Aging Out

In the new, intriguing and highly watchable French film, A Private Life, Jodie Foster plays a smart mess of a psychiatrist who gets caught up in uncovering the reasons behind the recent death of a patient.

I’ve grown up watching Jodie Foster in the movies, mostly because she started as a child and gained worldwide fame and her first Academy Award nomination for playing a street hooker in Taxi Driver.

A PRIVATE LIFE | Official Trailer (2026) - YouTube
Cataloging her long career

She was 12 years old when she made that film and by the time she turned forty she had already won two  best actress Oscars – one for The Accused (1989) and the other for Silence of the Lambs (1992). 

Being a movie star for that long etches your image in people’s brains, especially for a fan like myself.  But nothing prepared me for the moment in A Private Life when they introduce a character who I initially thought was her grandfather but realized couldn’t be because they quickly begin flirting with each other and are soon…

Cover Eyes GIFs | Tenor
yeeps

Well, never mind.

As it turns out, it’s her ex-husband and he’s played by the French actor-director Daniel Auteuil. Even in a French film, this seemed like an odd leap of faith to me until I couldn’t stand it any longer and paused the movie to look up their ages. 

As it turns out Jodie Foster is 63 years-old and Mr. Auteuil is a mere 12 years older.  A perfect age range for the characters but quite a wake-up call for moi.

I mean, how old did I think she was?

A Private Life' review: Therapist Jodie Foster wades into foul play - Los  Angeles Times
We need to talk about Jodie

Of course, I never gave it any thought because even though she doesn’t appear to have had any cosmetic “enhancements” (Note: Or perhaps because of that) she merely looked like Jodie Foster.

Also, she’s younger than I am, so how old could I even imagine she looked? 

I’m not sure but in my mind nowhere NEAR the age where this guy could believably be her HUSBAND unless the MASSIVE age difference was a story point.

Which it wasn’t.

Unsure GIFs | Tenor
I don’t know how to think

The real story here is my reaction and I suspect the reaction of many of us to how we see ourselves, our  peers and the cultural “icons” we grew up with. 

But even more importantly, what we imagine getting “older,” or worse yet, looking older, really means.

Fran Lebowitz was recently a guest on The Tonight Show Starring Jimmy Fallon, an oxymoron if I ever heard one.  In any event, she told a funny story about getting older as a famous person and noted there were really only three categories of age:

Young, old and surgical.

Thanks to social media, one no longer has to live in Los Angeles to feel that way.  All over the country, and likely the world, we refuse to accept not only our age but the age of our icons.

Unless, that is, the icons openly look old or even older.  Or want to continue to play in younger spaces. 

Which these days is pretty much anywhere since everyone has a camera and can post your latest pic everywhere.

Selfie 101 - Juno Power
I mean it with love

Now there is nothing wrong with growing older and, as many an older person told me before I breezed past Jodie’s age, it beats the alternative. 

There’s that phrase, as well as, getting old is a privilege.

a man with gray hair and a beard is smiling with his arms in the air
Sigh

Which you realize, once you get older, that it indeed is since most of us don’t want to die any time soon – hence, the privilege. 

There are recent examples of icon-ish show biz figures making a point of their, um, lack of youth, and using it to their benefit.

Taking the stage at the Astra Awards last week to pick up the creative organization’s Timeless award, the openly 67-year-old actress Sharon Stone recounted how, earlier in the evening, a group of young people who didn’t know who she was rudely accused her of stealing a chair to sit at their table.

Sharon Stone blasts rude kids at Astra Awards who accused her of stealing  seat
Maybe it was the outfit?

After proclaiming, award in hand, now they do, and telling them F you from the stage, she went on to give a memorable speech about artistic determination and preparation, as well as putting any fame you have to use for social activism towards issues you care about.

Sixty-year-old Robert Downey, Jr. cited he was double the age of Timothee Chalamet at a recent event he himself instigated in order to promote the latter’s soon-to-be Oscar nominated performance in Marty Supreme.

Calling the younger actor’s work in the film a generation defining performance in a decade-defining film, the now gray-haired Downey embraced the age difference in front of a room full of potential Hollywood Oscar voters and recalled how much it meant to him when then old-timers like Warren Beatty and Anthony Hopkins reached out to him publicly when he was 27-years-old and blew them away with his performance as the silent screen legend in Chaplin.

Robert Downey Jr. and Timothée Chalamet onstage
game recognizes game

Downey had no trouble embracing his now elder status but no doubt there are a group of longtime fans who shudder at the thought that the quintessential troubled party boy from Less Than Zero or the cool bro they marveled at, Tony Stark, aka the original Ironman, will soon be able to collect social security. 

3 Years of Avengers: Endgame: There'll Never Be A Theatrical Experience  Like This Ever Again
And I’ve turned to dust…

It is interesting to note that none of the above people mentioned quite look their age (Note: Though what DOES any ACTUAL age look like anymore?) to us, whether by design or our refusal to accept the number of chronological years they’ve been around. 

This also begs the bigger question of whether celebrities, or regular people like us, get marginalized for the actual NUMBER or for not looking an indeterminate fifty-ish for the entirety of their golden years right up until DEATH.

Death Becomes Her Isabella Rossellini GIFs | Tenor
Get me Isabella in Death Becomes Her, please

Rachel Ward had a long career in the 1980s, 90s and beyond as a Golden Globe-winning movie and TV star, as well as model, with a worldwide following that Gen X, Y and Z are likely unfamiliar with.  But what they might now know her for this week is being the derisive object of online trolls for daring to appear as her gray-haired, dark-eyebrowed bespeckled 68-year-old real-self on social media in order to promote her Australian farm and its sustainability initiative. 

I mean, how dare she? 

Rachel Ward, The Thorn Birds, Instagram
Side by side

Now, was I shocked when my husband showed me the picture above? 

Um, yes.  And then I was both appalled and surprised.

At myself.  

Because on closer inspection I thought she kind of looked hippy dippy good! 

Maybe I’m finally beginning to evolve for the better.

Gold Star GIFs | Tenor
Giving myself a gold star too!

Which is more than I can say for the rest of the country and the world at this point in time.

About so many things.

Lana Del Rey – “Young and Beautiful”

More Than Friends

This holiday season has just begun and it already has me teary-eyed at the thought of a friend and how much friendships mean to me.

This is partly due to the deaths of several precious friends whom I miss terribly right about now, and not only because they are no longer around to complain to about the holidays this year.

I promise the whole post will not be like this! I swear!

It is also due to a pair of screen stories I’ve seen in the last week where the friend in the story touched me deeply and, well, meant everything.

The first is the uncluttered, focused honesty of Jodie Foster as Bonnie Stoll, “best friend” to iconic marathon swimming champion Diana Nyad in the just released Netflix biopic, Nyad.

Fierce

Annette Bening is more than convincing in the title role (Note: She brutally trained a full year as a swimmer and it shows) but it is Foster’s performance that gives the film its true heart and meaning.

Nyad is the star (Note: In this case, athlete), a difficult, unsentimental and tunnel-visioned success story that makes the headlines and gets the lion share of the credit.  Yet what we get to see in this movie is just how much her best friend and briefly former “girlfriend” enabled the impossibly obstinate Nyad to live the kind of life she longed for both professionally and personally.

As her coach and closest confidante for decades, it is Bonnie’s loving, no-fuss determined dedication that allows Nyad, then in her early sixties, to actually fulfill her lifelong dream to become the first person in the world to swim from Cuba to Florida.

Cuz ya gotta have friends!

This, of course, makes it sound like a typical inspiration sports film and, in some ways, it is.  Except, by the end, when it isn’t that at all.

See, at most Nyad is a well-structured, competent sports drama that hits the requisite beats one would expect.

But what makes it truly worth watching is the often-unexplored relationship between two people, in this case two gay women, who briefly dated years ago and have now become family.   

Not just a Vin Diesel catchphrase

They introduce themselves to others as mere best friends, a phrase that means quite a bit on its own but is woefully lacking when it comes to these two.   And yet this is true and has also been said for many close friendships we have all seen over the years and/or perhaps have experienced for ourselves.

Still, without Bonnie there would be no Nyad and without Diana Nyad there would be no way Bonnie would likely have ever experienced the adventurous highs and intense emotional peaks and even valleys that gave her life meaning and made her feel most alive.

It’s not the typical paradigm of athlete-trainer, mentor-star. It is the unnaturally natural connection of two people that society still doesn’t have the proper term for that is the real story, the one that provides this film its principle drive and certainly that which gives it its primary power.

To better storytelling!

Not surprisingly, it is the relationship between two gay men over thirty plus years in the Showtime limited series, Fellow Travelers, that also touches me so deep to my core that at times I need to either look away, put it on pause to do some laundry or simply stick it out and let the feelings unshake memories I’ve chosen to keep pretty deeply buried for fear of the pain they would unleash (Note: Except, of course, with a therapist present).

Based on the best-selling novel, the eight, hour-long episodes of Fellow Travelers (Note: At this writing just the first five have aired) expands the scope of the fictional Hawk and Tim (aka Skippy) “love” story beyond the lavender scare of the 1950s, when gay people in Washington, D.C. were hunted down, outed and, in turn, had their lives destroyed, through the gay liberation of the late 1960s and 1970s and well into the AIDS-era death march radicalism of the mid-1980s.

See I promised you I’d watch it!

In so many ways the slightly older, certainly more experienced and handsomely sophisticated Hawk is the love of his younger, at one time lover Tim’s life.  Nevertheless, what they have is not so much a messy, decades-long, on and off again affair, but an epic, non-traditional, boundary-crossing friendship that explodes far beyond the limitations of romance.

Again, it seems to sell their relationship short to call it a mere friendship but it also sells it even shorter to classify it as a long-term functionally dysfunctional tragic love story.  Instead, what they have is a messy, magnetic, invisible to the naked eye connection that seems to have no restrictions and yet far too many limits. 

It’s more than just this

In that way, Fellow Travelers succeeds not so much as a historical chronicle of gay history and the gay people that lived it (Note: Though it has its moments) but as the uncomfortable, deeply human representation of how much and how little two people can bring to each other despite, or because, of how much they feel.

This is in no small part due to the on-screen chemistry between out actors Matt Bomer (Hawk) and Jonathan Bailey (Tim).  No, you don’t have to be gay in real life to play gay men over these four key decades but, my gosh, it helps. This is especially the case when it comes to the frankly provocative and always quite truthful sex scenes.  Not to mention what is not said in the moments right before and right after.

Full confession:  I saw so much of my younger self in the naïve, trusting Tim and too much of the impossibly charismatic, seductive Hawk in any number of dear, long gone lovers, crushes and closely observed acquaintances.  This has made me mostly adore the characters, frequently hate their actions and yet allowed me to always deeply understand how they do so much that is right and just as much that is always and utterly just so hopelessly wrong. 

The show is definitely pulling me in

It’s a relationship that creates its own rules and then defies them.  So much more than friends, and yet, they sometimes don’t even seem to be that.  Certainly, they are not the equivalent of any long-term married or unmarried couple we’ve ever seen. 

But what they are to me, and I suspect many others, is a touchstone to every wrong move we’ve ever made, every right move that didn’t work out and every random act any of us ever took that provided an unexpected, perfect outcome we could never have anticipated.

In short, a couple that you can’t help but feel, in more ways than you can count.

Friends – Bette Midler