Who’s Naughty and Nice?

If the bar for presents from Santa Claus is who’s been naughty or nice why shouldn’t we also use it for all the fictional characters in our lives?   These days they seem far more alive than any number of real people we come across daily – especially those we see daily reports about on television.

Yes we, or perhaps only I, have gotten to the point where what’s out there on an hour-to-hour basis is more impossible to fathom than any extreme or even random action taken on any one of our favorite TV shows by any one of our favorite friends um, characters.

The best reason to be antisocial this season

The most overused expression of 2017 – aside from the world is ending – has to be “we live in The Golden Age of Television.” Nevertheless, we do. The choices feel infinite and, instead of what used to be 439 channels and still nothing to watch, we’ve now got so much we want to watch and so little time to do so.

Make of that last sentence what you will. And drink each time you ponder the part about time and little.

Certainly, it’d be a bit alarming to start buying actual gifts for your favorite friends characters. Or would it? I, for one, have a new bar for alarming and it’s neither nice or naughty. It’s scary.

Just call me Kenneth the Page

Which is not the case for the best of my fantasy buddies. They’re not only naughty AND nice, they never fail to disappoint me – especially in the toughest times – which in these days is every day.

THE LIST:

#5 – Hannah Baker (Thirteen Reasons Why) and Jack Pearson (This Is Us), played by Katherine Langford and Milo Ventimiglia

Just give me all the Kleenex now

Well, why NOT start with TWO DEAD PEOPLE? No, these are not spoilers. In the theme of reality IS fantasy these two characters are more alive to their friends and relatives in death than perhaps they ever were when they were actually living.

You can say both are naughty because they seemed to have ultimately caused their own deaths. For Hannah, it was a suicide. For Jack, well – the writers haven’t quite revealed it yet but the drinking and his repressed dark side are both pointing to a demise that was at least, in part, his own doing.

Which makes it all the more memorably heartbreaking to recognize that Jack and Hannah were/are both – so damn nice!

Jack Pearson is the fantasy Dad whose bon mots are timeless life lessons passed on to us, along with endless supplies of sensitivity and an eternally buoyant hairline. Oh, the hairline.

#HAIRENVY

Hannah Baker is girl that got away (literally), the girl who made you laugh, the girl who was the smartest and most infuriating in high school and the girl who you still wonder about decades later and would choose over almost any one else to have just one more final meeting with.

They both remind us that life is fleeting and every so often make us want to contact the estranged parent, friend or person we haven’t yet gotten the nerve to talk to before it’s too late. Which, in itself, is pretty damn nice, indeed.

#4 –  Dougie Jones/Agent Dale Cooper/Evil Doppelganger Cooper (Twin Peaks: The Return), played by Kyle Maclachlan

Hair is becoming a theme here

For those who didn’t tune in to this limited Showtime series to see what happened to Agent Cooper 25 years later, suffice it to say that these three people are indeed all part of one person.   No, you don’t want the explanation. Just accept it.

Dougie Jones walks and talks like a programmed robot (which he indeed may be) but all bets are off when he enables a “homeless” woman in Las Vegas to hit numerous jackpots on the slot machine and bring reams of his own winnings to his long suffering wife and kid – all while unwittingly bringing out the best of two dim-witted Mafia guys with his innate kindness.

Which doesn’t mean he’s incapable of choking a person who gets in his way. Though much of this is left to his Evil Doppelganger who shoots, bites, knives and brutally kicks his way through multiple murders. This version is the irresistible id of evil – someone we all revile because he’s the miniscule evil part of us we would never publicly admit we occasionally have to repress. Not that I just did.

Not me… all the time

As for Agent Cooper, what can you say about a guy who has barely aged a day in a quarter of a century? You admit he’s one of your faves, meet him for pie and coffee and find out his secrets – many of which are still to be revealed.   A 2042 sequel?   We’ll see. On second thought, maybe one of you will.

#3 –  Offred/June Osborne (The Handmaid’s Tale), played by Elisabeth Moss

Peggy Olson sure has changed #jonhammwhereareyou

No one expressed the naughtiness of our current reality and dystopic alternative reality than Offred. It feels reductionist to say the most famous handmaid on any plane was the precursor to the #MeToo movement and impossible to believe that she became the poster child for all of our worst fears about America in the Age of T—P.

Before Offred was an enslaved, raped and tortured handmaid she was the fun-loving, feisty and sweet June Osborne – just a gal making her way in a big city where she worked, fell in love and lived a life. It wouldn’t seem imaginable that her past could serve as prologue to her future but that’s the point – both we and June are often too busy and not observant enough to pick up the signs.

This is where Offred takes over and shows us there are times when naughty is the essential survival skill and nice is a but a mere luxury – some would say relic – of the past. If that seems applicable to the way we live now, well perhaps it is. Or soon will be.

#2 – Dustin Henderson (Stranger Things 2), played by Gaten Matarazzo

CODE RED

Twelve year-old Dustin has a lisp, unruly hair, mad crushes on two teenage girls who will prove unattainable and a look that will forever read best friend rather than star anything.

But Dustin also subverts every stereotype as we watch him not only tame his hair but prove time and time again he is the smartest, funniest and overall most charming in the room – or in town.

don’t forget that Farrah Fawcett hair product #thankssteve

This is not to say he is without his faults. Hiding a slimy and mysteriously growing little creature in your home and allowing it to eat everything you can find, including your (NO SPOILERS HERE but you can imagine) wasn’t the best of ideas. Nor is his unwavering loyalty to the bonds of childhood friendships. Or is it?

The latter is a question we all ask and re-ask ourselves through the decades, which is why every victory this kid has and each mistake he makes feels impossibly awful and improbably life-affirming.

Dustin manages to be a piece of the young us we will always be on the inside.   That he not only brings back those awkward times but makes us simultaneously long for them and embrace him, is the ultimate achievement of both the character AND the young actor who so effortlessly embodies him. And us.

#1 – Miriam (Midge) Maisel (The Marvelous Mrs. Maisel), played by Rachel Bronsnahan

Bring it, Midge!

What we all needed in 2017 and will need in the future is funny and MIDGE IS, most of all, FUNNY. Funny, funny, funny, funny. How ironic is it, then, that she exists in 1958, 1959 and 1960?

Amazon’s The Marvelous Mrs. Maisel is a relatively new streaming series that many of you have not yet sampled but will surely do so as it gains awards and attracts critical attention, steam and an expanded audience in the near future.   This is because it is indeed FUNNY. Funny, funny, funny, funny.

Midge is an unlikely mainstream star in her time – a young, Jewish housewife/daughter/mother on the upper west side of New York who is much too smart and too witty for her own good, at least in the decade in which she lives, yet just creative enough to make it work for herself in the most unlikely of professionals – stand up comedy. Or so one hopes.

SLAY

If you’ve ever wondered if you’d have been better off being born in another decade or place (and which of us haven’t this year), Midge gives you hope. She’s the ultimate problem solver for herself and everyone else – that is until it all falls apart and she has to rethink everything and everyone she once knew for sure.

She fails, gets lucky, fails again, opens her mouth when anyone in their right mind would hold back, gets lucky once more, stumbles – and through timing and fate keeps talking back – until she begins to finally get heard. Only to lose a little more ground once more after a big gain.

Midge gets shoved onstage, performs drunk and/or stoned, bombs big time and occasionally slays – in a small club in Greenwich Village, N.Y. with sticky seats where the men tell jokes and the women sit there and laugh.   It’s hilarious watching her discover what those close to her have always known but never ever told her – that she’s the best joke teller in the room.   But it’s even better when she begins to discover what pretty much everyone else in the world knows: she too is an artist – though not quite the kind she had thought or even ever hoped for.

That Girl

I have a close female friend in my life I’ve always called a can-do gal to her face and have always made sure she knew it was the highest of compliments. That is because this is a person who, despite everything, always manages to make it happen and always does so with humor. She has fun.   Not only that, when you’re with her you get to have fun. And at least feel like you’re accomplishing something.

Midge is this kind of person. You can’t help but want to hang out with her, hoping that some of that can-do joy will eventually rub off. Not to mention, she’s…well, you know.

That’s why these days she’s my #1. Fictionally, at least.

Fred Astaire – “Santa Claus is Comin’ to Town”

Notes from the Emmys

Unlike the presidency, the Emmys go to the winner of the popular vote, joked host Stephen Colbert in his opening monologue.

That was pretty funny with just the right patina of tragedy – which, of course, is exactly what comedy should be.

Still, I much preferred the cold open musical number where he joined a bunch of handmaids in long, unflattering robes and white bonnets, dancing their way onto the stage and an audience of industry stars, only to then whip off their garments and turn into the Radio City Rockettes right before our eyes – still wearing their bonnets, of course.

How am I just noticing that some of the Handmaids are Handmen?? #stillfunny

It occurred to me that if Trump had his druthers he just might like certain Rockettes to be wearing those bonnets at a Christmas show in the White House – as he sexually harassed them and more – since this could hide some of the faces that displeased him. Sure, they all might be #UnderHisEye, but it is He that always gets to choose exactly what he sees – and how much.

Okay, I digress. Or do I?

When TV and real life come crashing together. It’s already happening.

For as Colbert wisely stated, Donald Trump is indeed the biggest television star in the world right now and who could argue with that?   On one hand, that gives him the ultimate TV Q – a worldwide face known by everyone. On the other, it makes him the ultimate target of each and every one of us. So let’s just say what pleased me most about Sunday night’s ceremonies were the numerous bullseyes scored right into the center of his, um…Q.

Donald Glover won two Emmys for starring in and directing his FX comedy series Atlanta (the first Black director to do so in this category) and only semi-satirically thanked Trump for making Black people #1 on the most oppressed list. This was not only a poison dart of a joke but a not so subtle acknowledgement that were we not actually living the lopsided reality of Trumpmania he (Glover) would likely not have won at all.

Bonus points for looking so good while doing it #purplesuitALLDAY

Of course, we’ll never know. Though one would like to think our Electoral POTUS could at least bring some smidgen of good to the world.   Though – well… maybe not.

One thing IS for certain — the vast majority of the best series Emmys went to shows that directly, or quite unsubtly and purposefully, dealt with what our Electoral POTUS has wrought on the country.

The best dramatic series – Hulu’s Handmaid’s Taleis the futuristic yet seemingly barely exaggerated stasis of life in America under a Trump-like extreme right wing of religious crazies.

… and Offred went GOLDEN #LizzieMoss #YASSS

The best comedy series – HBO’s Veep paints a barely exaggerated picture of what it’s like in the Oval office, for women in politics and for the rest of us who are left to follow along either helplessly in lock step or just plain confused.

The best variety sketch series – NBC’s Saturday Night Livewas the ultimate pop culture touchstone of all things Trump-related, be it arch nemesis Hillary/Kate Mckinnon’s win as supporting actress; Melissa McCarthy’s guest comedy actress win for playing now former press secretary Sean “Spicey” Spicer; or Alec Baldwin’s win as best supporting actor for playing, well…you know.

Making TV Great Again

The best variety/talk show – HBO’s Last Week Tonight with John Oliver – spent most of its half hours in total intellectual outrage chronicling the many blatant lies told by Electoral POTUS with solid research to disprove them. Too bad most of his voters and he himself will never see and process the evidence. (Note: Still, Trump did once tweet that host and fellow nominee Colbert was a no talent guy during the eligibility period so one supposes that’s something).

Also kudos to John Oliver for bringing this into our lives #Drumpf4ever

This says nothing of all the other winners and their Trump-related themes. The oppression of one woman – and by proxy a group of women – by a very tall powerful white man in best limited series Big Little Lies; the dystopian world in best television movie Black Mirror, whose Emmy winning creator admitted has been likened to one long never-ending look at 2017 madness; not to mention the many awards to the largest group of non-white and sometimes non-heterosexual men and women the Emmys has EVER seen. (Note: Including Lena Waithe, the first Black woman EVER to win a comedy series writing award).

Move over Donald Glover, THIS is a THE emmy suit! #GoLena

That is not to say each and every one of the above didn’t earn the accolades. Only to acknowledge that awards have mostly to do with the intersection of talent, timing and luck and nothing makes the #resistance happier than to finally be feeling #woke enough to acknowledge all those who somehow managed to slip though the cracks in a pre-Trumpian world forcefully pried our eyes permanently (well hopefully) wide open.

And yes – California and we here in Los Angeles (the capital of show business awards giving) are at the heart of the #resistance. Though I, for one, don’t think of myself as #elite. There is nothing #elite about any of this because we non-Trump voters are now a mere minority power in national governance despite actually being in the #majority.

… and I have a lot of shoes

So how is it that we’re leading a mere #resistance? Well, ask any woman who has ever wondered why, if they handily outnumber the men in populace, it has been for centuries that mostly men are in power.

As they say in Facebook statuses (and probably by more than a few Russian bots): It’s complicated.

The Chair’s Worst Emmy Moment: Colbert joking with the real former Trump press secretary Sean Spicer, who rode out in a fake podium spouting more untruths we’re now somehow supposed to laugh at while simultaneously normalizing him. #NeverForget

Yeah… I’m not sure about this Sean. #gohome #goaway

The Chair’s Best Emmy Joke: Colbert’s quip that Donald Trump is Walter Much Whiter – in a nod to Breaking Bad’s crazed and tragically iconic lead Walter White.

Now that was not only funny, with a patina of tragedy, but very appropriate. After all, the fictional Walter White’s most memorable line – delivered in equal tones of indignation and outrage at not being listened to and adored– was:

I am not in danger. I AM the danger.  A guy opens his door and gets shot and you think that of me? No. I am the one who knocks!

Lesley Gore – “You Don’t Own Me” (from “Offred (Pilot)”)