Your Evil Empire

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I received an email the other day that the Center Theatre Group will be presenting the first ever L.A. production of David Mamet’s 2009 Broadway play, Race, at the end of the month. Now, normally when there’s a new (or even newish) Mamet I’m there. Even if the play doesn’t quite work for me, Mamet’s a master provocateur and always writes about stuff that either interests me greatly or fascinates me deeply, albeit from a safe distance.

Yet I found myself physically recoiling at the idea of giving Mr. Mamet even one nickel since he’s turned into a right wing conservative and gone on a diatribe against brain dead Hollywood liberals. Not that I’m in an upper enough tier of Hollywood to even be considered as such but, well, I do live here, am a writer and most certainly am and always will be a LIBERAL.

Oh honey, going on Fox News... really?

Oh honey, going on Fox News… really?

By the way, many friends of my parents’ assured me this would change as I got older but it has not yet occurred – nor do I ever expect it to. Perhaps this is because when they said it they didn’t realize I was gay and thus failed to take into account the unlikelihood of me ever belonging to a political party that legislatively hates the idea that I exist. Well, what else am I to think when the overwhelming majority of the literature and leading voices from the Republican Party – an umbrella coven for conservatives that comprises one half of all major political covens parties (that would be two) in the U.S. – throw a major temper tantrum every time a new law is amended or passed guaranteeing me the same rights as everyone else?

Of course, what are they and any of us to make of the approximately 1 out of 5 LGBT Americans who still belong to said coven and, when confronted with the paradox, claim to be working for change from within? How do I know they answer this way? Well, that’s the response I’ve gotten for approximately 25 years of asking the question calmly. If any other excuses were offered I was probably seething, yelling or being physically restrained from strangulation (Note: theirs) at the time so I might not have heard them.

The gospel according to Kathy

The gospel according to Kathy

But back to Mr. Mamet and the five pennies of royalties (I’m estimating the amount based on his shelf full of awards, including the Pulitzer Prize for drama) he will not be getting from me this time.

I do realize I am being a bit short sighted here. I mean, how are any of us to rectify our political and social points of view with our choices as consumers? For instance, I vowed I would never ever buy Barilla pasta again since last year their CEO proclaimed gays unfit to raise children — and haven’t. Yet last weekend I conveniently forgot this and a box of their multigrain rotini snuck into my basket at Gelson’s because I wanted to make something healthier and lighter for Sunday night dinner and the Significant Other wanted his favorite tomato eggplant toss to cheer him up.

Well at least after this week's news, I can go back to Target!

Well at least after this week’s news, I can go back to Target!

This summer a friend brought my attention to the website hollowverse.com, which has massive lists of the political and religious affiliations of the rich and famous in show biz and other bizzes. This dear friend, who is even more liberal than myself if such a thing is possible – and most certainly more virulently vocal about it (which doesn’t seem possible but is) – will do whatever is necessary to avoid the work of any single person on the list who voted against his beliefs. And if they do appear in or make something he does have an interest in seeing or buying he will be begrudgingly hard on them and their work now and in the future – voicing his disdain for them to whoever he meets – meaning many, many, many people. I can’t say I haven’t done this and still don’t continue to do so at times. On the other hand, I find it quite tiring at other moments and just want to turn it all off and put on HGTV – a place where no one has politics and everyone advocates for an open concept, or at least secretly longs for one.

Gay or straight I think we can agree this much space would be fab.

Gay or straight I think we can agree this much space would be fab.

The other problem with that website, as I pointed out to my friend, is that like all websites it markets in the occasional inaccuracy. Case in point: it lists Anderson Cooper contributing to the Republican Party and, by inference, claims he is a member of that coven.

Trust me, Anderson Cooper is NOT a Republican,! I insist to my friend.

He’s gay, he’s best friends with Kathy Griffin, and he lives in New York. Plus, I know someone who used to sleep with him (Note: Which gay guy in America doesn’t) and, well, he would have mentioned something.

When my friend still wasn’t buying it I pulled out the Trump (not Donald) card:

Listen, he’s a Vanderbilt and is probably on one of their boards that contributed and his name got attached. Seriously!

I mean... this is who he's photographed with. Let's be real, people.

I mean… this is who he’s photographed with. Let’s be real, people.

That seemed to calm him down but only slightly and I’m not sure it will hold in the long term. Unfortunately, it also got me to thinking – what if I’m wrong? Well, thank God (or whoever you imagine Her to be), AC doesn’t have a show on HGTV or I would be in serious trouble.

Of course, when Tim Robbins and Susan Sarandon came out vociferously against the Iraq War in the post-9/11 climate, they were lambasted in much of the mainstream media, referred to as anti-American by many others on the fringe (Note: Is there a worse epithet from the extreme right wing except maybe being gay, poor, an immigrant or an unwed mother on food stamps?) and, as a result, their star power suffered.

Then there’s Jane Fonda – who has still not been forgiven by a group of my friends’ more conservative fathers for her virulent opposition to the Vietnam War. Forget that the years have pretty much proven all three of them correct – well at least in my unbiased left wing opinion.

But maybe looking this good at 76 should make me hate her?

But maybe looking this good at 76 should make me hate her?

Yes, we can take this further and we will. What about………………..…Woody Allen?

Do you not go to any of his movies if you believe any of the accusations hurled at him about his personal life by his estranged daughter Dylan Farrow; his ex-long term girlfriend, her mother Mia Farrow; and his estranged son, MSNBC’s Ronan (formerly Satchel) Farrow? (Note: The latter could conceivably be Frank Sinatra’s child in the final analysis, making his expertise on the subject almost beside the point, though the circumstances of his birth certainly could contribute as to whether members of any coven at all believe the accusations (or anything else) coming from the mouth of mother Mia).

Oy vey! I don't think Ronan's jewish!

Oy vey! I don’t think Ronan’s jewish!

Well, if I were a character in one of Mr. Allen’s movies I might avoid answering the question altogether and say this:

I don’t feel entirely comfortable equating Woody Allen to the artistic works of, say, Leni Riefenstahl – who filmed aesthetically seductive Nazi imagery under the protective wing of Adolph Hitler and German nationalism in the 1930s. Still, is her work on Triumph of the Will and Olympia 1 & 2 any less, well – beautiful – because what it sells is abhorrent? Can’t you admire the art while repeatedly hitting the artist with 3 dozen baseball bats and a sack of manure until she dies, you nihilist you?

I found myself making this very argument in my mind last week with all the publicity surrounding the HBO broadcast of its Nixon by Nixon – a documentary that included never released secret tapes from the former president. (Note: Yes, there were more of them). I really loathed the guy and his politics, even as a young teenager. He smeared Helen Gahagan Douglas in order to win his first seat in the US Senate; hated the free press and sought to control it; and sold the country a non-existent bill of goods about a secret plan to end the Vietnam War in order to get elected president in 1968, taking four years plus to do it as many thousands of young men died needlessly. Not to mention finally capping it all off with using an illegal financial slush fund and his vast presidential powers in order to spy on political opponents via the Watergate break-in and then lying about it, thus bringing down his presidency and almost the entire country in the process.

Happy 40th Anniversary, Dick!

Happy 40th Anniversary… DICK

Add to that the guy was a classic Jew hater (Copyright Woody Allen) as confirmed on his new (and old) tapes, his “friendship” with Henry Kissinger notwithstanding.

Nevertheless, as a young man I still did watch the entire 1977 broadcast of Nixon’s multi-part interview with David Frost about all things Nixon, including Watergate – and waited for him to say anything to make me understand where he was coming from at the time. So I did and still do want both sides. But with some people or in some cases we all finally just have to say ourselves:

Enough is enough and really, I have little to no interest in you or the warped POV you rode in on anymore.

This is not necessarily a good thing and the truth is I will probably weaken and watch at least a portion of Nixon by Nixon at some point because I like to stay current.  Yet this also doesn’t mean I have ever quite forgiven Diane Sawyer for going to work for Nixon in the White House (as a press aide from 1970-1974) through the writing of his memoirs in her younger days and then using that experience to advance her career. In fact, it’s always caused a larger dollop of doubt in my mind about anything she’s said as a news anchor despite her sweet as silk, honey-dripping delivery and smile. Yeah, she married Mike Nichols and show business friends who know her tell me I’m being ridiculous, petty and small-minded because I’d really like her if we met. And to this I answer:

I might be ridiculous and petty but someone with a truly small mind would not remember the fact that she worked to maintain and then rehabilitate the image of the most corrupt president in US history. AND got paid handsomely for it.

I just can't shake the "ick" factor here.

I just can’t shake the “ick” factor here.

Of course, everyone we support (even ourselves) has probably said or done something we disagree with or perhaps loathe. Certainly every time we buy a product manufactured by a corporation or large institution we put what little is left of our high-minded moral principles in jeopardy because if some magical fairy (Note: Not Me) were able to take the time to learn ALL the facts about what we just bought or who we bought it from, the world economy and everyone in it would come to a disquieting and paralyzing standstill.  I’m thinking Ben & Jerry’s Ice Cream might be one of the rare exceptions, though that too could be wishful thinking. After all, there must be a conservative, anti-gay version of the two hippies who built that billion dollar empire somewhere in this world – though perhaps none living in Vermont who made their fortunes making highly fattening dessert items. Still, I can’t quite claim to know any of that for sure.

What I do know is that I have zero plans to see the new Mamet play at the Kirk Douglas Theatre this month or any other month, at least for right now. That’s MY five cents – for what it’s worth. It may or may not concern Mr. Mamet in the long run but is certainly not going to him any time soon.

Pop Culture Crack

<> on October 19, 2009 in Santa Clarita, California.

The Oscars are the crack of pop culture.  And like any drug addict, we culture vultures out there have a love-hate relationship.  We love the idea of it but when we indulge too much we feel sick to our stomachs.  We fetishize everything about it – what it looks like, how it will feel when we get a good dose of it (because like any good vice, all you can remember is how great you felt the very first time you indulged and not how awful the last time), what the excitement will be like when we’re in the midst of all the cool friends we’ll get to hang out with when we are partaking, and how we’ll experience all the glamorous surroundings we’ll be able to live in for those few (or too many?) hours we are feeling its effects before being dropped back into the harsh realities of everyday life the next morning, suddenly feeling lousy and realizing we’ve once again participated in something that, in the long run, really isn’t good for us.

Am I exaggerating?  Well, as one of Will Ferrell’s most memorable characters once stated on Saturday Night Live: “Maybe I am and maybe…I am.”  But that doesn’t make it any less true.  Chances are if you’re still reading, you are a pop culture vulture, as addicted as I am, and will continue to be so.  The Oscars (no longer called the Academy Awards, per the announcement by this year’s producers, who decided the term sounded too musty) are just made (born?) that way no matter how disappointing, boring, over-the-top, inappropriate, endless or just plain bad they are in any given year.  And let’s face it, they’ve been all of that and more, year after year.  So let’s do what any self-respecting pop culture addicts do – give in and – INDULGE.

Yes, Mother Monster.. I was born this way.

Yes, Mother Monster.. I was born this way.

Think of this post in three sections – the television show; drinking game ideas (or merely soft drink/party games for those under 21); and my best attempt to give you some informed predictions so you can, at the very least, win the Oscar (NOT the Academy Awards) pool.

THE TELEVISION SHOW

It’s going to be a long one this year and it’s going to be very gay. Like even gayer than I am.   And that’s pretty gay.  But not as gay as this show. Not that there’s anything wrong with either of us.

What do I mean by gay? (And yes, of course I’m stereotyping – but only in a good gay way).  Well, one of the themes of the evening will be Oscar devoting itself to musicals.   No more movie music being relegated to a tacky medley of nominated songs or no medley at all.  Still don’t believe me?  Okay, here are a partial list of some of the singers: Barbra Streisand, Shirley Bassey (she sang the original Goldfinger for everyone under 30), Adele, Catherine Zeta-Jones and the reunited cast of Chicago (because there’s been an outcry), as well as Hugh Jackman, Anne Hathaway and the reunited cast of this year’s multi Oscar-nominated Les Miserables (because it’s been too long). Plus – there’s a singing host who the producers claim sounds “exactly like Sinatra” (their quote, not mine) named Seth MacFarlane, who will be closing out the evening in song with Broadway diva (divette?) Kristin Chenoweth in a specialty number that is being kept under close wraps.  What little information we do know is that this musical number will be sung AFTER the announcement of best picture – the usual close out moment of the evening.  Why do I say this is gay?  Because if there’s one thing about my tribe, it’s that when we throw the party we not only make our own rules but WE – NOT YOU – and certainly not TRADITION – decide when it’s over.

Yes, it can get gayer than this.

Yes, it can get gayer than this.

Okay, so then – why am I guessing it’ll be a long show?  Well, aside from the James Bond tribute, the salute to musicals, Seth MacFarlane’s monologue, the crew from the accounting firm that tabulates the written and, for the first time this year, online ballots, the In Memoriam segment, the backstage hosts, and the web shout outs, this year we have an unusually long list of famous people who have been announced to be participating on camera.

Among these are an all-star presenters list that includes but is not limited to: Jack Nicholson, Dustin Hoffman, Michael Douglas, Jane Fonda, Jamie Foxx, Melissa McCarthy, John Travolta, Nicole Kidman, Sandra Bullock, Halle Berry, Ben Affleck, Liam Neeson, Reese Witherspoon, the cast of The Avengers (that’s Robert Downey, Jr, Chris Evans, Samuel L. Jackson, Jeremy Renner and Mark Ruffalo) and Mark Walberg with his teddy bear Ted co-star Seth MacFarlane TED.  Plus last year’s acting winners – Meryl Streep, Jean Dujardin, Octavia Spencer and Christopher Plummer.  Plus – and this is my favorite part – special appearances by Charlize Theron, Channing Tatum, Joseph Gordon-Levitt and Daniel Radcliffe.  What’s a special appearance?  Tune in and be afraid, be very afraid..  But here’s my suggestion: food and drink, some blankets and some pillows and…some attitude.  Lots of it.

PARTY GAMES!

Another delightful indulgence

Another delightful indulgence

If you want to challenge your friends, relatives, enemies or professional rivals, here are some thoughts for possible moments during which you can raise a glass, a cup or a goblet.  Or wager a bet.

  1. The number of candid camera shots in the audience of the golden couple du jour, Ben Affleck and Jennifer Garner (this year’s Brad and Angie).  (Answer: 8?)
  2. Each time or total number of Meryl Streep references, jokes or shout outs.
  3. The number of times (or each time) Catherine Zeta-Jones sings off-tune in her musical number.  (Hopefully, there won’t just be one – number that is – I’m hoping for at least 3 clunkers).
  4. Ben Stiller appearances in a stupid costume (even though he’s not scheduled on the show I still don’t rule it out)
  5. One out-of-place star of an ABC television show who will sneak in as a presenter or participant in an over-the-top moment of network hubris.
  6. Longest standing ovation lasting longer than 30 seconds.  Or any standing ovation if you get particularly thirsty.
  7. Biggest surprise appearance with extra points (or drinks) for each decade of age or each decade of not having been in the public eye.
  8. Number of times Seth MacFarlane breaks into the voice of Family Guy’s Stewie, another animated character, or into song.
  9. Number of Harvey Weinstein jokes or thank-yous.  (And if the thank-you and joke are in the same moment then it only counts once).
  10. How many times, or each time, the camera catches the Tommy Lee Jones scowl. (I’m so hoping for the number 10).

Certainly, feel free to use your imagination in this section and add and subtract as you see fit.

PREDICTIONS

Blogging the Oscars!

Blogging the Oscars!

This is an imperfect science at best, even for veteran Oscar watchers like myself.  The trick is to not get sucked in by what you want to or perceive will win but to try to think like you are one big mass of Academy, uh Oscar voters.  That means you’re likely white, over fifty, somewhat liberal, somewhat opinionated, and a little personally petty but still idealistic enough to want to reward someone who makes you feel good by representing the best of humanity with their movies.  (Note:  You might even give the odd vote to a filmmaker who sends a political message as long as its not too overly threatening or out of the mainstream of cable news subject matter).

Rather than be coy like this year’s show we’re going to start with the most talked about awards and work our way down. There is logic in this since what will give you the edge in the pool is you getting the vote right in the “smaller” categories people know the least about.

Hollywood on Hollywood? Oscar bait much?

Hollywood on Hollywood? Oscar bait much?

1. Best PictureArgo (fuckyourself).  It’s won every guild award and the Oscar voters are also all individual guild members.

  My Personal Choice:  Silver Linings Playbook – I’m a softie and it’s really tough to do those kinds of movies and get them right.  Plus, I’m all for dramatic license but I can’t get past the idea of advertising a political film that says “based on true events” and then distorting facts in order to create a dramatic point.  It’s okay to condense situations or create a composite character – that’s dramatic license.   Blatantly changing facts to suit a dramatic need is a no-no.

2. Best Actor – Daniel-Day Lewis, Lincoln.  He has as much chance of losing as I do of winning in this category.

My Personal Choice:  Daniel Day-Lewis because it was a resurrection, not a performance.

3. Best Actress – Jennifer Lawrence, Silver Linings Playbook.  It’s a showy part in which she never overacts and where she shifts from drama to comedy and somewhere in between on a dime.  She is not going to get eclipsed by Emanuelle Riva in Amour or Jessica Chastain in Zero Dark Thirty because I like my television and do not want to destroy it with a glass object on Oscar night.

My Personal Choice:  Jennifer Lawrence.  See Above.

3. Best Supporting Actor – Robert DeNiro, Silver Linings Playbook.

Yes, we're talking to you.

Yes, we’re talking to you.

His studio ran a great campaign reminding voters that DeNiro hasn’t won an Oscar in many decades (see Meryl Streep Oscar campaign playbook of last year).  But more importantly, DeNiro gave an honest, raw and vulnerable portrait of an older man without making it treacly or obvious.  That’s why other actors practically genuflect in his presence and that’s why he will win.

My Personal Choice: Robert DeNiro. See Above.

4. Best Supporting Actress – Anne Hathaway, Les Miserables.  Let’s put it this way – I was at the Motion Picture Academy screening of Les Miz and there was about a minute’s worth of applause during the film after her song.  Enuf said.

My Personal Choice:  Don’t hate me – Anne Hathaway.  You try singing that song and making it something we’ve never heard sung before

5.  Best Director – Steven Spielberg, Lincoln.  This is the toughest category.  I was about to write in Ang Lee for Life of Pi because a. there’s been a groundswell of support these last few weeks and b. Pi breaks new ground technologically.  But something tells me Oscar voters, many of them mainstream Hollywood types, really do want to reward Steven for helping to keep the industry afloat.  Plus, even though Abraham Lincoln was a Republican, the movie is a bit of a kiss off from liberal America to Congressional gridlock coupled with a warm embrace to a president who tries to reach beyond Washington, D.C. directly to the people.

My Personal Choice:  David O. Russell, Silver Linings Playbook.  It’s not his year but it’s the film with the most inherent booby traps by which a director can go terribly wrong.  And he didn’t fall into any of them.  In fact, he ran with them and created something quite unique – a feel good movie that isn’t cliché.  Try it some time.

6. Animated Feature FilmWreck It Ralph.  The Academy isn’t hip but the video game patina, the reviews and the general feeling that it IS the best animated film of the year will buoy Ralph to victory.  Brave is a close second.

My Personal Choice:  Paranorman.  Not because it is the best but because I WAS (am?) PARANORMAN.

7. Cinematography – Claudio Miranda, Life of Pi.  For filming what everyone in the industry thought was the unfilmmable.  And for giving a boost to the art of 3-D.

My Personal Choice: Robert Richardson, Django Unchained.  He’s won three Oscars and is one of the best that’s ever been in the business.  He brought a beauty and ugliness to the Old West and the Civil War era and did it without a lot of trickery.  I like that.

OK time for a bathroom break while those boring accountants stoll out..

OK time for a bathroom break while those boring accountants stroll out..

8. Costume Design – Jacqueline Durran, Anna Karenina.  It’s won almost everything in this category elsewhere.  Personally, I thought the clothes were a little overindulged, like the rest of the film.  Clearly, I’m a philistine.

  My Personal Choice:  Joanna Johnston, Lincoln.  The clothes reflected the characters and felt real.  I can’t imagine making Lincoln’s stovepipe hat not seem like a prop.

9. Documentary Feature – The Gatekeepers.  I watched ALL of the documentaries and, truly, any one is worthy of the win.  An exceptional group.  The majority opinion is on the seemingly unbelievable but true story of a once lost and now found singer in Searching for Sugarman.  But there is something about watching the various former heads of the Israeli CIA talk about the real and ongoing history of war, torture, espionage and the like that has international resonance for today.  Plus, Academy voters seldom pass up anything that has to do with this part of the world.

   My Personal Choice:  A tough one but…The Gatekeepers

10. Documentary Short SubjectInocente. I know the least about this category because I haven’t seen the nominees.  But awarding a good short on immigration seems timely and prognosticators seem to give this one the edge.

My Personal Choice – I’m blindfolded.  Don’t make me choose.

11. Film Editing – William Goldenberg – Argo – I guess it’s about the final escape sequence that didn’t really happen.  The America/John Wayne type thing and all that.  Or perhaps the opening documentary-like footage in the Middle East crosscut with Washington, DC.  But this looks like a sure winner.

My Personal Choice:  Dylan Tichenor and William Goldenberg, Zero Dark Thirty.  Re-creating the capture of Osama Bin-Laden and not making it rah-rah glossy.  They deserve an award for that.

12. Foreign FilmAmour.  Ever go to a party where everyone had a meaningful or great time and you were just bored?  That’s me at Amour.  Don’t hate me.  I do have a soul.  Just not during those two hours.  I don’t get the hoopla but hoopla, in this case, is inescapable.  Meaning, take the bet.

My Personal Choice: Anything but A.

13. Makeup and Hairstyling – Lisa Westcott and Julie Dartnell, Les Miserables.  So many rags, so many dirty faces, so many close-ups.  The Academy loves this movie and, as a group, know so little about hair and makeup that doesn’t make you look good.  Therefore, they will be very impressed.

Although I'm sure that's how Helena showed up to work that day...

Although I’m sure that’s how Helena showed up to work that day…

My Personal Choice:  24/7 personal hair and makeup for moi.  More hair than makeup.

14. Original Score –   Mychael Danna, Life of Pi.  Certainly the most original score.  And it’s the only score people keep talking about.  It is close to a certainty.

My Personal Choice:  To listen to the soundtrack of Saturday Night Fever (which didn’t get any music nominations) on a loop instead.

15. Original Song – Adele Adkins and Paul Epworth, Skyfall. It’s ADELE.  Please!!!

My Personal Choice:  You’re not serious, are you?

The ultimate Bond girl.

The ultimate Bond girl.

16. Animated Short FilmPaperman, John Kars.  Boy meets girl thanks to a piece of paper.  It’s sweet, clever and lovely.  And the best in the category (where I’ve again seen all the nominees) by a lot.

My Personal ChoicePaperman – It’s a writer thing.

17. Live Action Short FilmAsad, Bryan Buckley and Mino Jarjoura.  Another difficult category in which I have seen all five nominees.  At first this story of a young boy trying to survive the perils and poverty in Somalia felt earnest but derivative.  But as it went on it turned expectation and convention on its ear and delivered in a light-handed yet very meaningful way.  It feels like something the voters will want to reward.  Close second would be Buzkashi Boys – a more heavy-handed young boy coming-of-age story in Afghanistan.

     My Personal ChoiceCurfew, Shawn Christensen.  He made the kind of short I’d like to make and did it with an unexpected dance, a lack of post-modern irony and without backing away from very real human drama.  Bravo.

18. Sound Editing – Eugene Gearty and Philip Stockton, Life of Pi.  It’s not easy to figure out the right balance of animal sounds, the ocean, the jungle, and a lot of voice-over narration.  But Argo, Les Miz, Lincoln and Skyfall were all very tough challenges.

My personal choice:  I’m unqualified to choose.  Okay, Life of Pi.

19. Sound Mixing – Andy Nelson, Mark Paterson and Simon Hayes, Les Miserables.  It won the Guild awards and when the Oscar voters hear sound mix the obvious thought is – vote musical.

My personal choice:  Same as above.  In this case only, I am no smarter than an Oscar voter.

20. Visual Effects – Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer and Donald R. Elliott, Life of Pi.  The perception is that this is what this film is primarily about.  It will win.  The end.

     My Personal Choice:  I’ll bite – Life of Pi

Note:  I have saved the writing categories – my favorites – for the finale.

21. Adapted Screenplay – You don’t know how much I DON’T want to write this.

Though I'd love to sit in on that development meeting..

Though I’d love to sit in on that development meeting..

Chris Terrio, Argo.  It wasn’t a bad film but I don’t get the outpouring.  Does Hollywood love seeing itself cast as the heroes?  Are Americans in general just hungry to see something, anything good portrayed about US foreign policy?  Has Ben Affleck, or at least his work, seduced more people than he himself has done personally?  Probably all of the above.  But this does not explain why a screenplay that condenses and fictionalizes numerous events, and to my mind has A LOT of lagging moments that feel written, especially in the first half, has become the critical darling of so many.  As for Academy members – writing awards unfortunately can sometimes be seen as big consolation prizes.  Even though Ben didn’t write Argo, it’ll be yet another olive branch to him.  (Note:  I still think his movie Gone Baby Gone is terrific – AND his best).

My Personal Choice:  Hmmm – can I vote for both David O. Russell, Silver Linings Playbook and Tony Kushner, Lincoln?  No?  Damn.  Okay – I have to go with Mr. Russell for being real, clever, dramatic and a bit Hollywood all in one.  Mr. Kushner did a Herculean job on an impossible task.  How do you tell a microcosm story of Lincoln in two and a half hours?  By playing a bit with the facts – maybe a bit too much in the climactic vote scene.  Hence my vote for Russell.

22. Original Screenplay – Quentin Tarantino, Django Unchained.  The key word is ORIGINAL.  He didn’t win for Inglorious Bastards.  Mark Boal did win for The Hurt Locker so voters probably won’t be swayed this time by his work on Zero Dark Thirty.  And if Michael Haneke wins here for his script of Amour, that’s the sound of my flat screen crashing out the window that you’ll hear.

  My Personal Choice:  Django, mother-f-ker.