This week, The Chair finds himself off recruiting young minds for the resistance (what else?). But fear not! Pop culture criticism must go on!
In a fascinating example of film reconsideration, Molly Ringwald (in a piece for the New Yorker) revisited her classic film The Breakfast Club — a film that just recently entered the highly sought after Criterion Collection shelf space (like I didn’t already order my copy? please). Her reassessment of the film in light of the #MeToo and Time’s Up movement makes for a provocative piece. With the Chair’s blessing… here’s a critical read that does not feature a porn star or a President (can I get an Amen?!):