Personal Reboot

Every so often you have to make a fresh start. And not many of us like doing it.

I don’t know about you but starting over and giving up on what you had or thought you had – or even moving on to something else or some new phase because what you’ve done is completed to the best of your ability – makes me alternately anxious, nauseous, angry and frozen – and often all at the same time.

Spock gets it

Think relationships, family, friends, jobs, creative projects or even one particularly troublesome person that involves all of the above. Though never think of yourself. You’re stuck with yourself for all of eternity so you may as well make the best of him or her or you will only make things worse. How do I know? Trust me, I know.

Writers do this all the time. A project eventually comes to an end and you have to put away all the reams of files, pages and accompanying books, papers and other research items in order to clear your mind and officially – move on.

Resist the temptation #BEDONE

This week I took down hundreds of index cards from the wall in my office and put away three standing boards and two dry erase easels with notations that have been there for almost a year and a half. The project I worked on was lengthy and complicated and, given the vagaries of the creative life, who knows what will happen with it. But since it was completed months ago and I was happy with it (Note: Well, relatively. No writers are ever truly happy with anything we do. That’s why we make up the story to begin with, to make sense of it) — I had to not so suddenly and finally ask myself –

Why are these f-cking cards still all over this f-cking wall?

My version of a cleanse

Good question. And what a perfect visual metaphor for everything you don’t want to let go of or give up on.

Imagine a wall full of exes? Or toxic family members? Or sickening workplaces? Or old apartments you loved but were forced out of? Or the shirt, sweater or dress you grew out of? Or the ___________ that never really _____________ while you stubbornly believed _____________ despite everybody else telling you ______________. Well, really, the list is endless.

I don’t know that I enjoy carrying around the recent or distant past with hopes I can change it. It’s more like I want to have it handy in case I can. Or use it to remind myself of just what I was feeling when that moment for revenge or victory or perfection draws near.

My brain is Mary Poppins’ bag. #manylamps

Yeah, right. Like I’ll forget. Or that it will once again happen to begin with. Or that perfection even….   See, already we’re in trouble.

I went to a Writers Guild of America screening of a clever new film called Dean – written, directed, starring and illustrated by Demetri Martin. It’s about a young cartoonist from Brooklyn who finds himself frozen in his tracks after his Mom – his biggest fan – has died.

The tagline says it all

It’s a small gem of a debut with much of the honesty, simplicity and imperfections that accompany first time filmmaking efforts. Which is to say that it is worth seeing for what it manages to simply say about life and death and – (ugh) – moving on.

Mr. Martin is a comedian/humorist best known for his Comedy Central show Important Things with Demetri Martin and appearances on The Daily Show. He also plays music, draws, writes poetry, engages in endless wordplay and has an oddball but not unapproachable take on the world.

Not to mention he’s 44 but looks 24 – or 30 at best. This is partly due to his trademark mop of shiny thick dark hair that falls pretty much across his entire forehead down to his eyebrows.

Don’t even get me started on these four mop tops

Yeah, I hate him too. But not really.

What he manages to achieve in Dean is an 87-minute treatise about starting over. It’s not so much about letting the worst or best go but incorporating the best and worst into whom you are by forcing yourself to put away all the old index cards and start on something – anything new.

Of course, this involves failing – and failing miserably. Then having a few small successes that turn into ultimate failures but give you momentary happiness that’s taken away. And then finally feeling the pain of that and a lot more until you get to the place where the original hurt still does hurt but not as badly because you have allowed yourself to have some new experiences and realize there is some potential to not be miserable – and even joyously happy again – even if, inevitably, it won’t last forever. Well, who or what does?

Ponder that for a moment

Oh, and did I mention he does a lot of cool drawings about it throughout the film, which don’t stop the action but further it. No wonder I (don’t) hate him.

I’m not sure when one of my parents died or a project I loved ended that I’d have put it into movie form where a character based on me travels to L.A., meets some friends, has an affair and continues on. Somehow, it might not have felt like – enough.

Except I recall that the last time I felt this way was when I started writing the script that would become my first produced movie.

Point being – it’s never enough.

Until it is.

Ugh.

John & Yoko “Starting Over”

Truth! Justice! and the American Way?

As a very little boy I remember watching black and white Superman reruns on syndicated TV where each week a booming male voice announced over the credits that a muscly hunk in tights would fight for truth, justice and the American way.

Like many little boys I became obsessed with Superman, tied a towel around my neck and ran around the house imagining I could fly out the window and…

Just imagine a Judy Miller sketch #gilda4ever

Well, I’m not quite sure what I wanted to do. Certainly, it wasn’t to fight – for justice or anything else. It was more about the journey, the outfit and the power of a muscly hunk via the deep male voice.

Feel free to fill in the rest of the blanks about me from there if you haven’t already – or if indeed there are any. But don’t for a moment imagine for one millisecond the vast array of the rest of us are much different than the slightly fey mini-me.

Don’t hate me ’cause you ain’t me!

In the last year America has clearly chosen fantasy, muscular masculinity over truth. Time will tell whether in the end we will indeed choose justice or instead continue running around our homes in imagined worlds where we truly believe items like towels and TV dialogue will guide us to a better world.

And don’t forget those nosy, listening microwaves!

A pop culture shift in the last week signals a scintilla of hope. Wonder Woman has emerged as THE #1 movie blockbuster of 2017- marking not only the first breakout FEMALE MOVIE superhero but the first time a female director (Patty Jenkins) is at the helm of a major studio tentpole film achieving blockbuster status.

At more than $200 million domestically and $350 million worldwide (in less than two weeks), Ms. Jenkins and her movie have broken a long-standing glass ceiling.

SLAY GIRL SLAY!

Six months ago Hillary Clinton’s campaign rented New York’s Javits Center hoping to literally demolish its glass ceiling in victory but instead found itself unimaginably conceding the following day to an inexperienced male who sold the trappings of masculinity in order to prove he could make America great again.

The electoral college public went for the salesmanship and words rather than deep-seated personal beliefs about us all being part of one fabric of world humanity that is united by doing all the good you can, for all the people you can, for as long as you can.

That message, and Stronger Together, were the key mantras of the Clinton campaign and are offshoots of the Methodist faith she was raised in. For the record, the real quote is:

“Do all the good you can, for all the people you can, in all the ways you can, as long as ever you can.’”

One could easily read the Methodist faith and the Clinton mantra into the psyche of Diana/Wonder Woman through not only the way she was raised by the other Amazonian women but by her guiding principles in every decision she makes and each action she takes.

When she finds herself enmeshed behind WWI’s western front and sees the years long death and suffering of the innocent villagers all around her she is appalled and can only simply and boldly ask Why isn’t anyone doing anything? 

Damn right!

Her cohorts argue quite forcefully that they need to ignore the carnage and keep going for the greater good of the big victory and to leave these people as simple casualties of war.   But that doesn’t fit her core principles so instead she climbs out of her foxhole, weaponizes her superpowers and smashes through enemy lines where, eventually, even her doubters aid her in vanquishing the enemy and saving this small, but in her eyes, more than worthy swath of townspeople.

In an even more climactic third act moment later on, when the notion is raised that mass humanity might not deserve to be saved, she has an even simpler retort:

It’s not about deserve, it’s about what you believe! And I believe in love. 

Cue my best Oprah empowerment ugly cry

Now see, taken out of context this might seem….well, conclude what you will, once again. No one ever accused comic books or movie superheroes of speaking Edward Albee-esque dialogue. Yet within the context of what we’re watching, it has all the best resonance of the Hillary campaign’s aspirational message and of Methodism.

  • We have an obligation to help each other – even strangers.
  • One always first errs on the side of love and compassion rather than indifference, hate and fear.
  • There is no greater good. There is only doing good. That will result in the greater good.

If this doesn’t sound Trumpian – well, it isn’t. It’s exactly the opposite

America’s unique place in the world has always been as an experimental, imperfect democracy. There is a reason why for centuries we’ve been lauded as a nation of immigrants where everything seems possible even if – in reality – it’s not.

In the actual world, one can’t achieve everything. But what is also true is that one will achieve nothing unless they believe what they’re trying to achieve is possible.

JUST KIDDING! REACH FOR THE STARS!

To have no overriding principle other than the betterment of one’s self or one’s immediate family to the detriment of all others is a recipe for perhaps temporary success but ultimate abject failure.

This is exactly the opposite message of Wonder Woman’s more compassionate one and that is why it is currently cleaning up at the global box-office and leaving all the naysaying, mummified macho men in the dust.

IF ONLY!

It is the 360-degree counter to Make America Great Again – which is fast being recognized as nothing more than a bloated, synthetic phantom cudgel through which to reject multiculturalism, the global community and social change.

Or, to put it in more movie specific terms we might all understand —

No superpower EVER emerges victorious unless they’re fighting for the greater good.

Think about it.

Florence + The Machine – “Kiss with a Fist”