The Big Yawn

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You’ll have plenty of time to sleep when you’re dead!”  — Aunt Nan.

Broadway legend Patti LuPone played a character based on my Aunt Nan in the 1993 movie I wrote called Family Prayers, so my thinking is this – any advice given by a person who readers, executives and audiences (okay, it was a small audience, but still…) uniformly embraced as a film character should be taken seriously.  And if you knew Nanie (my nickname for her), sort of a cross between a real life Auntie Mame and a white Pearl Bailey (younger people might want to substitute a more grounded, earthy version of Jessica Walter on Arrested Development or in Archer) you’d be scared not to.

Two sassy bitches

Aunt Nan and Lucille Bluth: two sassy bitches

Still, I wouldn’t be her nephew if from time to time I didn’t take a moment to, like her – sit back perched on my sofa, drink in hand, and totally disobey an authority figure (even if it is her) as I utter exactly what I think in the moment.  In this case, it boils down these four words:

I AM SOOOOOOOOOO EXHAUSTED!!!!

Stop complaining, you say.  It’s not like you’re working down in the coal mines or, to use a more contemporary reference, are in danger of being subjected to another season of Smash.  To this I answer (as Nanie would) – go to hell or, to use a more contemporary analogy, go bury yourself in a sea of Justin Bieber tweets.  Someone has to speak the truth and I’m the ingrate to do it.  At least today.  Tomorrow might bring out a nicer, more constructive me – the kind some of you (but not all) have grown used to.  But that’s only if I get a good four nights of sleep and I am able to time travel to my favorite moments in 1968 and 1973 and 1984 with all the knowledge and empowerment I have right now and take care of a few people and things as I wave a magic wand and wipe out laser disks, 8 tracks and any trace of Michael Bay movies for all of eternity.  So don’t dress.

This current wave of vitriol-spewing sloth was brought on by too much work, too little exercise, too many personal and professional mini-crises to handle in the last few months and a profound lack of sleep that we all suffer from time to time.  In other words, everyday life.   It might also have to do with the anticipation of the next weeks, which are renowned to be a trying time for college professors worldwide as they settle down to read tens of thousands of papers, screenplays and other written material, attempting to  constructively critique and objectively rate (translation – give a grade to) work that is totally subjective and un-rateable in less time than it takes to turn out a very bad episode of the worst and most offensive reality show on television.  Fill in your title of choice on this one – mine is Keeping up with the Kardashians.  Sorry (not really) Kim.

In an effort to be fair to both students and readers given these circumstances, I thought it was only good form to get some of this out of my system.  After all, experts tell us the best way to revitalize is to unload your burdens either through physical activity or mental excavation as you relax and unwind via one or several of the many millions of methods available.   Though I know the former is better in the long run I much prefer the latter – especially when I can subject others to it and get it out of my house of cards and into  yours uh – theirs.  And since we know misery loves company, perhaps some of this will help re-invigorate a few of you to add to the list — or simply re-appropriate stuff from mine and allow me some additional extra relief.

(Cautionary Note: Obviously I’m too tired to care what happens once these thoughts leave what’s left of my brain, so — beware.)

REASONS FOR CONTEMPORARY EXHAUSTION IN THIS ONE PARTICULAR WEEK IN 2013 AND WHAT TO DO ABOUT IT:

ZACH BRAFF KICKSTARTER CAMPAIGN BACKLASH

That's over 2 million, haters.

That’s over 2 million, haters.

Zach Braff has raised more than $2 million in three days to finance an independent movie ten years after he was nominated for an Oscar for writing and directing the film Garden State.  Question: Why does this bother ANYONE?  How does this take away money from poor filmmakers?  Don’t you know that studios don’t even want to make movies with live action people anymore, much less small quirky stories that have no sequel or Happy Meal/App potential?  Garden State was a cool film.  I wish I had done it and want to see more like it.  So – wait for it – I gave him money.  As I regularly do to projects from former students and other poor people.  If you’re spending time hating on ZB, you’re not working at your own stuff.  Get. Over. Yourself.  Meanwhile I’ll see you (not!) at the rough-cut screening I’m invited to next year.  Wearing my free T-shirt.  And carrying my autographed copy of the script.  So there.

RYAN MURPHY PONTIFICATING FROM THE MOUNT

You know how we feel, Ryan.

You know how we feel, Ryan.

I admire Ryan Murphy and love that he’s a creative force in the industry.  American Horror Story is one of my favorite shows on TV.  Glee helped so many kids with self-esteem issues and was a lot of fun (well, at least during the first two seasons).  But if I read one more article telling me Ryan has been known to tell his writing staffs things like “I’m obsessed with the color orange right now.  Figure out a way we can do a tribute to orange”; hear one more anecdote about him and his husband and their perfect son who was born through a surrogate; or click on one more video where Ryan is showing off the overpriced personal artifacts he had flown from all over the world into his heavy handedly-designed sprawling L.A. house, I’m going to pull what little hair is remaining in my scalp out and will be as bald as he is. (And I don’t have the budget for his cool hats).  Ryan – you’re wonderful. Please, please, please – for the love of God (or whoever you believe Her to be) – STOP.  Less is the new….More.

AMANDA BYNES-BASHERS

Yeesh. Turn the cameras off.

Yeesh. Turn the cameras off.

There is nothing funny or even newsworthy about young, formerly hot actresses roaming the city streets as they tweet inappropriate words and thoughts about their private body parts and looking confused after they shave off half of their hair.  I don’t know this young woman.  I wasn’t ever a fan or a foe.  And I have a pretty sick sense of humor and a fairly devout passion against censorship.  But contrary to what some comedians claim, some jokes about some people are just not right in that moment.  Lindsay Lohan being trailed across the world by the paparazzi day in and day out as she slowly implodes and explodes is no more entertaining than the photos of the late, great crack-addicted sad story Amy Winehouse wandering the streets of London or falling down onstage as she warbled off key with barely a vestige of her unique, once-in-a-lifetime voice.  Last week I saw the brilliant British actress Tracie Bennett sing and act the part of Judy Garland at the end of her life onstage in The End of the Rainbow.  It was amazing work and captured a woman who was funny, sad and, even at her drug-addled end, still able to pull together her amazing talent.  Many of these young women today are not as fortunate.  And it’s far from amusing.

VEGAN-ESE

I think you know what this looks like to me..

I think you know what this looks like to me..

I love my vegan friends, eat no red meat myself and very much enjoy salads and vegetables.  But tempeh and tofu are not chicken and burgers.  They are perfectly acceptable proteins on their own if one so chooses.  So why, why, why are they constantly being referred to as such in vegan restaurants and by food writers and the mass media?  Also, full confession:  I willingly eat a little cheese.  It’s not the end of the world.  As Ava Gardner says in an attempt to calm Howard Hughes at the height of his OCD in Martin Scorcese’s very underrated The Aviator – “Nothing’s clean, Howard.  But we do our best, right?”

BRANDING

Pick your own cattle prod!

Pick your own cattle prod!

Can’t anything just be what it is anymore?  Why does it have to be a part of or spawn countless subsets?  Granted, we are all a bit of something else – our parents, our families, mankind, people who survived George W. Bush.  But do we have to constantly be reminded of it?  I remember watching the original Bonanza as a kid in the 1960s (look it up) and it often featured cattle and fire branding.  Does everyone need to have a prime Grade A logo of a commodity burnt into their unique flesh, or in this day and age tattooed, onto their arm, behinds or latest piece of work in order to be deemed worthy?  As a gay, Jewish, intellectual, brown-haired (sort of), writer, teacher, one who lives in a domestic partnership, and someone who is part of the group that is on the very end cusp of the baby boomer generation, and even larger and more notable group, I say — NOT!

 

WORST ALLERGY SEASON EVER

My best chance of survival this spring..

My best chance of survival this spring..

You don’t want to know how many pills, inhalers and shots I do daily and monthly in order to maintain my current state of precarious health.  I don’t need to constantly be reminded about how bad the air is in comparison to what it was 25 years ago or warned that the next month, year or decade will be even worse.  Logic, headaches, a cloudy state of mind, sight and my mood tell me this.  And if you write in and tell me it’s because I am not vegan I will personally brand you a non-Belieber and let you know my worst allergy of all is to nuts – a staple of the majority of vegan foods.  Incidentally, this was discovered when, as a 3-year-old, my parents tried to shut me up in the back seat of a car with a can of Planters mixed nuts and instead had to rush me to the hospital.  It didn’t work for them then.  It won’t work for you now.

SPEAKING OF BELIEBERS…

In lieu of a pic of Beiber, here's Jon Hamm walking his dog.

In lieu of a pic of Beiber, here’s Jon Hamm walking his dog.

Stop saying Justin Bieber looks like a lesbian.  Lesbians are much cooler and hipper.  He’s an adolescent with a gabillion dollars who can sing and dance well in a very mainstream, non-threatening sort of way.  He didn’t have much schooling (you sooo don’t want to tell me about the school of life) — of course he doesn’t understand the ramifications of publicly asking in writing via the guest book at the Anne Frank house in Amsterdam whether Anne Frank would have been a Belieber?  What is wearying is how much more time was spent on that rather than on the contents of Anne’s diary during this or any other month of the year and/or decade.

DUBYA REDUX

On display at the Bush Library... where to start?

Maybe I should have posted another Jon Hamm pic?

By any objective intellectual or polling standard, George W. Bush was THE worst American president in modern times and perhaps of all times.  I can’t blame him for wanting to open a library and reinvent his legacy but I can blame the media and his paid consultants and friends for playing fast and loose with the facts during his time in office.   To wit: 1.  The attacks of 9/11 spearheaded by the master terrorist he was warned about over and over again in writing — Osama Bin Laden. 2. The worst crash of the American economy since the great Depression. 3. Record deficits from record inherited financial surpluses left to him by impeached president Bill (@PrezBillyJeff for those in the Colbert Nation) Clinton. 3. The debacle of Hurricane Katrina. 4. Trumped up evidence to finance the costliest and perhaps most pre-determined war in American history – The Iraq War.

Fact:  It’s all a matter of public record.  Creating an interactive presidential videogame at the Bush 43 library doesn’t change anything, especially since it doesn’t include all of the top secret, classified information any American president is privy to at the time they make their decisions, to play with.

Lesson:  When your game is rigged, you can’t ever look really bad – that is, unless people refuse to play the game you’re offering.  Reality:  Despite the touted polls, most of us are not playing and Bush was not and never will be a really good play-ah.

 

SHORT TAKES:

SNACKS1

  • Matt Lauer and Ann Curry have broken up.  Everyone: Let. It. Go.
  •  A change in your routine – any change at all – can be exhausting at first but WILL provide a spark of life and a tad of energy after a few seconds.
  •  James Franco is in too many places at once.  I simply get weary thinking of him.
  •  Writing anything in a journal for 15 minutes first thing in the morning can do wonders for your mood the rest of the day (This advice is appropriated from Julia Cameron’s wonderful book, The Artists’ Way).
  •  Any students or people who use the word its instead of it’s (it’s = it is) or there instead of their (there = over there) should be forced to watch a full season of Keeping Up with theKardashians, culminating with Kim’s wedding.  On a loop.  For a year. (Or perhaps they already have and this is the reason for their misusage).
  • Exercise of any kind (use your imagination) makes you less tired in the long run.  The question is, how do you make yourself do it. (Branding? Cattle prod?)
  •  High art fans who think highly of themselves:  Stop pretending you’ve never seen a sitcom, soap opera or reality show.  Ever.  And get a TV if you don’t have one.  You can join the world and still be brilliant.  (You might even feel less exhausted). 
  •  Low art fans who think highly of themselves: Turn off the TV, go to a museum, watch a film that is not in English, and read a book that is not part of a brand, preferably one in paper and not on a screen.  It feels different.  And it just might be energizing.
  • Everyone Else:  Try. Something. (Or Someone). New. 

As for me, I’m planning to do at least one of these things and report back next week.

Hopefully, I’ll be up to it.

After my nap.

Who are you?

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Within the last week my computer was stolen and within the last year my federal tax return refund was issued to someone else who illegally filed a claim in my name.  Now don’t panic.  I have another computer and about 65% of the stuff from the missing one is either backed up or in hard copy.  I also filed a new claim with the IRS stating that some jerk stole my social security number for tax purposes only – apparently a common occurrence these days – and have been assured by my accountant that within the next year or so I should get my full refund in the mail.

Of course, none of this takes away how absolutely creepy it feels to know that someone other than your dog has their paws on, inside and around private parts of you and your life.  It’s kind of like a blind date you didn’t ask for who stays over without permission and, aside from your wallet, steals some of your most personal items from your house, including, most importantly, your personal space.

Don't mind if I do!

Don’t mind if I do!

All of this got me thinking about the two-hour season premiere on Sunday night of the best written series on television – Mad Men – a show that at its core is about how the social and political revolution of the sixties forever changed (some say stole) the identities of American men and women but also allowed us to evolve into who we are today.  Not that I’m recommending it but theft and the turmoil it brings can be good too – waking us up to who and what we really are beyond who and what we possess.  (As if all that isn’t temporary anyway).

In approaching the herculean task of a season set in the often overwritten year of 1968, series creator Matt Weiner shows us a world of individuals who up until now were determined to be defined by what they have rather than who they are because the latter is just too scary and impossible to think about or really even know for sure.  This presents the ultimate problem for his characters because, truthfully, almost none of them have even so much as a passing clue as to their inner selves.  In fact, I’d venture to say that even if a magic Genie appeared to them offering to grant any three wishes of their greatest desire, they would be flummoxed to choose what the top three real wishes would be.  This perpetual conflict and uncertainty is why Mad Men continues to work year after year.  It is a show that series creator Weiner has acknowledged publicly has “no concept at all other than its characters.”

True words, man.

True words, man.

But in real life, as opposed to television drama (which in the case of MM, is much funnier, subtler, more dramatic and better executed), we all do have an identity, which is why no one can truly steal it if deep down you know who you are. That is the reason why I don’t get personally freaked out by the thefts mentioned earlier and why I don’t give a hoot about my Facebook privacy settings or how many items I buy online using a credit card that someone can possibly take and use as their own. Oh sure, these robber barons can make my life temporarily miserable and cause some financial strain or personal heartache, but can they truly take who I am and make it them???  I don’t think so.  Not unless they want to walk xxx number of years (not sayin’ the number, sorry kids) in my shoes and have each identical experiences of joy, heartache and everything in between that I have learned, or sometimes not learned, from.  (Note on the latter: I am nothing if not a work in progress.  Or, if you like metaphor, a chair still under construction but not completely built).

Still, it is also why the entirety of my, or most anyone else’s, true life would not make a good television series or movie.  We don’t live in constant conflict and wit that serve a three or five (or more) act structure and don’t have the best writers, directors and actors to perform it.  We only have ourselves.  Which brings us back to MM, American society and the year 1968.

OK JON! WE GET IT! YOU'RE HOT!

OK JON! WE GET IT! YOU’RE HOT!

It is not surprising that in its next to last season Mad Men is finally tackling the issue of personal (and on a large scale, American?) identity because its iconic leading Man, Don Draper (Jon Hamm… did I mention Jon Hamm?), is someone whose own identity was literally stolen from a dead soldier and molded (by the real character, along with his writers and the actor playing him) into the alpha male of his time by stealing other traits from the best and brightest of what he saw around him in his travels from his rural American childhood, to the snazzy streets of Madison Avenue, to posh suburban New York, and then up to the polished penthouses of Manhattan.  Now in its final years, Mad Men has lost none of its own polish and luster because more and more the faux Madison-Avenue-American-dream-world from the late 50s it created is beginning to crumble before our eyes.  Rather like the way the economic bubble of the 2000s (aughts?) brought down the financial avarice of the 1980s’ “greed is good” culture and the failed American foreign power grabs of the 1980s, 90s and aughts has provoked a bit of an isolationist break from war on the part of the vast majority of the American public today.

As Mr. Weiner and company spend the next number of months against the backdrop of the assassinations of Martin Luther King and Bobby Kennedy, the campus shootings at Kent State, the riots at the Democratic convention in Chicago, the body bags of the Vietnam War, flower power, marijuana, bell bottoms, good and bad hairstyles (depending on your POV and the kind of hair you have) and rock ‘n roll, all topped off by the election of Richard M. Nixon to president (do I have to live through it a second time?!!), it is important to remember that every bit of these moments and many more are all part of what brought us all to where we are today.  It is why China, France, Germany or Japan will never actually be the United States, just as the United States can never aspire to be any one of those countries.  That’s not a quality judgment on us or them but merely a statement of fact.

You can steal an idea of something but, as Mad Men consistently shows us, ideas are intangible until they are embodied and fully fleshed and executed out by the actions of people and the reactions of others to what they do.  If you have any doubts that this show does it well – consider all of the many films and TV shows that attempt over and over to wallow in the backdrop of the late sixties for dramatic effect and how over and over again those television series and movies fail miserably, or at least in great part, in almost every way.   It is never about the backdrop or the surface or the literal of what we see.  It is always about what’s below the surface and how what is and isn’t there is played out by the people inhabiting that world.  To wit (very limited spoilers ahead):

Taking in the view (last Hamm  joke for this post I promise)

Taking in the view (last Hamm joke for this post I promise)

  • When Roger Sterling, the blue blood jokester partner at Don Draper’s ad agency, lies on his psychiatrist’s couch and ponders “What’s it all about, doc?” the effect is meant to be a comically indulgent comment on the sixties that will later surprise us with a lot more.
  •  When Don’s overfed, arch ex-wife Betty travels down to Greenwich Village to find a lost 15 year old girl and is told by a hippie gang leader that “You can’t grok (the word for understand in Robert Heinlen’s seminal 1961 novel Stranger in a Strange Land) that we (young people) are your garbage” it’s meant to sound misguided and dishonest until later on Betty shows us through her own actions it really isn’t.
  • When Don’s former protégé Peggy, now running her own creative department at a rival agency, tries to do what Don, her former boss, would do when she’s stumped on how to save an ad campaign of hers that unintentionally evokes an American military atrocity in Vietnam, it feels obviously poignant until Peggy’s wry self-satisfied smile later proves it to be anything but.
  •  And, while taking his official agency photo against the backdrop of Manhattan in his too immense office, Don himself can only stare blankly into the camera lens when a desperate photographer pleads with him to just “be yourself,” it feels too quaint for words until the last scene of the season premiere proves that for this ad man drawing a blank was the only truly honest response he has in him during the entire episode.

I tell my students all the time to not worry about anyone stealing their ideas. Original ideas can never really be stolen because it is always about how they’re executed – how they play out from scene to scene and in total. 

The only thing you have to fear... is wasting post-its

The only thing you have to fear… is wasting post-its

This is much the same as our lives and how we really live them rather than how it might seem to the world.   That is also the way it is with our favorite television series, particularly ones like Mad Men, which was never about the window dressing of the often portrayed 1960s but the ways in which the people who identified as Americans got through it… and came out the other side.