getting back to this century — here is a list of our 2012 Rockers.  Not to be mistaken for a Hall of Fame, because these are only good for a single year – not a lifetime.

BEST (nee ROCKIN’) ACTING PERFORMANCE, EXPECTED (but not disappointing):

Daniel Day-Lewis, Lincoln

Haters gonna hate

Haters gonna hate

Hate all you want but why should Mr. Day-Lewis   Mr. Lewis  …uh Daniel be penalized because we’ve come to expect him to always be (and are tired of him always being) transcendently brilliant?  He literally seemed to pull off a resurrection of a human being who has been dead for more than 150 years from his very first scene as Abraham Lincoln and kept it up for all 3000 hours of the film. Truth of fact, I’m actually a big fan of the movie and didn’t mind the length, especially since almost every other BIG film in the last two months of the year seems to have lasted at least 3000 hours.   Plus there’s the degree of difficulty — try to tell, or more importantly act, the story of an icon and make it seem intelligent, human, funny, real AND come off as a parable for a certain kind of political animal of our times.  You won’t be able to.  DDL can.  When are he and Meryl Streep going to co-star? (staring my 2013 wishlist NOW)

ROCKIN’ ACTING PERFORMANCE, UNEXPECTED (but in a good way):

Bradley Cooper, Silver Linings Playbook

Anything but trashy...

Anything but trashy…

Yeah, I’m partial to Coop (uh, that’s what his friends call him and he calls himself – yes, I happen to know someone who knows him – so there).  But given his acting oeuvre, nothing prepares you for the raw, non-movie star type of performance he gives as a bipolar (among other things) guy who is just struggling to live a decent life. Ironically, it’s Coop’s very lack of movie star-ness that has once and for all changed his career and made him into a real movie star – the kind that is famous, good-looking AND can act really, really well.

MOST OVERRATED (nee ROCKIN’ IN A BAD WAY) MOVIE (in every way):

Amour

Oh I wish I could go back to bed...

Snooooooooze.

Listen, I love French films.  And I love depressing films, especially ones about death and dying.  And I love films that have simple or almost no plots.  But Amour depicts an old couple with some financial means in 2012 and what they decide to go through when one becomes terminally ill in a way that NO couple in an industrialized nation in 2012 needs to endure given what is available in 21st century medicine – even when one decides to die at home.  In its attempt to be relentless, writer-director Michael Haneke creates something that is unrelentingly manipulative to suit his needs as a dramatist.  The idea that so many critics have bought into it is baffling and leads me to think that they either do not have enough experience in this area or have a lot of prickly, self-centered old people in their lives who are intent on doing things the most physically, self-flagellatingly painful way possible.  (Fortunately, I do not).  Oh, did I mention the two old people in this movie – even when they were healthy– are the kind of pretentious snobs you don’t really want to spend two and a half minutes with much less two and a half hours?  Yes, it’s very well acted and technically very well made.  But do yourself a favor and spend time with some real live old folks (preferably two in your own family) instead.

ROCKIN’ TELEVISION SERIES, ENDURING:

Mad Men

... or shameless excuse to post a pic of Jon Hamm

… or shameless excuse to post a pic of Jon Hamm

The water cooler show torch has been passed to Homeland and we can’t argue with that.  But there is not a television program on the air that is as consistently smart, well-written, chance talking and socially/politically relevant as Matthew Weiner’s creation.  It never takes the easy way out, stays grounded in reality and uses the 1960s as the lens through which we can see our lives and our history.  And if you think that’s not difficult to do, try writing something in that time period and see how many clichés you will inevitably come up with in even a single scene.

ROCKIN’ TELEVISION SERIES, FOREIGN:

Downton Abbey

Season 3 CANNOT come fast enough!

Season 3 CANNOT come fast enough!

Mainstream American elite culture likes things mostly elitely American.  So how is it that creator/writer Julian Fellowes manages to make the privileged and serving class of post turn of the 20th century England like “television crack,” according to one of my dearest friends?  If I knew, I’d do it myself.  It is in part Maggie Smith playing a bon mot-throwing old rich lady called the Dowager Countess, who is not unlike what we imagine the real Maggie Smith to be were she born approximately 150 years ago to a family of starchy patricians.  But it’s a lot more than that.  Fellowes is now rumored to be writing the new film version of Gypsy for Barbra Streisand.  Well, both are period pieces, after all.

ROCKIN’ TELEVISION SERIES, REALITY:

The Voice

TV's BEST chairs

TV’s BEST chairs

It’s not because a few former students work on this or due to the fact that I wish to God (or whoever you conceive Her to be) that I could be a professional singer.  It’s because this reality competition for vocalists doesn’t discriminate on the basis of age, looks, ethnicity, sexual preference or even past deviant behavior.  It’s all about what you sound like – a sort of faux even playing field that never exists in real life but that you get to experience for a few hours a week as long as the season lasts.  Yes, the grand prizewinner is finally voted on by the viewers, which invariably does create a final commercial-type popularity contest in the last few weeks, but those are the least interesting part of the show.  The real story is what comes before and how the judges – from very diverse parts of the music world – both perform and share their own hard knocks with people who have already had or soon will have more than their own share of the same.

ROCKIN’ CABLE NEWS SHOW, PROBABLY UNSEEN BY YOU:

NOW with Alex Wagner

DVR me NOW!

DVR me NOW!

It’s on MSNBC at 9am west coast time and noon east coast time.  Those interested in this type of stuff inevitably already watch Rachel Maddow, Chris Hayes, Chris Matthews, et al.  But who you probably don’t tune in to is this smart, extremely funny woman who categorized the many faces of Mitt Romney as “the paradox of the mittens” and used to be editor-in-chief of a hip music and culture magazine called The Fader.  Over the course of an hour, she presides over a panel of cleverly perceptive political experts, covers breaking news, and throws in more witty pop culture references than a Saturday Night Live sketch.  It doesn’t matter that she’s 34, female and of Burmese-German-Irish descent but it’s just one more thing that makes her and her show different than most everyone else on cable TV.

ROCKIN’ LIMITED TELEVISION SERIES, QUESTIONABLE TASTE:

American Horror Story: Asylum

My Bad Habit

My Bad Habit

I think the reason I’m so in love with this show is just how sick, derivative and yet unique it almost always seems to be.  Its second season in a mental hospital is a pastiche of every cliché you’ve seen in every crazed, looney tune horror film imaginable.  Its cast, led by the ghoulishly still sexy Jessica Lange, is shameless and the writing doesn’t always bother to follow what we consider to be the tenets of logic.  Still – any show that cross-cuts between a mad Nazi doctor, aliens and a crazy killer named Bloody Face who likes to skin people for sport – and does it all under the watchful eye of nutty nun who use to be a cabaret torch singer, is okay in my book.  Plus, the recreation room at the asylum consistently plays that 1960s hit record, “Dominique” performed by Soeur Sourire, better known as The Singing Nun.

ROCKIN’ DIVAS PUT TO THE WORST USE:

Barbra Streisand and Bette Midler in The Guilt Trip and Parental Guidance.

Cmon Jerry, help these ladies out.

Jewish hall of fame gala?

Okay, I’ve only seen The Guilt Trip and the trailer for Parental Guidance.  But as a gay guy I can tell you – these ladies deserve better!!!  And it’s not primarily their fault.  They want to do films.  But – what are the films being made that they should be doing?  There aren’t any.  And yes, Barbra’s still fun onscreen and Bette, well, I’ll take your word for it that she is too.  But….really??

ROCKIN’ NEW TV CHARACTER, RECURRING:

The Girl You Wish You Wouldn’t Have Started A Conversation With At A Party, Saturday Night Live

Cecily "Very" Strong

Cecily “Very” Strong

SNL new cast member Cecily Strong is irresistibly annoying as that gal….you know the one, trust me.  We mentioned her last week so we won’t drive it into the ground.  But consider how long it’s been since you remembered any new SNL character since Stefon?  Why does it work?  Because like all good comedy creations, she is barely exaggerated.

http://www.nbc.com/saturday-night-live/video/girl-you-wish-you-hadnt-started-a-conversation-with-at-a-party/1422717/

ROCKIN’ WEB MOMENT, VIRAL

No, it wasn’t the cat trick, or the pop singer from another country, or the Olympic athletes doing Call Me Maybe for the millionth time.  It was, quite simply:

The 47 PERCENT TAPE

Mitt Romney’s comments in a closed door fundraiser to major donors in Florida about how 47% of the electorate feel they are entitled to government handouts such as health care, food and housing and are people he can never convince to take personal responsibility and care for their lives got him — in true Shakespearean fashion — only 47% of the electorate to Barack Obama’s 51%.  It also caused him to lose the election by 4 million votes.  However, the award really should go not to the tape itself but to the Florida bartender who secretly recorded it – and, in another irony, to James Carter IV, grandson of perennial Republican punching bag Jimmy Carter.  Carter IV unearthed the tape on the web and brought it to the attention of David Corn at Mother Jones magazine.

Free speech, when it works, rocks.

HAPPY NEW YEAR!!!