LA on ICE

Greetings from L.A.  – that burning, trash heap of a city invaded and occupied by illegal aliens and criminals!  A dangerous, hellscape of paid insurrectionists intent on ripping away the fabric of our country!!

The place that I call home.

Well, guess what TACO —

WE LOVE L.A.!!!!

We’re with you Tay!

And thanks to you, now more people than ever, in NOT ONLY the country BUT THE WORLD, love it. 

That’s because this week everyone saw us trying to save democracy by exercising our constitutional right to protest. 

And if the worst you can say about protestors in a city of about 12.5 million is that there were no fatalities and comparatively little violence or vandalism (Note: The worst of the latter being a couple of self-driving Waymo cars being set on fire, something I myself contemplated doing in frustration long before any protest) we’re doing pretty well.

Take that

Especially because it’s not every day you see your home experience a real invasion.  The kind where the federal government sends in masked, unidentified and armed federal agents to infiltrate your neighborhood and arbitrarily grab your friends, family, neighbors, co-workers, acquaintances and fellow citizens off the street, throw them into vans and, for no discernible reason they will articulate, attempt to disappear them into custody, perhaps never to be heard from again.

It’s like some crazy old rich 79-year-old Floridian-transplanted-from-New York’s birthday wish in a pretend game where he’d get to be president of the United States for the next four years and do anything he wants.

Oh….

Ugh x 2000

I know.  It’s not funny.   But it could be because this should all just be some massive American punk move from a gaggle of overprivileged man-boys and mean girls with too much money and time and privilege on their hands.

Oh…

And now I have a migraine

Since Homeland Security’s “invasion” of Southern California earlier in the week, the only real and true invasion going on in any of the many neighborhoods I know includes secret ICE agents joined by 2000 members of the National Guard and 700 fighting-ready U.S. Marines with military weapons, all guarding the federal building downtown and patrolling a few key blocks nearby for no reason other than they were ordered to by a rogue federal government commandeered by a rogue president.

Which is to say nothing of the hundreds of L.A. police and sheriff officers shooting rubber bullets and tear gas bombs downtown on Saturday (6/14), as millions in other cities nationwide symbolically joined us in the No Kings Protest against the democracy-breaking Trump policies.

But let’s back up a little.

It’s been that kind of week

Earlier this week, our current, ahem, POTUS took power over the National Guard from the governor of a state (Note: In this case, California but coming soon to a state near you) for the first time in more than 60 years, a power grab now being fought by California in appeals court and soon likely the U.S. Supreme Court.  A couple days later he topped it off with commanding U.S. (Note: OUR) military troops, the kind trained NOT to keep the peace but to instead be efficient killing machines in places as far off as Fallujah, Kandahar and soon likely…well, you get the idea…into our city to pick off anyone who couldn’t pass for a white Afrikaner farmer. (Note: Let’s just say even I could in a pinch).

Listen up, cuz they fallin’

Meanwhile, here in L.A. hundreds of non-white children and adults are being pulled off the streets from Home Depots, schools, supermarkets, playgrounds and farmlands.  This week the local news was rife with six and eight year olds crying and screaming as a parent was literally dragged away from them as their older teenage sibling, barely managing to hold it together, tried to comfort them.  Then there was the story of the late twenties Black military vet shoved to his knees by one of these uniformed baboons and put in a chokehold because he had the temerity to walk up the steps of the Veteran Administration building downtown to check on his benefits (Note: This was midday and there was no reason NOT to enter the V.A. that day).  Though the one seared into my brain is that of the ICE agents with kerchiefs around their mouths chasing down a Mexican farm worker from the Central Valley through a strawberry patch he was employed to work in.

They sure did

Of course, all this was nothing compared to what happened to the senior United States Senator from my home state of California, Alex Padilla, when he dared to pose a question to U.S. Secretary of Homeland Security, aka ICE Barbie and renowned dog killer, Kristi Noem.   Cosplaying her version of chief immigration enforcer – she, of the petrified plastic surgery face accentuated by plentiful hair extensions and full pageant-style makeup, was telling a series of mistruths that culminated with this ominous threat to anyone thinking of protesting anything she or her agents choose to do in southern California.

“We are NOT going away.  We are staying here to liberate the city from the socialists and the burdensome leadership that this governor and that this mayor have placed on this country and what they have tried to insert into the city.”

She’s a charmer!

At which point OUR senator, the one who was democratically elected, along with our governor and our mayor by me and millions of other Californians, proclaimed from the back of the room as he approached:

 “I’m Senator Alex Padilla. I have questions for the secretary. Because the fact of the matter is …”

At which point he was grabbed by a bunch of agents, dragged out of the room, tackled onto the ground and physically held down by several men on the floor who grabbed his wrists behind his back and handcuffed him in full, proud view of the cameras.  And no, I’m not exaggerating even a little bit.  If you haven’t already, you can view it here.

Here’s the thing about our Senator Padilla.  He’s a graduate of MIT and an engineer, an L.A. native who was put through school by two Mexican immigrant parents – a Dad who worked as a short order cook and a mother who cleaned houses.  A guy who trained as an engineer and could have made a ton of money doing that but instead chose to enter politics in the 1990s because he wanted to give voice to a community of people who didn’t have the education and power to speak for themselves to the powers that be.  A guy who’s soft-spoken, hard-working and extremely well-liked by his Senate colleagues.  Someone who would never think of killing their 14 month old puppy instead of taking the time to train it properly, or ever consider being the public face of a modern-day version of Hitler’s Brownshirts.

If I sound a bit worked up over this it’s because:

  1. I am.  And –

2. While Sen. Padilla was being ICE-handled by Cruella’s goons on Thursday, I was five blocks away sitting in a large room at the L.A. Criminal Court House waiting to be called in for jury duty. 

It didn’t work this time

I can’t say I was shocked when the news alerts about all this popped up in my phone but nevertheless I was taken aback.  That is until another potential juror, a thirtyish woman from Thailand, nervously approached me and tentatively asked if I’d ever been on a jury before.  She was smart, had a cell phone, was conversive in the language but underneath it all looked terrified.  It was as if she felt like if she made one wrong move or gave one wrong answer some masked man out of the corner would emerge out of the shadows and take her away. 

I chalked it up to me just being dramatic (Note: Or as my shrink has said more than once, “inclined to piece things together in order to tell a story.”).  But when we were upstairs, sitting on benches outside the courtroom door to which we’d been assigned, and she requested to sit by me so I could “help guide her” through it, I wasn’t so sure.

Turns out I was right…and then some.

Somehow being right this time didn’t feel this good

Once inside the courtroom, I looked around at about 40 or so of my fellow potential jurors, well more than half of whom were of Mexican, Black, Asian or some other non-white ethnicity – truly an L.A. melting pot — and heard us all verbally answer the judge’s questions about our jobs, previous experience with law enforcement, and prior jury service.  What quickly became abundantly clear to me – storyteller or not – was that the demeanor of every single non-white person ranged from cautious and concerned to absolutely intimidated and frightened.  People stumbled over their words, told stories of police harassment and witnessing violent crime, and expressed outright concern over what constituted a right or wrong answer or whether they’d said  too much or too little.

As for the answers from the majority of us white folks, and the manner in which we gave them, well let’s just say I wish there was a new term for, um, Caucasian privilege, (Note: Did I make one up?) since everything about the term is so profoundly embarrassing and enraging to me.

As it should be to anyone who cares about democracy in 2025 and beyond.  #Resist.

We all had a venti cup that day

Oh, and P.S. – After I confidently said to the defense attorney I’d have no trouble at all with the concept of reasonable doubt in the case potentially before us, one where a woman of color was being tried for a crime against the state, I was immediately dismissed by the city’s prosecuting attorney from jury duty.

Make of that what you will.  But also know that this very kind of Caucasian privilege is what too many of my “kind” in Washington are fighting to preserve.

Randy Newman – “I Love LA”

The Jury is Out

It’s been a whirlwind week in Hollywood.

The actors and writers are now both officially on strike, essentially shutting down film and TV production pretty much across the board.

Shut. It. Down.

At the same time, a TV show called Jury Duty, where writers and actors work together in a tightly planned but loosely scripted/partly improvised new type of workplace comedy/mockumentary/faux reality program, received four Emmy award nominations, including one for best comedy series.

Amazing what members of those two unions, along with help from many of the others, can do when they join forces.

A true ensemble (in front and behind the camera)

The conceit of Jury Duty is that one unsuspecting real-life person (Note: As opposed to the rest of us perceived fake ones who work in Hollywood) is filmed serving in a three-week trial that ONLY HE DOES NOT KNOW is fictional. 

But rather than be the butt of a cruel joke, he instead emerges as the HERO of the story, reminding us that not every random human in the world is the piece of sh-t we default think they might be these days.

Even in Hollywood.

It helps to have a hero as lovable as this guy

The success of Jury Duty depends on the close-knit collaboration between a group of dozens of actors playing jury, judge, lawyers, defendants and court employees, with the writers who created not only their characters but the countless scenarios, plot points and alternate scenarios and plot points designed to bend to the spontaneous will of the one real life character among them. 

In some cases writers double as actors, actors wind up writing (Note: Okay improv-ing via what WAS written) as they try to bring back the hero to the point of the scene, and non-acting writers huddle off-camera to create some new tweaks and challenges that will play out the quirky humanity of the characters and story actually being created to maximum effect.

LOL

It’s not that the producers, directors and crew of Jury Duty are not essential to pulling this gargantuan effort off.  But it’s that special sibling-like kinship between writers and actors that has existed since storytelling began, that conjures the magic everything else draws from.

Binge watching all eight half-hour episodes Friday night after a week of listening to the overpaid, stone-brained studio and corporate heads (whose businesses only exist because of all of this magic) bitch and moan about their 21st century shifting business models, provided some temporary relief.

Marsden earning his Emmy nom

(Note: This week it was the newly two-year contracted, at $50-$60 million plus salary, Disney chief Bob Iger, calling working actors’ requests for some guarantee that a machine couldn’t duplicate their digital likeness from one day of work, in perpetuity, and over as many projects as they like, UNREALISTIC.

Unrealistic?

Oh I know he did not just say that

The only thing unrealistic is that studios and streaming platforms across the board WON’T do this and more.  And maybe take their first-born.  And if you don’t believe me, check out my post from last month about Black Mirror’s sadly prescient and pandemic-written season six opener, Joan Is Awful.).

Nevertheless, all of that writer-actor simpatico on Jury Duty was also energizing to me as a member of both the WGA and IATSE, and as an admirer of the many talents of so many unknown, just plain working actors I’ve come across over the years.

Because it reminded me of what we can do together.  And how much power that partnership wields.

Imagine what we could all accomplish at a Margaritaville!

Jury Duty might not be your thing but it is yet another strange, new iteration of hybrid storytelling in a hybrid media world desperately in need of something new, and maybe even…..original?

It started as a workplace comedy by two veteran workplace comedy writers, evolved when some executive producers associated with iconoclastic actor Sacha Baron Cohen’s Borat suggested the faux reality element, and went on from there.

Borat wasn’t my thing but Jury Duty was.  Go figure.  I tried to and suddenly my mind went to Netflix’s Squid Game, also not my thing but certainly as original as either of the former two.

And so it goes.  And goes. 

Until it is gone.

All the feelings

Not everything can be Casablanca, One Flew Over the Cuckoo’s Nest, E.T., Raging Bull, Titanic, Parasite, or heaven forbid, Top Gun: Maverick and Mission Impossible – Dead Reckoning Part One. 

Nor should it be.

Still, if you don’t respond to mixed media metaphors think of it this way. 

The great Norman Lear created Archie Bunker, loosely based on his father, but the equally great character actor Carroll O’Connor brought him to life.

The same way Tony Soprano came from the complicated mind of Sopranos creator-writer David Chase, only to be made indelible by the until then unrecognized brilliance of another late, great character actor, James Gandolfini.

The man made picking up his newspaper iconic

It is these kinds of collaborations that moves entertainment forward and allows it to reach new heights.

Not only onscreen but off.

Amazing what writers and actors can do when they partner up, especially when their own very real lives are at stake.

The studio and corporate heads may not be listening now. 

But they will.

Or their entire new 21st century business models will fall apart.

Fran Drescher’s SAF AFTRA strike announcement