Powerful Women

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My stepmom, who I loved very much, died this week – the same week that Hillary Clinton announced she was running for president. If Mrs. Clinton succeeds she will be the first woman to run our country. My stepmom – who from now on I will refer to as my Second Mom because that is what she really was and that was how I felt about her – ran and successfully raised a blended family of five children from two very different sets of parents for almost 45 years. This was not a first in the world but was certainly one of the firsts in a plethora of blended families that began en masse in the U.S. as a result of the changing social mores of the very early 1970s.

Meet Shelly

Meet Shelly

When my folks split up in 1969 it was not so much rare but extremely uncommon. Divorce was slowly on the rise and the myth of the idealized, perennially happy nuclear unit one saw advertised in the media was being exposed for the smoke and mirrors bit of real imperfect unreality it often most certainly was.

Numerous women have run countries of note over the centuries – Cleopatra, Indira Gandi, Golda Meir and Margaret Thatcher immediately come to mind – especially if one leaves out post B.C. royalty, which I most certainly am happy to do since I believe the anointment of kings and queens should stop at one’s high school prom. But interestingly enough, no female in our last 250 years has ever had or come very close to getting the top job in the United States.

This lady excepted, of course

This lady excepted, of course

That the most powerful country on Earth for many decades, if not centuries, has never had a female at the helm feels counterintuitive. This is especially true when I consider that many women like my Second Mom have proven time and again they intuitively know how to run things – especially people, bringing out the best qualities in them and their encounters with their environments.

Of course, this might not hold true across the board. We all have heard and/or experienced isolated parental horror stories. But overall these are often about both sexes – the horrible, harridan mama and the absent and/or abusive papa. So taking those many tales as a whole we can safely say that this argument at best produces a wash. Which leaves us once again with the question of the day – why are women so often undervalued and why do we not fully appreciate them in the moment of their greatest triumphs?

I've been saying this for years!

I’ve been saying this for years!

My Second Mom had the unenviable task of intermittently (meaning each summer and for various weeks in the year) incorporating the two existing children of the man she had married into a new life with this new husband who in turn she was asking to become the father and therefore breadwinner to the three other children she was bringing along from her previous marriage. Really? Now that I’m two and a half decades older than she was at the time she took all of this on my mind reels at her task at hand. It’s taken all I could muster to handle her death this week. Merely getting out of bed and doing the work I’m tasked to do – which doesn’t include raising ANY kids at all except myself – has me pretty much hog-tied. (Note: I think that is the first time I’ve ever used the term hog-tied in a sentence but nevertheless it somehow felt appropriate). And I’m a man. In 2015. Not a female with five children aged 3-15. In 1971.

A toast to my Second Mom

A toast to my Second Mom

Yet she did this, for many years, and with great humor, wisdom and a big open heart. There are really no books to teach such things. I had barely become a teenager when we met and was sharp, smart, had an attitude and determined to hate her. In other words, leave out the hate part and I was pretty much what you read now. Yet it took a simple game of bowling with my Dad and my much younger sister for her to totally win me over in less than five minutes. How does a Mom, much less a Second Mom, manage to do this? Was it her fringed, faux suede poncho, her long, wavy auburn hair, her penchant for throwing in a snide retort in every fourth sentence? More likely it was the fact that she immediately got me.

To be a great parent is to understand things about your children that they themselves haven’t realized and to guide them into discovery, acceptance and, finally, joy in being the best of themselves. She knew I was gay before I did (Note: I used to wonder how but now well, I mean I can’t even believe I once asked that question); realized I should be a writer way before anyone else in my family ever thought I should; told me I could achieve and handle stuff I felt sure I never could or secretly fantasized I might; and comforted and held me when I was hurt and scared, even when I was far into my adult years and on the surface seemed way, way, way beyond mothering. I couldn’t ever repay her for those many moments and even in recounting this tiny portion feel as if I can barely write about it. On the other hand, if she were here right now I know she’d smile and tell me I was being ridiculous and to just wait – I could not only handle this but a lot, lot more that I had in front of me. (Note: Damned if she wasn’t right again on all counts. Oh well).

shelly's advice

shelly’s advice

To do this sort of thing not only against all odds but to a sometimes hostile audience, is a feat that I will not quite ever understand. It can’t be a guy thing for this not to compute because certainly there are great Dads in the world who have exactly these qualities and understand innately how to do it. Just as there are females who can’t and don’t. Yet like all things great – these types of people are rare. Like all great leaders.

lead·er

  1. the person who leads or commands a group, organization, or country.

It takes all of the above qualities and more to effectively run a country – especially one of the size, stature and power of the good old US of A, which thus far has rejected every Mom in its history from ever getting the opportunity to do so. Talk about unappreciative, ungrateful or just plain clueless kids. Well, ahem, I guess that’s par for the course. We kids never quite realize the stuff we should until it’s almost too late. The important thing is we do realize it at some point, take what we’ve been taught and put it into practice.

#YES

#YES

Make no mistake – Hillary Clinton should not be elected president because she is a woman and a Mom. Those assets are only a small part of the experience she brings to the job. But to pretend that these are not assets and to not add them to the list of her many qualifications is its own form of acting out – like the mouthy teenager who believes their Mom is an annoying pain who is constantly crawling up their butt for no reason instead of a person with the patience of a saint who is infinitely smarter about certain things because of their experiences and love of their job.

Hillary Clinton has been:

  1. First Lady of the state of Arkansas
  2. First Lady of the U.S.
  3. U.S. Senator and the first woman to represent the state of N.Y.
  4. U.S. Secretary of State
  5. A respected lawyer
  6. A tireless human rights advocate and
  7. A national punching bag who has been dragged through scandal more times than most any one of us reading this AND has lived long and large enough to tell her tale to the world.

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I am not quite sure why at 67 someone with that history still aspires to endure a grueling 18-month election to be the leader of the free world but if I had to guess it would probably be precisely because that person has the sort of history that they do. People make their own choices (Note: Hard Choices – yuk yuk) and it is never an accident the uber-successful are where they are. I tell my students this every time they question me about why a gigantic movie star is a gigantic movie star. Plenty of people have talent but it does take a Village of determination, among other qualities and people, to get there.

See, she gets it!

See, she gets it!

As I posted on social media earlier this week, one might not AGREE with Mrs. Clinton (Note: Why did we all feel, from her earliest days on the national scene, that we have the right to call her “Hillary”) on the issues and instead have their own candidate of choice. But to scream that somehow she is unqualified, not intellectually up to the task or – and this is the most popular – morally lacking (uh, consider her predecessors in the last 50 years) is to be just plain…MAKING STUFF UP. In 2007, I once heard the blogger and former Republican now turned Democrat Andrew Sullivan whining disgustedly on television to Bill Maher that he can’t imagine listening to that voice for the next four years in some pathetic effort to devalue a Hillary Clinton presidency. And that’s coming from a learned guy who agrees more than disagrees with her on any given subject. This gives you just a preview of what is to come in the next couple of years, and then even more, should she get elected. So fasten your seat belts, as both Margo Channing and Ralph Nader once warned.

giphy

Yet if nothing else Hillary Clinton has certainly proven she can take care of herself on that and many other scores. Like many women of her time, she’s had to wear many hats in a large variety of styles and shapes over the years. My Second Mom wore a lot of hats, too. In fact, one of my favorite things she once told me occurred when we were walking through some overdone Las Vegas hotel into some fancy five star restaurant. She had her hair tucked into an unstylish short brimmed cap and when someone took notice of it she turned to me and said, “Oh fuck it, I don’t look like those other women anyway.”

No, she didn’t. She looked, and was, a lot better.

Hillary 2016.

Mad Memories

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Every television series has an expiration date – like all the rest of us. And as much as we love and adore a program, ourselves or someone else – what is inevitable is that after the many joys, heartaches, exhilarations and disappointments it will be time for a finale. That time begins this week for Mad Men – one of the most unlikely, game changing and creatively successful shows in television history.

Tonight marks the first of its seven-episode final season so it is really, for lack of a better phrase, the beginning of the end. Yet like all culminations (Note: Death sounds so awful doesn’t it – as if the opposite never existed) it carries a myriad of emotions depending on how one chooses to see endings – especially the creative kind.

MAYBE I WILL, SALLY!

MAYBE I WILL, SALLY!

Two of my favorite people in the world – Stephen Tropiano and Holly Van Buren – are currently working on a book to be published at the end of the year on this very subject called TV Series Finales FAQ: All That’s Left to Know About the Endings of Your Favorite TV Shows. It will cover a broad spectrum of many of our favorite series and it is more than likely at least one or more of the programs you have enjoyed most over the years will be included.

I, for one, will never forget the ending of Six Feet Under, the HBO program that centered on the mortuary-owning Fisher family. It seemed so obvious it would all conclude with the flash-forward death moments of each family member since they spent their time with us having to deal with the expiration dates of all the rest of the various people (meaning the surrogate versions of us) who entered into their home.

Nothing beats Brenda's "Death from boredom"

Nothing beats Brenda’s “Death from boredom”

Comedies like Newhart also gave us an equally creative finale – perhaps borrowed from The Wizard Of Oz, where in its very last scene Mr. Newhart wakes up from a dream in bed next to the woman he was married to from his previous 1970s series, The Bob Newhart Show. He then recounts to his 1970s wife, played by the deadpan and quite hilarious Suzanne Pleshette (Side Note: I met her at a Hollywood restaurant once through a mutual friend and she was down-to-earth and equally hilarious), the last eight-year synopsis of the other program as if it were some wild fever dream. To which Ms. Pleshette responds, among other things, Go back to sleep, Bob.

Absolute classic

Priceless

There are a variety of many other conclusions. The poignant M*A*S*H final helicopter departure; the more harsh, black comedy moment of the Seinfeld gang sitting in jail together, alienated from the world; and what will always seem like the pitch-perfect moment in Breaking Bad when Walter White’s reign of – shall we call it terror or victory? – finally comes to a close.

We all have our personal highs and lows and they’re often dictated by how and what we related to the entity that is ending – and even more so how we react when told by the Cosmos – or in the case of TV, a network or show runner – that despite what we might want there will be NO MORE.

Though perhaps some of us, myself included, are now thinking:

This metaphor doesn’t hold for TV anymore, Chair. What about all the sequels, reboots and reinventions? Maybe you should finally take a seat in your long overdue ROCKER!

https://twitter.com/davidduchovny/status/580549791760949248

Well, not quite. I know you’re all thrilled about the recently announced reboots of The X-Files with its original stars, David Duchovny and Gillian Anderson, and the return of Twin Peaks with the always Agent Cooper Kyle McLaughlin. The same way I was jazzed for that second season of Valerie Cherish this year in HBO’s The Comeback 10 years after the fact. However, the simple truth is that none of these shows is or will ever be the same as they once were – or are truly a continuation of what we knew them as before.

In the case of The Comeback – for me it was better. I mean, I’m 10 years older (which in show business years is truly almost a lifetime) and I now have an infinitely better understanding of Val’s trials and tribulations as a creative person in Hollywood even though I thought I knew just about all there was to know about it before. Perhaps that’s why I thought the second season was far deeper and more effective than the first – though it still could’ve rested there anyway since even that end was pretty good at the time.

I cherish you

I cherish you

Though I can’t say the same about the original ending of Twin Peaks I do admit its resume scares me even more since the black comedy dramatic irony it first pioneered 25 years ago in prime time has now been adopted by about 75% of most creative enterprises across the board in 2015 – and for quite some time. On that note, I can’t even imagine what Mulder and Scully will be up to on X Files – though I pray it won’t involve an introduction of alien spouses (Note: Wait, maybe I do!) even as I hope it will finally reveal what the heck happened to David Duchovny’s on-screen, never before seen sister. (Note: Yes, I’m sure it won’t work and I’d regret it if they did, but, well, as long as we’re going there, can’t they….Yes, I know).

One can’t hold on to time today and pretend it’s 10, 15, 20, 30 or 50 years ago. This is something the governors of both Indiana and Arkansas learned the hard way this past week when they were forced to deal with the severe public, not to mention financial, backlash from new religious freedom laws that could make it perfectly legal for businesses to choose not to serve gays and lesbians purely on religious grounds. This goes to show that even if one tries to recreate and build on something that once existed but doesn’t anymore it is impossible to get back to that moment of the first ending – or become overly nostalgic about that time in the past in this age and as the person you are now at this moment in time.

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As for impending endings and how best to deal with them – it would behoove all of us to simply revel in the final moments we have with ourselves, our friends and loved ones, as well as our favorite stories. (Note: That’s what my Mom used to call her soap operas). This is not a morbid thought because, well, many endings can go on for quite a long time. I mean, the final season of Mad Men has actually lasted more than a year due to AMC’s prescription of stretching it out that long to make more money and build audience ratings. And not to get too heavy (too late?) it can also be argued that we all are in the process of our own endings even when we think we are just beginning – given the constraints of existence. A pretty heady thought – especially for a Sunday blog. Or well, any day for that matter.

Though this seems appropriate for a show like Mad Men, which was, if nothing else, extremely heady (some called it dense) even as it was hilarious, devastatingly dramatic, sad and ironic. This gave it many detractors, including one person very close to me who in the past has often noted that despite its brilliance it often felt interminably slow – like watching paint dry.

Sometimes literally. (Season 4, Episode 3 The Good News)

Sometimes literally. (Season 4, Episode 3 The Good News)

Okay – fine. But why say that like that’s a negative thing? Isn’t life like that more times than we want to admit – mixed in with the excitement, fun and everything else?

Well – who the hell knows? All I am clear about is that while I dread the time two months from now without one of my favorite programs ever, I also know in my heart of hearts the moment has arrived to say good-bye. A relationship I stayed with far too long in the 1980s taught me that when I actually thought that I could…well, we don’t really need to get into that here. As for Mad Men, think of it this way – do you really want to see Don Draper in the 1970s? Not to mention – the eighties and nineties?   Now that would be sad.

i don't do polyester

i don’t do polyester

More happy are the seminal memories from the past. That is what I try to remember about all the people in my life who are long gone and it is what I choose to recall about what I consider – the consistently BEST WRITTEN SERIES ON TELEVISION. In the spirit of that, let’s close with the five best scenes of seven seasons that gave us so much more – not to mention so much more to think about.

#5 ROGER STERLING TAKES LSD

Season 5, Episode 6 Far Away Places

What happens when the middle-aged silver fox blue blood partner of an ad agency takes LSD with his much younger second wife? Well, the truth – of course.   At least that’s what it felt like in the mid-sixties. Drugs had a much different connotation then – freedom, creativity, inner understanding and, most importantly, eternal youth. In that one moment, MM captured not only a key moment for one of its characters but a significant moment in the cultural zeitgeist that too often gets twisted into more – and less – than it really was.

#4 – JOAN F-CKS THE JAGUAR GUY

Season 5, Episode 11 The Other Woman

You can’t say they slept together because office manager Joan knew exactly what she was there for – a partnership in the business. In a desperate attempt to keep a luxury car account, it is suggested that savvy Joan literally prostitute herself in the name of the firm and in an ironic, almost pre/post-feminist moment she agrees to for promise of a financial future far beyond the wildest dreams – or possibilities – of a woman in her situation during that time period. What made the scene (Note: Which is really a series of scenes in the course of the episode) particularly harrowing was that in some strange way her character had always served as the moral conscience of the show. She seemed to have an innate understanding of everyone and everything and the ability to keep it together her way. WE didn’t want her to DO THE JAGUAR but Joan always makes the right choice for herself before we get there. Or does she? This moment still leaves us wondering – and wondering why we’re judging. Not to mention just what our own price of a partnership is or could be.

#3 – GRANDMA IDA PAYS A VISIT

Season 6, Episode 7 The Crash

Come over here and give a hug to your Grandma Ida, says the middle-aged Black woman (NOTE: She is later referred to as an elderly Negro woman) to Don Draper’s very White pre-teen daughter Sally. Say what??? Of course, this is right after Sally catches the woman rifling through her remarried father’s living room in one of those divorced kids visits, so she’s confused and doesn’t respond. But Grandma Ida does with a condemning stare and the words: Now don’t you be rude to me, You come over here and give me some sugar.

Well, that would have been enough for this kid of divorce and I was almost Sally’s age during that time period and just as snide and mouthy. This said more about what it was like to be young enough to be a kid but old enough to understand more than the adults thought you did (though not quite as much as you thought) than almost anything else I’ve ever seen on television. I mean, could Dad really be…or have been raised by….? Not to mention how it addresses the issue of race. It’s still uncomfortable to talk about and still gives me the willies.

#2 – PEGGY TELLS PETE SHE HAD HIS KID AND GAVE IT AWAY

Season 2, Episode 13 Meditations in an Emergency

Click here for full clip

Click here for full clip

If it was difficult to believe that a young woman in that era could be pregnant in denial about it almost the moment she gave birth, it was also liberating to know that same woman could figure a way to pull herself out of it and back into normality. Except nothing about Peggy Olson, the smart, ambitious but sheltered young 20 something woman of her time, is NORMAL. Of course, what is normal anyway? Certainly not the 1960s, in retrospect. If you’ve ever known anyone, including yourself, who successfully managed to explain away the unexplainable with twisted logic – well, you gotta love Peggy here. And fear her – and for her – just a little. This scene is not the showiest and won’t mean much to non-fans, but if you’re a regular viewer and/or binge watcher you’ll never forget it.

#1  DON DRAPER: AD/MAD MAN GENIUS

Season 1, Episode 13 The Wheel

The heart of Mad Men is Don Draper – the handsome, square-jawed guy every woman wants to have and every guy wants to be. But it’s not Don’s looks, sexual prowess, success or reinvention that stand apart when one looks at the series of a whole – it his ability to deliver the goods when it counts. This is helped along greatly by brilliant writing delivered by the absolutely perfect casting/acting of Jon Hamm in that starring role. This scene more than any delivers the genius and heartbreak of this ad man and does so in the form of a faux advertising campaign pitch of a real product of the era in a way so personal to this character that we would have never imagined he’d go for it. Try doing that or acting it or writing it or even imagining it on your own some time and let me know if it’s a tenth as good. (Note: It won’t be). This is why Mad Men will endure and why its finale episodes – no matter which direction they go – will inevitably be worth watching.

https://www.youtube.com/watch?v=S46R5G0vhaw