Giving Thanks

There is a perfect little gem of a movie at your local theatre right now called Ladybird that perfectly evokes the real spirit of Thanksgiving. Or, at least, what it should be.

No, this is not because it has turkey dinners, enviable family gatherings or even any one real specific major revelation about what or whom we should all be majorly thankful for in life.

I mean, is there one such precious individual or experience that you can pinpoint from your past or present? Certainly I can’t think of one.

So instead what the immensely insightful writer-director Greta Gerwig (who will now finally be shed of the loaded and limiting moniker of “go-to indie actress”) has given us is a whole series of people and memories and hurts and pleasures from a fictionalized vision of her own last year of high school that trusts US to look inward and draw our own conclusions.

so angsty #inthebestway

Who was a jerk and who was wrong? Were you actually born into this family or unwillingly dropped into one of nature’s most regrettable mistakes? Are you right about more things than you’ve given yourself credit for or is that just your guilt or subconscious trying to sell you that there might have been two or more moments when THEY could have known better?

Of course we all have our THEYs but they differ depending on the age we are and what we’re experiencing.

This was the point of Ladybird for me and why it feels exactly right for Thanksgiving 2017.   We should be grateful for all of it – every last moment – for THEY have brought us to where WE are today.

If that’s not what we want we can choose to do better.

If that’s what we like we can look back in joy and appreciation – or in fear that it will inevitably one day all disintegrate and turn into dust and sand. Or we will.

a little light (and dark) humor

This is hardly revelatory stuff. Except in moments that you need to be reminded of it. Then it is.

It is also why the coming of age movie will always be a timeless and enduring genre that each generation or subset of a generation – yes that means anyone reading this – defines for itself.

No – this does not mean be grateful for the AWFUL (fill in this blank with the myriad sickening moments you’ve barely lived through or witnessed of your choice.

ah relief!

Please. This is not in any way meant to be inspirational and we have a whole host of upcoming holidays from which to draw those lessons from. But sometimes art – and yeah, many films these days still qualify as such – can remind all of us that what we get in any given year is usually a mixed bag that we figure out how to uniquely proceed through or get stuck in. It is this, all of this, that specifically makes us, individually – US.

And in the moments they are happening, we are usually the worst judges of US.

It seems not insightful but merely truthful to write this at the end of what has been a very difficult year for many of US – especially in the U.S. (Note: And its territories).

One supposes there are some – okay, at most a very small plurality – who get up each day singing the 2017 equivalent of Zippity-Doo-Da. But if you live in LA as I do, or in the NY or San Francisco areas, where many of my friends and relatives are located, it’s a tough lift to imagine.

Can we just stop with the term “Real Americans”? #dreamsfor2018

And yet –

I would like to see the negative events of 2017 – starting with Trumpism, moving through various climate and/or gun-related disasters, then segueing on to the public exposure of the nauseating ordinariness of sexual abuse in our culture, and finally ending with each of our own specific misfortunes in the last ten months – as part of a continuum.

They are part of what we are and have become – for sure.

But they DO NOT tell our ENTIRE story.

It’s too simplistic to define four years by 10 months or a single, seemingly cacophonic event. Just as it is way too reductive to define a young woman’s trajectory in life by the jerky boy she got rejected by in high school or the harsh, withholding mother who never understood her.

Even if your mother is played by the divine Laurie Metcalf

Ladybird respects her heroine enough not to underestimate her and it feels, at this time of the year, that we might all resist the temptation to pull the rug out from under ourselves or our worlds before our final scenes are played.

Some months ago I was seated at the bar of a hip restaurant in West Hollywood a dear friend had taken me to in order to cheer me up after some disconcerting news. (Note: Yes, the BAR – it was the only seating immediately available and it featured not only the same food but a real 180 degree CARRERA MARBLE countertop).

we’re very fancy

In any event, seated right next to me eating THE MOST FABULOUS food, was this very lovely, friendly and much more hip looking lesbian couple from London enjoying a pizza we knew we immediately had to order and, well many laughs we (well, I) clearly knew we had to be a part of.

After striking up a conversation, within minutes I’d somehow forgotten why we were there, tuned out the noise from any number of obnoxious Hollywood types within earshot and became thoroughly entranced with the very hip, funny London lesbianers’ tours of Venice Beach, the Hollywood sign, and tale of one particular dish at some other restaurant I’d been to many times that the most infectiously happy and hipper of the pair made me promise to go back and try because it would literally change my life.

me… 90% of the time

I felt better until it was almost time to leave when I suddenly and uncontrollably blurted out:

I just want you to know that Trump – so many of us didn’t support him. Please don’t think of us like that.

At which point, she put her hand on mine, looked me in the eye and replied:

Oh love, we know. We all know. Please, don’t take that on yourself.

MY EMOTIONS

She smiled, I nodded, she paid the check and she turned away. Then she got up and I noticed she was wearing a HUGE yet very stylishly hip diamond ring that sparkled her way towards the light by the door.

Wow, I thought, that’s quite a rock, no wonder she’s so happy.

Of course, as we know, nothing is ever that simple. Much as we’d like it to be.

Doris Day – “Zip-A-Dee-Doo-Dah”

https://www.youtube.com/watch?v=xYxZg3RkWV0

The Way We Are

When you love someone, from Roosevelt to me, you go deaf, dumb and blind.

That’s a line from one of the great Hollywood love stories – the 1973 Barbra Streisand-Robert Redford film, The Way We Were.

It is said by the very blonde, flawed and handsome Hollywood screenwriter Hubbell Gardner to his much more passionate and intelligent wife, the unabashedly ethnic Katie Morofsky, as a roundabout admission that he’s cheated on her.

The reveal of his sexual antics was bad enough after years of her unwavering belief in him. But what made it worse was what it represented – the latest of a long string of lies that undeniably proved the person she knew all these years was not a person at all. He was merely a mirage she created for herself.

A mirage… with insanely good hair

The real guy, in fact, was someone much harsher and uglier – someone indifferent to all sorts of immorality in not only others but in himself. Someone she did not really know at all.

In light of that —

Here’s a partial list of recently exposed, accused and extreme sexual predators in the entertainment industry with multiple victims and/or accusers:

Harvey Weinstein, Bill Cosby, Kevin Spacey, James Toback, Brett Ratner, Jeremy Piven, Ed Westwick, Steven Seagal, Louis C.K. and producer-writer Gary Goddard. 

Yes, I’ve limited the group to the most RECENT and the most FAMOUS. Certainly, there are more. A lot more. And a lot more to come.

I need a drink… or 12

Here’s a similar list in politics:

Electoral College POTUS Donald J. Trump, Alabama Senate nominee Roy Moore, Fox’s recently deposed Bill O’Reilly and Fox’s recently deceased leader Roger Ailes, journalist and former MSNBC commentator Mark (Game Change) Halperin, famed New Republic literary editor Leon Wieseltier and former NY Congressman Anthony Weiner.

Note: I’ve also left out former POTUS George H.W. Bush from the list because he’s 93, wheelchair bound and his accusers have so far limited his violations to recent ass-grabbing and sexual innuendo from his wheelchair.

Uh, yeah, this IS where we ARE at the moment.

#SAD

The Way We Were screenwriter Arthur Laurents was writing about Hollywood and the glittery protective wall that shields many of its most lauded inhabitants all those many years ago. This was long before I got here. As did people who came before him like F. Scott Fitzgerald. And so on and as far back as the industry existed.

Yet here I sit, a writer with nowhere near their credits, about to say what they and others described, a lot more directly.

Be careful about whom you admire and be careful before you agree to meet them. If they are in the handful of the top three or five you most admire they can’t help but disappoint you – and sometimes most grandly. Because what any of us admire in a public figure in any field is not about WHO they are but what they’ve ACHIEVED in their individual fields.

https://twitter.com/lpbradley/status/928718999222972416

Many of us, including myself at times, like to say one’s achievements are a part of them – like kindness, a great sense of humor or looks. Sadly, that’s a lie.

Talent, a mastery of a subject and glaringly high-level success, is a marker of work not personality traits. Most certainly, they are not markers of a great person, a bad person or even, in the end, a mere average person. They are outward achievements that vault an individual into the public eye and provide those old-fashioned values like fame and fortune.

But they say little to NOTHING about who that INDIVIDUAL really is at his or her core – or whether they are even a guy or gal you’d choose to hang out with, much less call a friend, role model or even object of adoration.

What they only are is produce – from that person.

Living in the ruins

Certainly, this is confusing and downright un-American. Not to mention, it’s disheartening as far as popular culture is concerned. This is why I don’t tell my students about the evening I spent in the eighties with one of THE greatest and most famous artists of the 20th century. Or a work experience I had years later with one of THE great music stars of the last five decades. Or the several months in which I was paired with that renowned and supposedly sensitive writer-director-producer some time after that on some other project that will go unmentioned.

Disasters, all of them, and not because I wasn’t trying. Yet each was horribly disappointing (if not horrifying) in their own way and to this day I still can’t understand how three so brilliantly talented individuals whose work I admired that much could be so downright……ugh…well, I’ll let you fill in the blank.

Remember this formula! #keepexpectationslow

Which then left me with a small but personal dilemma I suspect many of us are going through at the moment with the above names and those I left out. How do we look at their work now? Do we boycott them for political and/or personal reasons? What is the line for boycott – accusations, convictions, suspicion, personal opinion or just a general mass zeitgeist feeling?

Well this was a bad idea from the start…

If you eschew one of them do you eschew them all?

How long do they have to be in the doghouse? For life? Maybe so. Especially for the most egregious.

But is there any room for reparations among the lesser crimes? Or can any of these crimes even be lesser? And how much do apologies really mean?

Certain apologies are enough to get you that Iron Man money

Also – Do we get special dispensation for the ONE artist whose work has helped us through hard times or served as a creative guide for our entire professional lives??? Why not? Or…why???

This is easy for me given the present list of all of the newest offenders mentioned above. I can easily live without their work. And for that matter, I still don’t understand why Hollywood has forgiven the sexual abuse and anti-Semitic rantings of Mel Gibson not that many years ago — so much so that they cast him in the current Paramount mainstream comedy Daddy’s Home 2??? Though perhaps that’s punishment in itself.

What she said. #flopflopflop

On the other hand, I still watch Woody Allen movies and have gone to see numerous films Roman Polanski has directed. One of these guys has been accused by his daughter of childhood sexual abuse and the other fled this country in the 1970s for giving drugs and alcohol to a 13 year old and having sex with her.

So yeah, there’s all of that for me to NOT be proud of. In fact, the complicity feels even worse when I write it and read it over. Though I fear if I only watched the work of people in the industry who I knew and morally approved of, it’d either be a very short list or I’d keel over in boredom. Maybe both.

I swear if there is a Tom Hanks scandal I will scream #teamRita

This is not to say there are not all kinds of cool, moral, wonderful and faaaabulously talented artists I’ve both met personally and have yet to meet that are at the top of their games creatively and who never cease to bore you – or me. And plenty enough of the opposite to bypass.

It’s only to admit that we now live in an age where the behavior of artists will be inexorably linked to their art – which will in turn determine how, where and by how many people it will be consumed.

Well, that should be interesting. Or not.

Soft Cell – “Tainted Love”