Same Script, Different Cast

Screen Shot 2015-12-06 at 2.38.37 PM

I can’t say it any better than the NY Times did on Saturday in its first front page editorial in almost 100 years:

It is a moral outrage and national disgrace that civilians can legally purchase weapons designed to kill people with brutal speed and efficiency.

I also can’t add much to my Friday night Facebook post right after I found out that the latest 14 people mowed down by terrorists – this time only an hour away from where I live in California – were longtime co-workers of their executioners.

Blue or red, liberal or conservative, religious or atheist – it’s time to Unite.

Not to mention, as a writer, I certainly wouldn’t dare to concoct the gruesome irony that this most recent pair of radical jihadist killers – who were also the parents of a six-month old – decided to murder the very same 14 co-workers who had thrown them a baby shower earlier this year.

I mean, who would believe that?

Ugh. Jeez.

Ugh. Jeez.

Imagine the desperation and twisted thinking that would lead individuals to such actions? What would it take for you to commit bloody acts that would not only inflict permanent harm on people that you knew but would ensure that you would not be around to see your child ever again – to never watch her take her first step, talk, walk or even laugh one more time?

Well, it’s a whole lot.

The terrorism that is occurring worldwide and with such frequency lately can’t simply be dismissed with they’re crazy. And they hate us seems, if not a given, certainly not a solution. And without a doubt, much too facile. It’s the equivalent of a kindergartener coming home after being beat up in school one day and telling their mother – no one likes me and I have no idea why.

It might be true but it does nothing to solve the problem.

These are actual solutions, people.

These are actual solutions, people.

We can barricade ourselves in, take steps to improve our security, launch attacks on countless assailants, horde our money and shout at the top of our lungs to scare the bad guys (and gals) away – but it won’t change anything permanently. The only way to get at the root of this is to accept what is, try to calmly understand why, and figure out how to modify behaviors.

But to deny the hate, the rage, the anger, the violence as mere fringe, lunatic behavior – or to continue to throw up our hands and be outraged by it until we retaliate in a more acceptable yet similar fashion, does nothing but create a never-ending merry-go-round of insanity.

Who knew the NY Daily News would hit the nail right on the head?

Who knew the NY Daily News would hit the nail right on the head?

Kindergarten brawls are fought this way. So are – or have – more than a few adult wars. And this is where that’s gotten us.

Oh, and let’s also include and reject stamping our feet and screaming about our second amendment rights to possess any gosh darned firearm we choose. This Thanksgiving I cooked a dinner for 16 without my beloved olive oil because one member of our newly-extended family is allergic to it. My e.v.o.o. is like your beloved Smith and Wesson. So believe it when I say — it doesn’t kill you to modify. And we all lived through it. It’s called sacrificing for the greater good.

But back to terrorism and the people/reasons it’s done.

As our great rom-com filmmaker Nancy Meyers once wrote and directed — It’s Complicated.

Remembering Meryl's kitchen does help in moments of rage

Remembering Meryl’s kitchen does help in moments of rage

Still, here’s what I know and will admit about rageful anger: It makes you a bizarre variation of who you are and it changes your thought processes. And it can at times be so powerful that it actually has you believing you are thinking more clearly than ever. In fact, if you’re on fire rageful – like 222% on the rage meter – it all seems to become crystal clear.

I can’t pretend to know what’s going on in the mind of radical Jihadi “Muslim” terrorist determined to blow the rest of us up – along with themselves – in order to change the world. Or simply in frustration at their place in the world and the powerlessness they feel to affect even the smallest of changes for the betterment of their loved ones and brethren.

But what I can do is to chime in with a metaphorical reference of my own personal experience as part of a worldwide marginalized group who at one time felt its very existence was also threatened and who certainly believed, and had proof, that the majority in power truly hated them.

This was what it was like for me and many thousands of others of gay men living in the U.S. in the 1980s and 90s during the height of our AIDS epidemic.

Yes, I’ve written about this many times before but it bears repeating. It was not unusual to watch your friends and neighbors die at the hands of an ugly, faceless assailant with no political policy in place or in sight. What made it worse, in fact put it over the top, was no interest at all on the part of those at the top of the power structure to change it. And, really, at the end of the day, it was perfectly fine not to rock the boat too much for the vast majority of others in power.   For years.   Many years.

When the stakes are literally life and death – and you’re consistently on the receiving end of the latter – you feel lost. You feel angry. You feel like you are inevitably next. And you want to destroy things.

Me during the late 80s

Me during the late 80s

Excuses? No. Just explanation.

If I hadn’t been terrified of guns and death – and had any feeling at all for a religious afterlife – I’m not sure what I would have done during those years. Though I know what I wanted to do. A very strong part of me that wanted to blow up things and people all through the eighties and well into the nineties – especially those in the upper echelons of U.S government. I wasn’t even a scintilla of upset when Pres. Reagan was shot – I was only angry that he seemed to so easily survive. This was a man who wouldn’t utter the words AIDS for seven of the eight years he was in office. A murderer, or at least perpetrator of passive genocide. Good riddance.

Perhaps this was twisted thinking. I’m not sure. It felt perfectly logical at the time. Sometimes it still does. Especially when I look back on those years.

No, I didn’t shoot at him or kill anyone. But if I were raised just slightly differently and hadn’t lucked out in the medical lottery and, to some extent, the family lottery, I’m not so sure that would be the case. It’s embarrassing and very unpleasant to admit but – I do get the rage. The appeal of a pipe bomb at the enemy. The quick fix evening of a score too long gone unpaid.

This might explain the popularity of Quentin Taratino movies #revengeporn

This might explain the popularity of Quentin Taratino movies #revengeporn

The only thing that made me feel a tad better during those times was the occasional moment when someone in the power structure spoke directly to the issue and held out even the slightest olive branch of understanding and potential action. Mere sympathy didn’t do it. It felt hollow. But a genuine pause to ask and to listen…and then listen some more…and more…and then understand…and help do something about it…that’s the one thing that began to allow the rage to dissipate.

If we can all come out from out from behind our physical and virtual walls, and respective corners, this might be worth considering – or not. Certainly there must be some other solutions out there.

Watching the Gross

Screen Shot 2015-11-29 at 9.39.34 AM

I thought I’d grown used to the movies I like grossing very little money but it’s sobering. Still, this shouldn’t be surprising. I can now get into films as a senior citizen in some places. I know, I’m shocked too.   When I went to see the Steve “Jobs” movie a few weeks ago I almost passed out. But still paid full price.

tumblr_maq0abRfJy1r4v34qo2_r1_250

Clearly, I’ve permanently strayed from the “youth” demographic Hollywood covets no matter how many times my peers say 50 is the new 40, 60 is the new 50, 80 is the new 20 and death is something that happens to OTHER people. That’s scary enough. But to realize that not one of my favorite films is among the 50 top grossing movies of the year – well, that’s positively un-American. It’s like my entire country has turned on me when I wasn’t looking. And in more ways than one. On the other hand, it’s not the first time. I lived through the eighties, Ronald Reagan and Forrest Gump winning the Oscar yet I am still here whining about it all as our first African American-president completes his second term of office and Birdman was last year’s best picture winner. Inevitably, these types of things, as well as life, do run in cycles.

And yet…

Hard as it is to recognize I have come to understand that like many Americans the movies are my touchstone. Each year at least a handful reflect what myself and our culture were thinking or feeling en masse and, when they worked really well, even showed us alternative ways to cope. Did Michael Keaton really go out the window at the end of Birdman? Who cares – it raised the question of just what are the alternatives we all face when trying to survive as an artist of any kind. And if one believes, as I do, that anything you attempt to do well in life does indeed have some sort of artistic element to it, it is essential we continue to consider these questions. And spend less time pondering how high of a gilded wall we can build around ourselves to keep out those who are different. Ironic, isn’t it? That a country built on a melting pot of difference should be faced with the 2015 Shakespearean question of how we engineer and preserve our current gene pool to exclude as many others as possible.

There’s a reason why, at its essence, drama hasn’t really changed very much since the Elizabethan period or even as far back as the ancient Greeks.

Still works!

Still works!

Which in a roundabout way brings me back to The MOVIES, 2015.

If you’re a member of a Hollywood guild each year you’re fortunate enough to receive DVDs of many of this year’s movies so you don’t have to move your privileged ass off the couch and make the effort to go to the movie theatre if you so prefer not to. (Note: Well, you wouldn’t either if you didn’t have to and had a decent TV setup at home – give me a break)

So being the lazybones (nee whore) that I am I decided that after gorging myself on turkey I’d continue gorging myself on some of the movies I got in the mail and have not yet seen. I also decided to go out to the movie theatres and pay for a few others as well as attend several industry screenings (Note: Yes, for free – I’m not only getting lazy in my old age but also cheap). And what continued to amaze me is that without exception the films that I really enjoyed continue to make very, very little money at the box office. How long before these types of films are not made at all? I fear, not very long.

Maybe there are better movies on Mars? (I'll ask Matt Damon)

Maybe there are better movies on Mars? (I’ll ask Matt Damon)

Now before you go saying I’m part of the problem because I’m not going out to see my films enough – you’re only partly right. Like all of you, I should venture out and support my local theatres more than I do. But also know that part of the marketing budgets of all production companies include sending out free DVDs to guild members not to be kind but to get us to VOTE for said film in an enormous array of awards competitions that the industry will use to promote the winners and get you/us – the audience – into the theatres to see or into the stores to buy or into our heads to stream. For better or worse that’s the way the system works. Bottom line dollars.

I suppose this explains why as a Writers Guild member two of the early DVDs I received were for Furious 7 ($353 million domestic box-office gross) and Jurassic World ($652 million). Did anyone really think these would win any writing awards? (Note: That question was rhetorical). No, it was about spreading the word. Well, fyi, I’ve previously seen both a Furious AND a Jurassic movie before and was entertained. I tried briefly with both of these. Oh God. I might be old but I’m not brain dead. Yet. Which is why I turned them off.

As for some of the others – well, here I am to do the job that I was sent to do by the studio overlords – spreading the word. (Note: As if I wouldn’t give my opinion anyway).

TRUMBO

He is Spartacus?

He is Spartacus?

This is the story of blacklisted Hollywood screenwriter Dalton Trumbo and how his intellectual liberal leanings sent him to jail for a year in the 1950s merely for being subversively un-American as a member of the Communist party. (Note: Think of him as a Muslim under a future Trump administration).

More interesting is the tale it tells of how Trumbo, once out of a jail, worked secretly writing tacky low-budget movies under assumed names and got his other unemployable writer friends jobs doing the same via a hidden writer’s clearing house he ran out of his house. With the help of his wife and children. Who answered five different telephone lines and served as their script couriers.

As played by Breaking Bad’s Bryan Cranston, this Trumbo is a witty, erudite crusader, family man who takes advantage of the people around him while at the same time loving them and his country in the most unorthodox of ways. It’s a wonderfully nuanced performance that will surely get him an Oscar nomination. The movie takes a long time to get going and in the first half especially feels a bit like a choppy, TV movie biopic from the 1970s. But ultimately it’s smart, breezy, clever and not without some meaning. And slickly made by director Jay Roach.

AND — It’s made less than a $1 million after three weeks of limited release.

Verdict: Watch it.

TRUTH

Would you... Rather?

Would you… Rather?

I was where most of you probably are on this. Robert Redford playing Dan Rather in a movie that shows us how Rather got pushed out of the anchor chair at CBS because of a 60 Minutes story he did on George W. Bush’s questionable military record of service? A story where sources recanted their original claims but nevertheless a story that was never proven factually inaccurate?

#1 – I don’t want to hear any more about Dubya. #2 – Redford is about as similar to Dan Rather as I am. #3 – It’s my private time, I want to be entertained by a film not forced to think about unpleasant stuff I was forced to live through all too recently.

Well, the film is not really about Dubya at all but about how the news you see on TV is put together and just how influential political dynasties can be “behind the scenes.” More importantly, Redford might not look anything like Rather but he’s got his speaking cadence down pat and is ultimately absolutely believable as the veteran Texas newsman – in fact it’s the best he’s been in a movie in many years. Who knew? Not any of us because no one is going to see it. Since it’s release in October it’s grossed about $2.5 million.

Oh, and then there’s Cate Blanchett starring as Rather’s real-life producer Mary Mapes, a tough-talking Texan she gets exactly right because she doesn’t slather on the accent but instead accentuates her intelligence. The whole film is smart. And –

Verdict: WORTH WATCHING.

SICARIO

Yawn. Sigh. Bleh.

Yawn. Sigh. Bleh.

My students will hate me for this because they seem to love this movie. Why? I have zero idea. Emily Blunt is as good as she can be as an FBI agent drawn into the web of breaking up a Mexican drug cartel by her CIA overlords as well as by others. But…it’s a labyrinth of action with character development and logic so spare as to be almost non-existent. And after a while it simply becomes preposterous. And a bore.

I’ve experienced first-hand as a writer notes on the strategy of throwing audiences right into the world of a movie without much of a convincing setup and allowing the viewer to play catch up. This sometimes works – as it did in the first season of True Detective. And it often times fails, as it does here. But then again, it depends what you mean by failure. Sicario has grossed $49 million in the U.S. alone and another $34 million overseas so far. That makes it a bit more than a modest success in the world of the balance sheet of a film with no above the title movie star or director. It’s also a world where logic and dialogue don’t matter as much the various kinds of actions that are ultimately delivered.

Verdict: SKIP IT. Though you could do worse (Note: See Furious AND Jurassic).

CAROL

Costumes by a 3-time Oscar Winner... what can ya say?

Costumes by a 3-time Oscar Winner… what can ya say?

Cate Blanchett and Rooney Mara as two seemingly mismatched women falling in love in the repressive 1950s under the direction of Todd Haynes (Safe, Velvet Goldmine, HBO’s Mildred Pierce). This movie was MADE for me!! You’d think.

It’s beautiful to look at. Cate Blanchett’s mink coat and shimmering blonde hair and red lipstick are breathtaking. As is every single room, piece of jewelry and choice of scenery and period motor vehicle and hotel room and tacky apartment and cheap motel room. Which is a big part of the problem. It’s a movie in love with artifice – and itself. The drama is real and sometimes palpable but as someone is said to have once said, “it’s like watching paint dry.” The same emotional beats are played over and over. Time and again.   It’s based on the seminal lesbian romance novel The Price of Salt by Patricia Highsmith, which she published under a pseudonym in 1952.   But never for one moment do you feel as if you’re watching anything other than a book unspooling in movie time without any of the nuanced language that made it so special.

The two actresses are wonderful. Everything is pretty. And it does show us how much a great deal of the world has changed. But…well….

Verdict: PASS – which is not to say there is not a great deal of skill and intelligence here. Would I watch it before Jurassic and Furious again? Oh, I don’t know. Maybe I should just force myself to get all the way through the latter two for the first time. Though Carol needs the money more. It’s grossed about $500,000 in 10 days of limited release. And I doubt there’s a ton more to come. DVD/streaming sales? Maybe. But…OK, I’ll stop now.

BRIDGE OF SPIES

A Spielberg movie written by.... The Coen Brothers?

A Spielberg movie written by…. The Coen Brothers? 

I popped the DVD to this in and had low expectations. I mean, it’s the tale of the reluctant negotiator spy type American hero of the 1950s as played by Tom Hanks and directed by Steve Spielberg that somehow you believe deep down in your soul you’ve seen before…. but directed by Hitchcock and starring Cary Grant and Ingrid Bergman or by Michael Curtiz and starring Humphrey Bogart and Ingrid Bergman. Except it’s not any of those. Or really that much like them.

Tom Hanks is very good, very believable and very likeable – in an authentic, throwback Americana way. It’s a tough act to pull off an insurance lawyer turned hostage negotiator in period clothes but somehow you buy it all. At this point it’d be shocking if Mr. Spielberg did not direct an infinitely watchable movie. And this one is pretty darn watchable – thanks also in great part to Mark Rylance’s brilliantly understated performance in a role you need to see rather than read about from me. He anchors the film. And if you think that’s easy when you’re not a movie star, you’re wrong.

Verdict: WORTH WATCHING. It won’t change your life but it’s engaging. Though at a $67 million box-office gross it’s the equivalent of Trumbo or Truth in dollars for a Spielberg pic. That may not be fair but it’s the way the industry thinks. And for our future films bodes a bit ominous.

Feel free to agree – or disagree. But just know the top five grossing films of 2015 are Jurassic World ($652 million); Avengers: Age of Ultron ($459 million); Inside Out ($356 million); Furious 7 ($353 million) and Minions ($336 million). And that’s just in the U.S. alone. Films that are more adult – nee a bit more complicated or intellectually challenging – are in trouble. And need our support. At theatres, on DVD, or yes, even for free. It’s who we are. Or were. Our choice.

Oh you'll be adding me to that list pretty soon....

Oh you’ll be adding me to that list pretty soon….

P.S. Note #1: I did very much enjoy Inside Out but it’s an animated film and they’re in a category of their own. This is not a snob thing but everyone likes at least one animated movie a year except a dear friend of mine who I still can’t convince to embrace Aladdin – the gayest animated movie that’s ever been made. I’ll work on him, though.

P.S. Note #2 – Just got home from a screening of The Danish Girl. Eddie Redmayne and his co-star, the Swedish film actress Alicia Vikander, will both receive Oscar nominations. As will others behind the scenes. It’s mainstream yet unusual. Thought-provoking though not too complicated. And timely in that it follows one of the first medical cases of gender reassignment. Verdict: See it. People actually speak in full sentences, and often more than one sentence at a time. Plus, nothing blows up.

At least that’s something.