Auntie Emmy

Why is it the Emmy Awards telecast feels like something only your old auntie would watch in real time so she can root for her shows?

  1. Because it is?
  2. Because there is too much TV to have a favorite show if you’re under 90?
  3. Because there are too many award shows and none of them carry much weight?
  4. Because who wants to watch anything except the slow disintegration of the country?

Notice there is no all of the above choice.

At 70 years of age Auntie Emmy is a bit quaint.   She’s sort of the equivalent of a pop culture painting of Elvis on a velveteen blanket or arriving with a box of Fannie Mae chocolates for the beau you’re taking to the church social.

nuff said

Of course, the Chair has never been to a church social, purchased a box of Fannie Mae anything or really knows if there is such a thing as a velveteen blanket, much less one with Elvis painted on it.

Still, it sounds right, doesn’t it?  Something that used to be frivolous, fun and fiercely IMPORTANT now feels almost dull, superficial and, well…unpatriotic to spend any spare time on.

Except….

We Are Americans.

The only thing we love more than competition is…

TELEVISION!!!!!!

Lest we forget COMPETITION TELEVISION #ChoppedAllDay

So who am I/we kidding? We’ll be watching, tweeting, DVRing, reading, dishing and paying some sort of mind – even if it means going out of our way to proclaim both the show AND awards never entered our minds.

This became apparent to me about 10 years ago when I ran into a show biz guy I knew who had just been nominated for an Emmy at a trendy brunch spot that morning and, upon congratulating him, he synthetically replied:

Oh really, were those today? 

Well, yes, that’s why you are in the trendiest show business watering spot in town, you fake, I replied knowingly.

Okay, of course I didn’t.  I mean, I was there too.

Still, those were the days when Emmy was not an auntie and we were both A LOT younger so what does it matter?  He is no doubt still denying he cares as he grudgingly watches, along with the rest of us, silently cheering, or perhaps audibly jeering, for or against his shows.

Which is why every year from now until the end of our republic we will feature:

THE CHAIR’S EMMY CHEAT SHEET:

DRAMA SERIES

Nice try but I will NOT shut up about this show #BlessedBetheFruit

The Handmaid’s Tale
Game of Thrones
This Is Us
The Crown
The Americans
Stranger Things
Westworld

Sadly, there is nothing more timely than The Handmaid’s Tale.  Don’t say you know, but it’s too depressing to watch.  You owe it to your country to be forewarned.  Or at least keep up with current events by way of Gilead.

Yes, all of the aforementioned nominees have their merits, and yes The Americans is all wrapped up and sure Game of Thrones has won twice before and wasn’t up last year when The Handmaid’s Tale won the first time.  So what? Stranger Things and Westworld are audience favorites too and yes, This Is Us could sneak in because it’s the one network show critics, industryites and audiences all love.  But we’re going with the Zeitgeist.

LEAD ACTOR DRAMA

SO. MUCH. PLAID.

Jason Bateman, Ozark
Sterling K. Brown, This Is Us
Ed Harris, Westworld
Matthew Rhys, The Americans
Milo Ventimiglia, This Is Us

Jeffrey Wright, Westworld

Trusting our gut here.  The season long tease of Jack’s death on This Is Us gave Milo Ventimiglia all season to be the 70s Dad, man, hottie (NOTE:  NOT all three at once, step back) of our dreams.  Prognosticators don’t give him a chance but sometimes ya get a feelin’.

LEAD ACTRESS DRAMA

Dare I say… SLAY!

Claire Foy, The Crown
Tatiana Maslany, Orphan Black
Elisabeth Moss, The Handmaid’s Tale
Sandra Oh, Killing Eve
Keri Russell, The Americans
Evan Rachel Wood, Westworld

You’re gonna bet against OfFred?  Really?  No, really?  We didn’t think so.  And if one more person tells you Keri Russell gave the performance of the decade or that Sandra Oh’s win will make history ask them if their characters could endure sub freezing temperatures in the suburban wilderness nine months pregnant and then give birth by themselves in the middle of  drafty house with only the fireplace to light their way.  Please.

SUPPORTING ACTOR DRAMA

Wait.. I thought only Harry rocked the beard! #JusticeforHarry

Nikolaj Coster-Waldau, Game of Thrones
Peter Dinklage, Game of Thrones
Joseph Fiennes, The Handmaid’s Tale
David Harbour, Stranger Things
Mandy Patinkin, Homeland
Matt Smith, The Crown

Tough category and all of these actors deserve the honor.  But in any other year The Crown could win best series and best actress.  So it’s Matt Smith here – an actor who somehow managed to make a younger Prince Phillip sympathetic and sort of sexy while not shying away from him also being a lying, priggish philanderer and full on abusive father.  That alone is award-worthy.

SUPPORTING ACTRESS DRAMA

Let’s hope this Serena isn’t robbed. #stillnotoverUSOpen

Alexis Bledel, The Handmaid’s Tale
Millie Bobby Brown, Stranger Things
Ann Dowd, The Handmaid’s Tale
Lena Headey, Game of Thrones
Vanessa Kirby, The Crown
Thandie Newton, Westworld
Yvonne Strahovski, The Handmaid’s Tale

One of the only sure thing categories.  I myself find Serena the most heinous character on television so it’s amazing to see an actress who is actually able to make us believe she’s human.  Don’t know what that means because you haven’t watched the show?   Then WATCH IT!!!

COMEDY SERIES

Emmy’s Darling

Atlanta
Barry
Black-ish
Curb Your Enthusiasm
GLOW
The Marvelous Mrs. Maisel
Silicon Valley
Unbreakable Kimmy Schmidt

There has never been a pilot episode of a television series less likely to break through as both an audience and critics TV favorite as much as The Marvelous Mrs. Maisel.  As I said to my sister, who first turned me on to the show:  This is the most Jewish thing I’ve ever seen, I can’t believe anyone but us and our family is watching it!!

It will be a close race with the depth of storytelling in Atlanta and the sheer originality of Barry but count on Mrs. Maisel for bringing us an escape from reality by way of late 1950s Greenwich Village.

LEAD ACTOR COMEDY

Make more room on the shelf Donny! #thatsuittho

Anthony Anderson, Black-ish
Ted Danson, The Good Place
Larry David, Curb Your Enthusiasm
Donald Glover, Atlanta
Bill Hader, Barry
William H. Macy, Shameless

Donald Glover will deservedly and rightly win.  Everyone else in the category is good but he’s doing something different and real here we haven’t seen before – and doing it consistently in between his tasks as its creator and sometime writer.

LEAD ACTRESS COMEDY

Oh don’t worry Midge, we’ll be there. #Catskills #Season2

Pamela Adlon, Better Things
Rachel Brosnahan, The Marvelous Mrs. Maisel
Allison Janney, Mom
Issa Rae, Insecure
Tracee Ellis Ross, Black-ish
Lily Tomlin, Grace and Frankie

The other sure thing category.  It’s Midge in a w.a.l.k.  And when you watch Rachel Brosnahan being interviewed and see how far she is in real life from the character she portrays, well….it’s Midge in a w.a.l.k.

SUPPORTING ACTOR COMEDY

No shark this time

Louie Anderson, Baskets
Alec Baldwin, Saturday Night Live
Tituss Burgess, Unbreakable Kimmy Schmidt
Brian Tyree Henry, Atlanta
Tony Shalhoub, The Marvelous Mrs. Maisel
Kenan Thompson, Saturday Night Live
Henry Winkler, Barry

Henry Winkler was first nominated for an Emmy 42 YEARS AGO and has never won.  Five nominations and – bupkus.  This guy was THE FONZ!  Plus, his work as a deluded yet somehow effective acting teacher on Barry is heartfelt, fresh and more than deserving.  Not to mention, in real life he’s the nicest man.  Don’t mean to name drop but…..

SUPPORTING ACTRESS COMEDY

Never better #notalternativefacts

Zazie Beetz, Atlanta
Alex Borstein, The Marvelous Mrs. Maisel
Aidy Bryant, Saturday Night Live
Betty Gilpin, GLOW
Leslie Jones, Saturday Night Live
Kate McKinnon, Saturday Night Live
Laurie Metcalf, Roseanne
Megan Mullally, Will & Grace

A REALLY tough call.  Alex Borstein should win for being laugh out loud hilarious as Mrs. Maisel’s snide, baked beans eating manager and Megan Mullally has made Karen Walker one of the most popular female supporting characters in the history of TV.  Still, in the 24/7 world of politics Kate McKinnon playing the clown from It as Kellyanne Conway is so frighteningly…something that it trumps all else.

LIMITED SERIES

Welcome to Miami

The Alienist
The Assassination of Gianni Versace: American Crime Story
Genius: Picasso
Godless
Patrick Melrose

There was something so revolting and alluring about the Assassination of Gianni Versace that it’s hard to imagination it not taking the honors here.  It felt doubtful that this lurid tale warranted an American Crime Story show at all until we watched it use the tale of a twisted killer of one of fashion’s legends as a way to tell  an American tale of class and sexual repression at the turn of this past century.

LEAD ACTOR LIMITED SERIES/MOVIE

Werkin that serial killer lighting like a pro.

Antonio Banderas, Genius: Picasso
Darren Criss, The Assassination of Gianni Versace: American Crime Story
Benedict Cumberbatch, Patrick Melrose
Jeff Daniels, The Looming Tower
John Legend, Jesus Christ Superstar Live in Concert
Jesse Plemons, U.S.S. Callister (Black Mirror)

Darren Criss played Andrew Cunanan as the boyish serial killer next door and against all odds it worked.  Criss never fell into psycho cliché or gave us outsider gay sociopath 101, which made his presence all the more disturbing and riveting.  It was hard to turn away even though, honestly, there were spots where you had to turn away.  Perhaps he was too much of an awful thing for some voters, which could shift the trophy to the equally good Benedict Cumberbatch – but probably not.

LEAD ACTRESS LIMITED SERIES/MOVIE

OK fine, this is Dern in Pretty Little Lies but like… Renata forever.

Jessica Biel, The Sinner
Laura Dern, The Tale
Michelle Dockery, Godless
Edie Falco, Law & Order True Crime: The Menendez Murders
Regina King, Seven Seconds
Sarah Paulson, American Horror Story: Cult

An odd category this year with no true standout.  Still, in the #MeToo era Laura Dern deserves the credit for a smart portrayal of a difficult character – a woman who must delve back into her past in order to save herself in the present.  She made the transitions between the adult self and the other actresses who played the younger versions of her character seamless, which elevated the material far beyond where it could have landed.

SUPPORTING ACTOR LIMITED SERIES/MOVIE

I mean.. OK sure.

Jeff Daniels, Godless
Brandon Victor Dixon, Jesus Christ Superstar Live in Concert
John Leguizamo, Waco
Ricky Martin, The Assassination of Gianni Versace: American Crime Story
Edgar Ramírez, The Assassination of Gianni Versace: American Crime Story
Michael Stuhlbarg, The Looming Tower
Finn Wittrock, The Assassination of Gianni Versace: American Crime Story

Not going to lie.  This is a guess based on prognosticators.  But EVERYONE agrees it’s Jeff Daniels and the more you read his reviews the more you will also agree.

SUPPORTING ACTRESS LIMITED SERIES/MOVIE

But also kudos to hair and makeup because this is late 90s perfection.

Sara Bareilles, Jesus Christ Superstar Live in Concert
Penélope Cruz, The Assassination of Gianni Versace: American Crime Story
Judith Light, The Assassination of Gianni Versace: American Crime Story
Adina Porter, American Horror Story: Cult
Merritt Wever, Godless
Letitia Wright, Black Museum (Black Mirror)

The majority of critics believe it’s going to be Penelope Cruz but I could only understand half of the words she said through all the episodes and that’s being generous.  Besides, there is only one Donatella Versace and that’s Maya Rudolph.  Heck, they even once shared the stage in matching evening gowns at the VH1 Fashion Awards.

However, Judith Light brought a new level of denial as the successful and privileged businesswoman wife of a closeted gay man.  It was a strange yet real type of character we don’t see much on television and she could easily get the Emmy for it if it doesn’t go to Merritt Wever or Lettia Wright.  Meaning, we’re not sure but we’re going with Judy.

VARIETY TALK SERIES

We seriously cannot forget about Marlon Bundo. #thebest

The Daily Show with Trevor Noah
Full Frontal with Samantha Bee
Jimmy Kimmel Live!
Last Week Tonight with John Oliver
The Late Late Show with James Corden
The Late Show with Stephen Colbert

Every single show is worthy.  It really depends on what their producers submitted.  But Last Week with John Oliver feels like the gold standard here and the rightful successor to Jon Stewart’s Daily Show, especially after his win last year.  Though what do we know, we and everyone else we know voted for #HILLARY.

VARIETY SKETCH SERIES

This happened!

At Home with Amy Sedaris
Drunk History
I Love You, America with Sarah Silverman
Portlandia
Saturday Night Live
Tracey Ullman’s Show

Until Trump gets impeached it’s Saturday Night Live.  Never has there been a more perfect match of time, material and talent (Note: The White House being the exception).  Though it’s safe to assume SNL would gladly make a deal to give up the honor if they could get him out.  ……Wouldn’t they??

REALITY COMPETITION SERIES

DVR IS SET

The Amazing Race
American Ninja Warrior
Project Runway
RuPaul’s Drag Race
Top Chef
The Voice

The awards are on a MONDAY night this year and desperately needs some sashay. Besides, I’ve watched every season of The Voice and this last one sucked.  Gurrrrl…

Sissy That Walk – RuPaul

 

Stay tuned for the Chair’s recap of the Emmys! Follow along during the show using #NotesfromtheEmmys … hopefully it will be MARVELOUS (like I could resist).

 

Notes from the Emmys

Unlike the presidency, the Emmys go to the winner of the popular vote, joked host Stephen Colbert in his opening monologue.

That was pretty funny with just the right patina of tragedy – which, of course, is exactly what comedy should be.

Still, I much preferred the cold open musical number where he joined a bunch of handmaids in long, unflattering robes and white bonnets, dancing their way onto the stage and an audience of industry stars, only to then whip off their garments and turn into the Radio City Rockettes right before our eyes – still wearing their bonnets, of course.

How am I just noticing that some of the Handmaids are Handmen?? #stillfunny

It occurred to me that if Trump had his druthers he just might like certain Rockettes to be wearing those bonnets at a Christmas show in the White House – as he sexually harassed them and more – since this could hide some of the faces that displeased him. Sure, they all might be #UnderHisEye, but it is He that always gets to choose exactly what he sees – and how much.

Okay, I digress. Or do I?

When TV and real life come crashing together. It’s already happening.

For as Colbert wisely stated, Donald Trump is indeed the biggest television star in the world right now and who could argue with that?   On one hand, that gives him the ultimate TV Q – a worldwide face known by everyone. On the other, it makes him the ultimate target of each and every one of us. So let’s just say what pleased me most about Sunday night’s ceremonies were the numerous bullseyes scored right into the center of his, um…Q.

Donald Glover won two Emmys for starring in and directing his FX comedy series Atlanta (the first Black director to do so in this category) and only semi-satirically thanked Trump for making Black people #1 on the most oppressed list. This was not only a poison dart of a joke but a not so subtle acknowledgement that were we not actually living the lopsided reality of Trumpmania he (Glover) would likely not have won at all.

Bonus points for looking so good while doing it #purplesuitALLDAY

Of course, we’ll never know. Though one would like to think our Electoral POTUS could at least bring some smidgen of good to the world.   Though – well… maybe not.

One thing IS for certain — the vast majority of the best series Emmys went to shows that directly, or quite unsubtly and purposefully, dealt with what our Electoral POTUS has wrought on the country.

The best dramatic series – Hulu’s Handmaid’s Taleis the futuristic yet seemingly barely exaggerated stasis of life in America under a Trump-like extreme right wing of religious crazies.

… and Offred went GOLDEN #LizzieMoss #YASSS

The best comedy series – HBO’s Veep paints a barely exaggerated picture of what it’s like in the Oval office, for women in politics and for the rest of us who are left to follow along either helplessly in lock step or just plain confused.

The best variety sketch series – NBC’s Saturday Night Livewas the ultimate pop culture touchstone of all things Trump-related, be it arch nemesis Hillary/Kate Mckinnon’s win as supporting actress; Melissa McCarthy’s guest comedy actress win for playing now former press secretary Sean “Spicey” Spicer; or Alec Baldwin’s win as best supporting actor for playing, well…you know.

Making TV Great Again

The best variety/talk show – HBO’s Last Week Tonight with John Oliver – spent most of its half hours in total intellectual outrage chronicling the many blatant lies told by Electoral POTUS with solid research to disprove them. Too bad most of his voters and he himself will never see and process the evidence. (Note: Still, Trump did once tweet that host and fellow nominee Colbert was a no talent guy during the eligibility period so one supposes that’s something).

Also kudos to John Oliver for bringing this into our lives #Drumpf4ever

This says nothing of all the other winners and their Trump-related themes. The oppression of one woman – and by proxy a group of women – by a very tall powerful white man in best limited series Big Little Lies; the dystopian world in best television movie Black Mirror, whose Emmy winning creator admitted has been likened to one long never-ending look at 2017 madness; not to mention the many awards to the largest group of non-white and sometimes non-heterosexual men and women the Emmys has EVER seen. (Note: Including Lena Waithe, the first Black woman EVER to win a comedy series writing award).

Move over Donald Glover, THIS is a THE emmy suit! #GoLena

That is not to say each and every one of the above didn’t earn the accolades. Only to acknowledge that awards have mostly to do with the intersection of talent, timing and luck and nothing makes the #resistance happier than to finally be feeling #woke enough to acknowledge all those who somehow managed to slip though the cracks in a pre-Trumpian world forcefully pried our eyes permanently (well hopefully) wide open.

And yes – California and we here in Los Angeles (the capital of show business awards giving) are at the heart of the #resistance. Though I, for one, don’t think of myself as #elite. There is nothing #elite about any of this because we non-Trump voters are now a mere minority power in national governance despite actually being in the #majority.

… and I have a lot of shoes

So how is it that we’re leading a mere #resistance? Well, ask any woman who has ever wondered why, if they handily outnumber the men in populace, it has been for centuries that mostly men are in power.

As they say in Facebook statuses (and probably by more than a few Russian bots): It’s complicated.

The Chair’s Worst Emmy Moment: Colbert joking with the real former Trump press secretary Sean Spicer, who rode out in a fake podium spouting more untruths we’re now somehow supposed to laugh at while simultaneously normalizing him. #NeverForget

Yeah… I’m not sure about this Sean. #gohome #goaway

The Chair’s Best Emmy Joke: Colbert’s quip that Donald Trump is Walter Much Whiter – in a nod to Breaking Bad’s crazed and tragically iconic lead Walter White.

Now that was not only funny, with a patina of tragedy, but very appropriate. After all, the fictional Walter White’s most memorable line – delivered in equal tones of indignation and outrage at not being listened to and adored– was:

I am not in danger. I AM the danger.  A guy opens his door and gets shot and you think that of me? No. I am the one who knocks!

Lesley Gore – “You Don’t Own Me” (from “Offred (Pilot)”)