A Rainbow of Emotions

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In a moment where the nation reels in our own yin and yang versions of pain and pleasure – from the continued assassination of innocent Black people by White racists or the passage of marriage equality by the Supreme Court that ensures LGBT people can now legally tie the knot in all 50 states – it seems reductive to compare life to a Pixar movie. Yet it feels like no karmic coincidence that Disney has just released Inside Out – one of its most thoughtfully psychological animated films ever – not to mention one that in particular deals with how our upbeat innermost emotions must always co-exist with the ever present darker feelings not so way down deep in our soul.

Of course, none of us have the vivacious voice of Amy Poehler to personify our Joy (Note: Perhaps not even Amy herself) nor do we have the gleeful rantings of Lewis Black to substitute for our own virulent misdirected Anger at the world. Or even the pathetically depressing tones of Phyllis Smith, a former assistant casting director who we know as the frumpy, humdrum, monotone-voiced Phyllis on The Office, to so brilliantly express our own inner Sadness.

Lest we forget Mindy Kaling as Disgust and Bill Hader as Fear

Lest we forget Mindy Kaling as Disgust and Bill Hader as Fear

What we do have is real life – which is never as entertaining as the best or even very good Pixar movie. But it can be if we think about it just a little more than we indulge in our own pity or happiness parties (depending on our moods) without a thought to the karmic realities that comprise what we like to refer to as the rest of the/our worlds.

Full confession – I’m more guilty than most of not following the strategies I’m putting forth here for Living Your Best Life (Note: Trademark Oprah).

Say what now?

Say what now?

Not to be a giant buzz kill but on the day SCOTUS ruled on marriage equality most of what I thought about were gay friends who contributed to the struggle but didn’t live to see this day. This was due, in no small part, to the double whammy of the ruling coinciding with the nationally televised funeral for Clementa Pinckney, the senior pastor of Mother Emanuel Church in Charleston who was one of the nine assassinated last week by a 21 year-old White supremacist after the latter had spent the previous hour in a Bible study class praying with them in their own aforementioned house of worship.

Pres. Obama eulogized Pastor Pinckney, also a state senator representing Charleston, and led the mourners in his own very compelling acapella version of “Amazing Grace” – certainly a first in POTUS history. Previously he and others have talked about the idea of reaching a state of grace and spreading that out into the world to others. Presumably this includes the forgiveness of those who have done a person wrong and nowhere were those teachings more apparent than from the mouths of the next of kin of the recently slain who only days before faced the accused murderer of their loved ones. Without exception they all forgave him to his face, or at least chose not to dwell in the bile he had elicited by looking backwards at the loss of all their relative or forward to all the blessings that would never be in the future.

This idea of grace, the ongoing struggle, the bright future – no matter what has happened to you and where it lands on the fairness scale – it’s a wonderful and noble thought, one that is an undeniably positive and useful goal. But full confession: It works for me only some of the time, and even then barely. Part of my personal fight is also fueled by anger and the quest for fairness – the idea that one is not roused to action until one – okay, me – is more personally impacted by the issue at hand.

This was a reason to think about all of the dead of the LGBT community, most especially the thousands from the AIDS epidemic, when marriage equality was announced. For, and this is my own personal belief, the movement would not have gained the steam that it had if not, in great part, due to the AIDS epidemic. Certainly, it wasn’t the only motor but just as certainly it clearly sped things up.

What would Vito think of today?

What would Vito think of today?

To be clear: we would all trade marriage equality in a nanosecond if we could wipe away the Plague and bring back those that fell – meaning died – in its wake. Clearly, we can’t. But what we also can’t do is to deny that the fact that this awful pandemic forced gay people to make themselves publicly known, many times against our own will or perhaps choice, and this inadvertently contributed greatly to forcing people to know us – the real us – rather than the sanitized version groups usually choose to present (or not present) to society at large. And that – along with a lot of grass roots work – is primarily what accelerated change and led us to where we are today.

Justice Ruth Bader Ginsburg – or Aunt Ruth as I like to call her – said as much in an interview last week – and I immediately surmised, in a moment of total self-indulgence, that these thoughts must ‘run in the family.’ Though I (and perhaps she) have been thinking this for years it’s hardly an original idea. I heard the filmmaker/novelist Clive Barker say pretty much the same thing about gay rights five or 10 years ago on Bill Maher’s Real Time (or perhaps it was Politically Incorrect – who can remember which fabulous liberal spewfest it was) – and clearly he is no relative of mine. The hair, the body, the horror – not a Ginsberg in his gene pool, let’s be honest.

Not a Ginsberg (but he's welcome anytime)

Not a Ginsberg (but he’s welcome anytime)

Still, that doesn’t mean it isn’t clear that brother Clive (who has been out and proud for years), Aunt Ruth, myself and perhaps many of you don’t share something. And that is the recognition that the world is very much about the good and the bad each informing the other – the yin and the yang. That just as it seems one’s world is going to end, and perhaps in some ways it does, it is simultaneously the birth of something else.

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‘nough said

One supposes this is just our mutual human condition – one of many aspects of humanness we have in common, though so often we don’t want that to be the case. Still, it’s important to remember when the next big civil rights issue arises – that civil rights of all kinds for all people are intertwined. Charleston, Stonewall, Israel, Iraq, and ad infinitum back and forth through time. How often one writes about this (or performs it or films it) and how even more frequently the message is ignored, the world goes on and we continue with our days as if it’s all new to us or, even worse, in that particular case it doesn’t really apply. Bitchy, twitchy, witchy, kitschy and all else in between.

It’s important to recall our collective history and our mass behavior when one is feeling down – or perhaps even too hopeful. Not in so much a fatalistic, sad way but an inevitably accepting, understanding and eventually life-affirming way. Dark and light, light and dark, dark and light – neither of them lasts – certainly not forever – nor would you probably want either of them to on their own. If you really think about it. The folks at Pixar obviously thought about it for the six years it took to bring Inside Out to the screen and simplified it so even a CHAIR could make sense of it and use it to understand the current events of the day.

Go figure.

Still Crazy After All These Years

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Don’t forget to revisit the Chair’s interview with SNL expert Stephen Tropiano here… and then read on.

Watching the Saturday Night Live 40th Anniversary Special was very much like attending a fun family reunion with home movies from the past that you get to revisit once more along with all the cool aunts, uncles and grandparents you haven’t seen in years. A great television show can be like that – spending time with the fantasy clan you once were and will always be a part of – the one that, when you get together, you always want to hang out with just a bit longer.

When it’s a series that is a rarity like SNL – one that is celebrating a four-decade long run and is still somehow going strong, well, just multiply everyone’s feelings – both good and perhaps bad – and you get a sense of what the reaction will probably be from various quarters. In the end it is not unlike the feelings one’s own family engenders.

So happy together

So happy together

I can only say that for me the show was a wonderful mix of past and present served up with a lot of care and class with most of the people who made the show what it was returning one more time. It also occurred to me that one’s enjoyment of the event could perhaps be somewhat commensurate with one’s age. Like viewing a 16mm film with scenes from your parents’ honeymoon or your great Uncle Sol’s bar-mitzvah – a time when you were not even a thought or a twinkle in their eye – it would be entirely possible that some of the moments those of us over 40 thought were great could likely have fallen flat for you.

Though I may find that hard to believe

Though I may find that hard to believe

On the other hand, that might be selling the younger generation short – something Saturday Night Live has never done. Part of the magic of the series is that it reinvents itself with a younger and younger cast that turns almost totally over every five to ten years. In that way, the show and the special did and do have something for everyone. And you can’t say that for many things these days.

Sure, I loved Justin Timberlake and Jimmy Fallon doing the opening musical bit with SNL catchphrases. Pretty funny. But not as funny for me as seeing Steve Martin “hosting” once more and making fun of himself and the general “whiteness” of the show for so many years. Then when Paul Simon and Paul McCartney came out and sang 30 seconds of I’ve just Seen A Face, well…they had me at Paul and Paul.

http://www.hulu.com/watch/751646

Except then there were moments like Dan Aykroyd, one of the original Not Ready For Prime Time Players (Note: As if!) reprising his famous Bass-O-Matic sketch, complete with blender, dead fish and the flick of a switch. Which was followed by a killer Celebrity Jeopardy! where I got to see Darrell Hammond’s version of a sexist Sean Connery pick the category of Le Tits Now instead of Let It Snow. See, you had to be there…oh, never mind.

If you’ve ever been to Los Angeles or have even resisted coming to the west coast because you hate all of us pinko commies who live here then you probably LOVED The Californians sketch, complete with guest appearances by Bradley Cooper, Taylor Swift and Betty White.   And I won’t even talk about the power trio of Jane Curtin, Tina Fey and Amy Poehler doing the news. Well, I will because Jane Curtin had one of the funniest bits of the night.

Jane: Times have changed since I first sat behind this desk.  For example, I used to be the only pretty Blonde woman reading the fake news. Now there is a whole network devoted to that.

Cue Logo of Fox News with the image of one of its many interchangeable bottle Blondes.

Touche Jane

Touche Jane

This SNL also got me to belly laugh at Adam Sandler for the first time in years when he reprised his Opera Man, and had me giggling like…uh…use your imagination…when Maya Rudolph showed up as Beyonce with a continuous wind machine blowing back her fake flowy tresses. Yes, there was this strange, odd stand alone tribute to Eddie Murphy – as if he were the only huge star to emerge from the show – and a moment when I noticed a few people on social media were down on Paul McCartney’s voice when he soloed on Maybe I’m Amazed. To the latter I say: He’s Paul McCartney. Just deal with it, fool. He’s freakin’ Paul McCartney!!

Remember when you were in the Beatles?

Remember when you were in the Beatles?

I loved Paul Simon closing out the show with Still Crazy After All These Years but who would have ever thought that by far my favorite musical moment of the night would be Miley Cyrus doing a slowed down, twangy version of Simon’s own 50 Ways to Leave Your Lover? Not only was she not born when SNL started she wasn’t even alive when that song first became a hit. And I don’t care much for country music. (Note: Except for Dolly Parton but hey, c’mon). Still, this is also some of what the show has always done best. Introduce or reintroduce young talent to people who either don’t know them or choose to dismiss what they do out-of-hand. Bravo Miley and cheers to SNL for once again getting it right.

He's been fooling us this whole time!

He’s been fooling us this whole time!

It doesn’t matter if you didn’t understand why including Jon Lovitz in the tribute to the dead SNL cast members was funny, wondered why Bill Murray ended the touching tribute to the deceased with a joke about Spain’s General Franco having just died or scratched your head over Mike Meyers and Dana Carvey doing Wayne’s World, still pretending to be goofy Midwest teenagers Garth and Wayne. Scratch the latter. I’ll bet there were very few people who didn’t get the value of Wayne’s World – one of the few SNL sketches and characters to become a successful feature film aside from The Blues Brothers. Yup, some characters do reach across generations and just don’t age.

On that note, I hope to be watching Stefon 40 years from now, cheering for more Cowbell once again, and getting on the bandwagon for some as of yet unwritten comedy gem that will make me laugh even more than Roseanne Rosannadanna did the first time I saw her. That might seem as unlikely to you as the fact that 40 years from now I will be watching, much less understanding anything, especially SNL.

But you underestimate both of us at your own peril.

http://www.hulu.com/watch/751660